Knowledge (XXG)

Orlando Morgan

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314:, however, had some praise for the music, saying: "It is not extraordinary, but neither is it commonplace except occasionally. He does not write particularly well for the voice, but he has, generally, originality and is always melodious. Some of his songs, not the purely sentimental ones, are fresh, 'catchy', well-written and full of tune." The piece had one of the shortest runs of any Savoy opera, a total of 43 performances, after which it had another week's run at the 140: 72:. As a student at the Guildhall, he won the Merchant Taylors' scholarship and the Webster prize, becoming a teacher and examiner at the school by the age of 22. In February 1893, he won the Yate prize for composition. In 1894, at the Grand Concours Internationale de Composition Musicale at Brussels, Morgan received the first prize and gold medal. 309:
was mostly critical, writing "the composer falls below the level of accomplishment one might have reasonably expected. There are numbers in the piece, however, which seem to point to his possession of a gift for facile melody. ... The scoring throughout is decidedly thin even for musical comedy."
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Morgan married the singer Annie Elizabeth Morley. The couple had two sons, Raymond and Cyril Douglas. Cyril became a City Freeman in 1920 and Principal Clerk of the Chamberlain's Office of the Corporation of London in 1946. In later years, Morgan and his wife lived at 9 Harvard Court, Honeybourne
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wrote of him, "though he manifested sensitiveness and good workmanship, he failed to awaken any lasting impression in original composition." Many of his songs were ballads, perhaps the best-known of which is "Clorinda", with a lyric by John Bledlowe. His short dance piece
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said of his editions of the classics, "They are meant for performance rather than for the study. The performer is not bothered by extensive footnotes and alternative readings, but has a clear and on the whole reliable text from which to work." Morgan's editions include
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As a teacher, Morgan's tenure at the Guildhall was exceptionally long. When he retired as Professor of Pianoforte and Composition in 1951 at the age of 85, he had completed 64 years of service. Among his pupils were the composer
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national piano playing competition in 1928. Other songs included "Fair Rosalind", "At Christmastide", "Before the Dawn", "My Gentle White Dove", "Where the Lotus Blooms" and "When Snowflakes Dance".
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in 1923. Morgan played over a piece that Coward had written and objected to his harmonisation. Coward later recalled, "I was told by my instructor that I could not use consecutive
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had used consecutive fifths like mad.… I left his presence forever with the parting shot that what was good enough for Debussy and Ravel was good enough for me."
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in London, where he taught for 64 years, from 1887 to 1951, as Professor of Pianoforte and Composition. His pupils included the composer
69: 27: 51:(1910), which had poor notices and a brief run. Morgan wrote no more operas but continued to compose prolifically throughout his life. 388: 780: 523: 128:
had announced many years ago that consecutive fifths were wrong and must in no circumstances be employed.… I argued back that
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even hinted at plagiarism: "The music was tuneful in parts, sometimes strangely familiar."
293:. Morgan's contribution to the piece received generally negative reactions in the press. 632: 315: 182: 98: 576: 129: 125: 117: 810: 795: 290: 274: 258: 133: 121: 559: 193: 113: 68:, the son of Peter and Elizabeth Morgan. In 1880, at the age of 15, he entered the 41:
Morgan composed many songs and classical pieces, as well as the music for the last
799: 286: 42: 636: 605: 446: 429: 250: 65: 23: 328: 263: 156: 86: 35: 318:, a summer tour, and then disappeared. The score is considered to be lost. 22:(16 March 1865 – 16 May 1956) was an English music teacher, composer and 245:. Dedicatees of his works included a wide range of performers including 589: 216: 482: 116:
