17:
270:
282:
258:
243:
595:
107:
and Vernet painted on copper. They favored copper for its smooth surface which allowed fine detail, and its durability. Copper is more durable than canvas or wood panel as a support for oil painting, as it will not rot, mildew or be eaten by insects. Contemporary painters also use copper as a base
269:
143:
includes darkening of the metal, green and blue tones, depending on the chemical solution used. Patina is characterized by beautiful variated patterns and textures which occur on the metal's surface.
281:
343:
Historical painting techniques, materials, and studio practice : preprints of a symposium, University of Leiden, the
Netherlands, 26-29 June, 1995
16:
537:
411:
257:
487:
565:
242:
390:"A rediscovered 'St Jerome' on copper by Guido Reni and its early provenance, in The Burlington Magazine 158 (2016), pp. 610-615"
350:
318:
620:
625:
152:
345:. Wallert, Arie, 1950-, Hermens, Erma, 1958-, Peek, Marja, 1961-. : Getty Conservation Institute. 1995. p. 98.
374:
170:
599:
100:
615:
184:
72:
306:
40:
463:
189:
160:
131:. After drying the copper panel was ready for the artist to begin painting. Later artists used the
139:
with the use of various acidic solutions, as part of the art work itself. The resulting patina or
368:
541:
356:
346:
324:
314:
104:
60:
128:
96:
609:
206:
123:. The copper surface was then treated with garlic juice which is believed to improve
76:
174:
127:
of the paint. Finally a white or grey ground layer of oil paint was applied as a
64:
116:
The old masters prepared the copper for painting first by rubbing it with fine
84:
545:
360:
328:
196:
140:
92:
32:
21:
464:"art process of oxidizing copper and then painting upon it with oil colors"
436:
594:
108:
for paintings, some of them allowing the metal or patina to show through.
124:
120:
88:
80:
68:
55:
Oil on copper paintings were prevalent in the mid sixteenth century in
512:
488:"How to Paint on Copper | Preparing Copper Plate by Candice Bohannon"
202:
132:
117:
63:. The use of copper as a substrate for an oil painting dates back to
44:
36:
389:
136:
56:
15:
47:
is the most well known surface material used for oil paintings.
43:. This is sometimes referred to as "copper as canvas" because
566:"Mermaid Monday: Scylla – Beautiful Naiad Turned Sea Monster"
275:
Carlo
Saraceni - An Angel Appearing to the Wife of Manoah
231:
Spray, brush, splatter, verdigris, roller palette knife.
412:"Reconstructing a 17th century Flemish flower painting"
31:
painting is the process of creating artworks by using
313:. New York: Metropolitan Museum of Art. p. 118.
181:The Madonna and Child with Saint Anne and an Angel
287:Guido Reni - St Francis Consoled by Angelic Music
538:"Dead frog painting that rots before your eyes"
24:, 1630. An example of oil painting on copper.
8:
298:
238:
366:
7:
458:
456:
71:masters and other artists including
14:
513:"Art Process - COPPERHAND Studio"
593:
311:John Singleton Copley in America
280:
268:
256:
241:
135:process, in which the copper is
536:Waters, Florence (2013-03-06).
183:oil on copper, (ca. 1608–1610)
388:Biffis, Mattia (August 2016).
