702:
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564:, and was warmly welcomed by Duke Cosimo I de' Medici – who elevated him to the position of court sculptor and gave him an elegant house in Via del Rosario (where Cellini built a foundry), with an annual salary of two hundred scudi. Furthermore, Cosimo commissioned him to make two significant bronze sculptures: a bust of himself, and Perseus with the head of Medusa (which was to be placed in the Lanzi loggia in the centre of the city).
1992:"Cinque anni ha tenuto per suo ragazzo Fernando di Giovanni di Montepulciano, giovanetto con el quale ha usato carnalmente moltissime volte col nefando vitio della soddomia, tenendolo in letto come sua moglie" (For five years he kept as his boy Fernando di Giovanni di Montepulciano, a youth whom he used carnally in the abject vice of sodomy numerous instances, keeping him in his bed as a wife.)
2330:
716:, Cellini crafted three anthropomorphic heads on to the armour of the duke. The first of them is "grotesque" situated on the right shoulder of Cosimo. The decorative head is composed of lineaments of a satyr, lion and a man. Two other heads, much smaller than the first and almost identical, can be found beneath the collarbones on the bust's front. His most distinguished sculpture is the
351:
2494:
306:, in present-day Italy. His parents were Giovanni Cellini and Maria Lisabetta Granacci. They were married for 18 years before the birth of their first child. Benvenuto was the second child of the family. The son of a musician and builder of musical instruments, Cellini was pushed towards music, but when he was fifteen, his father reluctantly agreed to apprentice him to a
58:
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is based on
Cellini's years in France, centered on Ascanio, an apprentice of Cellini. Dumas' trademark plot twists and intrigues feature in the novel, in this case involving Cellini, the Duchesse d'Étampes, and other members of the court. Cellini is portrayed as a passionate and troubled man, plagued
1024:
drawings of this splendid morse by F. Bertoli, done at the insistence of an
Englishman named Talman in the first half of the 18th century. The obverse and reverse, as well as the rim, are drawn full size, and moreover the morse with the precious stones set therein, including a diamond then considered
571:
with her son
Vincenzo, and he temporarily fled to seek shelter in Venice. This was neither the first nor the last time that Cellini was implicated for sodomy (once with a woman and at least three times with men during his life), illustrating his homosexual or bisexual tendencies. For example, earlier
1118:
When certain decisions of the court were sent me by those lawyers, and I perceived that my cause had been unjustly lost, I had recourse for my defence to a great dagger I carried; for I have always taken pleasure in keeping fine weapons. The first man I attacked was a plaintiff who had sued me; and
1113:
wrote, "Other goldsmiths have done finer work, but
Benvenuto Cellini is the author of the most delightful autobiography ever written." Cellini's writing shows a great self-regard and self-assertion, sometimes running into extravagances which are impossible to believe. He even writes in a complacent
584:
in 1554, Cellini was appointed to strengthen the defences of his native city, and, though rather shabbily treated by his ducal patrons, he continued to gain the admiration of his fellow citizens by the magnificent works which he produced. According to
Cellini's autobiography, it was during this
940:, first duke of Florence, for whom he made in 1535 a 40-soldi piece with a bust of the duke on one side and standing figures of the saints Cosima and Damian on the other. Some connoisseurs attribute to his hand several plaques, "Jupiter crushing the Giants," "Fight between Perseus and
871:. This intricate 26-cm-high sculpture, of a value conservatively estimated at 58,000,000 schilling, was commissioned by Francis I. Its principal figures are a naked sea god and a woman, sitting opposite each other with legs entwined, symbolically representing the planet
1196:
1119:
one evening I wounded him in the legs and arms so severely, taking care, however, not to kill him, that I deprived him of the use of both his legs. Then I sought out the other fellow who had brought the suit, and used him also such wise that he dropped it.
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grew. On 26 February 1556, Cellini's apprentice
Fernando di Giovanni di Montepulciano accused his mentor of having sodomised him many times while "keeping him for five years in his bed as a wife". This time the penalty was a hefty 50 golden
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around the year 1563 when
Cellini was approximately 63 years old. The memoirs give a detailed account of his singular career, as well as his loves, hatreds, passions, and delights, written in an energetic, direct, and racy style; as
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on 11 May 2003 by a thief who climbed scaffolding and smashed windows to enter the museum. The thief set off the alarms, but these were ignored as false, and the theft remained undiscovered until 8:20 am. On 21 January 2006 the
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of light which he found surrounding his head at dawn and twilight after his Roman imprisonment, and his supernatural visions and angelic protection during that adversity; and of his being poisoned on two separate occasions.
