1823:«В сезоне 1882/83 года я продолжал работу над «Хованщиной» и другими сочинениями Мусоргского. Не давалась мне только «Ночь на Лысой горе». Сочиненная первоначально в 60-х годах под влиянием листовского «Danse macabre» для фортепиано с сопровождением оркестра, пьеса эта (называвшаяся в то время «Ивановой ночью» и подвергшаяся суровой и справедливой критике Балакирева) была надолго совершенно заброшена автором и лежала без движения среди его «inachevé». При сочинении гедеоновской «Млады» Мусоргский воспользовался имеющимся в «Ночи» материалом и, введя туда пение, написал сцену Чернобога на горе Триглаве. Это был второй вид той же пьесы по существу. Третий вид ее образовался при сочинении «Сорочйнской ярмарки», когда Мусоргскому пришла странная и несуразная мысль заставить парубка, ни с того ни с сего, увидеть шабаш чертовщины во сне, что должно было составить некое сценическое интермеццо, отнюдь не вяжущееся со всем остальным сценариумом «Сорочинской ярмарки». На этот раз пьеса оканчивалась звоном колокола деревенской церкви, при звуках которого испуганная нечистая сила исчезала. Успокоение и рассвет были построены на теме самого парубка, видевшего фантастическое сновидение. При работе над пьесой Мусоргского я воспользовался последним вариантом для заключения сочинения. Итак, первый вид пьесы был solo фортепиано с оркестром, второй и третий вид – вокальное произведение, и притом сценическое (не оркестрованное). Ни один из видов этих не годился для издания и исполнения. Я решился создать из материала Мусоргского инструментальную пьесу, сохранив в ней все, что было лучшего и связного у автора, и добавляя своего по возможности менее. Надо было создать форму, в которую уложились бы наилучшим способом мысли Мусоргского. Задача была трудная, удовлетворительно разрешить которую мне не удавалось в течение двух лет, между тем как с другими сочинениями Мусоргского я справился сравнительно легко. Не давались мне ни форма, ни модуляции, ни оркестровка, и пьеса лежала без движения до следующего года.»
1815:. This time the piece ended with the ringing of the village church bell, at the sounds of which the frightened evil spirits vanished. Tranquility and dawn were built on the theme of the peasant lad himself, who had seen the fantastic dream. In working on Mussorgsky's piece, I made use of its last version for the purpose of closing the composition. Now then, the first form of the piece was for piano solo with orchestra; the second form and the third, vocal compositions and for the stage, into the bargain (unorchestrated). None of these forms was fit to be published and performed. With Mussorgsky's material as a basis, I decided to create an instrumental piece by retaining all of the author's best and coherent material, adding the fewest possible interpolations of my own. It was necessary to create a form in which Mussorgsky's ideas would mould in the best fashion. It was a difficult task, of which the satisfactory solution baffled me for two years, though in the other works of Mussorgsky I had got on with comparative ease. I had been unable to get at either form, modulation, or orchestration, and the piece lay inert until the following year.
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487:, and sang his praise. When Satan was worked up into a sufficient passion by the witches' praises, he gave the command for the sabbath, in which he chose for himself the witches who caught his fancy. So this is what I've done. At the head of my score I've put its content: 1. Assembly of the witches, their talk and gossip; 2. Satan's journey; 3. Obscene praises of Satan; and 4. Sabbath ... The form and character of the composition are Russian and original ... I wrote
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259:) in English, and is also the most literal. The adjective "bald" is commonly used in English place names for barren hills, mountains, and other features, and so is also idiomatic. However, because the most familiar use of "bald" describes hairlessness, this part of the title is also known as "Bare Mountain". The use of "bald" to describe barren landscapes is common in European languages. In French, the piece is known as
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1884:, which had baffled me so long, was finished for the concerts of season, and the piece, given by me at the first concert in a manner that could not be improved upon, was demanded again and again with unanimity. Only a tam-tam had to be substituted for the bell; the one I selected at the bell-store proved to be off pitch in the hall, owing to a change in temperature.
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2157:), but on Mussorgsky's original in orchestration. However, like Rimsky-Korsakov, Stokowski had no copy of the original tone poem from 1867, so he did what he felt Mussorgsky would have done, being somewhat familiar with Mussorgsky's style. Stokowski had conducted the U.S. premiere of the original version of
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The peasant
Solopiy Cherevik, his domineering wife Khivrya, and pretty daughter Parasya are visiting the Sorochyntsi Fair. Parasya is wooed by Gritsko Golopupenko, the "peasant lad" of the title. Gritsko desires Cherevik's consent to marry his daughter. Although Cherevik is not against the match, his
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to assist him in winning
Parasya. They exploit the superstitious fears of the fairgoers, who believe that the location of the fair this year is ill-chosen, it being the haunt of a devil who was thrown out of hell, took to drinking, went broke, pawned his jacket, and has returned to claim it. After
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was savagely critical of it. The score is peppered with comments such as "the devil knows what ", "what rubbish", and "this might be of use", probably pencilled in by
Balakirev. This "first version" was put aside, and did not appear in print until 1968, in a new edition prepared by Georgiy Kirkor.
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Some performances of the work also insert the article "the" before "Bald
Mountain" or "Bare Mountain". Articles are not used in Russian, but are often applied to nouns when translating Russian into languages that regularly use articles, such as English and French. However, because the title of the
1287:, where the shade of Cleopatra attempts to entice Yaromir's soul to her side with a seductive dance. She almost succeeds in doing so when a cock crow announcing the break of day causes the entire infernal host to vanish. Yaromir awakens and ponders the mysterious events he has witnessed.
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I didn't sleep at night and actually finished the work on the eve of St. John's Day, it seethed within me so, and I simply didn't know what was happening within me ... I see in my wicked prank an independent
Russian product, free from German profundity and routine, and, like
522:(1867), was not performed until the 20th century. Musicologist Aleksandra Orlova claims that the original manuscript of this version was discovered in the library of the Leningrad Conservatory by musicologist Georgiy Orlov in the late 1920s, that it was performed once by the
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Russian: «Подземный гулъ нечеловѣчeскихъ голосовъ. Появление духовъ тьмы и, вследъ за ними, Чернобога. Величаніе Чернобога и Черная Служба. Шабашъ. Въ самомъ разгарѣ шабаша, раздаются отдаленные удары колокола деревенской церкви; они разсѣеваютъ духовъ тьмы.
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to
Yaromir the wish to be reunited with him in the kingdom of dead souls. He is eager to join her. However, there is a rumbling sound announcing the appearance, apparently from underground, of the following fantastic characters (many of whom also appear in
1811:, when Mussorgsky conceived the queer and incoherent idea of making the peasant lad, without rhyme or reason, see the sabbath of devilry in a dream, which was to form a sort of stage intermezzo that did not chime at all with the rest of the scenario of
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He also stated—incorrectly, as it turned out—that he would never re-model it: "with whatever shortcomings, it is born; and with them it must live if it is to live at all." Having finally completed the work, Mussorgsky was crushed when his mentor
1907:, under my direction... The concerts were set for Saturdays 22 and 29 June, new style. Upon our arrival in Paris, rehearsals commenced. The orchestra, which proved to be excellent, the men being amiable and painstaking, had been borrowed from
1279:. Morena calls on Chernobog to help make Yaromir forsake Mlada. Kashchey determines that Morena and Chernobog will be successful if Yaromir is seduced by another. Chernobog commands Yaromir's soul to separate from his body, and for Queen
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In the years after
Mussorgsky's death, his friends prepared his manuscripts for publication and created performing editions of his unfinished works to enable them to enter the repertoire. The majority of the editorial work was done by
392:), a witches' sabbath, separate episodes of sorcerers, a ceremonial march of all this rubbish, a finale—glory to the sabbath... The libretto is very good. There are already some materials, perhaps a very good thing will come of it.
