30:
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131:... singularly appropriate, quite descriptive, and adds charm and perfection to the ballet. In the scene where the young fisherman Mattéo is conveyed into the depths of the sea, and the naiads dance their many fascinations around him, the musical accompaniments which describe the rise and fall of the waves are eminently characteristic and beautiful: the very ripple of the flow, and the rushing sound of the ebb over the pebbly strand are heard, and fully satisfy the ear.
141:
166:
Their only point in common appears to be the ill-fated love of a water sprite, Ondine, with for a mortal man who already has a mortal sweetheart. However, the ballet's divergence from the original novel "derive from intermediary works linking the book and the ballet, which Perrot used to enrich and
175:, and the transformation of the aristocratic Sir Huldbrand into the humble fisherman Matteo, while Undine's rival Bertalda became the orphan Giannina. In many ways, Perrot's ballet is more similar to René-Charles Guilbert de Pixerécourt's play of the story,
229:
January 30] 1851. For the production, Cesare Pugni, who had accompanied Perrot to Russia, extensively revised and expanded his original score of 1843. The production premiered to great success.
328:
7 December] 1903, and was the last revival of Perrot's ballet staged in
Imperial Russia, though the full-length ballet continued being performed by the Leningrad ballet until 1931.
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573:
158:
The plot is no more like the romantic baron's story than it is like that of
Robinson Crusoe, excepting so far as a water-nymph is the heroine. Therefore, the readers of
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264:, with Pugni composing two new variations especially for her performance. Petipa later staged his own complete revivals of the full-length work:
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enhance his theatrical conception". The greatest changes that Perrot made to the basic plot were the change of location from the darkly evocative
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This article is about the ballet by Jules Perrot and Cesare Pugni. For the ballet by Hans Werner Henze and
Frederick Ashton, see
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351:, with a new version of Cesare Pugni's score assembled from his original composition of 1843 and his revised edition of 1851.
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have to unlearn all they know, if they would avoid mystification while witnessing the marvels of the new ballet.
78:, a long-time balletomane and patron of the arts in London. Whilst the original London production used the title
209:
of the St. Petersburg
Imperial Theatres in Russia, Jules Perrot presented an elaborately expanded production of
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during the latter half of the 19th century. In 1867 he revised much of the choreography for the performance of
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249:. For the performance, a stage was erected above the water of the lake of the Ozerky Pavilion.
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danced the title rôle, while Perrot himself played her mortal beloved, the fisherman Mattéo.
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179:, which was first presented in Paris in 1830 while Perrot was also performing there.
103:
431:
Au, Susan (1978). "The Shadow of
Herself: Some Sources of Jules Perrot's "Ondine"".
396:
Au, Susan (1978). "The Shadow of
Herself: Some Sources of Jules Perrot's "Ondine"".
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11 July] 1851, Perrot presented his production for a performance at
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staged especially for the celebrations held in honor of the name-day of the
115:" ... one of the most beautiful productions that any stage ever boasted of."
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86:, a title which was used for all subsequent productions of the ballet.
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for the
Imperial Ballet on several occasions throughout his career as
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Cesare Pugni's score was hailed as a masterwork of ballet music.
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The ballet bore little resemblance to de la Motte Fouqué's
82:, Perrot staged a revival of the ballet under the title,
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staged a revival of Perrot's ballet under the title
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357:paid tribute to Perrot in his own choreography for
343:, a production that opened on 16 March 2006 at the
1037:The Little Humpbacked Horse (as "The Tsar Maiden")
56:in three acts and six scenes with choreography by
324:. The revival premiered on 20 December [
127:, a London newspaper, described Pugni's score as
386:Illustrated London News, July 14, 1843, page 45.
94:The ballet was first presented by the ballet of
129:
477:
8:
1121:The Romance of the Rosebud and the Butterfly
276:Eugenia Sokolova, with musical revisions by
876:Le Diable à Quatre (as "The Willful Wife")
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470:
462:
729:Ondine (as "The Naiad and the Fisherman")
367:by incorporating his own version of the
200:at Her Maejesty's Theatre. London, 1843.
113:. A contemporary review described it as
1085:Les Ruses d'Amour or The Trial of Damis
550:The Rose, the Violet, and the Butterfly
379:
64:, and a libretto inspired by the novel
439:(3). Taylor & Francis, Ltd: 160.
404:(3). Taylor & Francis, Ltd: 159.
109:The original scenery was designed by
7:
306:of the Imperial Theatres and former
287:20 September] 1892 for the
561:(*1858, *1863, *1868, *1885, *1899)
518:Le Diable amoureux (as "Satanella")
192:Lithograph of Fanny Cerrito in the
272:27 October] 1874 for the
14:
223:Imperial Bolshoi Kamenny Theatre
196:from the original production of
1158:Works based on Undine (novella)
828:La Vivandière (as "Markitenka")
252:Marius Petipa revived Perrot's
74:. Pugni dedicated his score to
119:" ... step-revealing goddess."