576:
of flour in 1523 for relations with another young man named
Domenico di Ser Giuliano da Ripa. Meanwhile, in Paris a former model and lover brought charges against him of using her "after the Italian fashion" (i.e., sodomy).
1574:'s character's attempts to steal back a fictional statuette of Venus supposedly sculpted by Cellini before art conservators at the museum it has been lent to discover that it is a fake, actually sculpted by her grandfather.
701:
504:, where he was restored with greater honour than before. At the age of 37, upon returning from a visit to the French court, he was imprisoned on a charge (apparently false) of having embezzled the gems of the pope's
535:
and Paris. Cellini is known to have taken some of his female models as mistresses, having an illegitimate daughter in 1544 with one of them while living in France, whom he named
Costanza. Cellini considered the
2411:
Andreas Beyer: "Benvenuto
Cellini: VITA/Mein Leben", in Markus Krajewski/Harun Maye (Ed.): Böse Bücher. Inkohärente Texte von der Renaissance bis zur Gegenwart, Wagenbach Verlag, Berlin 2019, pp. 29–38.
758:. The casting of this work caused Cellini much trouble and anxiety, but it was hailed as a masterpiece as soon as it was completed. The original relief from the foot of the pedestal—Perseus and
1475:, the villain Mr. Big says that he wishes his crimes to "be a work of art, bearing my signature as clearly as the creations of, let us say, Benvenuto Cellini." In the seventh James Bond novel,
1593:
referenced Cellini several times in the second episode of the series as an artist who lived a particularly "wild" life and that his autobiography was entirely unsuited for a nine-year-old boy.
1160:, and by George Bull. It has been considered and published as a classic, and commonly regarded as one of the more colorful autobiographies (certainly the most important autobiography from the
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617:
After briefly attempting a clerical career, in 1562 he married a servant, Piera Parigi, with whom he claimed he had five children, of whom only a son and two daughters survived him.
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commemorating the peace between the Christian princes, 1530, with a bust of the pope on the reverse and a figure of Peace setting fire to a heap of arms in front of the temple of
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685:
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Besides his works in gold and silver, Cellini executed sculptures of a grander scale. One of the main projects of his French period is probably the Golden Gate for the
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in Chapter VII: "Its furniture was all of massy gold, and beautified with designs which well-nigh made it priceless, since they were the work of Benvenuto." And in
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1371:
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to be set against him and refused to conciliate with the king's favorites. He could no longer silence his enemies by the sword, as he had silenced those in Rome.
599:
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2345:
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The fictional secret agent, Nick Carter, owns a pearl-handled, 400-year-old stiletto said to have been made by Cellini, which is featured regularly in the
1936:
452:, and then back to Florence. On returning to Rome, he was employed in the working of jewelry and in the execution of dies for private medals and for the
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2768:
2013:
For a graphic restitution of the Golden Gate, see Thomas Clouet, "Fontainebleau de 1541 à 1547. Pour une relecture des Comptes des Bâtiments du roi",
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Upon his return from France to his hometown Florence in 1545, Benvenuto cast a bronze bust of Cosimo I Medici, the Grand Duke of Tuscany. On this
520:; the attempt failed, for a nondiamond gem was used instead. The intercession of Pier Luigi's wife, and especially that of the Cardinal d'Este of
2053:
1481:, Bond says of the titular villain: "... Goldfinger was an artist - a scientist in crime as great in his field as Cellini or Einstein in theirs."
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chose to name their line of precious metal dress watches after Cellini, with the Rolex Cellini Collection beginning in 1928 and continuing today.
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in 1797. According to the terms of the treaty, the pope was permitted to pay a third of that sum in plate and jewels. In the print room of the
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After several years of productive work in France, but beset by almost continual professional conflicts and violence, Cellini returned to
2287:"Screen: 'How to Steal a Million' Opens at Music Hall; Audrey Hepburn Stars With Peter O'Toole 'Enough Rope' Arrives at Little Carnegie"
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1589:
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Cellini, Benvenuto. Study of a man, body and profile. Verso. 28.3 x18.5 cm. Paper, graphite (1540–1543) (?) Royal Library, Turin.
