839:
770:
896:
803:
818:
291:
788:
860:
875:
206:
44:
755:
526:
508:
381:
635:). His compositions tend to underplay the drama of the events they depict (in noticeable contrast to those of Rubens), but often show the start of moments of transformation. His figures are relatively short and stocky, and reflect little of classical ideals. Their poses and gestures are unflamboyant, and their facial expressions resemble those in Early Netherlandish painting rather than the
1410:
1352:
391:
In 1606, Elsheimer married Carola
Antonia Stuarda da Francoforte (i.e. Stuart of Frankfurt – she was of Scottish ancestry and a fellow Frankfurter), and in 1609 they had a son. The son was not mentioned in a census a year later, possibly (Klessman says optimistically) because he had been put out to a
591:
Secondly, his combination of poetic landscape with large foreground figures gives the landscape a prominence that had rarely been seen since the Early
Renaissance. His landscapes do not always feature an extensive view; often the lushness of the vegetation closes it off. They are more realistic, but
536:
His perfectionism, and an apparent tendency to depression, resulted in a small total output, despite the small size of all his pictures. In all about forty paintings are now generally agreed to be by him (see
Kressmann below). He made a few etchings, but not very successfully. However, his work was
372:
which praised
Elsheimer's work, and described him as slow-working and making few drawings. He also spent much time in churches, studying the works of the masters. Other writers mention his exceptional visual memory, his melancholy and his kind-heartedness. In a letter after his death,
425:
and as a result, was published across Europe. However, his association with Goudt, who lodged and trained with him for several years, was difficult. Elsheimer seems to have borrowed money from Goudt, which according to one account resulted in his brief incarceration in
838:
769:
874:
260:. Uffenbach had specialized in large altarpieces, and although Elsheimer's earliest small paintings on copper seem to date from before he arrived in Italy, Rottenhammer's influence is clear in his mature work.
1224:
Von Neuen
Sternen. Adam Elsheimers "Flucht nach Ägypten". Anlässlich der Ausstellung Von Neuen Sternen. Adam Elsheimers Flucht nach Ägypten, Alte Pinakothek, München, 17. Dezember 2005 bis 26. Februar 2006
859:
895:
817:
588:. He often uses as many as five different sources of light. He graduates the light relatively gently, with the less well-lit parts of the composition often containing important parts of it.
400:) and after Elsheimer's death remarried an Italian artist, Ascanio Quercia, within a year of his death. Elsheimer converted to Catholicism by 1608 (possibly 1606). He was admitted to the
584:
In a wider sense, he was influential in three respects. Firstly his night scenes were highly original. His lighting effects in general were very subtle, and very different from those of
787:
377:
wrote: "he had no equal in small figures, landscapes, and in many other subjects. ...one could have expected things from him that one has never seen before and never will see."
177:(18 March 1578 – 11 December 1610) was a German artist working in Rome, who died at only thirty-two, but was very influential in the early 17th century in the field of
802:
537:
highly regarded by other artists and a few important collectors for its quality. He had a clear and direct influence on other
Northern artists who were in Rome such as
421:(1602–1603; the "small" Tobias, now at Frankfurt) was especially well received because of its new conception of landscape. This picture was engraved by Count
218:
256:, some of whose drawings he owned. Rottenhammer was a German who had been living in Italy for some years, and was the first German painter to specialize in
627:
Thirdly, his integration of
Italian styles with the German tradition he was trained in is perhaps more effective than that of any Northern painter since
561:
which appears to be a response to
Elsheimer's painting of the subject, now in Edinburgh. Some works by Italian artists, such as the six pictures from
621:
1400:
1085:
1465:
1315:
1373:, a fully digitized exhibition catalog from The Metropolitan Museum of Art Libraries, which contains material on Adam Elsheimer (see index)
1336:
189:. They include a variety of light effects, and an innovative treatment of landscape. He was an influence on many other artists, including
617:
434:
of
Elsheimer's paintings, which were crucial in spreading his influence, as very few of his paintings were viewable even by artists; as
1475:
1399:
1301:
1280:
1235:
1203:
1195:
1171:
845:
492:(Edinburgh) were equally new. Some of his religious scenes were more conventional, but his selection of the moment to depict, as in
128:
612:, to the English portrait in the eighteenth century. Soon after his death, he became very popular with English collectors, notably
290:
337:, already established in Rome, who was (with Faber) a witness at Elsheimer's marriage, painted a picture together with him (now
1485:
1460:
441:
Elsheimer had a definite preference for choosing rare or original subjects, both for his mythological and religious paintings.