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At the end of act 1, Gritsko falls asleep some distance from the fair, and, because there has been talk of devilry, has a dream of a witches' sabbath. The following remarks are taken from the score (page numbers supplied):
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solo, synthesized bells, a constantly throbbing electric bass, hi-hat, snare drum, and a variety of exotic bongos and percussion instruments", "various studio sound effects", and "an otherworldly synthesized chorus".
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version (1930) of the opera, where it is relocated to act 3, just after a partial reprise of the peasant lad's dumka. The theme of the dumka also serves as one of the main themes of the new quiet ending.
247:, variously observed between 21 June (the summer solstice) and 25 June. The night before St. John's Day is usually referred to as "St. John's Eve" in English; Russian does not make this distinction.
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432:(see below). No trace of a work for piano and orchestra has survived outside Rimsky-Korsakov's recollections, so it is assumed that the score has been lost, or, more likely, that it never existed.
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In fact, the use of "the" in this context changes "Bald
Mountain" from a proper noun, referring to a particular place, to a common noun, which might refer to any mountain fitting the description.
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p. 5) On a hill appear fiery serpents. The approach of
Chernobog. Chernobog rises from underground. Following him are Kashchey, Cherv, Chuma, Topelets, Smert, and the rest of his retinue.
216:, based on Rimsky-Korsakov's version. Mussorgsky's tone poem was not published in its original form until 1968. It has started to gain exposure and become familiar to modern audiences.
1088:) of Mlada leads Yaromir up the slopes of Mount Triglav to a pine wood in a gorge on top of the mountain. Mlada's shade joins a gathering of the spirits of the dead. She expresses in
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Conceived in 1866. Began to write for orchestra 12 June 1867, completed work on the eve of St. John's Day, 23 June 1867, in Luga
District on Minkino Farm. Modest Mussorgskiy.
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for orchestra." Some musical scholars consider this version to be an original composition of Rimsky-Korsakov, albeit one based on Mussorgsky's last version of the music, for
467:: Задумана в 1866 году. Начал писать на оркестр 12-го июня 1867 года, окончил работу в Канун Иванова дня 23 июня 1867 года в Лугском уезде на Мызе Минкино. Модест Мусоргский
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music for piano and orchestra. However, it is believed that Mussorgsky did not hear Liszt's work until 1866, by which time he was planning the orchestral tone poem
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This curious fragment, dated 25 December 1858, has been interpreted as an indication of Mussorgsky's intent to write an opera on the subject of Gogol's short story
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I have also received some very interesting work which must be prepared for the coming summer. This work is: a whole act on The Bald Mountain (from Mengden's drama
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However, as with the previous project, it is unknown whether any materials were written down, and, if so, whether they were transferred to subsequent projects.
1486:л. 5: На холме показываются огненные змеи; приближение Чернобога. Из под земли поднимается Чернобог; за ним Кащей, Червь, Топелец, Чума, Смерть и прочая свита.
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2406:. "Night on Disco Mountain" is based on the first portion of Mussorgsky's composition, complementing the composer's unusual selection of instruments with "
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1080:. Voyslava sells her soul to Morena, an evil goddess, to obtain her aid in making Yaromir forget Mlada so she may have him to herself. In act 3, the
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p. 21) The peasant lad awakens and stands up, stretching and looking around wildly. The clouds disperse. The scene is illuminated by the rising sun.
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p. 1) A hilly desolate area. An approaching subterranean choir of infernal forces. The curtain rises. The peasant lad sleeps at the foot of a hill.
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2109:. Sabbath. At the height of the sabbath, the distant ringing of a village church bell is heard; it disperses the spirits of darkness. Morning.
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Subterranean sounds of non-human voices. Appearance of the spirits of darkness, followed by that of Chernobog. Glorification of Chernobog and
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in the second half of the program. Rimsky-Korsakov later mentions another performance of the piece, taking place on 25 April 1890, at the
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316:, in the presence and with the help of Modest Mussorgsky, Yevgeniy Mussorgsky, and Vasiliy. Witness to the proceedings: Mily Balakirev.
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music. In early June 1867, he began composing the orchestral version of the piece. The score is inscribed with the following details:
1911:. Their playing in the concerts was fine... The success was considerable, with plenty of applause, but the attendance was not large.
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The peasant lad sleeps at the foot of a hillock at some distance from the hut where he should have been. In his sleep appear to him:
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So far as my memory doesn't deceive me, the witches used to gather on this mountain, ... gossip, play tricks and await their chief—
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in 1886, the work became a concert favourite. Half a century later, the work obtained perhaps its greatest exposure through the
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1480:л. 1: Холмистая глухая местность. Подземный приближающийся хор адских сил. Занавес поднимается. У подножия холма спит Паробок.
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1504:л. 21: Паробок просыпается и встает, потягиваясь и дико оглядываясь. Облака разбегаются. Сцена освещается восходящим солнцем.
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on Mount Triglav. That was the second form of the same piece in substance. Its third form had developed in his composing of
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The first re-modelling of the tone poem took place in 1872, when Mussorgsky revised and recast it for vocal soloists,
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music, recast for vocal soloists, chorus, and orchestra, into two subsequent projects—the collaborative opera-ballet
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In 1886, five years after Mussorgsky's death, Rimsky-Korsakov published an arrangement of the work, described as a "
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McLeod, Ken (Autumn 2006). " 'A Fifth of Beethoven': Disco, Classical Music, and the Politics of Inclusion".
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236:. However, due to several ambiguities, the composition is also known by a number of alternative titles in English.
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was a project doomed to failure, however, and this "second version" languished along with the first. The score of
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wife objects because Gritsko had thrown mud in her face on the way to the fair. Gritsko strikes a bargain with a
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Voyslava and her father Mstivoy, the Prince of Retra, have poisoned Mlada, the betrothed of Yaromir, Prince of
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quickly, straight away in full score, I wrote it in about twelve days, glory to God ... While at work on
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setting that mentions a "Mt. Triglav", where the supernatural events of act 3 take place. The name Triglav (
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483:. On his arrival they, i.e. the witches, formed a circle round the throne on which he sat, in the form of a
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1872:. Rimsky-Korsakov conducted the performance himself, and gives the following account of it in his memoirs,
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was the only thing I could not find my way with. Originally composed in the sixties under the influence of
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1527:. The demon language the characters sing, of which Mussorgsky was contemptuous in a letter, is preserved.
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1586:Паробок спит у подножия пригорка, далеко, вдали от хаты, куда бы должен попасть. Во сне ему мерещатся:
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The evil spirits sing in a strange demonic language, in the manner of the "demons and the damned" of
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3148:. Translated by Zaytzeff, V.; Morrison, F. Bloomington and Indianapolis: Indiana University Press.
