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something that has psychological or moral conditions. Interested in shape and order, she has always looked for unlikely places. She experimented with the tension that results from tampering with order, reversing it, abstracting it to the point where the result loses all connection with its basis. This way the beauty, the absurdity, or even the humor of an objects gains a new kind of visibility that was lost before the profanity of its function. The observer's challenge would be the translation: she considers that only the context of Art, the undemanding, unencumbered space of an exhibition, facilitates the chance of a change of perspective, where in the function-free environment, the gaze meets the object in a way that gives it another life – or even: a life. Each of her objects presentation is an integral part of the work itself. To achieve this she sometimes "borrows" from others. She sometimes uses quotations, text fragments, photographs, the peculiarity of a given space, light, and graphic elements. It is sometimes this interdisciplinary interaction itself what creates the context that makes the piece work.
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She found herself always lingering between applied and fine arts, producing applied art which you can't apply and design with no practical function, but abstraction of function, making minimal invasive changes that render an object's reality into fiction: the transcendence of the inanimate into
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In her works, Aylin
Langreuter has a philosophical-aesthetic approach, playing with semantic shifts between form and content. She is not treating her objects in the usual self-made, rough, unwelcoming way – she has a relationship of the best possible care which defines the initial situation,
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543:*Andreas Neumeister, Function Follows Fairytale, Blumenbar Verlag, Munich, 2010,
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Industrial Design at
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Academy of Fine Arts Stuttgart
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Petra Shmidt (August 2014). "The Design Label Dante".
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306:"Biography of professor Aylin Charlott Langreuter"
354:"La coppia del marchio DANTE-Goods And Bads 2017"
141:in 2012 with her partner, industrial designer,
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182:(2002), Wahnsinn und Methode GmbH, Munich
161:unfolding a network of possible meanings.
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483:Mareike Nieberding (October 2019).
379:Chiara dal Canto (November 2014).
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578:Wahnsinn und Methode GmbH (2004)
462:Oliver Herwig, Du bist der Boss,
188:(2004). Blumenbar Verlag, Munich
420:Claudia Durian (October 2014).
227:(2018). Harpune Verlag, Vienna
145:. In 2018 Aylin Langreuter and
214:(2011). Jovis Verlag, Berlin,
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360:(in Italian). 19 June 2017
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37:Aylin Langreuter in 2018
509:Official announcement
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125:. She studied at the
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156:Style and philosophy
137:. She has cofounded
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639:1861 / 2011 / 2081
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381:"Modern fairytale"
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312:(in German)
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186:Erster Teil
131:Gerd Winner
129:, class of
683:Categories
261:24 October
256:Mutual Art
238:References
77:langreuter
52:, Germany
564:Archived
467:Archived
495:5 March
435:5 March
390:5 March
364:3 March
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290:3 March
123:Germany
107:Germany
95:concept
72:Website
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