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2269:
2247:
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936:, created the dies of several coins and medals, some of which still survive at this now-defunct mint. He was also in the service of
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By 1996, centuries of environmental pollution exposure had streaked and banded the statue. In December 1996 it was removed from the
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Parts of his tale recount some extraordinary events and phenomena; such as his stories of conjuring up a legion of devils in the
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139:
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chapter 28; "His whole high, broad form, seemed made of solid bronze, and shaped in an unalterable mould, like Cellini's cast
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three days after the death of Pope Clement VII in September 1534. The fourth victim was a rival goldsmith, Pompeo of Milan.
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for cleaning and restoration. It was a slow process, and the restored statue was not returned to its home until June 2000.
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2728:
1420:, Marius's chapter contains the line "There are Benvenuto Cellinis in the galleys, even as there are Villons in language."
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by the inconsistencies of life under the "patronage" of a false and somewhat cynical court. That novel was the basis for
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was also highly influenced by the life of Cellini, centering many etchings and sketches around his stories and passions.
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Cellini, Benvenuto. A Study for the Seal of the Accademia del Disegno. 30 x 12.5 cm. Pen, brown ink. Louvre, Paris
537:
402:
391:
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2723:
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387:
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Cellini, B. The Autobiography // Gutenberg.org., Vol. II Ch. LXIII, as translated by John Addington Symonds, (URL:
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1000:, the competition for which is so graphically described in his autobiography, appears to have been sacrificed by
31:
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was recovered by the Austrian police and later returned to the Kunsthistorisches Museum where it is now back on
667:), still exists, but the complete aspect can be known through archives, preparatory drawings and reduced casts.
614:(Shut up, you filthy sodomite!) Cellini described this as an "atrocious insult", and attempted to laugh it off.
421:). His bravery led to a reconciliation with the Florentine magistrates, and he soon returned to his hometown of
289:, and his autobiography, which has been described as "one of the most important documents of the 16th century".
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2708:
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1471:
880:
38:
1499:
1375:, chapter XVII, Cellini is alluded to as the epitome of brutal, immoral, and yet deeply religious aristocracy.
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Cellini, Benvenuto. Bearded Man. Recto. 28.3 x 18.5 cm. Paper, graphite (1540–1543) (?) Royal Library, Turin.
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1582:
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1407:
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512:, escaped, was recaptured, and was treated with great severity; he was in daily expectation of death on the
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fine, and four years of prison, remitted to four years of house arrest thanks to the intercession of the
516:. While imprisoned in 1539, Cellini was the target of an assassination attempt of murder by ingestion of
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759:
603:
917:
816:
509:
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but not justice as Cellini admits that his brother's killer had acted in self-defense. Cellini fled to
1647:
548:
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2678:
2179:
1516:
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744:
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in Florence. He also took up the cornett again, and was appointed one of the pope's court musicians.
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1530:
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456:. In 1529, his brother Cecchino killed a Corporal of the Roman Watch and in turn was wounded by an
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163:
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and the medallions previously referred to, the works of art in existence today are a medallion of
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way of how he contemplated his murders before carrying them out. He writes of his time in Paris:
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912:, where it has usually been displayed in an altered form – the monastery added a loincloth and a
905:
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display. One of the more important works by Cellini from late in his career was a life-size nude
727:
581:
493:
996:. The magnificent gold "button", or morse (a clasp for a cape), made by Cellini for the cape of
1136:, after one of his mistresses had been spirited away from him by her mother; of the marvellous
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and the bronzes of the doorway, coins for the Papal and Florentine states, a life-sized silver
314:. At the age of 16, Benvenuto had already attracted attention in Florence by taking part in an
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1937:"Straightwashing von Künstlern - Die historische Forschung tut sich schwer mit Homosexualität"
1848:
1627:
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1323:
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was started in the year 1558 at the age of 58 and ended abruptly just before his last trip to
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820:
636:. He died in Florence on 13 February 1571 and was buried with great pomp in the church of the
586:
524:, eventually secured Cellini's release, in gratitude for which he gave d'Este a splendid cup.