called "an attempt" to teach harmony and composition to Astaire and
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Who's who in Music: A Biographical Record of Contemporary Musicians
391:, The National Archives, Reference CLA/057, accessed 4 January 2010 138: 606:"Clorinda", performed by Frederick Schauwecker, 14 December, 1955 239:; more than 200 songs and pianoforte pieces; and a comic opera, 154:
As a musicologist, Morgan was known for his practical approach.
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Morgan was a prolific composer. Among his works were three
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was regarded as "still the best of all student editions".
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A diversion in his normal teaching curriculum was what
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Academics of the Guildhall School of Music and Drama
577:"A 123rd Garland of British Light Music Composers" 105:. By 1915 Morgan had published six volumes of his 842:Alumni of the Guildhall School of Music and Drama 699:, 10 March 1910, p. 10; and 23 April 1910, p. 14. 498:Stoker, Richard. "Truscott, Harold (1914–1992)", 620:The Complete Columbia Solo Electrical Recordings 297:pronounced the music "not very distinguished". 124:. He went on to explain that a gentleman called 16:English music teacher, composer and musicologist 347:Riemann, Hugo, Zweiter Band and Dritter Teil. 798:Productions: A Centenary Review of the Final 579:, Classical MusicWeb, accessed 7 January 2009 272:was chosen as one of ten test pieces for the 8: 571: 569: 389:Corporation of London Records Office archive 594:The Stanford Archive Series: Richard Crooks 500:The Oxford Dictionary of National Biography 557:Heppner, Sam. "Basic piece of furniture", 436:, online edition, accessed 4 January 2010 489:, Vol. 114, No. 1565 (July 1973), p. 690 353:(1913) Breitkopf & Härtel: Leipzig 453:online edition, accessed 4 January 2010 451:Oxford Dictionary of National Biography 434:Oxford Dictionary of National Biography 403: 401: 399: 397: 340: 623:, MusicWeb International, October 2019 447:"Hess, Dame (Julia) Myra, (1890–1965)" 483:"C. W. Orr: An 80th Birthday Tribute" 363: 361: 359: 107:Modern School of Pianoforte Technique 7: 384: 382: 380: 64:Morgan was born on 16 March 1865 in 231:; two song-cycles for four voices, 203:. In the 1970s, his edition of the 685:Evening Standard & St. James's 312:The Evening Standard and St. James 14: 775:, Da Capo Press, New York, 1981. 430:"Frankel, Benjamin (1906–1973)" 168:Forty-Eight Preludes and Fugues 789:, Michael Joseph, London, 1953 530:(1915), Pitman: London, p. 191 410:, obituary, 18 May 1956, p. 13 1: 463:"Obituary: Marian McPartland" 639:, YouTube, September 5, 2019 350:Handbuch der Musikgeschichte 858: 368:"Morgan, R(obert) Orlando" 787:The Noël Coward Song Book 70:Guildhall School of Music 28:Guildhall School of Music 76:Teacher and musicologist 514:, Divine Art Recordings 745:, 23 August 1956, p. 1 651:, 11 March 1910, p. 10 563:, 25 March 1977, p. 16 289:, produced in 1910 by 151: 832:English musicologists 754:"R. Orlando Morgan", 723:, 11 July 1910, p. 12 575:Scowcroft, Philip L. 419:Farrell, Introduction 142: 20:Robert Orlando Morgan 616:Greenbank, Stephen. 512:"Harry Waldo Warner" 229:The Legend of Eloisa 200:Album für die Jugend 758:, 24 May 1956, p.13 741:"Musician's Will", 673:The Daily Telegraph 479:Palmer, Christopher 306:The Daily Telegraph 221:The Crown of Thorns 95:Charles Wilfred Orr 711:, 2 May 1910, p. 8 445:Ferguson, Howard. 283:Two Merry Monarchs 255:Benno Moiseiwitsch 242:Two Merry Monarchs 152: 149:Two Merry Monarchs 103:Harry Waldo Warner 48:Two Merry Monarchs 827:English composers 588:Morgan, Orlando. 548:Coward, pp. 12–13 487:The Musical Times 145:Roland Cunningham 143:Daisy le Hay and 91:Marian McPartland 849: 792:Farrell, Scott. 759: 752: 746: 739: 733: 730: 724: 718: 712: 706: 700: 694: 688: 682: 676: 675:, 11 March 1910. 670: 664: 663:, 13 March 1910. 