Knowledge (XXG)

All fourths tuning

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The note layouts on the fretboard of a guitar tuned in perfect 4ths, with arrows that show where the same note continues on a higher-pitched string. All adjacent strings have the same interval and repeat at the 5th fret, unlike standard guitar tuning which has an inconsistency between the 2nd and
410:(in the first or open positions) are generated by two chords, the open F major chord and the D major chord. The regularity of chord-patterns reduces the number of finger positions that need to be memorized. Jazz musician 401:
In all guitar tunings, the higher-octave version of a chord can be found by translating a chord by twelve frets higher along the fretboard. In every regular tuning, for example in all-fourths tuning, chords and intervals can be moved also
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between the other successive strings. The standard tuning's irregular major-third is replaced by a perfect fourth in all-fourths tuning, which has the open notes E2-A2-D3-G3-C4-F4.
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Among all regular tunings, all-fourths tuning E-A-D-G-C-F is the best approximation of standard tuning, which is more popular. All-fourths tuning is traditionally used for the
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Sixty guitar chords for all-fourths tuning: An introductory tutorial about chords on a guitar tuned to all fourths
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plays guitar in all-fourths tuning; he has stated that all-fourths tuning "simplifies the fingerboard, making it logical".
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and Alastair M. Crawford (Fully revised and updated ed.). London and Sydney: Pan Books. pp. 65–160.
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These chord shapes can be moved across the fretboard, unlike the chord shapes of standard tuning.
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Among regular tunings, this all-fourths tuning best approximates the standard tuning.
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Zhille's guitar blog: Perfect fourths (P4) tuning–Basics and examples
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stated that if he were to learn the guitar again he would tune it in all-fourths.
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stated that all-fourths tuning "simplifies the fingerboard, making it logical".
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of one another, and the chords of all-fourth and all-fifths are paired as
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basic library. Hal Leonard Publishing Corporation. pp. 68–76.
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Introduction to All Fourths Tuning + Free PDF Reference Guide
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Difficult to play conventional music, especially barre chords
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Lessons and articles on fourths tuning using Eb-Ab-Db-Gb-B-E
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3rd Millennium Guitar: An Introduction to Perfect 4th Tuning
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r/allfourthstuning sub-reddit for all fourths tuning
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Allan Holdsworth on All-Fourths Tuning – Streamable