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supporting the Sphere", in chased gold, the latter eventually falling into the possession of
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469:
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2035:
460:, later dying of his wound. Soon afterward Benvenuto killed his brother's killer—an act of
2091:
1485:
1469:
mentions Cellini multiple times in his James Bond novels. In the second James Bond novel,
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1209:
The following is a list of works influenced by Cellini or that reference him or his work:
913:
900:. Although originally intended to be placed over his tomb, this crucifix was sold to the
853:, signed with the artist's name; a signed portrait medal of Francis; a medal of Cardinal
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2639:
2631:
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633:
517:
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2439:
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1539:
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1282:
1145:
1061:. 1558–1560. Oil, paper glued to canvas. 61 cm by 48 cm. Private collection
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802:
591:
532:
477:
461:
1713:
1049:. Recto. 28.3 x 18.5 cm. Paper, graphite. (1540–1543) (?) Royal Library, Turin.
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bust shown, are not directly attributed but are instead attributed to his workshop.
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2021:
1456:
1402:
1319:
1299:
1231:
1223:
1195:
1013:
1001:
854:
739:
980:, both described at length in his autobiography; large silver statues of Jupiter,
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studies Cellini in "The Third Hour of the Night", a long poem from his 2005 book
1841:
Robert A. Freitas Jr. (2003). "15.1.1 Mechanical Damage from Ingested Diamond".
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1398:
1172:
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1021:
997:
969:
929:
889:
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790:
505:
481:
457:
367:
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1842:
837:, made in Paris, 1540–1543; Gold, partly covered in enamel, with an ebony base.
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1350:
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925:
453:
350:
322:, where he worked for a goldsmith named Fracastoro (unrelated to the Veronese
2120:
2036:"James Fenton on the history of a recently rediscovered Cellini bronze satyr"
1905:
Forbidden Friendships: Homosexuality and Male Culture in Renaissance Florence
567:
In 1548, Cellini was accused by a woman named Margherita of having committed
2358:. Vol. 5 (11th ed.). Cambridge University Press. pp. 604–606.
2311:
1387:
1357:
mentions Cellini's autobiography as an inspiration while freeing Jim in the
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1133:
1005:
749:
561:
425:. Here he devoted himself to crafting medals, the more famous of which are "
338:
and two periods of living in Florence (where he was visited by the sculptor
307:
274:
174:
149:
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1446:
loosely bases the character Prospero Beneforte in her 1992 fantasy novel
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1235:
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763:
735:
657:. Only the bronze tympanum of this unfinished work, which represents the
557:
513:
497:
445:
426:
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323:
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87:
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1542 Cellini statue which would have flanked the Nymphe de Fontainebleau
679:
1542 Cellini statue which would have flanked the Nymphe de Fontainebleau
57:
2599:
2071:
1392:
1244:
1127:, Ch. XXVIII, translated by John Addington Symonds, Dolphin Books, 1961
1083:
Cellini, Benvenuto. Mourning Woman. 30 x 12.5 cm. Pen, brown ink.
965:
859:
842:
833:
521:
472:, Ser Benedetto, whom he had wounded. Through the influence of several
410:
331:
327:
311:
17:
1349:
Cellini's life is an occasional point of reference in the writings of
318:
with youthful companions. He was banished for six months and lived in
1434:
Cellini's autobiography is mentioned several times in Muriel Spark's
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1067:
1041:
The known drawings and sketches by Benvenuto Cellini are as follows:
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465:
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315:
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and flute player and made progress as a goldsmith. After a visit to
273:; 3 November 1500 – 13 February 1571) was an Italian
857:; and the celebrated gold, enamel and ivory salt cellar (known as
827:
2484:
2335:
This article incorporates text from a publication now in the
1385:, at the captain's first appearance, to a sculpture by Cellini in
1251:
1194:
1171:
1027:
955:
872:
826:
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Among his art works, many of which have perished, were a colossal
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547:
349:
319:
1585:
1897-1940 is entirely concerned with Benvenuto Cellini 1500-1571.
1798:
1529:(1972) features the fictional Poellenberg Salt, inspired by the
1382:
1105:
964:
The important works which have perished include the uncompleted
371:
335:
277:, sculptor, and author. His best-known extant works include the
2509:
1796:
1794:
1792:
1790:
1788:
1786:
1784:
1782:
1780:
1778:
476:, Cellini obtained a pardon. He found favor with the new pope,
1683:
1681:
1626:(3rd ed.). Columbia University Press. 1994. p. 155.
417:(and, allegedly, shot and killed Charles III resulting in the
382:. Another celebrated work from Rome is the gold medallion of "
238:
1892:(in Italian). Archivio di antropologia criminale. p. 50.
1519:, (Vintage 2011), Cellini creates the menacing Medusa Amulet.