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The Western European premiere performance of his edition was likely the one described further on:
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arrangement in form and content (though notably without the "fanfare" that marks the entrance of
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states that this version was performed by Malko on 3 February 1932, apparently in England.
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in the manuscript department of the St. Petersburg Conservatory (accessed December 26, 2007)
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I need hardly remind the reader that the orchestral piece universally known as 'Mussorgsky's
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The St Petersburg Mussorgsky State Academic Opera and Ballet Theatre — Mikhailovsky Theatre
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are the same supernatural characters, although Morena has been replaced by Death (Russian:
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The subterranean kingdom of darkness comes into its own—mocking the sleeping peasant lad.
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various pranks and comic circumstances, Gritsko achieves his goal and all ends happily.
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This article is about the Mussorgsky compositions. For the 1964 Patrick White play, see
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1608:В самом разгаре шабаша удар колокола христианской церкви. Чернобог исчезает мгновенно.
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arranged a version of the piece for the international release of the 2002 video game
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has a version of the song called “Haunted Chase” in the level “Haunted Hall”.
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1779:) for the piano with accompaniment of orchestra, this piece (then called
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The peasant lad left by the spirits of darkness. Appearance of Chernobog.
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as part of act 3 that he was assigned to contribute to the collaborative
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was performed at the second concert, on 29 June 1889, where it followed
1590:Подземный гул нечеловеческих голосов, произносящих нечеловеческие слова.
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1476:Первое действие, вторая картина: «Сонное видение паробка» (Intermezzo)
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claims that Malko performed this version in several countries in 1933.
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by video game composer team Ridiculon (Matthias Bossi and Jon Evans).
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decided to give there two symphonic concerts of Russian music at the
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p. 17) Satan and his retinue vanish. The scene is covered by clouds.
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adaptation, "Night on Disco Mountain", for the 1977 motion picture
287:"Bald Mountain", an article would not normally be used in English.
3282:
2736:, October 2003, about a recording in July 2002 on Dorian DOR-90308
2393:
2212:
2191:
2187:
2121:
2005:
2001:
1893:
1848:
1829:
Rimsky-Korsakov made "corrections" typical of him, as he did with
1793:
1719:
1380:
1284:
1216:
1085:
916:
904:
558:
554:
480:
365:
138:
128:
Although Mussorgsky was proud of his youthful effort, his mentor,
41:
2093:
The following program is printed in Rimsky-Korsakov's edition of
3008:
2986:
2261:
2216:
2199:
2058:
2029:
2013:
1542:
Subterranean roar of non-human voices, uttering non-human words.
1439:
Act 1, scene 2 – "Dream Vision of the Peasant Lad" (Intermezzo)
1410:
1212:
1089:
1015:
611:
578:
484:
3596:
3198:
1501:л. 17: Сатана и его свита исчезают. Сцена покрывается облаками.
372:
projects, appears to have been derived from the nonextant play
2964:
2596:
2594:
152:
was never performed in any form during Mussorgsky's lifetime.
1801:, and, introducing singing into it, had written the scene of
920:. In this new version the music was to form the basis of the
414:) that in the early 1860s Mussorgsky, under the influence of
2924:"Mekong Delta – Dances of Death (and other Walking Shadows)"
2425:
features a cover of the piece on their fourth studio album,
2163:
in 1929, and subsequently produced a symphonic synthesis of
1941:
1577:
Disappearance of the demons and the peasant lad's awakening.
1025:, in the region corresponding to the modern German areas of
500:, grown on our native fields and nurtured on Russian bread.
3592:
1446:
p. 3) Witches and devils surround the sleeping peasant lad.
1068:, which is, however, some 750 km (470 miles) distant.
659:
Russian legend tells of a witches' sabbath taking place on
3031:"Golgotha – Night On Bald Mountain (Mussorgsky 1867) from
2113:
530:
brought along a copy of it when he emigrated to the West.
3105:. Master Musicians Series. London: J. M. Dent & Sons.
2730:"Peter Richard Conte and the Wanamaker Grand Court Organ"
1797:, Mussorgsky had made use of the material to be found in
397:
Modest Mussorgsky, letter to Balakirev, 26 September 1860
2508:
also created a piece from variations of the same theme.
981:
has not survived, and was never published or performed.
2482:
A section of the piece is found in the 2014 video game
1181:(god), an infernal Slavic deity, in the form of a goat
1853:
Title page of Rimsky-Korsakov's edition, published by
1711:
4139:
1757:
During the season of 1882/83, I continued working on
1548:
Foreshadowing of the appearance of Chernobog (Satan).
995:(1890), based on the same libretto by Viktor Krïlov.
312:, in three acts, after the tale by Gogol, written by
94:
82:
and legend, Mussorgsky composed a "musical picture",
63:
2467:. Re-arrangements of that version were then used in
1564:
At the wildest moment of the sabbath the sound of a
1283:
to appear. Instantly the scene changes to a hall in
352:. No further plans for this project were mentioned.
4013:
3981:
3929:
3895:
3867:
3800:
3736:
3729:
3698:
3661:
3533:
3487:
3451:
3404:
3375:
3356:
3309:
3241:
3009:"Kingdom Hearts HD 1.5 ReMIX – Original Soundtrack"
2769:
2651:
2627:
2600:
2585:
2499:
Golgotha – Night On Bald Mountain (Mussorgsky 1867)
2488:during the final boss fight with the villain Kaos.
1922:'s 'Polovtsian Dances' and 'Polovtsian March' from
1868:'s Kononov Hall, performed by the orchestra of the
1060:or a trinity of deities, and is also the name of a
189:, musicologist and an authority on Mussorgsky, 1945
2378:, an arrangement of the piece is heard, while the
1599:Паробок оставлен духами тьмы. Появление Чернобога.
1534:about three months after its composition in 1880:
935:Mussorgsky referred to this piece under the title
706:Assembly of the witches, their chatter and gossip
255:is the most familiar translation of "лысой горе" (
2491:A version of the piece was arranged for the game
2965:"Kingdom Hearts – Final Mix – Additional Tracks"
2623:
2621:
1523:). Chernobog and his accomplices form a kind of
2841:
2829:
2817:
2805:
2793:
1864:It received its premiere on 15 October 1886 in
839:2001, Peter Richard Conte, transcribed for the
675:The following program is taken from the score:
386:
165:
471:Mussorgsky described the piece in a letter to
3608:
3210:
3160:. Translated by Joffe, J. A. New York: Knopf.
2905:"The Life of a Song: Night on Disco Mountain"
2167:for concert purposes. Despite the success of
1783:, and both severely and justly criticized by
1738:, who in 1886 produced a redacted edition of
1483:л. 3: Ведьмы и бесы окружают спящего паробка.
1010:, in the (formerly) Slavic lands between the
368:sabbath, the central theme in all subsequent
269:
224:The original Russian title of the tone poem,
194:It is through Rimsky-Korsakov's version that
8:
2745:
2717:
2666:
2664:
2662:
2660:
2612:
2573:
1971:Performed by the Skidmore College Orchestra.
