314:, however, had some praise for the music, saying: "It is not extraordinary, but neither is it commonplace except occasionally. He does not write particularly well for the voice, but he has, generally, originality and is always melodious. Some of his songs, not the purely sentimental ones, are fresh, 'catchy', well-written and full of tune." The piece had one of the shortest runs of any Savoy opera, a total of 43 performances, after which it had another week's run at the
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72:. As a student at the Guildhall, he won the Merchant Taylors' scholarship and the Webster prize, becoming a teacher and examiner at the school by the age of 22. In February 1893, he won the Yate prize for composition. In 1894, at the Grand Concours Internationale de Composition Musicale at Brussels, Morgan received the first prize and gold medal.
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was mostly critical, writing "the composer falls below the level of accomplishment one might have reasonably expected. There are numbers in the piece, however, which seem to point to his possession of a gift for facile melody. ... The scoring throughout is decidedly thin even for musical comedy."
326:
Morgan married the singer Annie
Elizabeth Morley. The couple had two sons, Raymond and Cyril Douglas. Cyril became a City Freeman in 1920 and Principal Clerk of the Chamberlain's Office of the Corporation of London in 1946. In later years, Morgan and his wife lived at 9 Harvard Court, Honeybourne
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wrote of him, "though he manifested sensitiveness and good workmanship, he failed to awaken any lasting impression in original composition." Many of his songs were ballads, perhaps the best-known of which is "Clorinda", with a lyric by John
Bledlowe. His short dance piece
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said of his editions of the classics, "They are meant for performance rather than for the study. The performer is not bothered by extensive footnotes and alternative readings, but has a clear and on the whole reliable text from which to work." Morgan's editions include
80:
As a teacher, Morgan's tenure at the
Guildhall was exceptionally long. When he retired as Professor of Pianoforte and Composition in 1951 at the age of 85, he had completed 64 years of service. Among his pupils were the composer
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national piano playing competition in 1928. Other songs included "Fair
Rosalind", "At Christmastide", "Before the Dawn", "My Gentle White Dove", "Where the Lotus Blooms" and "When Snowflakes Dance".
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in 1923. Morgan played over a piece that Coward had written and objected to his harmonisation. Coward later recalled, "I was told by my instructor that I could not use consecutive
136:
had used consecutive fifths like mad.… I left his presence forever with the parting shot that what was good enough for
Debussy and Ravel was good enough for me."
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in London, where he taught for 64 years, from 1887 to 1951, as
Professor of Pianoforte and Composition. His pupils included the composer
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51:(1910), which had poor notices and a brief run. Morgan wrote no more operas but continued to compose prolifically throughout his life.
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had announced many years ago that consecutive fifths were wrong and must in no circumstances be employed.… I argued back that
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331:. Morley died in 1952, and Morgan died four years later in London, aged 91. He was cremated at Golders Green Crematorium.
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even hinted at plagiarism: "The music was tuneful in parts, sometimes strangely familiar."
293:. Morgan's contribution to the piece received generally negative reactions in the press.
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68:, the son of Peter and Elizabeth Morgan. In 1880, at the age of 15, he entered the
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Morgan composed many songs and classical pieces, as well as the music for the last
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22:(16 March 1865 – 16 May 1956) was an English music teacher, composer and
245:. Dedicatees of his works included a wide range of performers including
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216:
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called "an attempt" to teach harmony and composition to
Astaire and
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Who's who in Music: A Biographical Record of
Contemporary Musicians
391:, The National Archives, Reference CLA/057, accessed 4 January 2010
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606:"Clorinda", performed by Frederick Schauwecker, 14 December, 1955
239:; more than 200 songs and pianoforte pieces; and a comic opera,
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As a musicologist, Morgan was known for his practical approach.
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Morgan was a prolific composer. Among his works were three
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was regarded as "still the best of all student editions".
26:. He is best remembered as an influential teacher at the
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A diversion in his normal teaching curriculum was what
596:, 1997, issued on CD by Delos Records ASIN: B00000072Q
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Academics of the
Guildhall School of Music and Drama
577:"A 123rd Garland of British Light Music Composers"
105:. By 1915 Morgan had published six volumes of his
842:Alumni of the Guildhall School of Music and Drama
699:, 10 March 1910, p. 10; and 23 April 1910, p. 14.
498:Stoker, Richard. "Truscott, Harold (1914–1992)",
620:The Complete Columbia Solo Electrical Recordings
297:pronounced the music "not very distinguished".
