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29:
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provided a narration – a practice borrowed from radio dramas which provided a template for many television dramas of the time. It took a similar approach to the book, lacking dominant characters and switching between a multiplicity of scenes. Rains' narration was used "to bridge the almost limitless
409:
called "the core of Mr. Lord's account, and explains its fascination, a pull as powerful in its way as the last downward plunge of the ship itself." While the "legendary acts of gallantry" stood out, the book invites readers to put themselves in the place of those aboard and implicitly asks how they
396:
for nearly forty years. He argues that the book's hallmarks are its restraint, brevity and readability, which downplays the extravagant and mythical aspects of the disaster and instead puts in the foreground the stories of the people on the ship. The narrative builds suspense, making the reader care
400:
A key to Lord's method is his technique of adopting an unconventional approach to the chronology of the event, " an imaginative approach to time and space in which hours and minutes prove extremely malleable, the ship itself seems almost infinitely complex, and the disaster assumes order and unity
501:
number of sequences of life aboard the doomed liner", as a reviewer put it, and closed with his declaration that "never again has Man been so confident. An age had come to an end." The production was a major hit, attracting 28 million viewers, and greatly boosted the book's sales. It was rerun on
462:
s reviewer made this point explicitly: "This air age, when death comes too swiftly for heroism or with no survivors to record it, can still turn with wonder to an age before yesterday when a thousand deaths at sea seemed the very worst the world must suffer." It was, as Steven Biel comments, "a
426:
disaster by portraying it in world-historical terms as the symbolic and actual end of an era, and as an event which "marked the end of a general feeling of confidence." Uncertainty replaced orderliness, and the ship's sinking marked the beginning of the twentieth century's "unending sequence of
438:
Lord's invocation of an era of confidence and certainty was also a relevant theme at the height of the Cold War. The
University of California sociologist Fred Davis comments that nostalgia "thrives ... on the rude transitions wrought by such phenomena as war, depression, civil disturbance, and
431:, all was quiet. Afterward, all was tumult." Biel notes that Lord's underlying theme is a rather nostalgic reflection of the "nobler instincts" exhibited in the disaster and their subsequent eclipse. Such ideals were attractive for a post-war society that celebrated the role of the
397:
about the characters and revisit the disaster from their perspective. It tells the story in a highly visual and aural way, describing the sights and sounds of the night of the disaster "with the immediacy of a live broadcast or a television documentary", as Biel puts it.
533:
being launched on 31 May 1911 and still remembered the occasion vividly. He met Lord and brought him on board the production as a consultant. The film diverges from both the book and the NBC TV adaptation in focusing on a central character, Second
Officer
491:
program. It has been described as "the biggest, most lavish, most expensive thing of its kind" attempted up to that point, with 31 sets, 107 actors, 72 speaking parts, 3,000 gallons of water and costing $ 95,000 ($ 1,064,651.2 at present-day prices).
383:
Steven Biel, an
American cultural historian, notes the novelistic way in which Lord tells the story. The book depicts events through the eyes of multiple individuals, violating simple chronology to present an overlapping series of narratives.
376:, the arrangement of contrasting bits of fact and emotion in such a fashion that a vividly real impression of an event is conveyed to the reader." Walker highlighted the way that Lord had avoided telling the story through the prism of
439:
cataclysmic natural disasters – in short, those events that cause masses of people to feel uneasy and to wonder whether the world and their being are quite what they always took them to be." The turmoil and uncertainty of the early
311:
Since then the book has never been out of print and has been translated into over a dozen languages. Its success enabled Lord to leave the world of advertising and become a full-time writer. After the discovery of the wreck of the
542:, sitting on a lifeboat. Lightoller declares that the disaster is "different ... Because we were so sure. Because even though it's happened, it's still unbelievable. I don't think I'll ever feel sure again. About anything."
1230:
417:
The significance of Lord's book, according to Biel, is that it "gave the disaster its fullest retelling since 1912 and made it speak to a modern mass audience and a new set of postwar concerns. In the creation of the
1091:
287:
and other coverage of the disaster that was published around the same time. Within two months of its publication, the book had sold 60,000 copies and remained listed as a best-seller for six months. The
380:, which had been the usual style of previous narratives, and instead successfully depicted the human element of the story by showing how those aboard reacted to the disaster whatever their class.
1237:
1207:
3196:
247:
s sister ship, when he was a boy, 13 years after
Titanic sank, and the experience gave him a lifelong fascination with the lost liner. As he later put it, he spent his time on the
566:. MacQuitty also donated items from his own collection of material related to the film. Items from the collection are on display at the museum and can be accessed by researchers.
1095:
2144:
1163:
529:
both acquired copies of the book – Baker from his favorite bookshop and MacQuitty from his wife – and decided to obtain the film rights. MacQuitty had actually seen
538:, played by More. Its conclusion reflects Lord's world-historical theme of a "world changed for ever" with a fictional conversation between Lightoller and Colonel
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473:
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1842:
453:
The gradual nature of the disaster was also more comforting, in some respects, compared with the nature of modern technological failures such as air crashes.
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2181:
401:
from far away." In short it is "a modernist narrative around a modernist event." Reviewers highlighted the way in which Lord depicted the human side of the
193:. Lord interviewed 63 survivors of the disaster and drew on books, memoirs, and articles that they had written. In 1986, Lord authored his follow-up book,
2940:
3395:
1254:
443:
and the onset of profound social changes made the old concepts of the nuclear family and traditional gender roles, reflected in the behaviour of
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521:, which is still widely regarded as "the definitive cinematic telling of the story." The film came about after its eventual director,
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3400:
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1996:
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was only Lord's second book but was a huge success, thanks in no small part to the aggressive advertising campaign carried out by
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praised the book for doing "a magnificent job of re-creative chronicling, enthralling from the first word to the last."
