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Wole
Soyinka being against Negritude movement,he was against the over glorification of pre colonial Nigeria and Africa at large. A Dance of the Forests was written to address such issues, illustrating that precolonial Africa, needs to change their deeds as it affect their whole life time. He uses
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is regarded as
Soyinka's theatrical debut and has been considered the most complex and difficult to understand of his plays. In it, Soyinka unveils the rotten aspects of society and demonstrates that the past is no better than the present when it comes to the seamy side of life. He lays bare the
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as aimless and corrupt. Despite the deluge of criticism, the play remains an influential work. In it, Soyinka espouses a unique vision for a new Africa, one that is able to forge a new identity free from the influence of
European
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celebrations in 1960, it ... denigrated the glorious
African past and warned Nigerians and all Africans that their energies henceforth should be spent trying to avoid repeating the mistakes that have already been made."
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At the time of its release, it was an iconoclastic work that angered many of the elite in
Soyinka's native Nigeria. Politicians were particularly incensed at Soyinka's prescient portrayal of post-colonial
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Contemporary
Literary Criticism, ed. Carolyn Riley. Vol. 5. Gale Cengage, 1976. eNotes.com. 2006. 23 January 2009.
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fabric of
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The play was published in London and New York in 1963 by
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Chronicles from the Land of the
Happiest People on Earth
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141:dead characters and flashbacks to illustrate this.
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192:"Soyinka, Wole (Vol. 5): Soyinka, Wole 1934–."
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49:adding citations to reliable sources
132:'s plays. It was "presented at the
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414:The Beatification of the Area Boy
128:is one of the most recognized of
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372:Death and the King's Horseman
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