Knowledge (XXG)

Osier pattern

Source πŸ“

180: 168: 17: 25: 156: 36: 195: 132:" ("ordinary osier") or Sulkowski type. It has small groups of shoots diagonal to the edge of the plate, forming squares with the adjacent groups at right angles. These are all set between straight vertical bands at regular intervals. The inner and outer boundaries of the osier decoration may be marked by striated bands, also imitating woven basketwork. 179: 144:
version with spiral ribs". In this type the vertical strips or ribs curve into a sort of "S" shape, are given more emphasis, and often come into the central well of the plate, projecting beyond the basket-weave, which may cover only about half of the raised border of the plate. The inner boundary of
135:
Not long after, a version was introduced with finer shoots, all going in the same direction parallel with the edge of the plate, and not always having the vertical strips, which as before are straight. After the final version was introduced in 1742, this second one was known as the "Altozier" or
167: 145:
the decoration is marked by a raised ridge. Both old and new types continued to be produced, up to the present day. The central well of the plate is left plain, except in the new type, and many larger pieces that are not flat (cups, pots and
123:
In fact Meissen used three versions of the osier borders, with several minor variations between different moulds. The first type, produced from about 1732, and widely used in a dinner service for Count
120:
in the air, descending to join another on the left. The standing crane grasps a fish in his beak, and the head of another fish can be seen in the water beneath the swan on the right.
155: 16: 360: 100:
Such relief backgrounds were a speciality of Meissen under KΓ€ndler, as in the "Dulong border" (from 1743) with a rather neoclassical
194: 336: 318: 300: 200: 365: 125: 355: 64: 185: 108:, where each plate or other piece of flatware has a delicate background with radiating bands based on a 28: 24: 329:
The Wrightsman Collection. Vols. 3 and 4, Furniture, Snuffboxes, Silver, Bookbindings, Porcelain
340: 332: 322: 314: 296: 60: 304: 275: 69: 63:, and was later often imitated by other producers. It is presumed to have been devised by 35: 39:
A version of the third type "New Osier", known as "Brandenstein-Relief". Modern plate.
349: 112:
shell, against which there is in the central well a pair of swans on the water amid
117: 105: 101: 59:
plates and other pieces of flatware. It originated in Germany in the 1730s on
90: 94: 56: 44: 20:
Two "osier pattern" dishes of the first "Sulkowski" type, Meissen, 1755–60
113: 161:
Lao ricebasket; the sort of weave imitated in the first "Sulkowski" type
173:
Wicker fence with the sort of weave imitated in the "old osier" pattern
109: 78: 136:"old ozier", and the third one as the "Neuozier" or "new osier". The 146: 141: 82: 52: 104:
pattern, and, most spectacular of all, the decoration of the famous
86: 34: 23: 15: 188:
imitation of the "old osier" pattern, with minimal vertical bands
31:
imitation of the "old osier" pattern, with minimal vertical bands
67:, the celebrated head modeller at Meissen. The name comes from 293:
The Art of Ceramics: European Ceramic Design, 1500–1830
278:
has a diagram from a catalogue showing the three types.
311:
Land of the Winged Horsemen: Art in Poland, 1572–1764
51:is a moulded basket-weave pattern in delicate 8: 309:Ostrowski, Jan K, DaCosta Kaufmann, Thomas, 89:were and are much used for various types of 214: 151: 149:for example) lack the relief pattern. 7: 331:, 1970, Metropolitan Museum of Art, 85:, whose thin, flexible, shoots or 14: 361:Individual patterns of tableware 327:"Wrightsman" (no author given), 193: 178: 166: 154: 313:, 1999, Yale University Press, 295:, 2001, Yale University Press, 257:Wrightsman, 122–124; Coutts, 95 128:of about 1735, is called the " 1: 221:Wrightsman, 124; Coutts, 95 203:set with the osier pattern. 382: 126:Alexander Joseph Sulkowski 55:used round the borders of 93:, usually encouraged by 73:, or the common osier ( 65:Johann Joachim Kaendler 40: 32: 21: 186:Frankenthal porcelain 38: 29:Frankenthal porcelain 27: 19: 140:pattern was a "more 239:Wrightsman, 135–136 248:Ostrowski, 343–345 41: 33: 22: 366:Meissen porcelain 339:, 9780870990106, 321:, 9780300079180, 303:, 9780300083873, 61:Meissen porcelain 373: 356:German porcelain 291:Coutts, Howard, 279: 273: 267: 264: 258: 255: 249: 246: 240: 237: 231: 228: 222: 219: 201:Herend porcelain 197: 182: 170: 158: 381: 380: 376: 375: 374: 372: 371: 370: 346: 345: 288: 283: 282: 274: 270: 266:Wrightsman, 135 265: 261: 256: 252: 247: 243: 238: 234: 230:Wrightsman, 124 229: 225: 220: 216: 211: 204: 198: 189: 183: 174: 171: 162: 159: 70:Salix viminalis 12: 11: 5: 379: 377: 369: 368: 363: 358: 348: 347: 344: 343: 325: 307: 287: 284: 281: 280: 268: 259: 250: 241: 232: 223: 213: 212: 210: 207: 206: 205: 199: 192: 190: 184: 177: 175: 172: 165: 163: 160: 153: 77:in German), a 13: 10: 9: 6: 4: 3: 2: 378: 367: 364: 362: 359: 357: 354: 353: 351: 342: 338: 334: 330: 326: 324: 320: 316: 312: 308: 306: 302: 298: 294: 290: 289: 285: 277: 272: 269: 263: 260: 254: 251: 245: 242: 236: 233: 227: 224: 218: 215: 208: 202: 196: 191: 187: 181: 176: 169: 164: 157: 152: 150: 148: 143: 139: 133: 131: 130:ordinar ozier 127: 121: 119: 115: 111: 107: 103: 98: 96: 92: 88: 84: 80: 76: 72: 71: 66: 62: 58: 54: 50: 49:Osier pattern 46: 37: 30: 26: 18: 341:Google books 328: 323:google books 310: 305:google books 292: 271: 262: 253: 244: 235: 226: 217: 137: 134: 129: 122: 106:Swan Service 102:plant-scroll 99: 97:the plants. 74: 68: 48: 42: 81:species of 350:Categories 337:0870990101 319:0300079184 301:0300083874 286:References 276:Coutts, 95 114:bullrushes 91:wickerwork 95:coppicing 57:porcelain 45:tableware 138:Neuozier 116:, and a 79:Eurasian 147:tureens 110:scallop 87:withies 335:  317:  299:  142:rococo 83:willow 53:relief 209:Notes 118:crane 75:ozier 333:ISBN 315:ISBN 297:ISBN 47:the 43:In 352::

Index



Frankenthal porcelain

tableware
relief
porcelain
Meissen porcelain
Johann Joachim Kaendler
Salix viminalis
Eurasian
willow
withies
wickerwork
coppicing
plant-scroll
Swan Service
scallop
bullrushes
crane
Alexander Joseph Sulkowski
rococo
tureens
Lao ricebasket; the sort of weave imitated in the first "Sulkowski" type
Wicker fence with the sort of weave imitated in the "old osier" pattern
Frankenthal porcelain imitation of the "old osier" pattern, with minimal vertical bands
Frankenthal porcelain
Herend porcelain set with the osier pattern.
Herend porcelain
Coutts, 95

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