540:): "Of the babies among my song-writers, I must mention Ella Overbeck and Sybil Palliser. The former is a curiously-interesting little Norwegian girl, who has a unique talent, and makes use of it in unique fashion. There is a boldness, a carelessness, sometimes an almost Eastern flavouring running through her songs —melodies and harmonies—that seem to me to be quite unlike any other woman I know of. Certainly she is novel, her setting of Kingsley’s “ Slave Girl’s Song ” proves that."
467:: "As to Elizabeth von Overbek (sic), Hippius wrote to V.D. Komarova in 1898 that although Overbek had grown up and lived in England, where her parents had taken her at a young age, she was Russian. Her parents died shortly after their arrival there. A 'proper' Englishwoman, she graduated from the London conservatory, published many of her compositions, and conducted an orchestra."
737:
713:
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133:
were performed with
Overbeck's incidental music at the Alexandrinsky Theatre in Saint Petersburg. Overbeck later returned to Britain, basing herself in South West England. Her orchestral music became a regular feature of Frank Winterbottom's "Symphony Concerts" in Plymouth, including a performance of
106:, as possessing "a unique talent", demonstrated through "a boldness, a carelessness, sometimes an almost Eastern flavouring running through her songs —melodies and harmonies—that seem to me to be quite unlike any other woman I know of."
98:; other early works, such as a violin sonata and various songs, were also positively reviewed by the musical press. A survey of women composers active in 1896 described Overbeck, though a 'baby' song-writer by comparison with the older
452:: " mistakenly claims was of German descent, although it is clear from Hippius's own writings as well as from later British reviews of Overbeck's music that she was Russian. Her title "baroness" is widely acknowledged."
842:
54:
Born in Russia, Overbeck was brought to
England as a young child by her parents, both Russians. Following their deaths, she was adopted by an English woman, and educated at the
847:
628:
792:
777:
423:: "Nina Auerbach, a biographer of the Craigs' mother, Ellen Terry, refers to Overbeck as 'Edy's cross-dressing friend, the Baroness 'Jimmy' Overbeck.'"
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Chanson d'Aspiration. Song of
Aspiration. French words by E. Overbeck ... English words by M. C. Gillington.
717:
55:
121:, but was bisexual, and she and Overbeck began an affair. Overbeck later travelled to join Hippius in
762:
757:
529:
479:
289:
231:
Les
Sanglots longs. With long-drawn Sobs. French words P. Verlaine, English words M. C. Gillington.
71:
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650:"Addition to Cooden Cottage, Cooden Sea Road / Baroness Overbeck / Tubbs, Messer & Poulter"
636:
558:
510:
362:
335:
305:
297:
237:
Peu de Chose. Life's a Bubble. French words L. de
Montenaeken, English words M. C. Gillington.
103:
122:
99:
79:
331:
Wie Mozart in die Kugel kam: Kurioses und Ăśberraschendes aus der Welt der klassischen Musik
632:
147:
135:
114:
113:(a resort in Sicily, and at the time a popular gay tourist destination) was introduced to
506:
Masques, Mayings and Music-dramas: Vaughan
Williams and the Early Twentieth-century Stage
358:
Masques, Mayings and Music-dramas: Vaughan
Williams and the Early Twentieth-century Stage
541:
483:
741:
151:
751:
729:
692:
Die
Familie des Malers Friedrich Overbeck (1789–1869) in genealogischen Übersichten
294:
Die
Familie des Malers Friedrich Overbeck (1789–1869) in genealogischen Übersichten
118:
482:, in a survey of women composers active in 1896, describes Overbeck as Norwegian.
46:) (10 October 1870 – 12 November 1919) was an Anglo-Russian composer and pianist.
554:
Who's Who in Gay and
Lesbian History: From Antiquity to the Mid-Twentieth Century
155:
75:
67:
59:
243:
Butterflies, from J. Davidson's adaptation of F. Coppée's "Pour la Couronne".
265:
216:
The Voice of the Beloved. Poetry ... from Marie Corelli's "Soul of Lilith".
162:
280:„Devoted Attention“: Looking for Lesbian Musicians in Fin-de-Siècle Britain
676:
204:
Since my Love now loves me not. Words by Heine, translated by F. Johnson.
690:
139:
110:
91:
663:
296:. Neustadt an der Aisch 1989, Deutsches Familienarchiv, volume 104,
125:. In the winter of 1902-3 Merezhkovsky's translations of Euripides'
465:
Erotic Utopia: the Decadent Imagination in Russia's Fin de Siecle
406:
Erotic Utopia: the Decadent Imagination in Russia's Fin de Siecle
843:
Emigrants from the Russian Empire to the United Kingdom
78:, and wrote the stage music for Edward's adaptation of
701:
627:. There was a real Baroness Overbeck at that time:
393:...Her title "baroness" is widely acknowledged."