250:
226:
215:
1213:
The life of Cellini inspired the French historical novelist
916:. For detailed information about this work, see the text by
632:, on 13 January 1563, under the influence of the architect
413:. According to Cellini's own accounts, he shot and injured
253:
244:
221:
206:
197:
904:
family who gave it to Spain. Today the crucifix is in the
212:
229:
2132:
2130:
1890:
Benventuto Cellini nei delitti e nei processi fiorentini
1714:"Medallion with Leda and the Swan by CELLINI, Benvenuto"
1077:, Washington (from the Ian Woodner Collection, New York)
1073:
Cellini, Benvenuto. Satyr. 41 x 20.2 cm. Pen, ink.
1066:
Benvenuto. Juno. Drawing on paper. Cabinet of Drawings,
1008:'s art, in furnishing the 30 million francs demanded by
2374:
Autobiography of Benvenuto Cellini, Symonds translation
572:
in his life as a young man, he was sentenced to pay 12
2424:
Benvenuto Cellini artiste-écrivain: l'homme à l'oeuvre
1025:
the second-largest in the world, is fully described.
468:
to shelter from the consequences of an affray with a
241:
200:
191:
409:, Cellini's bravery proved of signal service to the
235:
218:
203:
194:
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2578:
2543:
1847:. Vol. IIA: Biocompatibility. Georgetown, TX:
813:. The works of decorative art are florid in style.
585:period that his personal rivalry with the sculptor
256:
232:
209:
170:
156:
145:
135:
127:
117:
98:
73:
48:
2438:
2164:Leuchtmann, Horst (2001). "Benvenuto Cellini". In
552:Statue of Cellini, Piazzale degli Uffizi, Florence
1144:The autobiography was translated into English by
960:Cellini's Medal portrait of Clement VII and morse
2388:. San Lorenzo del Escorial: Escurialenses, 1995.
2149:This is a known optical physical effect, called
972:; a gold cover for a prayer book as a gift from
924:of this article. Cellini, while employed at the
397:In the attack on Rome by the imperial forces of
2764:People prosecuted under anti-homosexuality laws
2175:The New Grove Dictionary of Music and Musicians
1116:
2264:. Las Vegas: Thomas & Mercer. p. 71.
1012:at the conclusion of the campaign against the
560:. There he once again took up his skills as a
480:, notwithstanding a fresh homicide during the
37:"Cellini" redirects here. For other uses, see
2521:
1962:
1960:
1958:
1802:
1769:
1687:
1334:, and Louis Calhern. The film was adapted by
1004:, with many other priceless specimens of the
608:
342:), he moved to Rome, at the age of nineteen.
63:
8:
1548:as reminding the protagonist of a waiter as
1372:A Connecticut Yankee in King Arthur's Court
2528:
2514:
2506:
1920:Homosexuality in Art (Temporis Collection)
1281:, as well as another of the same title by
56:
45:
1931:
1929:
2085:Spectacular reopening of the Kunstkammer
944:", a Dog, etc. Other works, such as the
2178:. Vol. 14 (2nd ed.). London:
1602:
669:
508:during the war. He was confined to the
2136:
1550:a good fellow when one got to know him
1484:Fictional works by Cellini feature in
1363:. Cellini's work is also mentioned in
1125:The Autobiography of Benvenuto Cellini
1102:The Autobiography of Benvenuto Cellini
598:. In a public altercation before Duke
496:led to Cellini's retreat from Rome to
448:, he went to the court of the duke of
362:His first works in Rome were a silver
330:, where he became a more accomplished
2106:
2104:
1968:La vita violenta di Benvenuto Cellini
1288:Cellini's life is the subject of the
1187:'s art, on sculpture, and on design.
415:Philibert of Châlon, prince of Orange
268:
7:
2111:Pope-Hennessy, John Wyndham (1985).
2072:http://www.gutenberg.org/ebooks/4028
1401:mentions Cellini's autobiography in
988:during his stay in Paris; a bust of
921:
841:In addition to the bronze statue of
527:Cellini then worked at the court of
2804:16th-century Italian businesspeople
2476:Works by or about Benvenuto Cellini
1941:Schweizer Radio und Fernsehen (SRF)
766:, and has been replaced by a cast.
2398:. New York: Abbeville Press, 1985.
1590:The Young Indiana Jones Chronicles
1314:is a 1934 comedy film directed by
1230:which, in turn, was the basis for
726:, a work (first suggested by Duke
544:Final return to Florence and death
25:
2445:(5th ed.). New York: Dover.