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1933:
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myth there were two defining moments: 1912, of course, and 1955." Lord updates the popular interpretation of the
281:
following its launch in
November 1955. The book also undoubtedly benefited from the popularity of the 1953 film
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buffs the world over, it lacked the spark of the original," which by 1998 had reached its fiftieth printing.
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1961:
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and with advice from Lord, was released in 1958. Lord also served as a consultant to
Canadian film director
28:
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2010:
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251:"prowling around" and trying to imagine "such a huge thing" sinking. He started reading about and drawing
187:
on 15 April 1912. The book was hugely successful, and is still considered a definitive resource about the
84:
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1982:
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978:
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133:
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2003:
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1092:"National Maritime Museum receives historic Titanic archive: the Lord-Macquitty Collection"
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quainter kind of disaster" in which the victims had time to prepare and chose how to die.
455:
264:
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in 1985 sparked a new wave of public interest in the disaster he wrote a follow-up book,
338:
called it "stunning ... one of the most exciting books of this or any other year". The
3301:
3252:
3103:
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2922:
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2716:
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2017:
1975:
1919:
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said that it was "seamless and skillful... it's clear why this is many a researcher's
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1940:
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memorabilia, causing people to "take note of this oddity." He majored in history at
3245:
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518:
497:
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305:
320:(1986). Daniel Allen Butler comments that "although it was of immense interest to
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2094:
1989:
1705:
1327:
482:
392:, notes that at the time of publication it was the first significant book about
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42:
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113:
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both published condensed versions and it was selected in June 1956 by the
271:. Writing in his spare time, he interviewed 63 survivors of the disaster.
3123:
2451:
1954:
435:
and the traditional roles of the male breadwinner and female homemaker.
153:
1143:
73:
471:
The book has been adapted twice for the screen. The first production,
989:
Butler, Daniel (1998). Unsinkable: the full story of the RMS Titanic.
562:
memorabilia, which he had gathered during his life and used to write
477:(1956), was staged as a live adaptation screened on 28 March 1956 by
388:, writing in the introduction to the fiftieth anniversary edition of
414:
put it, "What would it be like to be aboard a sinking ocean liner?"
905:
1115:
360:
described it as "the most riveting narrative of the disaster."
332:
The book received widespread praise from contemporary critics.
478:
372:
s critic
Stanley Walker, was that he used "a kind of literary
625:
623:
147:
1111:
719:
717:
802:
800:
665:
663:
661:
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his huge collection of manuscripts, original letters and
1094:. National Maritime Museum. 7 April 2003. Archived from
1009:
Century: Media, Myth, and the Making of a
Cultural Icon
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on 2 May 1956, five weeks after its first broadcast.
267:
before joining the New York–based advertising agency
197:, following renewed interest in the story after the
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108:
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69:
56:
48:
38:
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450:s passengers, resonate with a mid-1950s audience.
255:at the age of ten and spent many years collecting
3197:Agreement Concerning the Shipwrecked Vessel RMS
997:Yearning for Yesterday: A Sociology of Nostalgia
363:The secret to Lord's success, according to the
304:. The first paperback edition was published by
550:After Lord died in 2002, he bequeathed to the
1127:
973:Unsinkable: The Full Story of the RMS Titanic
8:
3015:Mount Olivet Cemetery (Halifax, Nova Scotia)
1053:. Westport, CT: Greenwood Publishing Group.
21:
2752:(It Was Sad When That Great Ship Went Down)
1051:: Historiography and Annotated Bibliography
906:National Maritime Museum & 7 April 2003
508:The second adaptation was the 1958 British
3042:
2287:
2151:
1526:
1134:
1120:
1112:
931:. Jefferson, NC: McFarland & Company.
27:
20:
818:
806:
681:
669:
629:
582:
1072:Titanic: The Last Night of a Small Town
575:
977:. Mechanicsburg, PA: Stackpole Books.
614:
410:would react in the same situation. As
954:. London: W.W. Norton & Company.
893:
881:
869:
857:
764:
7:
3386:Non-fiction books adapted into films
2300:The Wreck of the Titan: Or, Futility
1843:Mauritz Håkan Björnström-Steffansson
845:
830:
791:
779:
752:
735:
723:
708:
696:
648:
599:
16:1955 non-fiction book by Walter Lord
1076:. Oxford: Oxford University Press.
14:
1664:Joseph Philippe Lemercier Laroche
1164:Second and Third class facilities
525:, and its producer, Belfast-born
33:1955 American first edition cover
3349:
3348:
2944:Museum (Pigeon Forge, Tennessee)
2951:Maritime Museum of the Atlantic
2053:Noël Leslie, Countess of Rothes
1030:. Manchester University Press.
1011:. Santa Barbara, CA: ABC-CLIO.
3396:History books about shipwrecks
2887:Titanic: Adventure Out of Time
2472:The Chambermaid on the Titanic
176:is a 1955 non-fiction book by
22:A Night to Remember (Titanic)
1:
3270:Titanic International Society
2263:Butt–Millet Memorial Fountain
969:Butler, Daniel Allen (1998).
