301:, likewise "the story of a lone-wolf killer gifted with an extraordinary sensory palate, which eggs him on to violent frenzy." Suskïnd's protagonist Grenouille detects smells with an intensity and attention to detail akin to the way Daniels "experiences flavor and in both books the collective weight of sensory images slowly creates something like an ethic of murder, posing violence as a creative act with an inevitable relationship to other forms of art—murder as a tribute to beauty."
272:, Josephine Livingston also emphasized this dimension of the novel, saying it complicates "‘ironic misandry’ schtick" and transforms it "into something complicated and engaging." Instead of a conventional "rape-revenge plot, precision and passion Dorothy bring to murder have a stronger relation to her obsession with food: She has an intense sexual relationship with a kosher butcher, for example."
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The book follows food writer
Dorothy Daniels, who is also a convicted serial killer. Daniels narrates the story of her crimes from prison, moving back and forth in time between her life behind bars and the life that led to her imprisonment: specifically the food she ate, including eating men.
81:
262:, Amy Silverberg noted the feminist argument conveyed by the murderous protagonist: "Why is it that women have been kept out of so many industries, including Patrick Bateman-style serial murders? Because, Dorothy thinks, people don't
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Summers began writing the novel in 2011, spurred by heartbreak as well as a desire to move away from the first-person non-fiction she had previously been writing; it ultimately took her six years to finish the book.
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is a debut novel by writer
Chelsea G. Summers. It tells the story of serial killer Dorothy Daniels, a successful food writer who also eats men. Published in print by
185:
was first published as an audiobook on the Amazon
Audible Originals label in the fall of 2019. On December 1, 2020, Unnamed Press published the first print edition.
383:, Livingston called the book "a toothsome morsel" and "a swaggering, audacious debut, and a celebration of all the wet, hot pleasures of human contact."
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365:, which described the novel as "fiendishly entertaining" and praised Summer's "shocking and darkly funny novel" as a "feminist-horror version of
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to believe women can do the job. ‘Feminism comes to all things,’ she says, ‘but it comes to recognizing homicidal rage the slowest.’" Writing in
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is "also a history of the internet, and how it has democratized writing and ‘steamrolled the playing field’ of criticism broadly."
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The novel's publication drew broad praise from critics, with a "rave" response on literary review aggregator
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572:"Review: Salt, fat, acid, humans: A tangy new entry in the cannibal lit canon"
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handed the reins over to the sexed-up femme fatale and really let her fly."
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426:"A Conversation With Chelsea G. Summers, Author Of 'A Certain Hunger'"
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has the voice of a hard-boiled detective novel, as if metaphor-happy
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called it a "satire of a particular brand of foodieism." In the
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547:"The Books and Totes That Will Get You Through This Winter"
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At the same time, critics noted the novel's comedic tone:
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379:— which is, I'd argue, its own kind of pleasure." In
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Shaw-Ellis, Daisy; Weir, Keziah (December 2, 2020).
402:"How to Write a Novel (and Heal Your Ravaged Heart)"
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476:"Why Can't Women Be Serial Killers, Too?"
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377:Man, this lady is screwed up’
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16:2020 novel by Chelsea Summers
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275:Silverberg notes too that
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160:on December 1, 2020,
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176:Publication history
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626:"A Certain Hunger"
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62:January 2022
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601:Book Marks
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387:References
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