1375:. Shebalin's orchestration was published by
261:
3058:"Dance: Folk Ensemble, The Moiseyev Troupe"
2853:Serebrier, José, notes for Naxos 8.557645,
2693:
2428:Dances of Death (and Other Walking Shadows)
2149:. Stokowski stated that he based it on the
1568:church bell. Chernobog suddenly disappears.
769:1961, Lovro Matacic, Philharmonia Orchestra
435:
3926:
3733:
3615:
3601:
3593:
3455:
3408:
3313:
3245:
3217:
3203:
3195:
2781:
2757:
2681:
2639:
2402:. The arrangement was released as part of
2372:At the climax of the 1939 film version of
1596:Предзнамение появления Чернобога (Сатаны).
1006:is set in the 9th or 10th century city of
406:Work for piano and orchestra (early 1860s)
4197:Music based on European myths and legends
3190:International Music Score Library Project
3128:Literary Legacy (Literaturnoye naslediye)
3111:Catalog of autographs of M. P. Mussorgsky
2311:1953, Stokowski, "His Symphony Orchestra"
1649:Stanislavsky Theater Orchestra and Chorus
1617:Исчезновение бесов и пробуждение Паробка.
1530:Mussorgsky sent the following program to
1215:familiar from Russian folktales; plays a
1018:River. This would be the land of the pre-
410:Rimsky-Korsakov declares in his memoirs (
338:). Gogol's tale contains the elements of
1763:and other compositions of Mussorgsky's.
1103:
677:
4146:
2566:
2538:
1340:. It is now generally performed in the
2705:
2470:Kingdom Hearts 3D: Dream Drop Distance
1978:
851:National Symphony Orchestra of Ukraine
4182:Adaptations of works by Nikolai Gogol
3090:Modest Mussorgsky: His Life and Works
3056:Kisselgoff, Anna (5 September 1986).
2524:once again returns in the 2023 short
2504:The Russian dancer and choreographer
198:achieved lasting fame. Premiering in
7:
3520:Urals Mussorgsky State Conservatoire
1602:Величание Чернобога и Черная служба.
212:(1940), featuring an arrangement by
175:music which Mussorgsky prepared for
3829:Piano Concerto No. 2 (Shostakovich)
2855:Mussorgsky-Stokowski Transcriptions
2670:
2511:The piece appears in the 2022 film
2139:'s version, specially produced for
1056:head) happens to be the name of an
348:collection, but does not feature a
1371:at the Maly Theater, conducted by
25:
4187:Compositions by Modest Mussorgsky
2114:Leopold Stokowski's arrangement:
1643:Moscow Radio Orchestra and Chorus
1058:ancient three-headed Slavic deity
230:Saint John's Eve on Bald Mountain
78:(1839–1881). Inspired by Russian
74:, is a series of compositions by
4149:
4123:
4122:
3576:
3567:
3566:
3274:
3171:
1979:Problems playing this file? See
1961:
1686:State Symphony Capella of Russia
1413:and the famous "Bald Mountain" (
1307:The work's "third version", the
283:work refers to a specific place
27:Composition by Modest Mussorgsky
2770:Calvocoressi & Abraham 1974
2652:Calvocoressi & Abraham 1974
2628:Calvocoressi & Abraham 1974
2601:Calvocoressi & Abraham 1974
2586:Calvocoressi & Abraham 1974
1957:(Rimsky-Korsakov edition, 1886)
1744:Dream Vision of the Peasant Lad
1574:Voices of the clergy in church.
1498:л. 16: Удар утреннего колокола.
1461:p. 16) Stroke of a matins bell.
1357:was first performed as part of
1355:Dream Vision of the Peasant Lad
1309:Dream Vision of the Peasant Lad
1292:Dream Vision of the Peasant Lad
1095:Dream Vision of the Peasant Lad
737:Chyornaya sluzhba (Messe noire)
702:Sbor ved′m, ikh tolki i spletni
698:Сбор ведьм, их толки и сплетни
520:St. John's Eve on Bald Mountain
438:St. John's Eve on Bald Mountain
430:St. John's Eve on Bald Mountain
424:, had written a version of the
345:Evenings on a Farm near Dikanka
342:common to other stories in the
121:(1867), it is one of the first
84:St. John's Eve on Bald Mountain
3417:The Destruction of Sennacherib
3394:Stokowski orchestration (1939)
3097:Calvocoressi, Michel-Dimitri;
2362:Bournemouth Symphony Orchestra
2332:New Zealand Symphony Orchestra
1525:Six Horsemen of the Apocalypse
1409:, some 500 kilometers east of
881:Bournemouth Symphony Orchestra
524:Leningrad Philharmonic Society
1:
3848:Pomp and Circumstance Marches
3515:Ferry "Compositor Musorgskij"
3368:(1867, revised 1872 and 1880)
1706:New Jersey Symphony Orchestra
1554:Worship of Chernobog and the
1367:, which premiered in 1931 in
825:Bergen Philharmonic Orchestra
785:London Philharmonic Orchestra
4207:The Devil in classical music
3746:Toccata and Fugue in D minor
3158:Chronicle of My Musical Life
1874:Chronicle of My Musical Life
1751:Chronicle of My Musical Life
1511:Surviving the transfer from
776:, Orchestra Sinfonica Torino
745:
726:
710:
694:
667:(Bald Mountain), near Kyiv.
453:, his informal name for his
412:Chronicle of My Musical Life
332:Vecher nakanune Ivana Kupala
3835:The Carnival of the Animals
3681:(1982 digital re-recording)
3554:Michel-Dimitri Calvocoressi
3505:Airbus A321 "M. Mussorgsky"
3144:Orlova, Aleksandra (1991).
3011:. Video Game Music Database
2989:. Video Game Music Database
2967:. Video Game Music Database
2877:(3): 347–363, at 357, 358.
2476:Kingdom Hearts HD 1.5 Remix
1892:In the summer of 1889, the
1835:, and was later to do with
1712:Rimsky-Korsakov's fantasy:
1452:p. 7) Worship of Chernobog.
536:Michel-Dimitri Calvocoressi
328:Вечер накануне Ивана Купала
263:Une nuit sur le mont Chauve
96:Ivanova noch′ na lysoy gore
95:
64:
4228:
3810:Symphony No. 5 (Beethoven)
3772:Symphony No. 6 (Beethoven)
3716:Chicago Symphony Orchestra
3390:Ravel orchestration (1922)
2442:") opens with this theme.
1513:Glorification of Chernobog
979:Glorification of Chernobog
937:Glorification of Chernobog
888:Glorification of Chernobog
295:
228:, translates literally as
226:Иванова ночь на лысой горе
169:Night on the Bare Mountain
88:Иванова ночь на лысой горе
71:Night on the Bare Mountain
29:
4117:
4074:The Sorcerer's Apprentice
3842:The Sorcerer's Apprentice
3759:The Sorcerer's Apprentice
3632:
3562:
3458:
3441:Songs and Dances of Death
3411:
3384:Pictures at an Exhibition
3316:
3248:
3232:
3137:M. P. Musorgskiy: Letters
2434:The second main level of
2326:Cincinnati Pops Orchestra
2316:London Symphony Orchestra
2305:1940, Leopold Stokowski,
1870:Russian Symphony Concerts
1516:
1401:is set in and around the
1361:'s performing edition of
1312:
1263:'Drowner', god of floods
1196:An infernal Slavic deity
969:Sluzheniye chornomy kozlu
964:
961:Worship of the Black Goat
940:
925:
795:London Symphony Orchestra
377:
327:
291:Early unrealized projects
271:Una Notte sul Monte Calvo
239:The Russian word "ночь" (
87:
56:
3154:Rimsky-Korsakov, Nikolai
2380:Wicked Witch of the West
1882:A Night on Bald Mountain
1765:A Night on Bald Mountain
1647:1983, Vladimir Yesipov,
1614:Голоса церковного клира.