282:, in: Sophie Fuller und Lloyd Whitesell (edit.):
74:, son and daughter of leading British actress
66:in London. In the 1890s she made friends with
94:in 1894. Overbeck's music was praised by the
8:
678:Queer episodes in music and modern identity
608:Queer Episodes in Music and Modern Identity
594:Queer Episodes in Music and Modern Identity
580:Queer Episodes in Music and Modern Identity
450:Queer Episodes in Music and Modern Identity
437:Queer Episodes in Music and Modern Identity
421:Queer Episodes in Music and Modern Identity
383:Queer Episodes in Music and Modern Identity
284:Queer Episodes in Music and Modern Identity
623:16 (1904), p. 375, also discussed in
191:A Slave Girl's Song. Words by C. Kingsley.
286:, Urbana und Chicago 2002, p. 79–101
708:
321:
180:London : R. Cocks & Co, 1894.
7:
848:Alumni of the Royal College of Music
186:I've wept in Dreams. Words by Heine.
793:20th-century German women composers
778:19th-century German women composers
635:(1830-1894) and temporary lover of
175:Eleanore. Song, words by E. Mackay.
117:. Hippius was married to a writer,
334:. Pantheon Verlag. 23 April 2018.
16:Anglo-Russian composer and pianist
14:
629:Romaine von Overbeck, née Goddard
803:German women classical composers
735:
723:
711:
64:Manuel Patricio RodrĂguez GarcĂa
198:Parted. Song, words by T. Hood.
58:. She was piano accompanist to
783:20th-century British composers
768:19th-century British composers
150:she may have based herself in
146:conducted herself. During the
134:her Petersburg stage music in
1:
788:20th-century German composers
773:19th-century German composers
557:. Routledge. 7 October 2020.
84:On ne badine pas avec l'amour
633:Gustav Freiherr von Overbeck
256:Sonate pour piano et violon.
70:(1869-1947) and her brother
838:20th-century women pianists
833:19th-century women pianists
385:: "Pachmuss transliterates
142:on 21 February 1904, which
109:In 1898 Overbeck, visiting
864:
798:German classical composers
258:London: Charles Woolhouse
90:), which was performed in
818:LGBTQ classical composers
534:Modern Women Song Writers
224:London: J. Williams 1903.
828:Women classical pianists
509:. Boydell & Brewer.
361:. Boydell & Brewer.
210:Toi. Old French poetry.
36:Elizabeth von Overbe(c)k
32:Agnes Elisabeth Overbeck
813:British LGBT composers
503:Savage, Roger (2014).
355:Savage, Roger (2014).
218:London: C. Woolhouse,
212:London: C. Woolhouse,
206:London: C. Woolhouse,
200:London: C. Woolhouse,
177:London: C. Woolhouse,
56:Royal College of Music
24:Baroness Ella Overbeck
823:German women pianists
808:German LGBT composers
88:No Trifling with Love
538:The Girl's Own Paper
40:Baroness Jo Overbeck
264:. Premiered at the
262:A Russian Love Song
161:Overbeck died in
144:Baroness Overbeck
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273:Further reading
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148:First World War
136:East Stonehouse
129:and Sophocles'
115:Zinaida Hippius
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50:Life and career
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625:Musical Times
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22:, pseudonym
19:
18:
763:1919 deaths
758:1870 births
695:on WorldCat
681:on WorldCat
165:at age 49.
156:East Sussex
76:Ellen Terry
68:Edith Craig
42:(nicknamed
752:Categories
316:References
127:Hippolytus
60:Clara Butt
664:"Prom 04"
621:The Strad
478:However,
310:0012-1266
266:BBC Proms
163:Stuttgart
493:Ebendort
391:Overbach
387:Overbeck
268:in 1911.
140:Plymouth
131:Antigone
111:Taormina
92:Uxbridge
28:Overbach
742:Germany
704:Portals
30:, also
561:
513:
365:
338:
308:
300:
72:Edward
730:Music
304:, GW
44:Jimmy
38:, or
619:See
559:ISBN
511:ISBN
408::
363:ISBN
336:ISBN
306:ISSN
298:ISBN
169:Work
102:and
86:(as
389:as
247:4.
241:3.
235:2.
229:1.
138:at
82:'s
26:or
754::
532:,
292::
158:.
154:,
34:,
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536:(
519:.
371:.
344:.
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