219:while he was making his film
3391:Henry Holt and Company books
1934:Frank John William Goldsmith
427:disillusionment. Before the
2604:Titanic: The Complete Story
2502:The Boy Who Saw the Iceberg
2492:Titanic: The Legend Goes On
1208:Changes in safety practices
923:Anderson, D. Brian (2005).
3417:
3381:20th-century history books
2934:Museum (Branson, Missouri)
2761:The Sinking of the Titanic
2707:The Unsinkable Molly Brown
2422:The Unsinkable Molly Brown
3343:
2819:Dance Band on the Titanic
2482:The Legend of the Titanic
1151:
1045:Rasor, Eugene L. (2001).
26:
3401:Novels about RMS Titanic
3295:Women and children first
2994:Titanic Quarter, Belfast
2897:Titanic: Honor and Glory
2656:Titanic: Blood and Steel
2633:"A Flight to Remember" (
1296:William McMaster Murdoch
552:National Maritime Museum
488:Kraft Television Theatre
164:The Night Lives On
3310:La Circassienne au Bain
3001:Cape Race, Newfoundland
2800:Nearer, My God, to Thee
1962:Margaret Bechstein Hays
1878:Charlotte Drake Cardeza
1068:Welshman, John (2012).
999:. New York: Free Press.
950:Down with the Old Canoe
366:New York Herald Tribune
3376:1955 non-fiction books
3008:Fairview Lawn Cemetery
2877:Search for the Titanic
2676:Titanic: The Aftermath
2442:Secrets of the Titanic
2342:Saved from the Titanic
2320:Polar the Titanic Bear
2081:Frederic Kimber Seward
2025:Arthur Godfrey Peuchen
2011:Michel Marcel Navratil
1913:Lucy, Lady Duff-Gordon
1871:Helen Churchill Candee
1864:Margaret "Molly" Brown
1470:Frank Winnold Prentice
1346:(Machine Room Manager)
1198:Iceberg that sank the
1157:First class facilities
929:in Print and on Screen
302:Book of the Month Club
213:film based on the book
3278:Encyclopedia Titanica
3190:Maritime Memorial Act
1983:Eleanor Ileen Johnson
1906:Sir Cosmo Duff-Gordon
1748:George Dunton Widener
1678:Harry Markland Molson
1643:Charles Melville Hays
1608:Sidney Leslie Goodwin
1587:Walter Donald Douglas
1304:Charles H. Lightoller
1238:United States inquiry
1026:Mayer, Geoff (2004).
946:Biel, Steven (1996).
328:Critical commentaries
233:Lord traveled on the
1755:Harry Elkins Widener
1671:Francis Davis Millet
1511:John Wesley Woodward
1004:Heyer, Paul (2012).
995:Davis, Fred (1979).
481:TV and sponsored by
347:Entertainment Weekly
291:Ladies' Home Journal
261:Princeton University
3287:Halomonas titanicae
2840:(music composition)
2791:My Heart Will Go On
2764:(music composition)
2585:A Night to Remember
2512:Ghosts of the Abyss
2412:A Night to Remember
2310:A Night to Remember
2088:Eloise Hughes Smith
1927:Archibald Gracie IV
1769:George Henry Wright
1734:Frank M. Warren Sr.
1692:Eino Viljami Panula
1650:Ann Elizabeth Isham
1615:Benjamin Guggenheim
1552:John Jacob Astor IV
1262:Conspiracy theories
726:, pp. 156–157.
684:, pp. 283–284.
632:, pp. 281–282.
564:A Night to Remember
514:A Night to Remember
474:A Night to Remember
390:A Night to Remember
386:Nathaniel Philbrick
275:A Night to Remember
263:and graduated from
229:Publication history
182:sinking of the RMS
173:A Night to Remember
61:Sinking of the RMS
23:
3263:Historical Society
2784:(soundtrack album)
2774:(soundtrack album)
2666:Saving the Titanic
2265:(Washington, D.C.)
2257:(Washington, D.C.)
2182:Engine Room Heroes
2123:R. Norris Williams
2074:Beatrice Sandström
1657:Edward Austin Kent
1477:Arthur John Priest
1393:Frank Oliver Evans
1379:William Denton Cox
1288:Henry Tingle Wilde
556:Greenwich, England
536:Charles Lightoller
467:Screen adaptations
407:The New York Times
335:The New York Times
318:The Night Lives On
269:J. Walter Thompson
204:was discovered by
195:The Night Lives On
141:(hardback edition)
3363:
3362:
3339:
3338:
3029:Titanic, Oklahoma
2908:
2907:
2649:(2012 miniseries)
2617:(1996 miniseries)
2432:Raise the Titanic
2283:(cultural legacy)
2273:
2272:
2139:
2138:
2130:Marie Grice Young
2116:Ella Holmes White
1580:Roderick Chisholm
1365:Frederick Barrett
1320:Joseph G. Boxhall
1255:Legends and myths
1083:978-0-19-161173-5
1060:978-0-313-31215-1
1037:978-0-7190-6354-1
1018:978-0-313-39815-5
984:978-0-8117-1814-1
527:William MacQuitty
308:in October 1956.
