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123:"The evolution of culture marches with the elimination of ornament from useful objects," Loos proclaimed, thus linking the optimistic sense of the linear and upward progress of cultures with the contemporary vogue for applying
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to cultural contexts. Loos's work was prompted by regulations he encountered when he designed a building without ornamentation opposite a palace. He eventually conceded to requirements by adding window flower boxes.
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Contrary to popular belief that it was composed in 1908, Adolf Loos first gave the lecture in 1910 at the
Akademischer Verband fĂĽr Literatur und Musik in Vienna. The essay was then published in 1913 in
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in
Austria and which Loos had excoriated even at its height in 1900—was showing a new way forward for modern art. The essay was important in articulating some moralizing views, inherited from the
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181:"Criminal Skins: Tattoos and Modern Architecture in the Work of Adolf Loos"
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85th ACSA Annual
Meeting Proceedings, Architecture: Material and Imagined
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84:, who assisted Loos during a reprint of the essay in 1931 in
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Adolf Loos: Sämtliche
Schriften in zwei Bänden – Erster Band
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68:. Only in 1929 was the essay published in German in the
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design studio, and would help define the ideology of
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284:Fashioning Vienna: Adolf Loos's Cultural Criticism
275:Joseph Rykwert. "Adolf Loos: the new vision in
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253:Theory and Design in the First Machine Age
179:Canales, Jimena; Herscher, Andrew (2005).
223:"Reassessing an Uproar in Architecture"
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163:“Ornament, Crime, Myth, and Meaning”
112:, which would be fundamental to the
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221:Wise, Michael (4 December 2013).
16:Essay and lecture by Adolf Loos
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100:The essay was written when
37:is an essay and lecture by
19:For the album by sElf, see
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21:Ornament and Crime (album)
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286:, London: Routledge, 2000
267:"Ornament und Verbrechen"
200:10.1017/S0066622X00003798
118:modernism in architecture
60:Les Cahiers d’aujourd’hui
110:Arts and Crafts movement
80:. It was the architect
77:Ornament und Verbrechen
320:Engineering approaches
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401:Theory of constraints
348:Keep It Simple Stupid
251:Reyner Banham, 1960.
188:Architectural History
138:Form follows function
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391:Planned obsolescence
363:User-centered design
277:Studio International
35:"Ornament and Crime"
358:Use-centered design
258:Siegfried Giedion.
143:Modern architecture
71:Frankfurter Zeitung
49:in useful objects.
380:Ornament and Crime
343:Kansei engineering
161:Christopher Long,
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411:Value engineering
338:Frugal innovation
65:Ornement et Crime
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386:Overengineering
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333:Empathic design
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282:Janet Stewart,
272:, Vienna, 1962.
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246:Further reading
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231:. Retrieved
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442:1910 in art
437:1910 essays
194:: 235–256.
102:Art Nouveau
82:Henry Kulka
426:Categories
353:Minimalism
229:. New York
149:References
104:—known as
43:Adolf Loos
41:architect
30:Adolf Loos
452:Ornaments
432:Modernism
406:Usability
125:evolution
106:Secession
39:modernist
372:Concepts
208:40033840
132:See also
86:Trotzdem
47:ornament
279:, 1973.
233:27 July
169:, 1997.
114:Bauhaus
96:Content
53:History
326:School
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204:JSTOR
184:(PDF)
74:, as
235:2016
196:doi
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