1327:
1146:
Klessmann, pp. 138–145, 198, 205 (the last two on the provenance, on which the authors seem not wholly in accord)
754:
1470:
1183:
1270:
794:
732:
662:
1434:
1480:
1249:
624:, and over half his paintings have been in English collections at some time (nearly one third are still in the UK).
581:, who owned at least four of his works, knew Elsheimer in Rome, and praised him highly in a letter after his death.
341:), and was owed money by him at his death. Like Faber, Bril was a long-term resident in Rome who had converted from
613:
412:. In spite of his fame and talents, he appears to have both lived and died in difficult financial circumstances.
276:
162:
657:, Munich has two of his finest night-scene paintings, and Berlin, Bonn, Dresden and Hamburg have paintings. The
1254:
658:
518:
268:
205:
1415:
1368:
916:
830:
361:
323:
217:, one of ten children and the son of a master tailor. His father's house (which survived until destroyed by
1430:
882:
593:
360:
in 1601, and who became another friend, later reproaching
Elsheimer for not producing more work. He knew
740:
430:. After Elsheimer's early death in 1610 in Rome, Goudt owned several of his pictures. Goudt made seven
401:
150:
93:
1337:
https://www.treccani.it/enciclopedia/adam-elsheimer_(Dizionario-Biografico)/?search=ELSHEIMER%2C%20Adam
1021:
1455:
1450:
902:
570:
513:
417:
327:
1227:
1322:
1049:
Gronert, Stefan (2003). "Adam Elsheimer in Venedig?. Eine kritische Betrachtung zweier Dokumente".
484:
451:
447:
443:
408:, in 1606, giving them a self-portrait (his only portrait, and only painting on canvas) now in the
253:
116:
43:
735:
in Kingston, Ontario, badly damaged by fire at some point in its history; it had been part of the
637:
1058:
953:
779:
716:
1208:
Bachner, Franziska. "Gleichartigkeit und Gegensatz: Zur Figurenbildung bei Adam Elsheimer". In:
427:
330:, a small intellectual coterie founded in 1603, and mainly concerned with the natural sciences.
252:
is undocumented, but the influence on his style is clear. He probably worked as an assistant to
1356:
1057:. Marburg: Verlag des Kunstgeschichtlichen Seminars der Philipps-Universität Marburg: 211–216.
1311:
1297:
1276:
1231:
1199:
1191:
1167:
936:
Howard, Deborah (1992). "Elsheimer's Flight into Egypt and the Night Sky in the Renaissance".
605:
578:
471:
466:
374:
353:
230:
222:
214:
194:
112:
64:
996:
887:
209:
Photo of 1900 of the house in Frankfurt where Elsheimer was born and grew up. Destroyed 1944.
1099:
971:
945:
682:
609:
435:
365:
338:
257:
186:
178:
1376:
850:
825:
698:
654:
546:
475:
298:
1261:
1125:
678:
674:
601:
566:
550:
422:
315:
284:
49:
1444:
1335:
Parlato, Enrico, Elsheimer, Adam, in Dizionario Biografico degli Italiani, 42, 1993,
249:
182:
1363:
670:
364:, recently Rubens' pupil, and there is evidence that they lodged together. In 1604
604:. His treatment of large figures with a landscape backdrop looks forward, through
525:
507:
380:
1398:
1289:. Ausstellung 1977 im Städelschen Kunstinstitut. Frankfurt am Main: Städel, 1977.