1571:Suffering of the demons.
1317:Sonnoye videniye parobka
949:list of his compositions
871:Los Angeles Philharmonic
518:The original tone poem,
277:A Night on Bald Mountain
18:A Night on Bald Mountain
4212:Fiction about the Devil
4192:Compositions in D minor
3920:Fantasia: Music Evolved
3299:The Fair at Sorochyntsi
2408:wah-wah electric guitar
2392:arranged an orchestral
2097:, published in 1886 by
1724:Nikolay Rimsky-Korsakov
1696:Berliner Philharmoniker
1631:The Fair at Sorochyntsi
1489:л. 7: Служба Чернобогу.
1398:The Fair at Sorochyntsi
1364:The Fair at Sorochyntsi
1326:The Fair at Sorochyntsi
1296:The Fair at Sorochyntsi
1099:The Fair at Sorochyntsi
835:Berliner Philharmoniker
232:, usually shortened to
161:The Fair at Sorochyntsi
145:The Fair at Sorochyntsi
125:by a Russian composer.
113:Nikolai Rimsky-Korsakov
46:Modest Mussorgsky, 1865
3785:Night on Bald Mountain
3706:Philadelphia Orchestra
3365:Night on Bald Mountain
3185:Night on Bald Mountain
3178:Night on Bald Mountain
3037:. Ridiculon / Bandcamp
2307:Philadelphia Orchestra
2127:
2116:Night on Bald Mountain
2111:
2095:Night on Bald Mountain
1954:Night on Bald Mountain
1946:
1916:Night on Bald Mountain
1913:
1886:
1857:
1827:
1740:Night on Bald Mountain
1725:
1714:Night on Bald Mountain
1676:Moscow Radio Orchestra
1672:BBC Symphony Orchestra
1660:Gennady Rozhdestvensky
1622:
1509:
1333:is dated 10 May 1880.
1313:Сонное видение паробка
965:Служение чёрному козлу
930:Noch′ na gore Triglave
922:Night on Mount Triglav
861:BBC Symphony Orchestra
811:Christoph von Dohnányi
502:
469:
400:
370:Night on Bald Mountain
318:
270:
262:
234:Night on Bald Mountain
196:Night on Bald Mountain
192:
150:Night on Bald Mountain
142:(1872), and the opera
52:Night on Bald Mountain
47:
33:Night on Bald Mountain
4034:Mickey's PhilharMagic
3904:Sorcerer's Apprentice
2947:"Earthworm Jim Music"
2734:American Public Media
2485:Skylanders: Trap Team
2452:Donkey Kong Country 2
2404:the film's soundtrack
2330:1995, James Sedares,
2125:
2103:
1945:
1930:Théâtre de la Monnaie
1890:
1880:The orchestration of
1878:
1852:
1755:
1723:
1536:
1437:
1417:), in the year 1800.
1276:La damnation de Faust
1044:scenario is the only
926:Ночь на горе Триглаве
805:Boston Pops Orchestra
477:
459:
308:Program of the opera
306:
45:
4067:The Little Matchgirl
3961:Disney Magical World
3752:The Nutcracker Suite
3500:Mussorgskij (crater)
3470:The Song of the Flea
3235:List of compositions
3180:at Wikimedia Commons
3146:Musorgsky Remembered
2842:Rimsky-Korsakov 1923
2830:Rimsky-Korsakov 1923
2818:Rimsky-Korsakov 1923
2806:Rimsky-Korsakov 1923
2794:Rimsky-Korsakov 1923
2399:Saturday Night Fever
1897:Universal Exposition
1250:, god of pestilence
1101:, described below):
945:Slavlenye Chornoboga
663:(23–24 June) on the
99:) on the theme of a
3945:Dream Drop Distance
3092:. London: Rockliff.
3086:Calvocoressi, M.-D.
3035:: OST by Ridiculon"
2945:Garner, Katherine.
2820:, pp. 301–302.
2808:, pp. 281–282.
2796:, pp. 261–262.
2760:, pp. 172–174.
2386:and her friends.
2352:Cleveland Orchestra
2131:Composition history
1845:Performance history
1729:Composition history
1668:BBC Symphony Chorus
1349:Performance history
1303:Composition history
941:Славленье Чёрнобога
899:Composition history
815:Cleveland Orchestra
514:Performance history
445:Composition history
65:Noch′ na lysoy gore
4082:Once Upon a Studio
4004:Allegro Non Troppo
3854:The Firebird Suite
3778:Dance of the Hours
3766:The Rite of Spring
3062:The New York Times
2527:Once Upon a Studio
2368:Other arrangements
2128:
1947:
1858:
1726:
1407:Velyki Sorochyntsi
1359:Vissarion Shebalin
57:Ночь на лысой горе
48:
4177:1886 compositions
4172:1867 compositions
4137:
4136:
3977:
3976:
3863:
3862:
3669:Leopold Stokowski
3590:
3589:
3549:Mussorgsky family
3483:
3482:
3479:
3478:
3352:
3351:
3348:
3347:
3226:Modest Mussorgsky
3176:Media related to
2913:, 2 October 2015.
2746:Calvocoressi 1956
2718:Calvocoressi 1956
2684:, pp. 73–74.
2613:Calvocoressi 1956
2574:Calvocoressi 1956
2314:1967, Stokowski,
2137:Leopold Stokowski
2126:Leopold Stokowski
2099:V. Bessel and Co.
1966:
1862:V. Bessel and Co.
1855:V. Bessel and Co.
1682:Valeriy Polyansky
1654:Concert version:
1331:piano-vocal score
1267:
1266:
867:Esa-Pekka Salonen
821:Dmitriy Kitayenko
781:David Lloyd-Jones
761:
760:
473:Vladimir Nikolsky
214:Leopold Stokowski
148:(1880). However,
93:
76:Modest Mussorgsky
68:), also known as
62:
16:(Redirected from
4219:
4154:
4153:
4152:
4145:
4126:
4125:
4089:Once Upon a Time
3990:A Corny Concerto
3927:
3823:Rhapsody in Blue
3734:
3617:
3610:
3603:
3594:
3580:
3570:
3569:
3495:1059 Mussorgskia
3456:
3409:
3314:
3310:Film adaptations
3278:
3246:
3219:
3212:
3205:
3196:
3188:: Scores at the
3175:
3161:
3149:
3140:
3135:Musorgskiy, M.,
3131:
3126:Musorgskiy, M.,
3122:
3114:
3106:
3093:
3073:
3072:
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3068:
3053:
3047:
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3044:
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3027:
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2883:10.2307/25046036
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2755:
2749:
2743:
2737:
2727:
2721:
2715:
2709:
2703:
2697:
2694:Lloyd-Jones 1974
2691:
2685:
2679:
2673:
2668:
2655:
2649:
2643:
2637:
2631:
2625:
2616:
2610:
2604:
2598:
2589:
2583:
2577:
2571:
2556:
2552:
2546:
2543:
2375:The Wizard of Oz
2342:BBC Philharmonic
1968:
1967:
1944:
1819:Russian original
1813:Sorochintsy Fair
1808:Sorochintsï Fair
1611:Страдания бесов.
