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cultural politics. Stapenhorst was happy about the advertisement, but he also feared the power of the church. Our task now was to dramatize the magically demonic element in the sex and horror material in a
Catholic affirmative....It was really an ordeal, I think we wrote 16 versions of the script and changed it until the shoot. Now Stapenhorst, who was an old professional, had once had a blackout and Stroheim had the right to write his own dialogues. And Stroheim, who used to be a great director, now saw himself as a writer and came every morning with four pages of new text and from the well-behaved version that we had struggled to find, again and again made Stroheim a sharp horror film. But the audience didn't want horror, the war was still deep in everyone's bones. And the church didn't want sex..."
306:) arrives at his uncle's estate, Jacob ten Brinken, to ask for a loan. Braun becomes interested in Alraune, who is now a beautiful young woman. They quickly profess their love and desire to be together. Alraune announces she is leaving her father Jacob ten Brinken to live with Frank Braun in Paris. When Ten Brinken informs Frank about Alraune's ability to "lure men to their demise", Frank is horrified and leaves for Paris without Alraune. Devastated and betrayed, she begins to show more signs of lacking any soul or morality. She suggests to ten Brinken to buy acres of land, but upon arriving they learn that the property includes a potentially valuable sulfur spring.
471:. While the book stays relatively faithful to the book, unlike the 1928 film, there is a shot in the film which depicts Alraune's wide eyed face fades out of focus into the grotesque version of a mandrake. The plant is deeply-rooted in German literature and folklore. The plant is believed to bring good fortune and solidarity while also bring death and destroying all who curate it. The film seems to suggest that when humanity forgets its place in the natural order, it is destined to be eradicated. Set Decoration was done by
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is false. Seeing that she can evoke emotions and is not as "soulless" as he was led to believe, he takes her back and they plan to elope. Alraune tells ten
Brinken about their plans, but he refuses to let her go, his reasoning being that she will destroy him and herself, just as she did with the other men.
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In an
Interview given back in February 1989 he stated how his involvement begin with "Carlton was Stapenhorst, and then there was an Austrian producer who made his money primarily from petrol stations and was a very stubborn, mindless, peasant person. He had a contract with Knef and, according to his
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Frank carries
Alraune back to the estate; when they arrive, ten Brinken is convinced that she will leave him for Frank. He then pulls out his gun and shoots her, "Now the toy is broken-the crime against nature that God didn't want." Alraune dies, dissolving into a mandrake root body, with the seed of
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cut a swatch in the German-language world the very thought of artificial insemination of humans was mentionable only in whispers." and that "times and sensations change." The review opined that Knef's acting had "limited range" and that von
Stroheim produces "only a laboured setting for a range of
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while Gerald is killed by Dr. Mohn. With no man seemingly able to make her happy, Alraune questions her own morality and feelings for Frank. She begs Frank for help, even going as far as to cry real tears. Frank, taken aback by this, realizes that everything he was told about this "unnatural being"
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Alraune then begins using her sexual appeal to flirt with men that have fallen for her. She goes horseback riding with Gerald during a rainstorm, carriage riding with
Mathieu, ten Brinken's coachman, and poses for Ralph to paint her. When one of Alraune's necklaces winds up missing, she accuses her
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Dennis
Schwartz "It's a hokum sci-fi film that only resonates because Von Stroheim is at his Prussian best as a man possessed by his incestuous love for his foster daughter and arrogant about his superior intellect. Von Stroheim's a treat to watch, but it's still a dull visual film that never made
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Days later, the sulfur spring has run dry and Dr. Mohn is threatening to expose ten
Brinken for his illegal experiments. He plans to run away with Alraune to Germany with the money left over from the land purchase. Alraune is convinced that she is nothing but "the bringer of destruction" as she is
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At the time the cast was considered to be 'All-star", even more so as Eric von
Strohiem was respectfully known as "one of the great silent film director", who had all but retired from acting by the time Alraune was to begin filming. Hildegard Knef had also achieved fame in both her native country
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Even from its earliest stage, Alraune was stirring controversy Just the announcement "Erich von
Stroheim and Hildegard Knef in Alraune" led to a scandal. The church pulpits were spoken against the film, against the topic of artificial insemination; at that time the church had a great influence on
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the direct result of a cruel experiment concocted by her ungodly father, heightened by the evil thoughts of her biological parents. Frank convinces her that both good and evil are always present in each individual, regardless of circumstances, and that the good in her can prevail over the evil.