661:The Sunday Times 658: 652: 646: 640: 633:Murdoch, William 630: 624: 614: 608: 603: 597: 586: 580: 573: 564: 555: 549: 546: 540: 537: 531: 521: 515: 509: 503: 496: 490: 476: 470: 469:, 21 August 2013 460: 454: 443: 437: 428:Kennaway, E. D. 426: 420: 417: 411: 405: 392: 386: 375: 365: 354: 345: 322:Family and death 300:The Sunday Times 247:Wilhelm Backhaus 181:'s Sonatas; and 85:and the pianist 83:Benjamin Frankel 34:and the pianist 32:Benjamin Frankel 857: 856: 852: 851: 850: 848: 847: 846: 807: 806: 771:Astaire, Fred. 768: 763: 762: 753: 749: 740: 736: 731: 727: 719: 715: 707: 703: 695: 691: 687:, 11 March 1910 683: 679: 671: 667: 659: 655: 647: 643: 637:"Le bal poudre" 631: 627: 615: 611: 604: 600: 587: 583: 574: 567: 556: 552: 547: 543: 539:Astaire, p. 119 538: 534: 522: 518: 510: 506: 497: 493: 477: 473: 461: 457: 444: 440: 427: 423: 418: 414: 406: 395: 387: 378: 366: 357: 346: 342: 337: 324: 261:and Myra Hess. 237:Love Rhapsodies 213: 99:Harold Truscott 78: 62: 57: 17: 12: 11: 5: 855: 853: 845: 844: 839: 834: 829: 824: 819: 809: 808: 805: 804: 790: 785:Coward, Noël. 783: 767: 764: 761: 760: 747: 743:Hampstead News 734: 732:Farrell, p. 74 725: 713: 701: 689: 677: 665: 653: 641: 625: 609: 598: 592:, included in 581: 565: 550: 541: 532: 524:"Moore, H. G." 516: 504: 491: 471: 455: 438: 421: 412: 393: 376: 355: 339: 338: 336: 333: 323: 320: 316:Strand Theatre 212: 209: 126:Ebenezer Prout 87:Dame Myra Hess 77: 74: 61: 58: 56: 53: 36:Dame Myra Hess 15: 13: 10: 9: 6: 4: 3: 2: 854: 843: 840: 838: 835: 833: 830: 828: 825: 823: 820: 818: 815: 814: 812: 802: 801: 797: 796:C. H. Workman 791: 788: 784: 782: 781:0-306-80141-8 778: 774: 773:Steps in Time 770: 769: 765: 757: 751: 748: 744: 738: 735: 729: 726: 722: 717: 714: 710: 705: 702: 698: 693: 690: 686: 681: 678: 674: 669: 666: 662: 657: 654: 650: 645: 642: 638: 634: 629: 626: 622: 621: 613: 610: 607: 602: 599: 595: 591: 585: 582: 578: 572: 570: 566: 562: 561: 554: 551: 545: 542: 536: 533: 529: 525: 520: 517: 513: 508: 505: 501: 495: 492: 488: 484: 480: 475: 472: 468: 467:The Telegraph 464: 459: 456: 452: 448: 442: 439: 435: 431: 425: 422: 416: 413: 409: 404: 402: 400: 398: 394: 390: 385: 383: 381: 377: 373: 369: 364: 362: 360: 356: 352: 351: 344: 341: 334: 332: 330: 321: 319: 317: 313: 308: 307: 302: 301: 296: 292: 291:C. H. Workman 288: 285:was the last 284: 279: 277: 276: 275:Daily Express 271: 270:La bal poudre 266: 265: 260: 259:Landon Ronald 256: 252: 248: 244: 243: 238: 234: 233:In Fairy Land 230: 226: 222: 218: 210: 208: 206: 202: 201: 196: 195: 190: 189: 184: 180: 176: 175: 174:French Suites 170: 169: 164: 159: 158: 150: 146: 141: 137: 135: 131: 127: 123: 119: 115: 110: 108: 104: 100: 96: 92: 88: 84: 75: 73: 71: 67: 59: 54: 52: 50: 49: 44: 39: 37: 33: 29: 25: 21: 800:Savoy Operas 793: 786: 772: 755: 750: 742: 737: 728: 720: 716: 708: 704: 696: 692: 684: 680: 672: 668: 660: 656: 648: 644: 628: 619: 612: 601: 593: 584: 560:The Guardian 558: 553: 544: 535: 527: 519: 507: 499: 494: 486: 474: 466: 458: 450: 441: 433: 424: 415: 407: 371: 349: 343: 325: 311: 304: 298: 294: 282: 280: 273: 269: 262: 240: 236: 232: 228: 224: 220: 214: 204: 198: 194:Kinderszenen 192: 186: 172: 166: 155: 153: 148: 114:Fred Astaire 111: 106: 79: 63: 46: 40: 24:musicologist 19: 18: 822:1956 deaths 817:1865 births 372:Who Was Who 287:Savoy opera 205:Forty-Eight 188:Novelletten 118:Noël Coward 89:as well as 60:Early years 43:Savoy opera 811:Categories 766:References 618:Review of 590:"Clorinda" 251:Clara Butt 183:Schumann's 66:Manchester 756:The Stage 721:The Times 709:The Times 697:The Times 649:The Times 408:The Times 329:Hampstead 295:The Times 281:Morgan's 264:The Times 179:Beethoven 157:The Times 55:Biography 217:cantatas 211:Composer 225:Zitella 130:Debussy 803:, 2009 779:  502:(2004) 327:Road, 122:fifths 335:Notes 134:Ravel 794:The 777:ISBN 235:and 227:and 197:and 171:and 163:Bach 132:and 101:and 185:'s 165:'s 147:in 813:: 635:. 568:^ 526:, 485:, 481:. 465:, 449:, 432:, 396:^ 379:^ 370:, 358:^ 257:, 253:, 249:, 223:, 219:, 191:, 177:; 109:. 97:, 93:, 45:, 38:.

Index

musicologist
Guildhall School of Music
Benjamin Frankel
Dame Myra Hess
Savoy opera
Two Merry Monarchs
Manchester
Guildhall School of Music
Benjamin Frankel
Dame Myra Hess
Marian McPartland
Charles Wilfred Orr
Harold Truscott
Harry Waldo Warner
Fred Astaire
Noël Coward
fifths
Ebenezer Prout
Debussy
Ravel

Roland Cunningham
The Times
Bach
Forty-Eight Preludes and Fugues
French Suites
Beethoven
Schumann's
Novelletten
Kinderszenen

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