1582:Russian original
1518:
1472:Russian original
1314:
1110:Transliteration
1104:
966:
942:
927:
774:Francesco Mander
722:Satan's cortege
687:Transliteration
678:
661:St. John's Night
465:Russian original
398:
379:
350:Witches' Sabbath
329:
310:St. John's Night
273:
265:
200:Saint Petersburg
190:
178:Sorochintsy Fair
101:Witches' Sabbath
98:
92:romanized:
91:
89:
67:
61:romanized:
60:
58:
21:
4227:
4226:
4222:
4221:
4220:
4218:
4217:
4216:
4202:Symphonic poems
4162:
4161:
4160:
4156:Classical music
4150:
4148:
4140:
4138:
4133:
4113:
4009:
3973:
3968:Disney Infinity
3925:
3891:
3859:
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3694:
3657:
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3344:
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3228:
3223:
3168:
3152:
3143:
3134:
3125:
3119:Lloyd-Jones, D.
3117:
3109:
3099:Abraham, Gerald
3096:
3084:
3081:
3076:
3066:
3064:
3055:
3054:
3050:
3040:
3038:
3033:The End Is Nigh
3029:
3028:
3024:
3014:
3012:
3007:
3006:
3002:
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2990:
2985:
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2963:
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2958:
2944:
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2939:
2929:
2927:
2922:
2921:
2917:
2910:Financial Times
2902:
2898:
2866:
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2852:
2848:
2840:
2836:
2828:
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2816:
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2800:
2792:
2788:
2782:Musorgskiy 1971
2780:
2776:
2768:
2764:
2758:Musorgskiy 1971
2756:
2752:
2744:
2740:
2728:
2724:
2716:
2712:
2704:
2700:
2692:
2688:
2682:Musorgskiy 1984
2680:
2676:
2669:
2658:
2650:
2646:
2640:Musorgskiy 1984
2638:
2634:
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2619:
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2607:
2599:
2592:
2584:
2580:
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2559:
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2536:
2520:The piece from
2494:The End Is Nigh
2370:
2338:Matthias Bamert
2302:
2225:E-flat clarinet
2177:
2175:Instrumentation
2151:Rimsky-Korsakov
2133:
2120:
2091:
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1989:Instrumentation
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1736:Rimsky-Korsakov
1731:
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1639:Yuriy Aronovich
1627:
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1583:
1532:Vladimir Stasov
1508:
1507:
1473:
1455:p. 10) Sabbath.
1423:
1394:
1389:
1351:
1323:" in his opera
1305:
1300:
1074:
1001:
987:
953:Vladimir Stasov
901:
896:
877:Kirill Karabits
847:Theodore Kuchar
841:Wanamaker Organ
766:
673:
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652:
544:
542:Instrumentation
516:
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408:
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364:The theme of a
362:
356:Opera project:
302:
296:Opera project:
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267:and in Italian
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4028:Sorcerer's Hat
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3938:Kingdom Hearts
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3166:External links
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3115:
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2926:. Sputnikmusic
2915:
2896:
2870:American Music
2859:
2846:
2844:, p. 306.
2834:
2832:, p. 471.
2822:
2810:
2798:
2786:
2784:, p. 154.
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2710:
2708:, p. 166.
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2464:Kingdom Hearts
2459:Yoko Shimomura
2440:What the Heck?
2369:
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2365:
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2358:José Serebrier
2354:
2348:Oliver Knussen
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1866:St. Petersburg
1846:
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1781:St. John's Eve
1730:
1727:
1717:
1710:
1709:
1708:
1698:
1692:Claudio Abbado
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1458:p. 11) Ballet.
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1373:Samuil Samosud
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1023:Polabian Slavs
1014:coast and the
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857:Valery Gergiev
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831:Claudio Abbado
827:
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730:Чёрная служба
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532:Gerald Abraham
515:
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507:Mily Balakirev
493:St. John's Eve
489:St. John's Eve
446:
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336:St. John's Eve
323:St. John's Eve
301:
298:St. John's Eve
294:
292:
289:
245:St. John's Day
221:
218:
206:animated film
187:Gerald Abraham
183:
130:Mily Balakirev
109:St. John's Eve
80:literary works
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3816:Pines of Rome
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3802:Fantasia 2000
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3720:Fantasia 2000
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3689:Fantasia 2000
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3645:Fantasia 2000
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3338:Boris Godunov
3335:
3333:
3331:
3330:Khovanshchina
3327:
3325:
3323:
3322:Boris Godunov
3319:
3318:
3315:
3312:
3308:
3301:
3300:
3296:
3293:
3292:
3291:Khovanshchina
3288:
3285:
3284:
3280:
3277:
3272:
3271:
3270:Boris Godunov
3267:
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3247:
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2938:
2930:September 26,
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2911:
2906:
2903:David Cheal:
2900:
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2783:
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2775:
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2759:
2754:
2751:
2748:, p. 11.
2747:
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2739:
2735:
2731:
2726:
2723:
2720:, p. 74.
2719:
2714:
2711:
2707:
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2699:
2695:
2690:
2687:
2683:
2678:
2675:
2672:
2667:
2665:
2663:
2661:
2657:
2654:, p. 20.
2653:
2648:
2645:
2642:, p. 27.
2641:
2636:
2633:
2629:
2624:
2622:
2618:
2615:, p. 31.
2614:
2609:
2606:
2603:, p. 175
2602:
2597:
2595:
2591:
2588:, p. 21.
2587:
2582:
2579:
2576:, p. 78.
2575:
2570:
2567:
2561:
2551:
2548:
2542:
2539:
2533:
2531:
2529:
2528:
2523:
2518:
2516:
2515:
2509:
2507:
2506:Igor Moiseyev
2502:
2500:
2496:
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2489:
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2477:
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2471:
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2460:
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2443:
2441:
2437:
2436:Earthworm Jim
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2409:
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2241:contrabassoon
2238:
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2233:bass clarinet
2230:
2226:
2222:
2218:
2214:
2210:
2206:
2203:
2201:
2197:
2196:double basses
2193:
2189:
2185:
2182:
2179:
2178:
2174:
2172:
2170:
2166:
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2161:
2160:Boris Godunov
2156:
2152:
2148:
2147:
2143:'s 1940 film
2142:
2138:
2130:
2124:
2117:
2110:
2108:
2107:Black Service
2102:
2100:
2096:
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2010:double basses
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1838:Boris Godunov
1834:
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1832:Khovanshchina
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1773:Danse Macabre
1770:
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1760:Khovanshchina
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1497:
1495:л. 11: Балет.
1494:
1492:л. 10: Шабаш.