263:
Elsheimer is believed to have produced some significant works in Venice, such as
1269:
Im Detail die Welt entdecken: Adam Elsheimer 1578–1610. Ausstellungskatalog des
888:
Department of Image Collections, National Gallery of Art Library, Washington, DC
494:
346:
342:
557:'s master, who was probably in Rome by 1605. Rembrandt's first dated work is a
736:
720:
585:
280:
234:
709:
694:
686:
666:
650:
554:
542:
538:
431:
393:
334:
190:
690:
1351:
1258:(in German), vol. 4, Berlin: Duncker & Humblot, pp. 465–466
1188:
Adam Elsheimer. Werkverzeichnis der Gemälde, Zeichnungen und Radierungen.
628:
17:
1418:
was created from a revision of this article dated 17 June 2006
1242:
Natural Light: The Art of Adam Elsheimer and the Dawn of Modern Science
1062:
957:
597:
456:
319:
705:
632:
574:
480:
409:
397:
242:
1331:(in German), vol. 6, Leipzig: Duncker & Humblot, p. 66
1088:. For the catalogue by RĂĽdiger Klessmann and others, see References.
949:
181:. His relatively few paintings were small-scale, nearly all painted
715:
Only two works are on public display outside Europe. One is in the
396:. She was the recent widow of the artist Nicolas de Breul (born in
1166:, 2006, Paul Holberton publishing/National Galleries of Scotland;
524:
506:
405:
379:
289:
238:
204:
333:
Another friend of Rottenhammer was the Flemish landscape painter
562:
460:
357:
314:
and quickly made friends with contacts of Rottenhammer, notably
311:
82:
1219:. Würzburg, 2006. (Dissertation, Universität Würzburg, 1995).
1396:
778:, oil on silvered copper, c. 1605, only 9.8 cm high,
972:"Adam Elsheimer (1578 - 1610) | National Gallery, London"
318:, a Papal doctor, botanist and collector originally from
368:, a Dutchman recently returned from Rome, published his
866:
Jupiter and Mercury in the house of Philemon and Baucis
532:
from the Frankfurt Tabernacle, c. 1605, 48 Ă— 35 cm
438:
they were mostly kept in small and very private rooms.
229:
was then displayed. He was apprenticed to the artist
279:) which show the influence of the Venetian painters
156:
146:
134:
122:
108:
100:
89:
71:
57:
34:
1306:Thielemann, Andreas & Stefan Gronert (Hrsg.)
1217:Figur und Erzählung in der Kunst Adam Elsheimers
221:in 1944) was a few metres from the church where
1308:Adam Elsheimer in Rom: Werk – Kontext – Wirkung
596:, and play a part in the formation of those of
237:in 1596. At the age of twenty, he travelled to
1409:
1084:"Discovering the World in Detail" exhibition
701:in London reunited almost all of his oeuvre.
8:
1275:. Frankfurt am Main: Edition Minerva, 2006.
853:, Munich—perhaps his most famous night scene
42:
31:
1044:
1042:
649:The largest collection of his work is in
577:, also show Elsheimer's clear influence.
1426:, and does not reflect subsequent edits.
1051:Marburger Jahrbuch fĂĽr Kunstwissenschaft
1212:. Neue Folge, Bd. 16, 1997, S. 249–256.
928:
750:
661:has three paintings with others in the
622:George Villiers, 1st Duke of Buckingham
704:There are drawings in Paris (Musée du
592:no less poetic, than those of Bril or
1287:Adam Elsheimer. Die Gemälde im Städel
463:, and had never been painted before.
7:
385:Holy Family with St John the Baptist
310:In early 1600, Elsheimer arrived in
868:, c. 1608, Dresden, 17 x 22 cm
245:, where he was documented in 1598.
641:of most Italian Renaissance work.