180:that depicts the
169:
168:
101:Publication place
3408:
3356:
3352:
3351:
3330:
3323:
3313:
3304:
3297:
3290:
3281:
3272:
3265:
3255:
3248:
3241:
3234:
3227:
3220:
3202:
3192:
3168:
3158:
3149:
3139:
3129:
3119:
3109:
3099:
3089:
3079:
3069:
3059:
3043:
3031:
3024:
3017:
3010:
3003:
2996:
2989:
2982:
2980:Titanic (Canada)
2964:
2954:
2946:
2936:
2926:
2901:
2891:
2881:
2860:
2850:
2841:
2831:
2822:
2813:
2812:(musical parody)
2803:
2794:
2785:
2775:
2765:
2755:
2731:
2721:
2711:
2701:
2680:
2670:
2660:
2650:
2640:
2628:
2618:
2608:
2598:
2588:
2566:
2556:
2546:
2536:
2526:
2516:
2506:
2496:
2486:
2476:
2466:
2456:
2446:
2436:
2426:
2416:
2406:
2396:
2386:
2376:
2366:
2356:
2352:In Nacht und Eis
2346:
2323:
2314:
2304:
2288:
2266:
2258:
2248:
2238:
2219:
2211:
2201:
2193:
2185:
2166:
2152:
2132:
2125:
2118:
2111:
2104:
2097:
2090:
2083:
2076:
2069:
2062:
2055:
2048:
2041:
2034:
2027:
2020:
2013:
2006:
2004:Margaret Mannion
1999:
1992:
1985:
1978:
1971:
1964:
1957:
1950:
1943:
1936:
1929:
1922:
1915:
1908:
1901:
1894:
1887:
1880:
1873:
1866:
1859:
1852:
1845:
1838:
1836:Dickinson Bishop
1831:
1824:
1822:Lawrence Beesley
1817:
1810:
1803:
1796:
1789:
1771:
1764:
1757:
1750:
1743:
1736:
1729:
1722:
1715:
1708:
1701:
1694:
1687:
1680:
1673:
1666:
1659:
1652:
1645:
1638:
1631:
1624:
1617:
1610:
1603:
1601:Jacques Futrelle
1596:
1589:
1582:
1575:
1568:
1561:
1559:David John Bowen
1554:
1547:
1540:
1527:
1513:
1506:
1486:
1479:
1472:
1465:
1458:
1451:
1444:
1437:
1430:
1423:
1416:
1409:
1402:
1395:
1388:
1381:
1374:
1367:
1347:
1339:
1336:James Paul Moody
1331:
1323:
1322:(Fourth Officer)
1315:
1307:
1306:(Second Officer)
1299:
1291:
1283:
1264:
1257:
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1210:
1203:
1180:
1173:
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1159:
1136:
1129:
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1113:
1107:
1105:
1103:
1098:on 14 April 2012
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685:
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646:
633:
627:
618:
612:
603:
597:
586:
580:
540:Archibald Gracie
461:
449:
371:
341:Atlantic Monthly
246:
160:Followed by
149:
92:Publication date
31:
24:
3416:
3415:
3411:
3410:
3409:
3407:
3406:
3405:
3366:
3365:
3364:
3359:
3347:
3335:
3326:
3316:
3307:
3300:
3293:
3284:
3275:
3268:
3258:
3251:
3244:
3239:Herbert Haddock
3237:
3230:
3223:
3218:White Star Line
3216:
3205:
3195:
3184:
3173:
3161:
3152:
3142:
3132:
3122:
3112:
3102:
3092:
3082:
3072:
3062:
3052:
3034:
3027:
3020:
3013:
3006:
2999:
2992:
2985:
2978:
2967:
2957:
2949:
2939:
2929:
2921:
2915:and exhibitions
2914:
2904:
2894:
2884:
2874:
2863:
2853:
2844:
2837:Titanic Requiem
2834:
2825:
2816:
2806:
2797:
2788:
2781:Back to Titanic
2778:
2768:
2758:
2745:
2734:
2724:
2714:
2704:
2694:
2683:
2673:
2663:
2653:
2643:
2631:
2624:No Greater Love
2621:
2611:
2601:
2591:
2582:
2569:
2559:
2549:
2539:
2529:
2519:
2509:
2499:
2489:
2479:
2469:
2459:
2449:
2439:
2429:
2419:
2409:
2399:
2389:
2379:
2369:
2359:
2349:
2339:
2326:
2317:
2307:
2297:
2281:
2279:Popular culture
2269:
2261:
2251:
2247:(New York City)
2241:
2237:(New York City)
2233:
2222:
2214:
2204:
2196:
2188:
2180:
2169:
2161:
2146:
2135:
2128:
2121:
2114:
2107:
2100:
2093:
2086:
2079:
2072:
2067:Agnes Sandström
2065:
2058:
2051:
2046:Edith Rosenbaum
2044:
2039:Winnifred Quick
2037:
2030:
2023:
2016:
2009:
2002:
1995:
1988:
1981:
1974:
1969:Masabumi Hosono
1967:
1960:
1953:
1948:Henry S. Harper
1946:
1939:
1932:
1925:
1918:
1911:
1904:
1897:
1890:
1883:
1876:
1869:
1862:
1855:
1848:
1841:
1834:
1827:
1820:
1813:
1808:Madeleine Astor
1806:
1801:Lillian Asplund
1799:
1792:
1785:
1774:
1767:
1760:
1753:
1746:
1739:
1732:
1725:
1718:
1711:
1704:
1697:
1690:
1683:
1676:
1669:
1662:
1655:
1648:
1641:
1636:Wallace Hartley
1634:
1629:Henry B. Harris
1627:
1620:
1613:
1606:
1599:
1592:
1585:
1578:
1571:
1564:
1557:
1550:
1543:
1536:
1516:
1509:
1504:Wallace Hartley
1502:
1489:
1482:
1475:
1468:
1461:
1456:William Mintram