2285:Crowther, Bosley (15 July 1966).
2074:date of request January 6, 2015).
1624:The Concise Columbia Encyclopedia
628:of Florence, founded by the Duke
62:Bust of Benvenuto Cellini on the
27:Florentine sculptor and goldsmith
2809:Material culture of royal courts
2769:16th-century Italian LGBT people
2492:
2344:; Jones, Edward Alfred (1911). "
2328:
2193:Twain, Mark (28 February 2017).
2058:The J. Paul Getty in Los Angeles
1581:(1923) by Australian playwright
1545:Down and Out in Paris and London
1179:("On the Goldsmith's Art", 1811)
700:
684:
672:
626:Accademia delle Arti del Disegno
388:Gonfaloniere Gabbriello Cesarino
378:, which won him the approval of
187:
140:Accademia delle Arti del Disegno
2568:Perseus with the Head of Medusa
2034:James Fenton (4 October 2003).
1611:The Companion Guide to Florence
1577:Full length drama in four acts
1183:Cellini wrote treatises on the
723:Perseus with the Head of Medusa
691:The Nymph of Fontainebleau, by
356:Perseus with the Head of Medusa
310:, Antonio di Sandro, nicknamed
286:Perseus with the Head of Medusa
270:[beɱveˈnuːtotʃelˈliːni]
122:Santissima Annunziata, Florence
2789:16th-century Italian sculptors
2586:Portraits of Benvenuto Cellini
1613:. 5th ed. Harper Collins 1991.
1360:Adventures of Huckleberry Finn
1273:Cellini was the subject of an
1205:Portraits of Benvenuto Cellini
781:Decorative art and portraiture
429:and the Nemean Lion", in gold
302:Benvenuto Cellini was born in
1:
2689:16th-century Italian painters
1092:In literature, music and film
978:Charles V, Holy Roman Emperor
928:at Rome during the papacy of
399:Charles V, Holy Roman Emperor
1405:'s schoolgirl romance novel
1219:L'Orfèvre du roi, ou Ascanio
620:He was also named a member (
403:Charles III, Duke of Bourbon
392:Museo Nazionale del Bargello
2779:Catholic decorative artists
2749:Italian Mannerist sculptors
2491:(public domain audiobooks)
2392:Pope-Hennessy, John Wyndham
2386:El Cristo Blanco de Cellini
1648:"Benvenuto Cellini summary"
1527:The Poellenberg Inheritance
992:; and a silver cup for the
30:For the Berlioz opera, see
2825:
2624:The Magnificent Adventurer
2485:Works by Benvenuto Cellini
2467:Works by Benvenuto Cellini
2426:, Paris, L'Harmattan, 1998
1907:. Oxford University Press.
1202:
1152:, by Robert H.H. Cust and
695:, now in the Louvre (1542)
390:, and which is now in the
326:). From Siena he moved to
36:
29:
2616:The Firebrand of Florence
2342:Rossetti, William Michael
2196:The Prince and the Pauper
1943:(in German). 6 March 2022
1803:Rossetti & Jones 1911
1770:Rossetti & Jones 1911
1688:Rossetti & Jones 1911
1452:on Cellini and his works.
1366:The Prince and the Pauper
1340:The Firebrand of Florence
1295:The Firebrand of Florence
738:, his attempt to surpass
610:Sta cheto, soddomitaccio!
64:
55:
32:Benvenuto Cellini (opera)
2441:Metalwork and Enamelling
2097:Kunsthistorisches Museum
1538:Cellini is mentioned in
881:Kunsthistorisches Museum
655:Château de Fontainebleau
39:Cellini (disambiguation)
2799:16th-century occultists
2714:Italian autobiographers
2408:. London, Sutton, 2004.
2355:Encyclopædia Britannica
2238:Bujold, Lois McMaster,
2090:24 October 2013 at the
1903:Rocke, Michael (1996).
1583:Helen de Guerry Simpson
1491:The Labours of Hercules
1414:In Victor Hugo's novel
1381:compares his character
1075:National Gallery of Art
922:Further Reading section
809:, and a bronze bust of
773:and transferred to the
2794:Italian male sculptors
2739:Italian LGBT sculptors
2704:Painters from Florence
2608:The Affairs of Cellini
2552:Nymph of Fontainebleau
2054:"Satyr (Getty Museum)"
1918:Smalls, James (2012).