631:(with the exception of his friend
151:Accademia di San Luca, Rome (1606)
25:
1022:"Discovering the World in Detail"
1408:
1370:Orazio and Artemisia Gentileschi
1350:
894:
873:
858:
837:
816:
801:
786:
768:
753:
138:Carla Antonia Stuart (1606–1610)
1190:MĂĽnchen: Schirmer/Mosel, 1985;
1158:Source unless otherwise stated
938:Zeitschrift fĂĽr Kunstgeschichte
689:. In 2006 an exhibition at the
1328:Allgemeine Deutsche Biographie
1198:; erweiterte Neuauflage 2006.
1162:RĂĽdiger Klessmann and others,
886:, 19th century, photogravure,
1:
1222:Baumstark, Reinhold (Hrsg.).
185:, of the type often known as
1466:17th-century German painters
1244:. Thames & Hudson, 2023.
733:Agnes Etherington Art Centre
663:National Gallery of Scotland
499:(London), is often unusual.
459:) is based on an episode in
387:, 37.5 x 24 cm, Berlin-
793:The Denial of Peter, 1605,
530:The Exaltation of the Cross
287:, as well as Rottenhammer.
1502:
1321:Woltmann, Alfred (1877), "
976:www.nationalgallery.org.uk
697:, then Edinburgh, and the
349:, as Elsheimer did later.
1476:German Mannerist painters
1310:. MĂĽnchen: Hirmer, 2008.
1267:Klessmann, RĂĽdiger u. a.
1248:Holzinger, Ernst (1959),
1128:. Aeac.ca. 12 August 2012
795:Städelsches Kunstinstitut
614:King Charles I of England
352:Both Faber and Bril knew
168:
163:Francesco Maria del Monte
142:
41:
1255:Neue Deutsche Biographie
1164:Adam Elsheimer 1578-1610
727:), and the other is the
659:National Gallery, London
519:National Gallery, London
415:Elsheimer's painting of
324:Vatican Botanical Garden
322:. He was Curator of the
269:National Gallery, London
1296:. MĂĽnchen: Beck, 1988.
1100:"The Flight into Egypt"
917:List of German painters
831:Wallraf-Richartz Museum
712:among other locations.
474:, a copy exists in the
362:David Teniers the Elder
1486:German Roman Catholics
1461:Artists from Frankfurt
1404:
1384:Listen to this article
1230:. Köln: DuMont, 2005.
533:
522:
497:prepared for Martyrdom
404:, the Roman painters'
388:
326:, and a member of the
302:
277:Gemäldegalerie, Berlin
265:The Baptism of Christ
233:. He probably visited
213:Elsheimer was born in
210:
1403:
1359:at Wikimedia Commons
1086:Edinburgh information
846:The Flight into Egypt
776:The Flight into Egypt
741:Charles II of England
725:The Flight into Egypt
559:Stoning of St Stephen
528:
511:Copy after the large
510:
402:Accademia di San Luca
383:
293:
208:
129:The Flight into Egypt
94:San Lorenzo in Lucina
48:Self-portrait at the
1471:German male painters
1435:More spoken articles
1215:Bachner, Franziska.
1106:. Kimbell Art Museum
1098:Kimbell Art Museum.
903:Tobias and the Angel
901:The "small Tobias",
747:Examples of his work
571:Museo di Capodimonte
514:Tobias and the Angel
418:Tobias and the Angel
328:Accademia dei Lincei
1273:, Frankfurt am Main
905:, 1607/8, Frankfurt
452:Philemon and Baucis
295:The burning of Troy
254:Johann Rottenhammer
117:Johann Rottenhammer
1481:Painters from Rome
1405:
1364:Web Gallery of Art
1292:Sello, Gottfried.
1001:Digital Collection
809:Apollo and Coronis
780:Kimbell Art Museum
717:Kimbell Art Museum
534:
523:
389:
303:
211:
1401:
1355:Media related to
1316:978-3-7774-4255-6
1285:Lenz, Christian.