1454:
1447:
1440:
1435:Charles Joughin
1433:
1426:
1419:
1412:
1405:
1400:Frederick Fleet
1398:
1391:
1384:
1377:
1370:
1363:
1350:
1342:
1338:(Sixth Officer)
1334:
1330:(Fifth Officer)
1326:
1318:
1314:(Third Officer)
1310:
1302:
1298:(First Officer)
1294:
1290:(Chief Officer)
1286:
1280:Edward J. Smith
1278:
1267:
1260:
1253:
1243:
1236:
1231:British inquiry
1229:
1220:
1213:
1206:
1196:
1183:
1176:
1171:Grand Staircase
1169:
1162:
1155:
1147:
1140:
1110:
1101:
1099:
1090:
1084:
1067:
1061:
1044:
1038:
1025:
1019:
1003:
994:
985:
968:
962:
945:
939:
922:
918:
913:
912:
904:
900:
892:
888:
880:
876:
868:
864:
856:
852:
844:
837:
829:
825:
817:
813:
805:
798:
790:
786:
778:
771:
763:
759:
751:
742:
734:
730:
722:
715:
707:
703:
695:
688:
680:
676:
668:
655:
647:
636:
628:
621:
613:
606:
598:
589:
581:
577:
572:
548:
494:George Roy Hill
485:as part of the
469:
459:
447:
369:
330:
297:Reader's Digest
265:Yale Law School
244:
231:
109:Media type
93:
34:
17:
12:
11:
5:
3414:
3412:
3404:
3403:
3398:
3393:
3388:
3383:
3378:
3368:
3367:
3361:
3360:
3358:
3357:
3344:
3341:
3340:
3337:
3336:
3334:
3333:
3332:
3331:
3314:
3305:
3302:Robert Ballard
3298:
3291:
3282:
3273:
3266:
3256:
3253:Arthur Rostron
3249:
3242:
3235:
3228:
3221:
3213:
3211:
3207:
3206:
3204:
3203:
3193:
3181:
3179:
3175:
3174:
3172:
3171:
3170:
3169:
3159:
3140:
3130:
3120:
3116:Mackay-Bennett
3110:
3100:
3090:
3080:
3070:
3060:
3049:
3047:
3040:
3036:
3035:
3033:
3032:
3025:
3018:
3011:
3004:
2997:
2990:
2987:Titanic Canyon
2983:
2975:
2973:
2969:
2968:
2966:
2965:
2955:
2947:
2937:
2927:
2923:SeaCity Museum
2918:
2916:
2910:
2909:
2906:
2905:
2903:
2902:
2892:
2882:
2871:
2869:
2865:
2864:
2862:
2861:
2856:Titanic Rising
2851:
2842:
2832:
2823:
2814:
2804:
2795:
2786:
2776:
2766:
2756:
2742:
2740:
2736:
2735:
2733:
2732:
2730:(1997 musical)
2722:
2712:
2710:(1960 musical)
2702:
2691:
2689:
2685:
2684:
2682:
2681:
2671:
2661:
2651:
2641:
2629:
2619:
2609:
2599:
2594:S.O.S. Titanic
2589:
2579:
2577:
2571:
2570:
2568:
2567:
2557:
2547:
2537:
2527:
2517:
2507:
2497:
2487:
2477:
2467:
2457:
2447:
2437:
2427:
2417:
2407:
2397:
2387:
2377:
2367:
2357:
2347:
2336:
2334:
2328:
2327:
2325:
2324:
2315:
2305:
2294:
2292:
2285:
2275:
2274:
2271:
2270:
2268:
2267:
2259:
2249:
2239:
2230:
2228:
2224:
2223:
2221:
2220:
2212:
2202:
2194:
2186:
2177:
2175:
2174:United Kingdom
2171:
2170:
2168:
2167:
2158:
2156:
2149:
2141:
2140:
2137:
2136:
2134:
2133:
2126:
2119:
2112:
2105:
2098:
2091:
2084:
2077:
2070:
2063:
2056:
2049:
2042:
2035:
2028:
2021:
2018:Alfred Nourney
2014:
2007:
2000:
1997:Louise Laroche
1993:
1986:
1979:
1976:J. Bruce Ismay
1972:
1965:
1958:
1951:
1944:
1937:
1930:
1923:
1920:Dorothy Gibson
1916:
1909:
1902:
1895:
1888:
1881:
1874:
1867:
1860:
1857:Francis Browne
1853:
1850:Elsie Bowerman
1846:
1839:
1832:
1825:
1818:
1811:
1804:
1797:
1794:Trevor Allison
1790:
1782:
1780:
1776:
1775:
1773:
1772:
1765:
1762:Duane Williams
1758:
1751:
1744:
1741:George D. Wick
1737:
1730:
1727:John B. Thayer
1723:
1716:
1709:
1702:
1695:
1688:
1685:Clarence Moore
1681:
1674:
1667:
1660:
1653:
1646:
1639:
1632:
1625:
1618:
1611:
1604:
1597:
1590:
1583:
1576:
1569:
1566:Archibald Butt
1562:
1555:
1548:
1545:Thomas Andrews
1541:
1538:Allison family
1533:
1531:
1524:
1518:
1517:
1515:
1514:
1507:
1499:
1497:
1491:
1490:
1488:
1487:
1480:
1473:
1466:
1459:
1452:
1449:Evelyn Marsden
1445:
1438:
1431:
1424:
1417:
1414:Robert Hichens
1410:
1403:
1396:
1389:
1382:
1375:
1368:
1360:
1358:
1352:
1351:
1349:
1348:
1340:
1332:
1328:Harold G. Lowe
1324:
1316:
1312:Herbert Pitman
1308:
1300:
1292:
1284:
1275:
1273:
1269:
1268:
1266:
1265:
1258:
1251:
1241:
1234:
1227:
1226:
1225:
1222:Lifeboat No. 1
1211:
1204:
1193:
1191:
1185:
1184:
1182:
1181:
1178:Animals aboard
1174:
1167:
1160:
1152:
1149:
1148:
1141:
1139:
1138:
1131:
1124:
1116:
1109:
1108:
1088:
1082:
1065:
1059:
1042:
1036:
1028:Roy Ward Baker
1023:
1017:
1001:
992:
983:
966:
960:
943:
937:
919:
917:
914:
911:
910:
898:
896:, p. 149.
