109:. In 1923, Nascimento was taken seriously ill, and Fernández was designated his temporary substitute in the chair of upper-level harmony, an appointment which became permanent two years later. In 1936 he founded the Conservatório Brasileiro de Música in Rio de Janeiro, which he directed until his death. From 1939 onward, he also served as Professor of Choral Singing at the Conservatório Nacional de Canto Orfeônico.
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is a nationalist work in both its subject matter and its musical content, and is considered the first successful
Brazilian opera of this type. He also composed one
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128:, who adapted it from his own play of the same title. For the premiere at the Teatro Municipal (Rio de Janeiro, 1941), the libretto was translated into Italian.
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Baumann, Simpson de Brito Melo. 1998. "O nacionalismo musical nas três suítes brasileiras de Oscar
Lorenzo Fernandez". In
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89:(4 November 1897 – 27 August 1948) was a Brazilian composer of Spanish descent. He was born and died in
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Kiefer, Bruno. 1986. "Oscar
Lorenzo Fernandez: Música para piano solo, canções para voz e piano".
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Latin
American Music Review/Revista de Música Latinoamericana
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Fernández studied at the
Instituto Nacional de Música with
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In 1930 Fernández composed the three-movement suite
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186:The New Grove Dictionary of Music and Musicians
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162:Music in Latin America: An Introduction
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361:Musicians from Rio de Janeiro (city)
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346:Brazilian people of Spanish descent
356:Brazilian male classical composers
259:. You can help Knowledge (XXG) by
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321:20th-century Brazilian musicians
316:20th-century classical composers
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205:7, no. 1 (Spring-Summer): 81–98.
196:. London: Macmillan Publishers.
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366:Brazilian composer stubs
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