1250:"Elsheimer, Adam"
763:, c. 1600, Berlin
488:(Liverpool), and
472:Kingston, Ontario
436:cabinet paintings
301:, 36 x 50 cm
258:cabinet paintings
231:Philipp Uffenbach
227:Heller Altarpiece
215:Frankfurt am Main
195:Peter Paul Rubens
187:cabinet paintings
179:Baroque paintings
172:
171:
113:Friedrich Brentel
65:Frankfurt am Main
16:(Redirected from
1493:
1425:
1423:
1412:
1411:
1402:
1392:
1390:
1385:
1354:
1332:
1262:full text online
1259:
1147:
1144:
1138:
1137:
1135:
1133:
1122:
1116:
1115:
1113:
1111:
1095:
1089:
1082:
1076:
1073:
1067:
1066:
1046:
1037:
1036:
1034:
1032:
1018:
1012:
1011:
1009:
1007:
997:"Adam Elsheimer"
993:
987:
986:
984:
982:
968:
962:
961:
933:
898:
883:Ceres and Stelio
880:Adam Elsheimer,
877:
862:
841:
820:
805:
790:
772:
757:
729:Mocking of Ceres
683:Wellcome Library
455:, (c. 1608, now
450:in the house of
366:Karel van Mander
339:Chatsworth House
183:on copper plates
159:
125:
78:
75:11 December 1610
46:
32:
21:
1501:
1500:
1496:
1495:
1494:
1492:
1491:
1490:
1441:
1440:
1439:
1438:
1427:
1421:
1419:
1416:This audio file
1413:
1406:
1397:
1394:
1388:
1387:
1383:
1348:
1342:
1323:Elsheimer, Adam
1320:
1247:
1210:Städel-Jahrbuch
1180:
1178:Further reading
1156:
1151:
1150:
1145:
1141:
1131:
1129:
1124:
1123:
1119:
1109:
1107:
1097:
1096:
1092:
1083:
1079:
1074:
1070:
1048:
1047:
1040:
1030:
1028:
1020:
1019:
1015:
1005:
1003:
995:
994:
990:
980:
978:
970:
969:
965:
950:10.2307/1482611
935:
934:
930:
925:
913:
906:
899:
890:
878:
869:
863:
854:
851:Alte Pinakothek
842:
833:
826:Lycian peasants
824:Latona and the
821:
812:
806:
797:
791:
782:
773:
764:
761:Venus and Cupid
758:
749:
699:Dulwich Gallery
655:Alte Pinakothek
647:
618:Earl of Arundel
547:Leonaert Bramer
521:19 Ă— 28 cm
505:
465:The Mocking of
428:Debtor's prison
308:
299:Alte Pinakothek
273:The Holy Family
203:
157:
123:
115:
85:
80:
76:
67:
62:
53:
37:
28:
23:
22:
15:
12:
11:
5:
1499:
1497:
1489:
1488:
1483:
1478:
1473:
1468:
1463:
1458:
1453:
1443:
1442:
1428:
1414:
1407:
1395:
1382:
1381:
1380:
1379:
1374:
1366:
1357:Adam Elsheimer
1347:
1346:External links
1344:
1340:
1339:
1333:
1318:
1304:
1294:Adam Elsheimer
1290:
1283:
1271:Städel-Museums
1265:
1245:
1240:Bell, Julian.
1238:
1228:Marcus Dekiert
1226:. Katalog von
1220:
1213:
1206:
1184:Andrews, Keith
1179:
1176:
1175:
1174:
1155:
1152:
1149:
1148:
1139:
1117:
1104:kimbellart.org
1090:
1077:
1068:
1038:
1013:
988:
963:
944:(2): 212–224.