1567:How to Steal a Million
1558:Nick Carter-Killmaster
1505:The Girl from Missouri
1311:The Affairs of Cellini
1200:
1191:In the works of others
1180:
1150:John Addington Symonds
1130:
1033:
984:and Mars, created for
961:
838:
824:
794:
789:Cellini's Crucifix at
660:Nymph of Fontainebleau
609:
606:had called out to him
553:
359:
111:Grand Duchy of Tuscany
2759:Artists from Florence
2734:Italian LGBT painters
2694:Italian male painters
2260:Fleming, Ian (1954).
2020:(2012), pp. 214–215 (
1500:Rappaccini's Daughter
1437:Loitering With Intent
1215:Alexandre Dumas, père
1199:Clement VII medallion
1198:
1175:
1154:Sidney J.A. Churchill
1037:Drawings and sketches
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755:Judith and Holofernes
638:Santissima Annunziata
624:) of the prestigious
551:
401:under the command of
353:
2744:LGBT Roman Catholics
2729:Italian silversmiths
2502:on Scultura Italiana
2422:Angela Biancofiore,
2384:López Gajate, Juan.
1747:, Book 1, Ch XXXVIII
1444:Lois McMaster Bujold
1055:Cellini, Benvenuto.
1045:Cellini, Benvenuto.
938:Alessandro de Medici
879:was stolen from the
580:During the war with
92:Republic of Florence
2774:Renaissance artists
2560:Cellini Salt Cellar
2435:"Benvenuto Cellini"
2115:. Abbeville Press.
2015:Bulletin monumental
1878:, Book 2, Ch XXXVII
1831:, Book 1, Ch LXXIII
1772:, pp. 604–605.
1496:Nathaniel Hawthorne
1260:mentions Cellini's
1240:Camille Saint-Saëns
1058:Paint Self-Portrait
994:cardinal of Ferrara
865:Francis I of France
630:Cosimo I de' Medici
439:Francis I of France
407:Constable of France
386:" executed for the
376:bishop of Salamanca
283:, the sculpture of
280:Cellini Salt Cellar
164:Cellini Salt Cellar
2784:Catholic sculptors
2724:Italian medallists
2719:Italian goldsmiths
2346:Cellini, Benvenuto
2291:The New York Times
1922:. Parkstone Press.
1760:, Book 1, Ch XXXIX
1734:, Book 1, Ch XXII.
1455:The American poet
1344:Edwin Justus Mayer
1267:La Peau de chagrin
1264:in his 1831 novel
1201:
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801:for a fountain at
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510:Castel Sant'Angelo
494:Pier Luigi Farnese
488:Ferrara and France
360:
152:, sculptor, author
2666:
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2592:Benvenuto Cellini
2537:Benvenuto Cellini
2500:Benvenuto Cellini
2471:Project Gutenberg
2418:978-3-8031-3678-7
2379:Project Gutenberg
2004:Book II, Ch. LXXI
1983:, Book 2, Ch. III
1888:L. Greci (1930).
1849:Landes Bioscience
1703:, Book 1, Ch XIII
1579:A Man of His Time
1561:series of novels.
