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after reviewing "Benvenuto
Cellini" and maintained correspondence with him. Samuel's works of this time were influenced by Berlioz's style. Additionally Samuel published Berlioz's "Benvenuto Cellini" in Belgium. This friendship might have come to an end due to Samuel's support of the music of
151:, piano with Jean-Baptiste Michelot and organ with Christian Girschner, earning first prize diplomas in all these disciplines. In 1841 he became an assistant teacher for solfège at the Brussels Conservatoire and the following year an assistant teacher for piano at the same institution.
189:. From 1850 to 1860 he was also active as a music critic for multiple newspapers such as Le Télégraphe, National, La Civilization, L'Echo de Bruxelles, L'indépendance belge, La Revue trimesterielle, L'Art universel and La Flandre libérale.
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Adolphe-Abraham Samuel was born in Liège in an artistic family. His parents encouraged him to become a painter and he began studying at the age of seven. He received his earliest music education from his sister
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In 1860 Samuel became professor of harmony at the
Brussels Conservatoire and one year later founded the Concerts Populaires de Musique Classique in Brussels. Samuel brought the more contemporary works of
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before touring Italy for two years in 1846 and 1847. During his time in Rome he composed his opera
Giovanni da Procida and his second symphony which was premiered by Fétis in Brussels in 1849.
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where he additionally taught counterpoint, fugue, composition and music esthetics. Simultaneously he directed the Cercle artistique, littéraire et scientifique in Ghent from 1874 to 1880.
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to the public in these concerts. In 1869 he also founded the Société de
Musique de Bruxelles in order to perform large choral works. He resigned from these organisations in 1871.
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Thierry Levaux: Le
Dictionnaire of the Compositeurs de Belgique du Moyen-Age à nos jours, S. 550-551, Editions: "Art in Belgium" 2006,
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Samuel's own compositional work combines the influences of
Berlioz, Wagner and Liszt. His principal works are the monumental
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251:. At the composer's wish, his mass was presented during his funeral. His son Eugene Samuel was also a composer.
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Sixth symphony, based on the Old
Testament (1891) and the Seventh, based on the New Testament (1893).
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463:(in German, Dutch, and French). Munich: Musikproduktion Jurgen Hoeflich. Archived from
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Upon his return to
Brussels in 1848 he composed many operas which were performed at
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131:. At the age of twelve he performed in concerts organised by the Belgian violinist
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L'Heure de la retraite, Comic Opera, (Libretto: Eugène van Bemmel), 1854
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In 1895 Samuel was baptized and became a Roman
Catholic, converted from
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540:(Dutch) page on Adolphe Samuel. (Includes list of his 7 symphonies.)
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Les Deux Précendants, comic opera, (libretto: Louis
Schoonen), 1851
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with his cantata "La Vendetta. He furthered his studies with
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and piano with Etienne Soubre and Auguste Franck and the
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224:From 1871 to 1898, Samuel was the director of the
143:where he studied harmony with Charles Bosselet,
425:. Roeselare: Roularta Books. pp. 615–616.
395:(in French). Ghent: G. Beyer. pp. 371–381.
315:6th Symphony (Symphony à program) op. 44, 1889
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282:Roland à Ronceveaux, Poème symphonique, 1850
422:Lexicon Vlaamse componisten geboren na 1800
579:Converts to Roman Catholicism from Judaism
77:Music critic, teacher, conductor, composer
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392:Le Conservatoire royal de musique de Gand
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102:) was a Belgian music critic, teacher,
300:Cantate nationale, cantata op.29, 1859
272:Giovanni da Procida, Great Opera, 1847
16:Belgian composer, conductor and critic
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294:L'Union fait la force, cantata, 1855
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309:De Wederkomst, cantata, op.38, 1875
639:Royal Conservatory of Liège alumni
318:7th Symphony "Christ" op. 48, 1893
192:In 1853 he became acquainted with
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461:"Samuel – Symphonie Nr. 6 op. 44"
291:Cantate du jubilée, cantata, 1855
659:19th-century classical composers
649:19th-century Belgian journalists
664:19th-century conductors (music)
609:Belgian male conductors (music)
492:from the original on 9 May 2008
644:Prix de Rome (Belgium) winners
141:Royal Conservatory of Brussels
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624:Belgian male opera composers
538:Studiecentrum Vlaamse Muziek
260:Il a rêvé, comic opera, 1845
589:Belgian classical composers
226:Royal Conservatory of Ghent
129:Royal Conservatory of Liège
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599:Belgian conductors (music)
389:Bergmans, Charles (1901).
263:La Vendetta, Cantata, 1845
669:19th-century male writers
247:late in life. He died in
139:. In 1840 he entered the
133:Charles Auguste de Bériot
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654:Belgian male journalists
312:Leopold I, cantata, 1880
306:5th Symphony op.35, 1869
303:4th Symphony op.33, 1863
297:3rd Symphony op.28, 1858
154:In 1845, Samuel won the
619:Belgian opera composers
584:Belgian Roman Catholics
550:, Second Edition, 1916.
419:Roquet, Flavie (2007).
269:2nd Symphony op.9, 1847
266:1st Symphony op.8, 1846
629:Jewish opera composers
604:Belgian male musicians
156:Prix de Rome (Belgium)
135:and his sister-in-law
84:Adolphe-Abraham Samuel
23:Adolphe-Abraham Samuel
634:Belgian music critics
554:oxfordmusiconline.com
459:Dewilde, Jan (2006).
149:François-Joseph Fétis
486:"Berlioz in Belgium"
239:Conversion and death
94:– 11 September 1898
594:Romantic composers
548:Nordisk familjebok
432:978-90-8679-090-6
168:Giacomo Meyerbeer
160:Felix Mendelssohn
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59:11 September 1898
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544:runeberg.org
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494:. Retrieved
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277:Gustave Vaëz
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233:programmatic
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215:Peter Benoit
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145:counterpoint
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41:11 July 1824
574:1898 deaths
569:1824 births
351:data.bnf.fr
211:Franz Liszt
563:Categories
521:2018-03-11
496:2008-06-18
471:2013-01-19
339:References
323:Literature
187:La Monnaie
546:, in the
441:232941460
166:and with
114:Biography
104:conductor
511:"svm.be"
490:Archived
362:viaf.org
174:and met
121:Caroline
108:composer
279:), 1850
245:Judaism
180:Dresden
164:Leipzig
125:solfège
100:Belgium
92:Belgium
67:Belgium
49:Belgium
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217:, and
172:Berlin
255:Works
249:Ghent
147:with
96:Ghent
88:Liège
63:Ghent
45:Liège
437:OCLC
427:ISBN
329:ISBN
106:and
56:Died
38:Born
178:in
170:in
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