1:
566:A Marriage During the Regency
492:The ballets and *revivals of
243:Grand Duchess Olga Nikolaevna
177:Ondine, ou la Nymphe des Eaux
144:Currier and Ives illustration
76:Augusta, Duchess of Cambridge
537:(*1850, *1884, *1899, *1903)
294:, with musical revisions by
72:Friedrich de la Motte Fouqué
957:The Caprices of a Butterfly
219:The Naiad and the Fisherman
1174:
34:A performance of Perrot's
15:
777:The Daughter of the Snows
445:10.1080/01472527808568730
410:10.1080/01472527808568730
302:Cesare Pugni's grandson,
225:on 11 February [
205:During his engagement as
171:to the sunnier shores of
117:and praised Cerrito as a
1107:The Heart of the Marquis
745:The Adventures of Peleus
526:Leda, the Swiss Milkmaid
258:Premier Maître de Ballet
207:Premier Maître de Ballet
1153:Ballets by Cesare Pugni
1148:Ballets by Jules Perrot
916:The Sacrifices to Cupid
315:La Naïade et le pêcheur
313:, mounted a revival of
304:Second Maître de Ballet
254:La Naïade et le pêcheur
215:La Naïade et le pêcheur
84:La naïade et le pêcheur
36:La naïade et le pêcheur
22:Ondine (disambiguation)
1021:The Awakening of Flora
609:The Pharaoh's Daughter
349:St. Petersburg, Russia
341:Kirov/Mariinsky Ballet
202:
164:
145:
133:
44:
20:. For other uses, see
1143:1843 ballet premieres
844:The Night and the Day
657:The Benevolent Cupid
617:The Beauty of Lebanon
268:7 November [
233:On 23 July [
190:
156:
143:
96:Her Majesty's Theatre
32:
949:The Enchanted Forest
903:(1886, *1887, *1900)
676:(1868, *1891, *1903)
625:The Traveling Dancer
612:(1862, *1885, *1898)
371:into the first act.
355:Sir Frederick Ashton
283:2 October [
211:Ondine, ou La Naïade
198:Ondine, ou La naïade
80:Ondine, ou La naïade
49:Ondine, ou La naïade
965:The Sleeping Beauty
884:La Fille Mal Gardée
871:(*1884, 1899, 1903)
574:The Parisian Market
542:The Star of Granada
317:especially for the
900:The King's Command
812:La Fille du Danube
331:The Ballet Master
311:Alexander Shiryaev
247:Emperor Nicholas I
203:
146:
45:
1130:
1129:
1123:(never presented)
785:Frizak the Barber
359:Hans Werner Henze
345:Mariinsky Theatre
102:on 22 June 1843.
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1114:The Magic Mirror
1044:The Cavalry Halt
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213:under the title
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892:The Magic Pills
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673:Le Roi Candaule
593:The Blue Dahlia
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433:Dance Chronicle
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398:Dance Chronicle
395:
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319:prima ballerina
308:premier danseur
289:prima ballerina
274:prima ballerina
262:Ekaterina Vazem
239:Peterhof Palace
201:
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40:Peterhof Palace
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18:Ondine (ballet)
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1005:The Nutcracker
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333:Pierre Lacotte
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296:Riccardo Drigo
292:Anna Johansson
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245:, daughter of
194:Pas de l'ombre
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111:William Grieve
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705:The Two Stars
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494:Marius Petipa
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361:'s music for
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278:Ludwig Minkus
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104:Fanny Cerrito
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37:
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27:
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19:
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1100:Harlequinade
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1084:
1065:
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1027:
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989:A Fairy Tale
987:
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941:The Talisman
939:
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914:
908:La Esmeralda
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369:Shadow Dance
368:
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353:
336:
330:
322:Anna Pavlova
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62:Cesare Pugni
58:Jules Perrot
48:
47:
46:
42:. July, 1851
35:
26:
1092:The Seasons
997:La Sylphide
753:La Bayadère
737:The Bandits
721:Le Papillon
681:Don Quixote
601:Terpsichore
558:Le Corsaire
60:, music by
1137:Categories
1013:Cinderella
981:Kalkabrino
933:The Vestal
836:Pâquerette
1059:Bluebeard
1051:The Pearl
1029:Swan Lake
852:Pygmalion
665:The Slave
496:in Russia
221:) at the
125:The Times
1067:Raymonda
973:Nénuphar
925:Fiametta
860:Coppélia
697:Catarina
339:for the
1078:1900–03
1040:(*1895)
1032:(*1895)
1000:(*1892)
952:(*1889)
887:(*1885)
879:(*1885)
868:Giselle
863:(*1884)
839:(*1882)
831:(*1881)
820:Zoraiya
815:(*1880)
804:1880–99
769:Ariadne
724:(*1874)
713:Camargo
700:(*1870)
652:(*1867)
641:Titania
633:Florida
585:1860–79
534:Giselle
521:(*1848)
510:Paquita
502:1847–59
453:1567379
418:1567379
183:Revival
90:History
1117:(1903)
1109:(1902)
1103:(1900)
1095:(1900)
1087:(1900)
1070:(1898)
1062:(1896)
1054:(1896)
1046:(1896)
1024:(1894)
1016:(1893)
1008:(1892)
992:(1891)
984:(1891)
976:(1890)
968:(1890)
936:(1888)
928:(1887)
919:(1886)
895:(1886)
855:(1883)
847:(1883)
823:(1881)
788:(1879)
780:(1879)
772:(1878)
764:(1878)
761:Roxana
740:(1875)
716:(1872)
708:(1871)
692:(1870)
689:Trilby
668:(1868)
660:(1868)
644:(1866)
636:(1866)
628:(1864)
620:(1863)
604:(1861)
569:(1858)
553:(1857)
545:(1855)
529:(1849)
451:
416:
364:Ondine
337:Ondine
173:Sicily
169:Danube
160:Undine
151:Undine
100:London
67:Undine
54:ballet
793:Mlada
649:Faust
449:JSTOR
414:JSTOR
375:Notes
52:is a
326:O.S.
285:O.S.
270:O.S.
235:O.S.
227:O.S.
136:Plot
441:doi
406:doi
347:of
70:by
38:at
1139::
922:*
447:.
435:.
412:.
400:.
154::
98:,
485:e
478:t
471:v
455:.
443::
437:2
420:.
408::
402:2
298:.
280:.
217:(
24:.
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