886:
874:
872:, p. 104.
862:
860:, p. 119.
850:
848:, p. 161.
835:
833:, p. 160.
823:
811:
796:
794:, p. 158.
784:
782:, p. 157.
769:
757:
755:, p. 155.
740:
738:, p. 149.
728:
713:
711:, p. 156.
701:
699:, p. 152.
686:
674:
672:, p. 282.
653:
651:, p. 151.
634:
619:
617:, p. 208.
604:
602:, p. 150.
587:
585:, p. 281.
574:
573:
571:
568:
547:
544:
523:Roy Ward Baker
468:
465:
433:nuclear family
354:bible", while
329:
326:
279:R & W Holt
230:
227:
206:Robert Ballard
167:
166:
161:
157:
156:
151:
143:
142:
136:
130:
129:
126:
122:
121:
110:
106:
105:
102:
98:
97:
94:
91:
88:
87:
85:R & W Holt
82:
78:
77:
71:
67:
66:
58:
54:
53:
50:
46:
45:
40:
36:
35:
32:
15:
13:
10:
9:
6:
4:
3:
2:
3413:
3402:
3399:
3397:
3394:
3392:
3389:
3387:
3384:
3382:
3379:
3377:
3374:
3373:
3371:
3355:
3346:
3345:
3342:
3329:
3325:
3324:
3322:
3320:
3315:
3312:
3311:
3306:
3303:
3299:
3296:
3292:
3289:
3288:
3283:
3280:
3279:
3274:
3271:
3267:
3264:
3262:
3257:
3254:
3250:
3247:
3243:
3240:
3236:
3233:
3232:Harold Cottam
3229:
3226:
3222:
3219:
3215:
3214:
3212:
3208:
3201:
3200:
3194:
3191:
3189:
3183:
3182:
3180:
3176:
3167:
3166:
3160:
3157:
3156:
3151:
3150:
3148:
3147:
3141:
3138:
3137:
3131:
3128:
3127:
3121:
3118:
3117:
3111:
3108:
3107:
3101:
3098:
3097:
3091:
3088:
3087:
3081:
3078:
3077:
3071:
3068:
3067:
3061:
3058:
3057:
3051:
3050:
3048:
3044:
3041:
3037:
3030:
3026:
3023:
3019:
3016:
3012:
3009:
3005:
3002:
2998:
2995:
2991:
2988:
2984:
2981:
2977:
2976:
2974:
2970:
2963:
2961:
2956:
2952:
2948:
2945:
2943:
2938:
2935:
2933:
2928:
2925:(Southampton)
2924:
2920:
2919:
2917:
2911:
2899:
2898:
2893:
2889:
2888:
2883:
2879:
2878:
2873:
2872:
2870:
2866:
2858:
2857:
2852:
2848:
2843:
2839:
2838:
2833:
2829:
2824:
2820:
2815:
2811:
2810:
2805:
2801:
2796:
2792:
2787:
2783:
2782:
2777:
2773:
2772:
2767:
2763:
2762:
2757:
2754:" (folk song)
2753:
2751:
2744:
2743:
2741:
2737:
2729:
2728:
2723:
2719:
2718:
2713:
2709:
2708:
2703:
2699:
2698:
2693:
2692:
2690:
2686:
2678:
2677:
2672:
2668:
2667:
2662:
2658:
2657:
2652:
2648:
2647:
2642:
2638:
2636:
2630:
2626:
2625:
2620:
2616:
2615:
2610:
2606:
2605:
2600:
2596:
2595:
2590:
2586:
2581:
2580:
2578:
2576:
2572:
2564:
2563:
2558:
2554:
2553:
2548:
2544:
2543:
2538:
2534:
2533:
2528:
2524:
2523:
2518:
2514:
2513:
2508:
2504:
2503:
2498:
2494:
2493:
2488:
2484:
2483:
2478:
2474:
2473:
2468:
2464:
2463:
2458:
2454:
2453:
2448:
2444:
2443:
2438:
2434:
2433:
2428:
2424:
2423:
2418:
2414:
2413:
2408:
2404:
2403:
2398:
2394:
2393:
2388:
2384:
2383:
2378:
2374:
2373:
2368:
2364:
2363:
2358:
2354:
2353:
2348:
2344:
2343:
2338:
2337:
2335:
2333:
2329:
2322:
2321:
2316:
2313:
2311:
2306:
2302:
2301:
2296:
2295:
2293:
2289:
2286:
2284:
2280:
2276:
