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dry-witted, highly intelligent observer of the world around her, mildly dismissive of, even jaded by, her showbiz past (but not entirely disdainful of it). She recounts with equal detachment the heady days of celebrity and the sordid backstage cruelties—including bouts of unexpected violence—as she muses on the nature of stardom and its many pitfalls, which entrap the worshipper as much as the worshipped. But her residual fame proves a gruesome and unwanted relic as it serves to tie her, through her fans, to an unforeseen encounter with evil.
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In Burn's novel, however, Alma Cogan does not die in 1966, but retires from show business sometime thereafter to a quiet solitude near the
English seashore, living neither in luxury nor poverty. In contrast to Cogan's bubbly public persona, Burn's Alma, who narrates the book from 1986, is an arch,
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was a well-known
British light pop singer of the 1950s and early 1960s, known as "The Girl with the Giggle in Her Voice." A friend of the
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in 1991. In the UK it was published in 1991 with the title
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