1513:The Medusa Amulet
1324:Constance Bennett
1228:Benvenuto Cellini
1217:. His 1843 novel
918:Juan López Gajate
821:Leda and the Swan
693:Benvenuto Cellini
587:Baccio Bandinelli
384:Leda and the Swan
183:Benvenuto Cellini
180:
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50:Benvenuto Cellini
16:(Redirected from
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1316:Gregory La Cava
1275:eponymous opera
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974:Pope Paul III
971:
968:intended for
967:
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932:and later of
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730:) now in the
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65:Ponte Vecchio
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2603:(1890 opera)
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2322:Attribution:
2321:
2320:
2306:
2294:. Retrieved
2290:
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1970:, Bari, 1986
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1966:I. Arnaldi,
1945:. Retrieved
1940:
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1457:Frank Bidart
1447:
1435:
1415:
1406:
1403:Jean Webster
1386:
1370:
1364:
1358:
1339:
1320:Frank Morgan
1309:
1300:Ira Gershwin
1293:
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1232:Louis Gallet
1227:
1224:Paul Meurice
1218:
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1131:
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1117:
1101:
1100:
1062:
1056:
1040:
1014:Papal States
1002:Pope Pius VI
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896:carved from
885:
876:
858:
855:Pietro Bembo
840:
832:
796:
768:
753:
743:
740:Michelangelo
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711:
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621:
619:
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607:
579:
573:
566:
555:
526:
518:diamond dust
491:
443:
430:
419:Sack of Rome
396:
368:candlesticks
361:
354:
346:Work in Rome
301:
284:
278:
182:
181:
162:
158:Notable work
104:(1571-02-13)
43:
2684:1571 deaths
2679:1500 births
2643:(2001 play)
2635:(1990 film)
2627:(1963 film)
2611:(1934 film)
2571:(1545–1554)
2137:Maryon 1971
1570:focuses on
1467:Ian Fleming
1399:Judy Abbott
1168:Other works
1162:Renaissance
1156:(1910), by
1047:Bearded Man
1022:watercolour
998:Clement VII
970:Clement VII
930:Clement VII
890:Kunstkammer
863:) made for
847:Clement VII
791:El Escorial
762:—is in the
482:interregnum
458:arquebusier
433:work, and "
128:Nationality
2673:Categories
2579:Portrayals
2544:Sculptures
1598:References
1478:Goldfinger
1425:Surrealist
1355:Tom Sawyer
1351:Mark Twain
1304:Kurt Weill
1203:See also:
1111:one critic
1020:are three
1010:Napoleon I
952:Lost works
926:papal mint
831:Cellini's
622:Accademico
604:Bandinelli
454:papal mint
340:Torrigiano
109:Florence,
80:1500-11-03
68:, Florence
2555:(c. 1543)
2212:2 October
2180:Macmillan
2121:681620188
1979:Cellini,
1874:Cellini,
1861:Cellini,
1827:Cellini,
1814:Cellini,
1756:Cellini,
1743:Cellini,
1730:Cellini,
1699:Cellini,
1671:Cellini,
1461:Star Dust
1388:Moby-Dick
1292:musical,
1185:goldsmith
1134:Colosseum
1006:goldsmith
986:Francis I
793:Monastery
760:Andromeda
750:Donatello
720:group of
562:goldsmith
529:Francis I
474:cardinals
366:, silver
308:goldsmith
293:Biography
275:goldsmith
175:Mannerism
150:Goldsmith
136:Education
2489:LibriVox
2433:(1971).
2172:(eds.).
2088:Archived
1947:21 April
1657:21 April
1332:Fay Wray
1290:Broadway
1236:libretto
1122:—
946:portrait
934:Paul III
894:crucifix
764:Bargello
736:Florence
663:(Paris,
558:Florence
514:scaffold
498:Florence
478:Paul III
446:Florence
431:repoussé
427:Hercules
423:Florence
374:for the
370:, and a
324:polymath
304:Florence
266:Italian:
171:Movement
88:Florence
2651:Related
2640:Cellini
2600:Ascanio
2478:at the
2406:Cellini
2396:Cellini
2352:(ed.).
2339::
2312:"Trove"
2296:18 July
2113:Cellini
1532:Saliera
1508:(1934).
1427:artist
1393:Perseus
1262:Saliera
1245:Ascanio
1087:, Paris
1070:, Paris
966:chalice
942:Phineus
920:in the
886:Saliera
877:Saliera
860:Saliera
843:Perseus
834:Saliera
807:Jupiter
649:Statues
644:Artwork
596:Medicis
522:Ferrara
411:pontiff
332:cornett
328:Bologna
312:Marcone
131:Italian
18:Cellini
2563:(1543)
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1718:wga.hu
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1258:Balzac
982:Vulcan
910:Madrid
902:Medici
898:marble
869:Vienna
775:Uffizi
771:Loggia
718:bronze
714:statue
665:Louvre
600:Cosimo
569:sodomy
502:Venice
470:notary
466:Naples
450:Mantua
364:casket
316:affray
2002:Vita,
1494:, in
1298:, by
1252:Rolex
1148:, by
908:near
873:Earth
851:Janus
745:David
592:scudi
582:Siena
574:staia
506:tiara
444:From
435:Atlas
320:Siena
298:Youth
2447:ISBN
2414:ISBN
2298:2018
2266:ISBN
2244:ISBN
2214:2021
2201:ISBN
2117:OCLC
1981:Vita
1949:2022
1876:Vita
1863:Vita
1829:Vita
1816:Vita
1758:Vita
1745:Vita
1732:Vita
1701:Vita
1673:Vita
1659:2022
1628:ISBN
1498:'s "
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