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1231:Worm, god of
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1136:
1133:
1130:
1129:
1126:Evil spirits
1125:
1123:
1120:
1117:
1116:
1112:
1109:
1106:
1105:
1102:
1100:
1096:
1091:
1087:
1083:
1079:
1071:
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1067:
1063:
1059:
1055:
1051:
1047:
1046:Bald Mountain
1043:
1038:
1036:
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1021:
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842:
838:
836:
832:
828:
826:
822:
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812:
808:
806:
802:
801:John Williams
798:
796:
792:
788:
786:
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778:
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771:
768:
767:
763:
756:
754:
751:
748:
744:
740:
738:
735:
733:
732:(Messe noire)
729:
725:
721:
719:
718:Poyezd Satany
716:
714:Поезд Сатаны
713:
709:
705:
703:
700:
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680:
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584:
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569:
566:
564:
563:double basses
560:
556:
552:
549:
546:
545:
541:
539:
537:
533:
529:
528:Nikolay Malko
525:
521:
513:
511:
508:
501:
499:
494:
490:
486:
482:
476:
474:
468:
466:
462:
458:
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455:Bald Mountain
452:
444:
439:
433:
431:
427:
426:Bald Mountain
423:
422:
417:
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405:
403:
393:
391:
385:
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375:
371:
367:
359:
355:
353:
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317:
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311:
305:
299:
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258:
254:
253:
252:Bald Mountain
248:
246:
242:
237:
235:
231:
227:
219:
217:
215:
211:
210:
205:
201:
197:
188:
182:
180:
179:
174:
173:Bare Mountain
170:
164:
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158:
153:
151:
147:
146:
141:
140:
135:
134:Bald Mountain
131:
126:
124:
120:
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114:
110:
106:
105:Bald Mountain
103:occurring at
102:
97:
85:
81:
77:
73:
72:
66:
54:
53:
44:
40:
36:
34:
19:
4121:
4109:Deems Taylor
4101:
4087:
4080:
4072:
4065:
4058:
4051:
4044:
4032:
4020:
4002:
3995:
3988:
3966:
3959:
3952:
3943:
3936:
3918:
3910:
3902:
3877:Mickey Mouse
3852:
3840:
3833:
3821:
3814:
3801:
3789:
3784:
3783:
3776:
3764:
3757:
3750:
3737:
3719:
3709:
3688:
3685:James Levine
3679:Irwin Kostal
3672:
3643:
3636:
3623:
3541:
3439:
3431:
3423:
3415:
3382:
3364:
3363:
3337:
3329:
3321:
3297:
3289:
3281:
3269:
3260:
3253:
3184:
3157:
3145:
3136:
3127:
3102:
3089:
3065:. Retrieved
3061:
3051:
3039:. Retrieved
3032:
3025:
3013:. Retrieved
3003:
2991:. Retrieved
2981:
2969:. Retrieved
2959:
2951:Rocket Worm!
2950:
2940:
2928:. Retrieved
2918:
2908:
2899:
2874:
2868:
2862:
2854:
2849:
2837:
2825:
2813:
2801:
2789:
2777:
2765:
2753:
2741:
2725:
2713:
2701:
2689:
2677:
2647:
2635:
2630:, p. 20
2608:
2581:
2569:
2550:
2541:
2525:
2521:
2519:
2512:
2510:
2503:
2498:
2492:
2490:
2483:
2481:
2474:
2468:
2462:
2457:
2450:
2444:
2439:
2433:
2426:
2423:Mekong Delta
2419:thrash metal
2413:
2397:
2388:
2384:Dorothy Gale
2373:
2371:
2322:Erich Kunzel
2266:
2250:french horns
2245:
2204:
2180:
2168:
2164:
2158:
2144:
2134:
2115:
2104:
2094:
2092:
2063:
2047:French horns
2042:
2018:
1994:
1953:
1923:
1915:
1914:
1899:took place.
1891:
1887:
1881:
1879:
1873:
1859:
1836:
1830:
1828:
1822:
1812:
1806:
1798:
1792:
1780:
1772:
1764:
1758:
1756:
1750:
1743:
1739:
1732:
1713:
1702:Zdeněk Mácal
1653:
1630:
1628:
1585:
1537:
1529:
1520:
1512:
1510:
1475:
1438:
1433:
1424:
1396:
1395:
1362:
1354:
1352:
1335:
1324:
1316:
1308:
1306:
1295:
1291:
1274:
1268:
1258:
1242:
1226:
1204:
1189:
1178:
1174:
1167:
1149:
1134:
1121:
1113:Description
1098:
1094:
1075:
1053:
1049:
1045:
1041:
1039:
1003:
1002:
990:
988:
978:
974:
973:
968:
960:
944:
936:
934:
929:
921:
915:
913:opera-ballet
902:
891:
887:
752:
736:
731:
717:
701:
674:
658:
616:
596:French horns
591:
567:
553:I & II,
547:
519:
517:
503:
497:
492:
488:
478:
470:
464:
463:
460:
454:
450:
448:
437:
429:
425:
419:
411:
409:
401:
389:
387:
381:
373:
369:
363:
357:
343:
335:
331:
321:
319:
314:P. Boborïkin
309:
307:
303:
297:
284:
281:
276:
268:
260:
256:
250:
249:
240:
238:
233:
229:
225:
223:
207:
195:
193:
176:
172:
168:
166:
160:
154:
149:
143:
137:
133:
127:
116:
83:
70:
69:
51:
50:
49:
39:
32:
3954:Epic Mickey
3896:Video games
3882:Donald Duck
3544:(1950 film)
3425:The Nursery
3340:(1989 film)
3332:(1959 film)
3324:(1954 film)
3041:October 19,
3015:October 19,
2993:October 19,
2971:October 19,
2706:Orlova 1991
2416:progressive
2414:The German
2390:David Shire
2267:Percussion:
2221:cor anglais
2141:Walt Disney
2064:Percussion:
1925:Prince Igor
1747:vocal score
1664:BBC Singers
1629:As part of
1405:village of
1383:) in 1934.
1122:Zlyye dukhi
1062:famous peak
1031:Mecklenburg
955:. In 1930,
741:Black mass
617:Percussion:
526:, and that
451:The Witches
436:Tone poem:
416:Franz Liszt
204:Walt Disney
4166:Categories
4103:Ten Pieces
4060:One by One
4040:Fantasound
4022:Fantasmic!
3887:Daisy Duck
3869:Characters
3699:Orchestras
3662:Conductors
3651:soundtrack
3542:Mussorgsky
3357:Orchestral
3103:Mussorgsky
2562:References
2300:Recordings
2274:snare drum
2205:Woodwinds:
2019:Woodwinds:
1981:media help
1625:Recordings
1556:black mass
1338:intermezzo
1321:intermezzo
1311:(Russian:
1177:(black) +
1169:Chyornobog
1158:hobgoblins
1118:Злые духи
1035:Vorpommern
1012:Baltic Sea
963:(Russian:
957:Pavel Lamm
939:(Russian:
924:(Russian:
764:Recordings
640:snare drum
632:tambourine
568:Woodwinds:
376:(Russian:
340:witchcraft
326:(Russian:
257:lysoy gore
123:tone poems
86:(Russian:
55:(Russian:
3791:Ave Maria
3488:Namesakes
3067:9 January
2286:xylophone
2278:bass drum
2258:trombones
2229:clarinets
2155:Chernobog
2071:bass drum
2055:trombones
2034:clarinets
1905:Trocadéro
1803:Chernobog
1785:Balakirev
1777:Totentanz
1742:from the
1566:Christian
1415:Lysa Hora
1403:Ukrainian
1369:Leningrad
1281:Cleopatra
1164:Чёрнобог
1146:Кикиморы
1020:Christian
951:given to
932:) scene.