211: 175: 170: 158: 150: 139: 129: 117: 112: 104: 94: 82: 74: 69: 34: 358:between the third and second strings—while having 870:All Fourths: A Method For EADGCF Tuning On Guitar 546:, including a revised chapter on regular tunings 52:of all-fourths tuning are spaced apart by five 835:(2006). "Other tunings: Fourths tuning". 637:(1986). "Stanley Jordan". In Casabona, Helen; 1022: 479:, alternative tunings of stringed instruments 443:Regular tunings § Left-handed involution 8: 898:Guitar in fourths: A manual for playing 761:Denyer, Ralph (1992). "Playing the guitar". 600: 598: 518: 516: 514: 1744: 1678: 1593: 1497: 1110: 1105: 1083: 1045: 1029: 1015: 1007: 924:A manual for playing the guitar in fourths 873:. New York: Masaya Music. pp. 1–152. 42: 675:"The Stringed Instrument Database: Index" 447:All-fourths tuning is closely related to 745: 628: 616: 604: 589: 522: 510: 499:commons:Category:Perfect fourths tuning 818:2010 PDF version by Bill Sethares 577: 60:, which lists the twelve notes of the 31: 926:(Catalona Enterprises, pp. 1–64) 838:Guitar tunings: A comprehensive guide 679:stringedinstrumentdatabase.aornis.com 451:. All-fourths tuning is based on the 406:. For all-fourths tuning, all twelve 7: 566: 792:. NewBay Media LLC. Archived from 25: 501:charts and diagrams for P4 tuning 1754: 1753: 1743: 531:(2001). "Regular tunings". 194: 644:New directions in modern guitar 437:Relation with all-fifths tuning 804:– via HighBeam Research. 1: 841:. Routledge. pp. 68–70. 959:Bromley, Keith (May 2013). 544:Alternate tuning guide 1801: 784:Nash, Paul (1 July 1997). 440: 421:; it is also used for the 397:More movable chord-shapes. 381:Open chords for beginners. 1739: 1688: 1677: 1613: 1592: 1514: 1496: 1108: 1104: 1082: 1055: 1044: 323: 311: 299: 283: 271: 259: 247: 235: 223: 202: 193: 41: 814:"Alternate tuning guide" 765:. Special contributors 354:has one irregularity—a 1780:Regular guitar-tunings 534:Alternate tuning guide 398: 390: 382: 371: 78:Perfect-fourths tuning 990:19 April 2015 at the 895:Bianco, Bob (1987) . 396: 388: 380: 368: 143:Closely approximates 58:chromatic circle 1129:(often most popular) 810:Sethares, William A. 352:standard tuning 113:Advanced information 767:Isaac Guillory 763:The guitar handbook 726:fingerprintsweb.net 580:, pp. 158–159) 493:Puerto Rican cuatro 412:Stanley Jordan 350:. In contrast, the 348:regular tuning 336:alternative tunings 171:Associated musician 650:Guitar Player 399: 391: 383: 372: 344:all-fourths tuning 160:Left-handed tuning 18:All-fourths tuning 1767: 1766: 1735: 1734: 1717:Other instruments 1673: 1672: 1628:Augmented fourths 1588: 1587: 1559:Augmented fourths 1492: 1491: 1488: 1487: 1483: 1482: 1078: 1077: 931:Law, Ant (2011). 921:republication of 880:978-0-9998784-0-8 865:Yamaguchi, Masaya 449:all-fifths tuning 408:major chords 332: 331: 273:Augmented fourths 165:All-fifths tuning 119:Other instruments 70:Basic information 16:(Redirected from 1792: 1757: 1756: 1747: 1746: 1727:William Sethares 1679: 1594: 1498: 1456: 1455: 1427: 1426: 1421: 1420: 1415: 1414: 1373: 1372: 1361: 1360: 1342: 1341: 1336: 1335: 1330: 1329: 1318: 1317: 1286: 1285: 1280: 1279: 1268: 1267: 1262: 1261: 1243: 1242: 1237: 1236: 1231: 1230: 1225: 1224: 1213: 1212: 1207: 1206: 1111: 1106: 1097:slack-key guitar 1084: 1046: 1031: 1024: 1017: 1008: 976: 974: 972: 967: 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Retrieved 543: 533: 526: 446: 429: 422: 416: 403: 400: 373: 370:3rd strings. 