148:
holds a critical account, in
Morison's erudite style, of the typeface designs cut under his watchful eye during typography's most influential typeface revival project, turning his detailed insight into the inner workings of early 20th century type design into an enduring record of the practice of
140:, now republished many times, has proven to be an important source of information on typography. In the 1973 edition, three appendices were added, describing typeface designs developed since the original printing. A recent edition includes an introduction by digital-typography pioneer
133:
The author, a scholarly
British pioneer historian and typographer, was the driving force behind Monotype's dynamic typographic programme of research and revival of representative historical typographic models. The book was compiled and written at Crutchley's request.
23:
130:
to 'friends of the
University Printer in printing and publishing'"; only 450 copies were printed and distributed of this original edition.
333:
74:
198:
555:
473:
251:
463:, wonders whether the 'typographical programme' that Morison so often described really existed as a formal programme
306:
302:
158:
123:
436:
141:
519:
226:
113:
109:
550:
263:
329:
69:
238:
178:
292:
280:
247:
207:
164:
106:
95:
36:
276:
258:
216:
182:
544:
417:
312:
477:
298:
234:
222:
211:
116:
102:
242:
91:
46:
267:
22:
203:
127:
99:
348:
Selected Essays on the
History of Letter-Forms in Manuscript and Print
191:, based on the work of Francesco Griffo for Aldus Manutius around 1495
126:, the book "first appeared in 1953, when it was issued as a Christmas
523:
498:
396:
375:
194:
188:
174:
168:
98:. It was first published in 1953, and showcases significant
122:
According to Brooke
Crutchley, University Printer at the
231:
Barbou Roman, based on the work of Pierre-Simon
Fournier
350:, Vols. 1 & 2, Cambridge University Press, 1981.
219:
Italic, based on the work of Jean Jannon (as above)
68:
60:
52:
42:
32:
119:machines during the 1920s and 1930s in England.
474:"A Tally of Types - David R. Godine, Publisher"
8:
461:Stanley Morison, his typographic achievement
341:Stanley Morison, his typographic achievement
16:
206:Roman, thought to be based on the work of
21:
15:
437:"Obituary: Brooke Crutchley | Media"
105:produced during Morison's tenure at the
499:"Barbou: the font that Monotype forgot"
422:Journal of the Printing History Society
367:
225:roman and italic, based on the work of
311:Jan van Krimpen's Romulus, written by
295:'s Van Dijk, written by Netty Hoeflake
435:Sebastian Carter (5 September 2003).
7:
420:(2001). "Review: A Tally of Types".
355:Type Designs of the Past and Present
287:Appendices added in the 1973 edition
171:, also called Bembo Condensed Italic
257:Goudy Modern Roman and Italic, by
14:
520:"Who designed Monotype Ehrhardt?"
210:but now known to be the work of
199:Ludovico Vicentino degli Arrighi
343:, Lund Humphries, London, 1971.
27:Title page of the first edition
94:authored by the type designer
1:
272:Felicity Italic, by Eric Gill
476:. Godine.com. Archived from
522:. Typophile. Archived from
572:
237:Roman and Italic, cut for
153:Typeface designs discussed
124:Cambridge University Press
250:Roman and Italic, cut by
20:
424:. 3, new series: 63–67.
399:. Typophile. 2005-05-07
378:. Typophile. 2005-08-21
301:, based on the work of
197:, based on the work of
177:, based on the work of
556:1953 non-fiction books
227:Pierre-Simon Fournier
357:, The Fleuron, 1926.
