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410:) philosophy by appending a lengthy commentary but moved freely in that field as he did in prose, he would have occupied an important place in the history of modern Gujarati poetry. However, the few pieces he has left are appreciated by lovers of poetry on account of their romantic mood, philosophical content and variety of poetic forms.
382:
as far-fetched, and having the unintended consequence of compromising the ghazals' emotional and aesthetic appeal. In Thaker's words, "Manilal, the missionary of
Advaita, overshadowed Manilal, the poet. Eventually the delicate structure of the poetry gets crushed under the weight of the philosophy of
362:
weakling!), "Sachi Balam priti na bane" (Oh my dear, true love is impossible), "Prit
Vashkarni Vidya janjo" (Know it for certain, love is a hypnotic science), and "Ame Veragi Veragi janamna veragi" (We are ascetics, ascetics, ascetics since birth) are excellent expressions of Advaita philosophy.
361:
A majority of
Manilal's poems, thirty in number, are songs. Of these, according to Dhirubhai Thaker, "Gagane aaj premni zalak chhai re" (Glimpses of love cover the sky today), "Drig ras bhar more dil chhai rahi" (Lovely eyes pervade my heart), "Udi ja tu gafel gabhara" (Fly away, you gullible
27:
370:
Manilal was an exponent of
Advaita philosophy, which he aimed to disseminate through his poetry. For this purpose, he appended a lengthy commentary to each poem, in which he attempted to interpret worldly experiences in terms of Advaita philosophy.
155:
378:. For Thaker, reading the ghazals alone, without the commentary, allows the reader " in them the deep anguish, intensity and thrill of romantic love." Thaker describes the commentaries interpreting these ghazals in terms of
301:
Poetry is the finest essence of our otherwise gross nature; it is the fire that purifies our thoughts and sublimates our feelings; it is the collyrium that enables us to blend the past and future with the present.
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Thaker notes that
Manilal's appending a commentary to each of his poems is unique in the history of Gujarati poetry. Concerning this, he comments:
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Thaker considers that
Manilal's contribution to modern Gujarati poetry lies in the touch of philosophical seriousness he brings to it through
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published the third edition of the book, which included another 10 previously unpublished poems taken from
Manilal's handwritten diary.
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The poems have been noted for their romantic mood, philosophical content, and variety of poetic forms. Manilal's best-known poem, the
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395:. He cites the poem "Drig rasabhar" as an excellent example of poetry that transforms subjective feeling into universal experience.
781:
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In his poems "Upahar" (Gift) and "Janmadivas" (Birthday), to express his poetic thoughts and feelings
Manilal experiments with
426:'s poetry, saying that, although Thakore did not blindly imitate Manilal, in this regard Manilal is a predecessor of Thakore.
820:
126:
453:, and Thaker identify "Kismat" (Destiny), "Anandormi", "Jame Ishq" (Cup of love), "Aha! Hu Ekalo" (Oh, me alone), and "
422:. In Thakar's view, Manilal accomplishes this "flawlessly". Thakar notes that the same kind of experiment is found in
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Manilal used the poetic form of the ghazal, for example, to convey physical love using the romantic terminology of
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249:), with a commentary written by himself. Seven years later, he published another set of 11 poems under the title
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Over the twenty-two years during which he wrote poetry (1876–1898), Manilal tried various poetic forms.
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Manilal died in 1898. In 1914, his younger brother, Madhavlal
Dwivedi, published the second edition of
457:" (Eternal hope) as Manilal's finest. The ghazal "Amar Asha" became popular in the Gujarati language.
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268:), consisting of 40 poems composed prior to the end of June 1895. They included 22 poems from
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182:(non-dual) philosophy, which was at the core of Manilal's philosophical thinking. Uniquely in
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287:. It included an additional 5 poems composed between 1895 and 1898. In 1959, Gujarati writer
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wrote a review of it while he was in South Africa, and published it in his own magazine,
339:), Manilal wrote that many of his poems came from his own intense personal experiences.
327:, and also by his own philosophical outlook and study of English poetry. In his journal
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Manilal's poetic ideal was influenced by his association with
Gujarati writer and poet
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198:
439:, cited the poems "Premajivan" and "Abhedormi" as the best lyrics in Gujarati poetry.
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Had not attempted to restrict the scope of his poetry within the limits of his
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690:] (in Gujarati). Ahmedabad: Gurjar Grantharatna Karyalay. pp. XV–XVI.