1:
169:oil on copper (1605–1610), (
642:
416:Art Conservation in Action
437:"Oil on Copper | Artsy"
394:The Burlington Magazine
235:Oil on copper paintings
171:São Paulo Museum of Art
101:Ambrosius Bosschaert II
373:: CS1 maint: others (
307:Barratt, Carrie Rebora
185:Honolulu Museum of Art
73:Jan Breughel the Elder
25:
19:
602:at Wikimedia Commons
263:Dead Frog with Flies
190:Dead Frog with Flies
621:Painting techniques
161:Francesco St Jerome
626:Painting materials
26:
598:Media related to
195:Self-portrait of
20:Self-portrait of
633:
597:
581:
580:
578:
577:
562:
556:
555:
553:
552:
533:
527:
526:
524:
523:
509:
503:
502:
500:
499:
484:
478:
477:
475:
474:
460:
451:
450:
448:
447:
433:
427:
426:
424:
423:
408:
402:
401:
385:
379:
378:
372:
364:
339:
333:
332:
303:
284:
272:
260:
245:
219:Copper substrate
154:Isle of the Dead
641:
640:
636:
635:
634:
632:
631:
630:
606:
605:
590:
585:
584:
575:
573:
564:
563:
559:
550:
548:
535:
534:
530:
521:
519:
511:
510:
506:
497:
495:
492:Artists Network
486:
485:
481:
472:
470:
462:
461:
454:
445:
443:
435:
434:
430:
421:
419:
410:
409:
405:
387:
386:
382:
365:
353:
341:
340:
336:
321:
305:
304:
300:
295:
288:
285:
276:
273:
264:
261:
252:
246:
237:
229:
216:
149:
114:
105:Copley Fielding
61:Northern Europe
53:
12:
11:
5:
639:
637:
629:
628:
623:
618:
608:
607:
604:
603:
589:
588:External links
586:
583:
582:
557:
528:
517:copperhand.com
504:
479:
468:hawkstudio.com
452:
428:
403:
380:
351:
334:
319:
297:
296:
294:
291:
290:
289:
286:
279:
277:
274:
267:
265:
262:
255:
253:
248:The Francesco
247:
240:
236:
233:
228:
225:
224:
223:
220:
215:
212:
211:
210:
200:
193:
187:
178:
167:Mars and Venus
164:
158:
148:
145:
113:
110:
97:Carlo Saraceni
65:Medieval times
52:
49:
13:
10:
9:
6:
4:
3:
2:
638:
627:
624:
622:
619:
617:
616:Oil paintings
614:
613:
611:
601:
600:Oil on copper
596:
592:
591:
587:
571:
567:
561:
558:
547:
543:
539:
532:
529:
518:
514:
508:
505:
493:
489:
483:
480:
469:
465:
459:
457:
453:
442:
441:www.artsy.net
438:
432:
429:
417:
413:
407:
404:
399:
395:
391:
384:
381:
376:
370:
362:
358:
354:
348:
344:
338:
335:
330:
326:
322:
316:
312:
308:
302:
299:
292:
283:
278:
271:
266:
259:
254:
251:
244:
239:
234:
232:
226:
221:
218:
217:
213:
208:
207:Fillipo Lauri
204:
201:
198:
194:
191:
188:
186:
182:
179:
176:
172:
168:
165:
162:
159:
157:
155:
151:
150:
146:
144:
142:
138:
134:
130:
126:
122:
119:
111:
109:
106:
102:
98:
94:
90:
86:
82:
78:
74:
70:
66:
62:
58:
50:
48:
46:
42:
38:
34:
30:
29:Oil on copper
23:
18:
574:. Retrieved
572:. 2014-08-11
569:
560:
549:. Retrieved
531:
520:. Retrieved
516:
507:
496:. Retrieved
494:. 2012-04-04
491:
482:
471:. Retrieved
467:
444:. Retrieved
440:
431:
420:. Retrieved
418:. 2016-05-31
415:
406:
397:
393:
383:
342:
337:
310:
301:
249:
230:
180:
166:
153:
115:
54:
28:
27:
570:CryptoVille
610:Categories
576:2018-12-11
551:2018-12-11
522:2018-12-10
498:2018-12-10
473:2018-12-10
446:2018-12-10
422:2018-12-10
352:0892363223
320:0870997440
293:References
227:Techniques
156:(painting)
85:Guido Reni
33:oil paints
546:0307-1235
400:: 610–15.
369:cite book
250:St Jerome
222:Oil paint
214:Materials
197:Rembrandt
175:São Paulo
141:verdigris
93:Rembrandt
41:substrate
22:Rembrandt
361:32131812
329:32085369
309:(1995).
137:oxidized
125:adhesion
121:abrasive
89:Guercino
81:El Greco
199:, 1630.
112:Process
69:Flemish
51:History
39:as the
544:
359:
349:
327:
317:
203:Scylla
133:patina
129:primer
118:pumice
77:Claude
67:. The
45:canvas
37:copper
147:Works
57:Italy
35:with
542:ISSN
375:link
357:OCLC
347:ISBN
325:OCLC
315:ISBN
59:and
398:158
205:by
612::
568:.
540:.
515:.
490:.
466:.
455:^
439:.
414:.
396:.
392:.
371:}}
367:{{
355:.
323:.
173:,
103:,
99:,
95:,
91:,
87:,
83:,
79:,
75:,
579:.
554:.
525:.
501:.
476:.
449:.
425:.
377:)
363:.
331:.
209:.
192:.
177:)
163:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.