303:Miklós Tótfalusi Kis
275:Stanley Morison and
110:Monotype Corporation
17:
376:"A Tally of Types"
397:"Stanley Morison"
353:Stanley Morison,
346:Stanley Morison,
83:
82:
61:Publication place
563:
535:
534:
532:
531:
516:
510:
509:
507:
506:
495:
489:
488:
486:
485:
470:
464:
459:James Moran, in
457:
451:
450:
448:
447:
432:
426:
425:
414:
408:
407:
405:
404:
393:
387:
386:
384:
383:
372:
324:Nicolas Barker,
239:John Baskerville
189:Poliphilus Roman
179:Francesco Griffo
146:A Tally of Types
138:A Tally of Types
87:A Tally of Types
79:
25:
18:
571:
570:
566:
565:
564:
562:
561:
560:
541:
540:
539:
538:
529:
527:
518:
517:
513:
504:
502:
497:
496:
492:
483:
481:
472:
471:
467:
458:
454:
445:
443:
434:
433:
429:
416:
415:
411:
402:
400:
395:
394:
390:
381:
379:
374:
373:
369:
364:
326:Stanley Morison
321:
319:Further reading
293:Jan van Krimpen
289:
281:Times New Roman
208:Claude Garamond
165:Alfred Fairbank
161:' Centaur Roman
155:
96:Stanley Morison
77:
37:Stanley Morison
28:
12:
11:
5:
569:
567:
559:
558:
553:
543:
542:
537:
536:
511:
490:
465:
452:
427:
409:
388:
366:
365:
363:
360:
359:
358:
351:
344:
337:
320:
317:
316:
315:
309:
296:
288:
285:
284:
283:
277:Victor Lardent
273:
270:
261:
259:Frederic Goudy
255:
252:Richard Austin
245:
232:
229:
220:
214:
201:
192:
186:
183:Aldus Manutius
172:
169:Arrighi Italic
162:
154:
151:
81:
80:
78:(1973 reprint)
72:
66:
65:
62:
58:
57:
54:
50:
49:
44:
40:
39:
34:
30:
29:
26:
13:
10:
9:
6:
4:
3:
2:
568:
557:
554:
552:
549:
548:
546:
526:on 2015-01-23
525:
521:
515:
512:
500:
494:
491:
480:on 2014-12-18
479:
475:
469:
466:
462:
456:
453:
442:
438:
431:
428:
423:
419:
418:Mosley, James
413:
410:
398:
392:
389:
377:
371:
368:
361:
356:
352:
349:
345:
342:
339:James Moran,
338:
335:
334:0-674-83425-9
331:
327:
323:
322:
318:
314:
310:
308:
304:
300:
297:
294:
291:
290:
286:
282:
278:
274:
271:
269:
265:
262:
260:
256:
254:for John Bell
253:
249:
246:
244:
240:
236:
233:
230:
228:
224:
221:
218:
215:
213:
209:
205:
202:
200:
196:
193:
190:
187:
184:
180:
176:
173:
170:
166:
163:
160:
157:
156:
152:
150:
147:
143:
139:
135:
131:
129:
125:
120:
118:
115:
111:
108:
104:
101:
97:
93:
90:is a book on
89:
88:
76:
75:9780521097864
73:
71:
67:
63:
59:
55:
51:
48:
45:
41:
38:
35:
31:
24:
19:
528:. Retrieved
524:the original
514:
503:. Retrieved
493:
482:. Retrieved
478:the original
468:
460:
455:
444:. Retrieved
441:The Guardian
440:
430:
421:
412:
401:. Retrieved
391:
380:. Retrieved
370:
354:
347:
340:
325:
313:John Dreyfus
307:Harry Carter
195:Blado Italic
175:Bembo Italic
159:Bruce Rogers
149:typography.
145:
137:
136:
132:
121:
86:
85:
84:
501:. Typophile
235:Baskerville
212:Jean Jannon
185:around 1495
142:Mike Parker
117:typesetting
551:Typography
545:Categories
530:2013-10-31
505:2013-10-31
484:2013-11-01
446:2013-11-01
403:2013-10-31
382:2013-10-31
362:References
266:Roman, by
243:John Handy
112:for their
92:typography
47:Typography
268:Eric Gill
114:hot-metal
53:Published
328:, 1972.
299:Ehrhardt
264:Perpetua
223:Fournier
204:Garamond
128:keepsake
100:typeface
217:Granjon
107:Lanston
103:designs
64:England
43:Subject
332:
33:Author
305:, by
330:ISBN
248:Bell
181:for
70:ISBN
56:1953
279:'s
241:by
167:'s
547::
439:.
144:.
533:.
508:.
487:.
449:.
406:.
385:.
336:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
