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I felt that if a play was exactly like a landscape then there would be no difficulty about the emotion of the person looking on at the play being behind or ahead of the play because the landscape does not have to make acquaintance. You may have to make acquaintance with it, but it does not with you,
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The play does not contain an easily discernible plot. However, pairings of characters and the accumulation of new characters suggest strained relationships between Martha and Maryas and between Mabel and Marius, and later a furtive relationship between
Maryras and Mary. The language of marriage and
41:
in 1932. It is structured in six parts, each labeled as a numbered or alphabetized "List," and has seven characters: Martha, Maryas, Marius, Mabel, Mary, Martin, and May. There are no explicit stage directions, but names in the side text are frequently joined with an ampersand or the word "and."
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identify as those she uses throughout her oeuvre "to construct the continuous present—recreation, using everything, insistence, and beginning again and again" and that "ultimately lead to a destabilization of normative time by denying the reader the possibility of closure, progress, and
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analyzes Stein's landscape label as "a moment of performative definition, from which a particular kind of attention emerges: an attention to the relation of objects and events in a space of time."
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is considered to fall under the category of Stein's landscape plays. In her lecture "Plays," Stein excerpts the play following an explanation of syncopated emotions:
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As Stein couples and groups names vertically and joins words horizontally, she plays with the configuration of plays, thinking of them as beginning with lists.
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Dept of
Theater & Dance produced "A List" in April 2021, directed by James Peck and featuring Molly Menner as Martha and Savannah Connelly as Maryas.
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A list lost reminds her of a fire lost. Smoke is not black nor if you turn your back is a fire burned if you are near woods which abundantly supply wood.
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it is there and so the play being written the relation between you at any time is so exactly that that it is of no importance unless you look at it.
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modifies the concept to further emphasize the topographical dimension. In her analysis of
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Fifer, Elizabeth (1979). "Is Flesh
Advisable? The Interior Theater of Gertrude Stein".
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Radio Free Stein workshopped the play in
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intelligibility." Miranda's account extends the presentation of
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714:"The Queer Temporality of Gertrude Stein's Continuous Present"
679:"They watch me as they watch this": Gertrude Stein's metadrama
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Look at me now and here I am: writings and lectures, 1911-1945
577:"The Queer Temporality of Gertrude Stein's Continuous Present"
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How
Reading Is Written: a Brief Index to Gertrude Stein
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How
Reading Is Written: a Brief Index to Gertrude Stein
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from the content of the play to its structure as well.
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544:Gertrude Stein: the language that rises: 1923-1934
365:(1916), which Stein had told him was the source.
155:No performances are listed in the appendices of
144:Student theatre company Cap & Bells mounted
758:Mama Dada: Gertrude Stein's avant-garde theater
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1058:Ten Portraits of Jews of the Twentieth Century
989:If I Told Him: A Completed Portrait of Picasso
357:to Edmund Wilson, who wanted to publish it in
353:In the spring of 1923 Carl Van Vechten showed
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81:to other works by Stein, as do techniques of
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127:Stein's strategies in the play include what
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646:. Wesleyan University Press. p. 114.
422:. Northwestern University Press. pp.
383:. Northwestern University Press. pp.
329:. Northwestern University Press. pp.
287:. Northwestern University Press. pp.
248:. Northwestern University Press. pp.
216:. Barrytown NY: Station Hill Arts, 1998.
35:, written in 1923 and first published in
199:Gertrude Stein's Theatre of the Absolute
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42:Stein said that the play was based on
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936:The Autobiography of Alice B. Toklas
683:. University of Pennsylvania Press.
454:echo many divorces and remarriages.
596:"Gertrude Stein's Absolute Theatre"
1134:Rose is a rose is a rose is a rose
446:The innumerable couplings in both
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546:. Northwestern University Press.
1015:Doctor Faustus Lights the Lights
594:Boje, David M. (June 23, 2005).
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361:on facing pages with Hopwood's
675:Bowers, Jane Palatini (1991).
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1120:The Alice B. Toklas Cook Book
609:Patricia, Meyerowitz (2004).
513:. Wesleyan University Press.
31:is a play by American writer
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1042:Portrait of Gertrude Stein
197:Ryan, Betsy Alayne. 1984.
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1007:Four Saints in Three Acts
944:Everybody's Autobiography
756:Bay-Cheng, Sarah (2004).
712:Miranda, Daniela (2015).
642:Astrid., Lorange (2014).
575:Miranda, Daniela (2015).
509:Astrid., Lorange (2014).
1093:(2018 television series)
1053:(1923 statue, cast 1992)
1169:Plays by Gertrude Stein
901:The Making of Americans
212:Stein, Gertrude. 1932.
21:A-list (disambiguation)
542:Dydo, Ulla E. (2003).
416:Dydo, Ulla E. (1993).
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16:Play by Gertrude Stein
1066:Waiting for the Moon
1023:The Mother of Us All
833:at Project Gutenberg
790:"Production History"
118:Jane Palatini Bowers
19:For other uses, see
831:Geography and Plays
140:Performance history
1146:Gertrude and Alice
1045:(1905-06 painting)
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152:in December 2016.
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1149:(1991 book)
1077:(2011 film)
1069:(1987 film)
893:Three Lives
359:Vanity Fair
1174:1923 plays
1163:Categories
1034:Portrayals
829:E-book of
742:2017-06-17
690:0812230574
620:0720612012
553:0810119196
433:081011058X
394:081011058X
340:081011058X
298:081011058X
259:081011058X
229:References
87:repetition
1110:(brother)
1108:Leo Stein
720:(54): 30.
662:894789605
529:894789605
496:144322260
161:Mama Dada
134:queerness
999:Libretto
776:52341515
732:"A List"
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629:51993948
562:50960856
442:28584093
403:28584093
349:28584093
307:28584093
268:28584093
97:Analysis
54:Synopsis
50:(1916).
46:'s play
1101:Related
928:Memoirs
885:Fiction
488:3173395
250:382–383
91:listing
83:Punning
1090:Genius
1026:(1947)
1018:(1938)
1010:(1934)
991:(1924)
985:(1914)
974:Poetry
966:(1923)
963:A List
947:(1937)
939:(1933)
920:(1941)
912:(1940)
904:(1925)
896:(1909)
840:A List
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146:A List
122:A List
102:A List
89:, and
79:A List
70:A List
68:,
28:A List
955:Plays
583:(54).
492:S2CID
484:JSTOR
468:Signs
772:OCLC
762:ISBN
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