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241:(Klant). In 1887, Manilal published a collection of 11 poems under the title
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553:. Makers of Indian Literature. New Delhi: Sahitya Akademi. pp. 80–83.
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498:. M. N. Dvivedī Samagra Sāhityaśreṇī–3 (in Gujarati). Gandhinagar:
491:
Dwivedi, Manilal (2000) . "संपादकीय ". In Thaker, Dhirubhai (ed.).
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31:Cover page of 3rd edition (1959), edited by
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718:. New Delhi: Sahitya Akademi. p. 102.
16:1895 collection of poems by Manilal Dwivedi
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229:, he published a collection of 101 poems,
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18:
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237:tone. It was dedicated to fellow poet
653:An Outline of the Gujarati Literature
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7:
1031:Gujarati-language poetry collections
201:, who published it in his magazine,
170:) is an 1895 collection of poems in
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680:Manilāla Nabhubhāi: Sāhityasādhana
197:" (Eternal hope), was reviewed by
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591:] (1st ed.). Ahmedabad:
433:(Sundaram), in his critical work
225:In 1876, when Manilal passed his
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655:]. Vol. 2. p. 43.
715:History of Gujarati Literature
576:Luhar, Tribhuvandas 'Sundaram'
307:— Manilal Dwivedi; preface in
1:
710:Jhaveri, Mansukhlal Maganlal
683:મણિલાલ નભુભાઇ: સાહિત્ય સાધના
645:Gujarātī Sāhityanī Rūparekhā
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688:Works of Manilal Nabhubhai
593:Gujarat Vernacular Society
260:). Manilal also published
149:[a.tmə.ni.mə.ɟɟən]
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1036:Indian poetry collections
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817:
786:Manilal Nabhubhai Dwivedi
648:ગુજરાતી સાહિત્યની રૂપરેખા
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500:Gujarat Sahitya Academy
387:Reception and criticism
747:(second edition; 1914)
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239:Balashankar Kantharia
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910:Monism or Advaitism?
595:. pp. 173–174.
266:Drowning in the Self
167:Drowning in the Self
983:Jal Jal Mare Patang
891:Sudarshan Gadyawali
211:Publication history
207:, in South Africa.
50:Original title
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615:Trivedi, Chimanlal
469:Mansukhlal Jhaveri
431:Tribhuvandas Luhar
424:Balwantray Thakore
227:matriculation exam
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247:Life of Love
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973:Works about
496:આત્મનિમજ્જન
55:આત્મનિમજ્જન
1015:Categories
956:Priyamvada
902:Philosophy
622:ઊર્મિકાવ્ય
475:References
383:Vedanta."
366:Commentary
330:Priyamvada
316:of Oneness
276:, 15 from
270:Premajivan
258:of Oneness
243:Premajivan
235:moralistic
145:pronounced
963:Sudarshan
948:Magazines
864:Gulabsinh
845:Amar Asha
724:639128528
619:Ūrmikāvya
455:Amar Asha
346:includes
336:Sudarshan
309:Abhedormi
274:Abhedormi
251:Abhedormi
195:Amar Asha
712:(1978).
696:80129512
677:(1956).
661:19950462
617:(1963).
578:(1946).
559:10532609
547:(1983).
295:Contents
172:Gujarati
119:46352716
66:Gujarati
62:Language
601:9732439
416:prithvi
408:Advaita
380:Vedanta
356:bhajans
348:ghazals
333:(later
314:Ecstasy
256:Ecstasy
180:Advaita
165:
162:transl.
132:891.471
940:(1979)
921:(1889)
913:(1889)
894:(1909)
886:(1882)
867:(1897)
848:(1898)
840:(1895)
829:Poetry
812:(1896)
804:(1882)
722:
694:
659:
626:Lyrics
599:
557:
506:
376:Sufism
354:, and
325:Narmad
191:ghazal
84:bhajan
76:Ghazal
40:Author
875:Essay
856:Novel
801:Kanta
793:Plays
782:Works
686:[
651:[
624:[
587:[
352:songs
72:Genre
720:OCLC
692:OCLC
657:OCLC
597:OCLC
555:OCLC
504:ISBN
272:and
113:OCLC
96:1895
80:song
784:of
160:) (
1017::
567:^
518:^
483:^
449:,
350:,
82:,
78:,
774:e
767:t
760:v
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663:.
603:.
561:.
512:.
406:(
318:)
311:(
264:(
253:(
245:(
193:"
143:(
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