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265:. This raga in its avarohana has the notes jumping from one to another (a bit like Dattu). This changes the whole feel of the raga, making Sahana a beautiful raga to listen to.
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181:. The notes descend in pitch from the upper tonic (taar shadja or Sa) down to the lower tonic, possibly in a crooked (vakra) manner.
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R-P, the avroha is R' n S' d~ n P, m P g~ m R S, with
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293:pages, Pub. 1990, CBH Publications
243:for description of this notation.
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177:, is the descending scale of any
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263:S N2 D2 P M1 G3 M1 R2 G3 R2 S
315:Hindustani music terminology
213:on the dhaivat and gandhar.
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310:Carnatic music terminology
154:
27:Descending scale of a raga
289:by Dr. S. Bhagyalekshmy,
241:swaras in Carnatic music
287:Ragas in Carnatic music
175:Indian classical music
36:Indian classical music
173:, in the context of
261:, the Avarohana is
235:, the avarohana is
237:S D1 P M1 G2 R1 S
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16:(Redirected from
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59:Hindustani music
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233:Mayamalavagowla
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259:Harikambhoji
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64:Odissi music
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220:, which is
304:Categories
269:References
201:raga with
167:Avarohanam
155:See also:
256:melakarta
229:melakarta
163:Avarohana
291:Glossary
218:Malahari
189:In raga
185:Examples
90:Alankara
72:Concepts
18:Avrohana
211:andolan
207:samvadi
195:Asavari
191:Darbari
171:Avaroha
157:Arohana
112:Sangita
248:Sahana
239:. See
80:Shruti
320:Ragas
252:janya
223:janya
199:thaat
193:, an
117:Vadya
85:Svara
250:, a
203:vadi
179:raga
105:Tala
100:Rasa
95:Raga
246:In
216:In
169:or
161:An
306::
277:^
165:,
205:-
197:-
144:e
137:t
130:v
20:)
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