909:orchestra
684:Original
665:Lysa Hora
624:bass drum
608:trombones
583:clarinets
421:Totentanz
390:The Witch
374:The Witch
358:The Witch
4128:Category
4095:season 4
3997:Gumbasia
3982:Parodies
3912:Fantasia
3738:Fantasia
3730:Segments
3710:Fantasia
3673:Fantasia
3638:Fantasia
3625:Fantasia
3572:Category
3507:(number
3472:" (1879)
3262:Zhenitba
3254:Salammbô
3156:(1923).
3101:(1974).
3088:(1956).
2891:25046036
2522:Fantasia
2447:Nintendo
2382:pursues
2254:trumpets
2237:bassoons
2209:piccolos
2181:Strings:
2169:Fantasia
2146:Fantasia
2051:trumpets
2038:bassoons
1995:Strings:
1934:Brussels
1901:Belyayev
1876:(1909):
1789:Gedeonov
1753:(1909):
1561:Sabbath.
1342:Shebalin
1259:Topelets
1255:Топелец
1206:Kashchey
1151:Kikimory
1107:Russian
1066:Slovenia
1052:three +
1027:Holstein
757:Sabbath
690:English
636:triangle
604:trumpets
587:bassoons
548:Strings:
498:Savishna
395:—
366:witches'
209:Fantasia
184:—
4053:Lorenzo
4046:Destino
4014:Related
3930:Related
3534:Related
3463:"Night"
3433:Sunless
3387:(1874)
3273:(1872)
3079:Sources
2671:Catalog
2514:Babylon
2497:titled
2290:tam-tam
2282:cymbals
2270:timpani
2184:violins
2089:Program
2079:tam-tam
2075:cymbals
2067:timpani
2022:piccolo
1998:violins
1920:Borodin
1909:Colonne
1392:Setting
1387:Program
1186:Морена
1156:Female
1140:Witches
1131:Ведьмы
999:Setting
985:Program
947:) in a
753:Shabash
671:Program
655:Setting
650:Program
644:tam-tam
628:cymbals
620:timpani
600:cornets
571:piccolo
551:violins
157:fantasy
4142:Portal
4077:(2010)
3915:(1991)
3907:(1983)
3509:VP-BWP
3465:(1864)
3444:(1877)
3436:(1874)
3428:(1872)
3420:(1867)
3302:(1880)
3294:(1880)
3286:(1872)
3265:(1868)
3257:(1866)
3242:Operas
2889:
2555:Утро.»
2356:2005,
2346:2004,
2336:1996,
2320:1986,
2246:Brass:
2213:flutes
2192:cellos
2188:violas
2118:(1940)
2043:Brass:
2026:flutes
2006:cellos
2002:violas
1716:(1886)
1700:1997,
1690:1997,
1680:1997,
1658:1981,
1637:1969,
1605:Шабаш.
1521:Smert'
1517:Смерть
1377:Muzgiz
1298:(1880)
1248:Plague
1233:famine
1227:Cherv′
1223:Червь
1201:Кащей
1191:Morena
1175:Cherno
1135:Ved′my
1078:Arkona
907:, and
905:chorus
894:(1872)
875:2011,
865:2006,
855:2004,
845:2003,
829:1993,
819:1991,
809:1991,
799:1988,
789:1980,
779:1971,
772:1962,
749:Шабаш
592:Brass:
575:flutes
559:cellos
555:violas
440:(1867)
382:Ved′ma
378:Ведьма
360:(1860)
300:(1858)
285:called
35:(play)
3582:Audio
3452:Songs
3405:Vocal
3376:Piano
3283:Mlada
2887:JSTOR
2534:Notes
2449:game
2421:band
2394:disco
2217:oboes
2200:harps
2165:Boris
2030:oboes
1894:Paris
1799:Night
1794:Mlada
1769:Liszt
1428:gypsy
1381:IMSLP
1294:from
1285:Egypt
1243:Chuma
1239:Чума
1217:gusli
1097:from
1086:ghost
1082:shade
1042:Mlada
1033:, or
1008:Retra
1004:Mlada
992:Mlada
975:Mlada
917:Mlada
892:Mlada
890:from
681:Seq.
579:oboes
481:Satan
241:noch′
139:Mlada
118:Sadko
3069:2022
3043:2020
3017:2020
2995:2020
2973:2020
2932:2021
2473:and
2445:The
2294:bell
2262:tuba
2260:, 1
2256:, 4
2252:, 4
2239:, 1
2235:, 2
2231:, 1
2227:, 2
2223:, 1
2219:, 1
2215:, 2
2211:, 2
2198:, 2
2083:bell
2059:tuba
2053:, 3
2049:, 2
2036:, 2
2032:, 2
2028:, 2
2024:, 2
2014:harp
1421:Plot
1411:Kyiv
1353:The
1213:ogre
1090:mime
1072:Plot
1054:glav
1040:The
1016:Elbe
612:tuba
606:, 3
602:, 2
598:, 2
585:, 2
581:, 2
577:, 2
573:, 2
220:Name
2879:doi
1932:in
1791:'s
1771:'s
1273:'s
1211:An
1179:bog
1064:in
1050:tri
971:).
485:kid
418:'s
279:).
115:'s
107:on
4168::
3060:.
2949:.
2907:,
2885:.
2875:24
2873:.
2732:,
2659:^
2620:^
2593:^
2530:.
2517:.
2479:.
2438:("
2431:.
2360:,
2350:,
2340:,
2324:,
2292:,
2288:,
2284:,
2280:,
2276:,
2272:,
2248:5
2207:2
2194:,
2190:,
2186:,
2101::
2081:,
2077:,
2073:,
2069:,
2057:,
2045:4
2012:,
2008:,
2004:,
2000:,
1936:.
1704:,
1694:,
1684:,
1674:,
1670:,
1666:,
1662:,
1641:,
1633::
1519:,
1315:,
1037:.
1029:,
967:,
943:,
928:,
879:,
869:,
859:,
849:,
833:,
823:,
813:,
803:,
793:,
783:,
746:4
727:3
711:2
695:1
642:,
638:,
634:,
630:,
626:,
622:,
610:,
594:4
561:,
557:,
475::
380:,
334:,
330:,
163::
90:,
59:,
4144::
3788:/
3722:)
3718:(
3712:)
3708:(
3691:)
3687:(
3675:)
3671:(
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3609:t
3602:v
3511:)
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3218:e
3211:t
3204:v
3071:.
3045:.
3019:.
2997:.
2975:.
2953:.
2934:.
2893:.
2881::
2857:.
2696:.
1983:.
1775:(
1558:.
1379:(
1084:(
275:(
181:.
37:.
20:)
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