2264:
2260:
2256:
2255:
2250:
2246:
2245:
2240:
2236:
2232:
2231:
2229:
2227:United States
2225:
2217:
2213:
2209:
2208:
2203:
2200:(Southampton)
2199:
2195:
2192:(Southampton)
2191:
2187:
2183:
2179:
2178:
2176:
2172:
2164:
2160:
2159:
2157:
2153:
2150:
2148:
2147:and memorials
2142:
2131:
2127:
2124:
2120:
2117:
2113:
2110:
2106:
2103:
2102:Marian Thayer
2099:
2096:
2092:
2089:
2085:
2082:
2078:
2075:
2071:
2068:
2064:
2061:
2060:Emily Ryerson
2057:
2054:
2050:
2047:
2043:
2040:
2036:
2033:
2029:
2026:
2022:
2019:
2015:
2012:
2008:
2005:
2001:
1998:
1994:
1991:
1987:
1984:
1980:
1977:
1973:
1970:
1966:
1963:
1959:
1956:
1952:
1949:
1945:
1942:
1941:Edith Haisman
1938:
1935:
1931:
1928:
1924:
1921:
1917:
1914:
1910:
1907:
1903:
1900:
1899:Millvina Dean
1896:
1893:
1892:Gladys Cherry
1889:
1886:
1885:Lucile Carter
1882:
1879:
1875:
1872:
1868:
1865:
1861:
1858:
1854:
1851:
1847:
1844:
1840:
1837:
1833:
1830:
1826:
1823:
1819:
1816:
1812:
1809:
1805:
1802:
1798:
1795:
1791:
1788:
1784:
1783:
1781:
1777:
1770:
1766:
1763:
1759:
1756:
1752:
1749:
1745:
1742:
1738:
1735:
1731:
1728:
1724:
1721:
1720:Isidor Straus
1717:
1714:
1710:
1707:
1703:
1700:
1699:Emily Ryerson
1696:
1693:
1689:
1686:
1682:
1679:
1675:
1672:
1668:
1665:
1661:
1658:
1654:
1651:
1647:
1644:
1640:
1637:
1633:
1630:
1626:
1623:
1619:
1616:
1612:
1609:
1605:
1602:
1598:
1595:
1591:
1588:
1584:
1581:
1577:
1574:
1570:
1567:
1563:
1560:
1556:
1553:
1549:
1546:
1542:
1539:
1535:
1534:
1532:
1528:
1525:
1523:
1519:
1512:
1508:
1505:
1501:
1500:
1498:
1496:
1492:
1485:
1484:George Symons
1481:
1478:
1474:
1471:
1467:
1464:
1463:Jack Phillips
1460:
1457:
1453:
1450:
1446:
1443:
1439:
1436:
1432:
1429:
1428:Archie Jewell
1425:
1422:
1421:Violet Jessop
1418:
1415:
1411:
1408:
1404:
1401:
1397:
1394:
1390:
1387:
1383:
1380:
1376:
1373:
1369:
1366:
1362:
1361:
1359:
1357:
1353:
1345:
1341:
1337:
1333:
1329:
1325:
1321:
1317:
1313:
1309:
1305:
1301:
1297:
1293:
1289:
1285:
1281:
1277:
1276:
1274:
1272:Deck officers
1270:
1263:
1259:
1256:
1252:
1249:
1248:
1245:Wreck of the
1242:
1239:
1235:
1232:
1228:
1223:
1219:
1218:
1216:
1212:
1209:
1205:
1202:
1201:
1195:
1194:
1192:
1190:
1186:
1179:
1175:
1172:
1168:
1165:
1161:
1158:
1154:
1153:
1150:
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961:0-393-03965-X
957:
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938:0-7864-1786-2
934:
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926:
921:
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884:, p. 31.
883:
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836:
832:
827:
824:
821:, p. 98.
820:
819:Anderson 2005
815:
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809:, p. 97.
