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Old Woman Frying Eggs

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144: 265:, with a strong light source coming in from the left illuminating the woman, her utensils and the poaching eggs, while throwing the background and the boy standing to her right into deep shadow. Here the chiaroscuro is very intense, so much so that it would be impossible to see the wall at the bottom of the painting but for the basket hanging from it; it simultaneously manages to combine the murky darkness and high contrasts of light and shadow with the use of subtle hues and a palette dominated by ochres and browns. The composition is organised as an oval with the middle figures in the nearest plane, thus drawing in the viewer. 27: 272:
is nearly photographic and shows everyday plates, cutlery, pans, pestles, jugs and mortars, capturing the special shine on a glass surface and the light's play on the melon carried by the boy. The boiling pan is particularly well-captured, with its reflections and the whites of the eggs. Velázquez
728: 1085: 665: 567: 231: 736: 1090: 900: 229:. Velázquez frequently used working-class characters in early paintings like this one, in many cases using his family as models; the old woman here also appears in his 932: 840: 365: 940: 908: 752: 885: 824: 1095: 864: 848: 615: 599: 1025: 143: 44: 712: 744: 583: 959: 383: 282: 816: 768: 673: 649: 1100: 916: 110: 91: 991: 63: 983: 924: 697: 641: 358: 1050: 760: 657: 607: 967: 808: 776: 331: 312: 70: 48: 436: 1006: 784: 689: 494: 533: 188: 77: 351: 336:, exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF), which contains material on 800: 444: 217:
period. The date is not precisely known but is thought to be around the turn of 1618 before his definitive move to
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is considered to be one of the strongest of Velázquez's early works. Like others, it shows the influence of
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100.5 cm Ă— 119.5 cm (39.6 in Ă— 47.0 in)
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also worked particularly hard on the detail of the two figures' hands.
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Doña Antonia de Ipeñarrieta y Galdós and Her Son Don Luis
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The painting is in the 142: 25: 36:needs additional citations for 1: 1030: 996: 890: 702: 690:Philip IV in Brown and Silver 642:The Nun JerĂłnima de la Fuente 620: 546: 523: 495:Apollo in the Forge of Vulcan 465: 418: 403: 1096:Paintings by Diego Velázquez 189:National Gallery of Scotland 16:Painting by Diego Velázquez 1122: 445:The Waterseller of Seville 381: 223:Scottish National Gallery 141: 130: 1101:Food and drink paintings 1058:El ministerio del tiempo 933:Prince Balthasar Charles 616:Coronation of the Virgin 600:Temptation of St. Thomas 252:Old Woman Poaching Eggs 60:"Old Woman Frying Eggs" 901:Count-Duke of Olivares 857:Prince Philip Prospero 753:Juan MartĂ­nez Montañés 737:Count-Duke of Olivares 674:The Infante Don Carlos 666:Count-Duke of Olivares 503:The Surrender of Breda 487:The Triumph of Bacchus 246:Old Woman Cooking Eggs 213:, produced during his 584:Adoration of the Magi 414:Old Woman Frying Eggs 338:Old Woman Frying Eggs 259:Old Woman Frying Eggs 202:Old Woman Frying 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"Old Woman Frying Eggs"
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Spanish

Diego Velázquez
National Gallery of Scotland
Edinburgh
genre painting
Diego Velázquez
Seville
Madrid
Scottish National Gallery
Edinburgh
Christ in the House of Martha and Mary
frying
poaching
chiaroscuro
realism
List of works by Diego Velázquez
Velázquez
ISBN

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