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353:. The Audiofile saw considerable use in television post-production and was seen by dubbing mixers as a huge technological breakthrough. After decades of mixing on 16mm magnetic film stock, in which mix decisions were extremely difficult to undo, the ability to undo and make changes instantaneously provided dubbing mixers with new opportunities for experimentation in their work.
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The AMS DMX 15-80S - the stereo version of the DMX 15-80, with stereo inputs and outputs - was introduced in 1980. The delay is identical to the DMX 15-80, but with the addition of two input level controls to re-generation controls (one per channel).
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In 1981 the DMX was upgraded to include the Loop
Editing System, with which loops can be created and they are either run continuously or triggered for special effects and drop-ins. This paved way for the use of
341:. (Collins' drum sound was created by a combination of a room microphone compressed by the "Listen Mic" compressor of an early SSL Console, in combination with cutting off the reverb sound with a noise gate.)
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for motion picture sound mixing. Crabtree was subsequently awarded a second Oscar in 2004 for "significant contributions to the evolution of digital audio editing for motion picture post production".
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331:. In addition to a range of reverb types, the RMX-16 had a program ("Non Lin 2") which digitally emulated the drum sound of a compressed and gated room microphone, copying the effect used on the
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in 1992 to form AMS Neve, which continues to manufacture professional recording equipment under the Neve and AMS Neve brands. In 1995, Crabtree acquired AMS Neve.
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who would go on to own quite a few of the devices. By 1979, the DMX 15-80 was augmented with pitch changing capabilities.
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The founders of AMS have been recognised with awards for their contributions to the recording and broadcast industry.
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In March 2000, Crabtree was the recipient of an Oscar at the
Academy Awards for the design and development of the
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In 1984, AMS released the AudioFile, one of the first 16-bit hard disk based recording systems dedicated to
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engineers who moved into the design of professional studio equipment for the manipulation and control of
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for professional applications. This was followed in 1990 by
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654:"76th Annual Academy Awards Results and Commentary (2004)"
630:"72nd Annual Academy Awards Results and Commentary (2000)"
238:. The first product designed by the company was the DM-20
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524:"New Effects Products: AMS Digital Loop Editing System"
433:"AMS Neve's Mark Crabtree: from an attic to the Oscars"
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the first dynamically configurable, fully automated
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Former manufacturer of professional studio equipment
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Audio equipment manufacturers of the United
Kingdom
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393:Association of Professional Recording Services
740:Manufacturers of professional audio equipment
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571:"Interview - Dennis Weinreich, Videosonics"
150:Professional audio design & engineering
606:"The evolution of television sound mixing"
288:In 1978, AMS introduced the world's first
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735:Electronics companies established in 1976
327:In 1981, AMS released the RMX-16 digital
120:Learn how and when to remove this message
319:changing and up to 32 seconds of delay.
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199:AMS Audiofile hard disc audio recorder
357:Logic 1 (Logic Series) Digital Console
56:Please improve this article by adding
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391:Nevison was awarded a Fellow of the
431:Bounds, Andrew (10 February 2015).
386:AMS Neve Logic Digital Film Console
242:. This initial product was used by
745:Manufacturing companies of England
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226:AMS was established in 1976 by
189:Audio & recording equipment
230:and Stuart Nevison. They were
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678:"APRS Sound Fellowships 2015"
580:. August 1990. Archived from
533:. September 1981. p. 30.
58:secondary or tertiary sources
284:DMX 15-80 Digital Delay Line
271:bought AMS, merging it with
254:, who used it on the Wings'
133:AMS (Advanced Music Systems)
18:AMS (Advanced Music Systems)
560:Retrieved on March 16, 2009
470:Retrieved on March 16, 2009
421:Retrieved on March 16, 2009
761:
730:Companies based in Burnley
556:February 28, 2009, at the
466:February 28, 2009, at the
417:February 27, 2009, at the
610:www.adapttvhistory.org.uk
315:. The DMX later included
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483:September 1979 (page 24)
69:"Advanced Music Systems"
682:www2.aprs.co.uk/sfa2015
504:. July 1980. p. 39
263:AMS was floated on the
551:AMS - Neve History 80s
461:AMS - Neve History 70s
377:Awards and recognition
367:digital mixing console
361:In 1988, AMS released
208:Advanced Music Systems
200:
45:relies excessively on
323:RMX-16 Digital Reverb
265:London Stock Exchange
198:
240:Tape Phase Simulator
412:AMS - Neve About Us
292:controlled, 15-bit
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658:www.digitalhit.com
634:www.digitalhit.com
338:In the Air Tonight
294:digital delay line
267:in 1985. In 1990,
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16:(Redirected from
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690:. Retrieved
686:the original
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531:Studio Sound
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508:November 28,
506:. Retrieved
502:Studio Sound
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481:Studio Sound
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441:. Retrieved
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333:Phil Collins
329:reverberator
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163:Headquarters
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578:Audio Media
443:16 December
257:London Town
719:Categories
692:2010-03-10
663:2010-03-10
639:2010-03-10
615:2018-05-29
591:2011-02-22
399:References
335:recording
222:Background
175:Key people
168:Lancashire
80:newspapers
47:references
345:AudioFile
232:Aerospace
166:Burnley,
110:July 2011
710:AMS Neve
554:Archived
464:Archived
415:Archived
363:Logic 1,
313:sampling
216:AMS Neve
214:to form
186:Products
147:Industry
371:Logic 2
310:digital
269:Siemens
155:Founded
94:scholar
437:FT.com
96:
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585:(PDF)
574:(PDF)
527:(PDF)
498:(PDF)
317:pitch
236:sound
101:JSTOR
87:books
510:2021
445:2021
250:and
248:10cc
158:1976
73:news
244:ELO
204:AMS
49:to
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