808:
807:Anderson 2005
803:
801:
797:
793:
788:
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766:
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678:
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217:James Cameron
214:
209:
207:
203:
202:
199:wreck of the
196:
192:
191:
186:
185:
179:
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165:
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158:
155:
152:
150:
144:
140:
139:0-03-027615-2
137:
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111:
107:
104:United States
103:
99:
96:November 1955
95:
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86:
83:
79:
75:
72:
68:
65:
64:
59:
55:
51:
47:
44:
41:
37:
30:
25:
19:
3318:
3308:
3285:
3276:
3260:
3246:Stanley Lord
3198:
3187:
3164:
3153:
3145:
3135:
3125:
3115:
3105:
3095:
3086:Mount Temple
3085:
3075:
3065:
3055:
3022:Arrol Gantry
2959:
2941:
2931:
2895:
2885:
2875:
2854:
2835:
2807:
2779:
2769:
2759:
2749:
2725:
2715:
2705:
2695:
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2309:
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2253:
2243:
2206:
2109:Barbara West
1787:Rhoda Abbott
1573:Thomas Byles
1442:Reginald Lee
1372:Harold Bride
1356:Crew members
1246:
1199:
1142:
1100:. Retrieved
1096:the original
1071:
1050:
1046:
1027:
1008:
1005:
996:
988:
972:
949:
928:
924:
916:Bibliography
901:
889:
877:
865:
853:
826:
814:
787:
760:
731:
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677:
578:
563:
559:
549:
530:
519:Kenneth More
512:
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498:Claude Rains
486:
472:
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454:
452:
444:
437:
428:
423:
419:
416:
411:
406:
402:
399:
393:
389:
382:
378:social class
364:
362:
355:
351:
345:
339:
333:
331:
321:
317:
313:
310:
306:Bantam Books
295:
289:
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171:
170:
163:
62:
18:
3321:submersible
3225:David Blair
3163:Romandisea
3106:Californian
2868:Video games
2552:Titanic 666
2522:Tentacolino
2235:Straus Park
2218:(Liverpool)
2184:(Liverpool)
2095:Jack Thayer
1990:Louise Kink
1815:Ruth Becker
1706:W. T. Stead
1622:John Harper
1407:Luigi Gatti
1386:Sid Daniels
1344:Joseph Bell
615:Butler 1998
483:Kraft Foods
374:pointillism
178:Walter Lord
76:non-fiction
43:Walter Lord
3370:Categories
3155:Titanic II
2575:Television
2562:Unsinkable
2532:Titanic II
2362:La hantise
2165:(Ballarat)
2032:Jane Quick
1713:Ida Straus
1594:Annie Funk
1530:Fatalities
1522:Passengers
894:Heyer 2012
882:Mayer 2004
870:Heyer 2012
858:Rasor 2001
765:Davis 1979
570:References
546:Collection
510:drama film
441:Atomic Age
3328:implosion
3136:Frankfurt
3096:Carpathia
3076:Britannic
2953:(Halifax)
2809:Titanique
2216:Orchestra
2210:(Belfast)
2198:Musicians
2190:Engineers
2163:Bandstand
2155:Australia
2145:Monuments
1829:Karl Behr
1779:Survivors
1495:Musicians
1282:(Captain)
1215:Lifeboats
846:Biel 1996
831:Biel 1996
792:Biel 1996
780:Biel 1996
753:Biel 1996
736:Biel 1996
724:Biel 1996
709:Biel 1996
697:Biel 1996
649:Biel 1996
600:Biel 1996
517:starring
503:kinescope
357:USA Today
225:in 1997.
118:Paperback
81:Publisher
3354:Category
3144:Replica
2849:" (song)
2830:" (song)
2821:" (song)
2802:" (song)
2793:" (song)
2697:The Berg
2635:Futurama
2587:" (1956)
2452:Titanica
2382:Atlantik
2372:Atlantic
1955:Eva Hart
412:Newsweek
114:Hardback
49:Language
3261:Titanic
3199:Titanic
3188:Titanic
3165:Titanic
3146:Titanic
3066:Olympic
3039:Related
2962:Belfast
2960:Titanic
2942:Titanic
2932:Titanic
2913:Museums
2859:(album)
2847:Tempest
2828:Titanic
2771:Titanic
2750:Titanic
2727:Titanic
2720:(1974)
2717:Titanic
2700:(1929)
2688:Theater
2646:Titanic
2614:Titanic
2542:The Six
2462:Titanic
2402:Titanic
2392:Titanic
2254:Titanic
2244:Titanic
2207:Titanic
1247:Titanic
1200:Titanic
1189:Sinking
1144:Titanic
1102:6 April
1049:Titanic
1007:Titanic
927:Titanic
560:Titanic
531:Titanic
445:Titanic
429:Titanic
424:Titanic
420:Titanic
403:Titanic
394:Titanic
352:Titanic
322:Titanic
314:Titanic
284:Titanic
257:Titanic
253:Titanic
249:Olympic
242:Titanic
237:Olympic
222:Titanic
201:Titanic
190:Titanic
184:Titanic
154:1075502
112:Print (
74:History
63:Titanic
57:Subject
52:English
3210:Others
3056:Baltic
2972:Places
2890:(1996)
2880:(1989)
2679:(2012)
2669:(2012)
2659:(2012)
2639:(1999)
2627:(1996)
2607:(1994)
2597:(1979)
2565:(2024)
2555:(2022)
2545:(2021)
2535:(2010)
2525:(2004)
2515:(2003)
2505:(2000)
2495:(2000)
2485:(1999)
2475:(1997)
2465:(1997)
2455:(1992)
2445:(1986)
2435:(1980)
2425:(1964)
2415:(1958)
2405:(1953)
2395:(1943)
2385:(1929)
2375:(1929)
2365:(1912)
2355:(1912)
2345:(1912)
2312:(book)
2303:(1898)
1080:
1057:
1034:
1015:
981:
958:
935:
116:&
39:Author
3319:Titan
3126:Birma
3074:HMHS
3046:Ships
2900:(TBA)
2739:Music
2332:Films
2291:Books
460:'
448:'
370:'
245:'
125:Pages
70:Genre
3186:RMS
3094:RMS
3064:RMS
3054:RMS
2748:The
1104:2012
1078:ISBN
1055:ISBN
1047:The
1032:ISBN
1013:ISBN
979:ISBN
956:ISBN
933:ISBN
925:The
456:Time
294:and
235:RMS
211:The
148:OCLC
134:ISBN
3178:Law
3134:SS
3124:SS
3114:CS
3104:SS
3084:SS
554:in
479:NBC
128:182
3372::
987:.
838:^
799:^
772:^
743:^
716:^
689:^
656:^
637:^
622:^
607:^
590:^
240:,
208:.
2845:"
2826:"
2817:"
2798:"
2789:"
2746:"
2637:)
2583:"
1135:e
1128:t
1121:v
1106:.
1086:.
1063:.
1040:.
1021:.
964:.
941:.
908:.
120:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