124:. He went on to explain that a gentleman called
16:English music teacher, composer and musicologist
347:Riemann, Hugo, Zweiter Band and Dritter Teil.
798:Productions: A Centenary Review of the Final
579:, Classical MusicWeb, accessed 7 January 2009
272:was chosen as one of ten test pieces for the
8:
571:
569:
389:Corporation of London Records Office archive
594:The Stanford Archive Series: Richard Crooks
500:The Oxford Dictionary of National Biography
557:Heppner, Sam. "Basic piece of furniture",
436:, online edition, accessed 4 January 2010
489:, Vol. 114, No. 1565 (July 1973), p. 690
353:(1913) Breitkopf & Härtel: Leipzig
453:online edition, accessed 4 January 2010
451:Oxford Dictionary of National Biography
434:Oxford Dictionary of National Biography
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401:
399:
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623:, MusicWeb International, October 2019
447:"Hess, Dame (Julia) Myra, (1890–1965)"
483:"C. W. Orr: An 80th Birthday Tribute"
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107:Modern School of Pianoforte Technique
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64:Morgan was born on 16 March 1865 in
231:; two song-cycles for four voices,
203:. In the 1970s, his edition of the
685:Evening Standard & St. James's
312:The Evening Standard and St. James
14:
775:, Da Capo Press, New York, 1981.
430:"Frankel, Benjamin (1906–1973)"
168:Forty-Eight Preludes and Fugues
789:, Michael Joseph, London, 1953
530:(1915), Pitman: London, p. 191
410:, obituary, 18 May 1956, p. 13
1:
463:"Obituary: Marian McPartland"
639:, YouTube, September 5, 2019
350:Handbuch der Musikgeschichte
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368:"Morgan, R(obert) Orlando"
787:The Noël Coward Song Book
70:Guildhall School of Music
28:Guildhall School of Music
76:Teacher and musicologist
514:, Divine Art Recordings
745:, 23 August 1956, p. 1
651:, 11 March 1910, p. 10
563:, 25 March 1977, p. 16
289:, produced in 1910 by
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832:English musicologists
754:"R. Orlando Morgan",
723:, 11 July 1910, p. 12
575:Scowcroft, Philip L.
419:Farrell, Introduction
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20:Robert Orlando Morgan
616:Greenbank, Stephen.
512:"Harry Waldo Warner"
229:The Legend of Eloisa
200:Album für die Jugend
758:, 24 May 1956, p.13
741:"Musician's Will",
673:The Daily Telegraph
479:Palmer, Christopher
306:The Daily Telegraph
221:The Crown of Thorns
95:Charles Wilfred Orr
711:, 2 May 1910, p. 8
445:Ferguson, Howard.
283:Two Merry Monarchs
255:Benno Moiseiwitsch
242:Two Merry Monarchs
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149:Two Merry Monarchs
103:Harry Waldo Warner
48:Two Merry Monarchs
827:English composers
588:Morgan, Orlando.
548:Coward, pp. 12–13
487:The Musical Times
145:Roland Cunningham
143:Daisy le Hay and
91:Marian McPartland
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792:Farrell, Scott.
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633:Murdoch, William
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322:Family and death
300:The Sunday Times
247:Wilhelm Backhaus
181:'s Sonatas; and
85:and the pianist
83:Benjamin Frankel
34:and the pianist
32:Benjamin Frankel
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637:"Le bal poudre"
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237:Love Rhapsodies
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285:was the last
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270:La bal poudre
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114:Fred Astaire
111:
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24:musicologist
19:
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822:1956 deaths
817:1865 births
372:Who Was Who
287:Savoy opera
205:Forty-Eight
188:Novelletten
118:Noël Coward
89:as well as
60:Early years
43:Savoy opera
811:Categories
766:References
618:Review of
590:"Clorinda"
251:Clara Butt
183:Schumann's
66:Manchester
756:The Stage
721:The Times
709:The Times
697:The Times
649:The Times
408:The Times
329:Hampstead
295:The Times
281:Morgan's
264:The Times
179:Beethoven
157:The Times
55:Biography
217:cantatas
211:Composer
225:Zitella
130:Debussy
803:, 2009
779:
502:(2004)
327:Road,
122:fifths
335:Notes
134:Ravel
794:The
777:ISBN
235:and
227:and
197:and
171:and
163:Bach
132:and
101:and
185:'s
165:'s
147:in
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