343: 333: 324: 313:Minor sixths 285:New standard 260: 249:Major thirds 237:Minor thirds 29: 1785:Jazz guitar 1698:Bass guitar 1549:All fourths 1443:-A-D-F♯-A-D 707:16 February 567:Nash (1997) 356:major third 261:All fourths 124:Bass guitar 108:E-A-D-G-C-F 36:All fourths 1774:Categories 1599:Repetitive 1575:All fifths 1435:-G-C-G-C-E 1387:-G-D-G-B-D 1380:-F-C-F-A-C 1349:-C-G-C-E-G 1300:-B-D-G-B-D 1293:-A-C-F-A-C 1250:-E-G-C-E-G 1118:Repetitive 971:9 November 857:0415974410 800:14 October 755:References 660:0881884235 477:Scordatura 461:inversions 404:diagonally 301:All fifths 189:Tom Quayle 140:Advantages 131:Repetition 105:Example(s) 1507:semitones 1402:-C♯-E-A-E 1123:Overtones 1070:Nashville 487:bandurria 217:semitones 177:Guitarist 96:Semitones 54:semitones 1759:Category 1475:-D-G-B-D 1466:-C-F-A-F 1454:♯ 1425:♯ 1419:♯ 1413:♯ 1371:♯ 1368:-E-B-E-G 1359:♯ 1356:-D-A-D-F 1340:♯ 1334:♯ 1328:♯ 1316:♯ 1313:-A-E-A-C 1284:♯ 1278:♯ 1266:♯ 1260:♯ 1241:♯ 1235:♯ 1229:♯ 1223:♯ 1211:♯ 1205:♯ 1060:Standard 988:Archived 917:16526869 867:(2018). 812:(2011). 641:(eds.). 471:See also 338:for the 84:Interval 1618:Trivial 1606:pitches 1503:Regular 1050:General 225:Trivial 75:Aliases 56:on the 1571:(7, 3) 1519:Unison 1451:-B-E-G 1281:-B-E-G 1263:-A-D-F 1208:-E-A-C 1114:Tuning 1065:DADGAD 941:  915:  905:  877:  855:  845:  823:19 May 773:  731:31 May 684:26 May 657:  551:19 May 340:guitar 334:Among 62:octave 1186:Open 1178:Open 1170:Open 1162:Open 1154:Open 1146:Open 1138:Open 1127:Other 1093:Slide 966:(PDF) 542:2010 538:(PDF) 506:Notes 346:is a 1749:List 1693:Terz 1603:open 1457:-B-E 1422:-B-D 1416:-B-F 1331:-B-D 1325:-B-F 1232:-B-D 1095:and 1089:Open 973:2013 939:ISBN 913:OCLC 903:ISBN 875:ISBN 853:LCCN 843:ISBN 825:2012 802:2012 771:ISBN 733:2022 709:2018 686:2023 655:ISBN 553:2012 485:and 483:Laúd 1656:(3) 1650:(3) 1776:: 1711:E9 1709:, 1707:C6 1471:D- 1462:C- 1410:-F 1398:E- 1374:-B 1362:-A 1337:-F 1319:-E 1287:-B 1275:-G 1269:-A 1257:-F 1238:-F 1226:-F 1220:-D 1214:-E 1202:-C 911:. 851:. 788:. 724:. 677:. 647:. 597:^ 513:^ 427:. 342:, 291:, 135:No 1713:) 1705:( 1666:) 1664:4 1662:( 1644:) 1642:3 1640:( 1634:) 1632:2 1630:( 1624:) 1622:1 1620:( 1608:) 1601:( 1581:) 1579:7 1577:( 1565:) 1563:6 1561:( 1555:) 1553:5 1551:( 1545:) 1543:4 1541:( 1535:) 1533:3 1531:( 1525:) 1523:0 1521:( 1509:) 1505:( 1473:G 1464:F 1449:E 1441:D 1433:C 1408:B 1400:A 1385:G 1378:F 1366:E 1354:D 1347:C 1323:B 1311:A 1298:G 1291:F 1273:E 1255:D 1248:C 1218:B 1200:A 1188:G 1180:F 1172:E 1164:D 1156:C 1148:B 1140:A 1099:) 1091:( 1030:e 1023:t 1016:v 975:. 947:. 919:. 883:. 859:. 827:. 779:. 735:. 688:. 663:. 555:. 319:) 317:8 315:( 307:) 305:7 303:( 295:) 293:3 289:7 287:( 279:) 277:6 275:( 267:) 265:5 263:( 255:) 253:4 251:( 243:) 241:3 239:( 231:) 229:0 227:( 219:) 215:( 100:5 64:. 20:)

Index

All-fourths tuning

open notes
semitones
chromatic circle
octave
Interval
Perfect fourth
Semitones
Other instruments
Bass guitar
Repetition
standard tuning
Left-handed tuning
All-fifths tuning
Guitarist
Stanley Jordan
Alex Hutchings
Stanley Jordan plays guitar.
Stanley Jordan
Regular tunings
semitones
Trivial
0
Minor thirds
3
Major thirds
4
All fourths
5

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