927:
926:
924:
921:
920:
919:
912:
909:
908:
907:
900:
893:
891:
879:
872:
870:
864:
857:
855:
843:
836:
834:
822:
815:
813:
807:
800:
798:
792:
785:
783:
774:
767:
765:
759:
752:
748:
745:
679:Petworth House
675:Windsor Castle
646:
643:
567:Carlo Saraceni
551:Pieter Lastman
504:
501:
423:Hendrick Goudt
370:Schilder-Boeck
316:Giovanni Faber
307:
304:
285:Paolo Veronese
223:Albrecht DĂĽrer
202:
199:
175:Adam Elsheimer
170:
169:
166:
165:
160:
154:
153:
148:
144:
143:
140:
139:
136:
132:
131:
126:
120:
119:
110:
106:
105:
102:
98:
97:
91:
87:
86:
81:
79:(aged 32)
73:
69:
68:
63:
59:
55:
54:
50:Uffizi Gallery
47:
39:
38:
36:Adam Elsheimer
35:
27:German painter
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
1498:
1487:
1484:
1482:
1479:
1477:
1474:
1472:
1469:
1467:
1464:
1462:
1459:
1457:
1454:
1452:
1449:
1448:
1446:
1436:
1432:
1417:
1378:
1377:Artcyclopedia
1375:
1372:
1371:
1367:
1365:
1362:
1361:
1360:
1358:
1353:
1345:
1343:
1338:
1334:
1330:
1329:
1324:
1319:
1317:
1313:
1309:
1305:
1303:
1302:3-406-32026-0
1299:
1295:
1291:
1288:
1284:
1282:
1281:3-938832-06-1
1278:
1274:
1272:
1266:
1263:
1257:
1256:
1251:
1246:
1243:
1239:
1237:
1236:3-8321-7583-0
1233:
1229:
1225:
1221:
1218:
1214:
1211:
1207:
1205:
1204:3-8296-0244-8
1201:
1197:
1196:3-88814-142-7
1193:
1189:
1185:
1182:
1181:
1177:
1173:
1172:1-903278-78-3
1169:
1165:
1161:
1160:
1159:
1153:
1143:
1140:
1127:
1126:"Etherington"
1121:
1118:
1105:
1101:
1094:
1091:
1087:
1081:
1078:
1075:Klessmann, 16
1072:
1069:
1064:
1060:
1056:
1053:(in German).
1052:
1045:
1043:
1039:
1027:
1026:Städel Museum
1023:
1017:
1014:
1002:
998:
992:
989:
977:
973:
967:
964:
959:
955:
951:
947:
943:
939:
932:
929:
922:
918:
915:
914:
910:
904:
897:
892:
889:
885:
884:
876:
871:
867:
861:
856:
852:
848:
847:
840:
835:
832:
829:, 1607/1608,
828:
827:
819:
814:
810:
804:
799:
796:
789:
784:
781:
777:
771:
766:
762:
756:
751:
746:
744:
742:
738:
734:
731:, now in the
730:
726:
722:
718:
713:
711:
707:
702:
700:
696:
692:
688:
684:
680:
676:
672:
668:
664:
660:
656:
652:
644:
642:
640:
639:
634:
630:
625:
623:
619:
615:
611:
607:
603:
599:
595:
589:
587:
582:
580:
576:
572:
568:
564:
560:
556:
552:
548:
544:
540:
531:
527:
520:
516:
515:
509:
502:
500:
498:
496:
491:
487:
486:
482:
477:
473:
469:
468:
462:
458:
454:
453:
449:
445:
439:
437:
433:
429:
424:
420:
419:
413:
411:
407:
403:
399:
395:
386:
382:
378:
376:
371:
367:
363:
359:
356:, who was in
355:
350:
348:
344:
340:
336:
331:
329:
325:
321:
317:
313:
305:
300:
296:
292:
288:
286:
282:
278:
274:
270:
266:
261:
259:
255:
251:
246:
244:
240:
236:
232:
228:
224:
220:
216:
207:
201:Life and work
200:
198:
196:
192:
188:
184:
180:
176:
167:
164:
161:
155:
152:
149:
145:
141:
137:
133:
130:
127:
121:
118:
114:
111:
107:
103:
99:
95:
92:
90:Resting place
88:
84:
74:
70:
66:
61:18 March 1578
60:
56:
51:
45:
40:
33:
30:
19:
1369:
1349:
1341:
1326:
1307:
1293:
1286:
1268:
1260:; (
1253:
1241:
1223:
1216:
1209:
1187:
1163:
1157:
1142:
1130:. Retrieved
1120:
1108:. Retrieved
1103:
1093:
1080:
1071:
1054:
1050:
1029:. Retrieved
1025:
1016:
1004:. Retrieved
1000:
991:
979:. Retrieved
975:
966:
941:
937:
931:
881:
865:
844:
823:
808:
775:
760:
728:
724:
714:
703:
671:Apsley House
648:
638:bella figura
636:
626:
594:Jan Brueghel
590:
583:
558:
535:
529:
512:
493:
489:
479:
464:
442:
440:
416:
414:
390:
384:
369:
351:
332:
309:
294:
272:
264:
262:
248:His stay in
247:
226:
219:Allied bombs
212:
174:
173:
124:Notable work
77:(1610-12-11)
29:
1456:1610 deaths
1451:1578 births
1154:Main source
849:(c. 1609),
569:now in the
495:St Lawrence
490:Il Contento
347:Catholicism
343:Lutheranism
297:, c. 1604,
101:Nationality
1445:Categories
1431:Audio help
1422:2006-06-17
1132:15 January
923:References
737:Dutch Gift
721:Fort Worth
586:Caravaggio
432:engravings
281:Tintoretto
235:Strasbourg
52:, Florence
811:, 1606–08
743:in 1660.
710:Edinburgh
695:Frankfurt
687:Liverpool
667:Edinburgh
651:Frankfurt
645:Galleries
555:Rembrandt
543:Jan Pynas
539:Paul Bril
503:Influence
394:wet-nurse
335:Paul Bril
191:Rembrandt
158:Patron(s)
109:Education
18:Elsheimer
1433: ·
911:See also
610:van Dyck
553:, later
1420: (
1391:minutes
1110:9 March
1063:1348750
1031:4 March
1006:4 March
981:4 March
958:1482611
598:Poussin
485:Coronis
457:Dresden
448:Mercury
444:Jupiter
320:Bamberg
147:Elected
1314:
1300:
1279:
1234:
1202:
1194:
1170:
1061:
956:
708:) and
706:Louvre
691:Städel
681:, the
653:. The
633:Rubens
620:, and
616:, the
606:Rubens
602:Claude
579:Rubens
575:Naples
481:Apollo
410:Uffizi
398:Verdun
375:Rubens
354:Rubens
271:) and
250:Venice
243:Munich
135:Spouse
104:German
96:, Rome
1059:JSTOR
954:JSTOR
629:DĂĽrer
476:Prado
467:Ceres
406:Guild
239:Italy
1312:ISBN
1298:ISBN
1277:ISBN
1232:ISBN
1200:ISBN
1192:ISBN
1168:ISBN
1134:2014
1112:2015
1033:2021
1008:2021
983:2021
685:and
608:and
600:and
563:Ovid
549:and
483:and
461:Ovid
446:and
358:Rome
312:Rome
306:Rome
283:and
241:via
193:and
83:Rome
72:Died
58:Born
1325:",
946:doi
739:to
565:by
478:),
345:to
225:'s
1447::
1252:,
1186::
1102:.
1055:30
1041:^
1024:.
999:.
974:.
952:.
942:55
940:.
719:,
693:,
677:,
673:,
669:,
665:,
573:,
545:,
541:,
517:,
197:.
1437:)
1429:(
1424:)
1393:)
1389:2
1386:(
1264:)
1136:.
1114:.
1065:.
1035:.
1010:.
985:.
960:.
948::
723:(
470:(
275:(
267:(
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