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Michael Den Boer writes that "Though this film has a Gothic Horror vibe, it's far-fetched premise ventures into the realm of science fiction. With that being said, there is one area where this film does not fully deliver in regards to its most unusual premise. And that is how the film does not
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Months later, Frank returns from Paris, having completed his studies. Alraune still proclaims her love for him, though Frank resents her. Alraune, now distraught by this begins unleashing her "true nature of evil". Mathieu's carriage falls over a cliff, Ralph gets sick and dies from
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which has long been believed to no longer exist in studio archives. The second adaptation came shortly after which, despite the title, has very little to no connection to the novel other than the Mandrake root. A third adaptation was then released a decade later with
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In regards to von Stroheim's performance, Kirkus Reviews wrote, "A magisterial, crazily comprehensive biographical study of the original renegade director" while Times Literary Supplement wrote " A monument to the awful Good Old Days of an infant Hollywood"
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wrote, "if you like this sort of thing you'll find it a superior product. Heinrich Galeen has directed with photographic imagination—no question that the picture has atmosphere". In 1995 a character named "Professor Ten Brincken", in
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was released in Germany on 23 October 1952 where it was distributed by Gloria-Filmverleih. In 1957 Hal Roach Junior's, Distributors Corporation of America released
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exploit the more salacious aspects of its premise and how the narrative resembles something more akin to what one would expect from a melodrama".
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is the 'mad scientist' who creates Alraune. A black and white miniseries of comics books was released between 1998 and 2004:
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idea, Knef should be the Mandrake after the sinner (1951) and Erich von Stroheim the genius-crazy scientist."
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It Came From 1957: a Critical Guide to the Year's Science Fiction, Fantasy and Horror Films
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It Came from 1957: A Critical Guide to the Year's Science Fiction, Fantasy and Horror Films
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Bergfelder, Tim; Carter, Erica; Göktürk, Deniz; Sandberg, Claudia (20 February 2020).
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good use of its unusual premise and was never emotionally satisfying as a drama."
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287:) loses his university teaching role due to his abnormal interest in studying
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Germany and international fame. Robert Craig would later write in his book,
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A number of films and other works are based on or inspired by the novel
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her true nature finally destroyed. Ten Brinken is arrested and then
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costumes changes and phony thunderstorms for the lethal Alraune".
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is the fifth adaptation of Ewers' book, the first being the
552:. In comparison to the film in 1928, C. Hooper Trask of
1000:"UNNATURAL…THE FRUIT OF EVIL – Dennis Schwartz Reviews"
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The Encyclopedia of Fantastic Film: Ali Baba to Zombies
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Alraune, die Henkerstochter, genannt die rote Hanne
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978:. University Press of Kentucky. p. 453.
745:. Jefferson, North Carolina. pp. 50–52.
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588:noted that "in the early 1900s, when the
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818:. Hal Leonard Corporation. p. 14.
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1051:. Garland Publishing Inc. p. 93.
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1806:Films scored by Werner R. Heymann
1622:As Long as There Are Pretty Girls
310:teacher, Mademoiselle Duvaliere (
1682:A Woman Who Knows What She Wants
1027:Science Fiction Film Source Book
739:Craig, Rob (21 September 2013).
370:, as Count "Gerald" Geroldingen
339:for the murder of "his child".
1652:The Marriage of Doctor Danwitz
1:
1672:That Won't Keep a Sailor Down
302:Medical student Frank Braun (
283:Professor Jacob ten Brinken (
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1522:We're Dancing on the Rainbow
1045:Willis, Donald, ed. (1985).
516:Unnatural: The Fruit of Evil
238:Unnatural: The Fruit of Evil
1761:1950s German-language films
539:silent version directed by
475:with the costume design by
412:, as Mademoiselle Duvaliere
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582:In a contemporary review,
388:, as Mathieu, the coachman
1642:Between Time and Eternity
1462:The Woman from Last Night
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873:. Bloomsbury Publishing.
187:23 October 1952
159:Deutsche Styria-Film GmbH
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1612:Love Is Just a Fairytale
1335:Achtung! Feind hört mit!
1285:The Love of the Maharaja
1024:Wingrove, David (1985).
974:Lenning, Arthur (2003).
1781:Remakes of German films
1512:The Forester's Daughter
636:Artificial insemination
289:artificial insemination
174:Gloria-Filmverleih GmbH
1791:Films set in the 1900s
1771:Films based on Alraune
1632:Operation Sleeping Bag
1542:The Mistress of Treves
1315:Midsummer Night's Fire
870:The German Cinema Book
489:Werner Richard Heymann
467:, which is German for
400:, as Fürstin Wolkonska
394:, as Lisbeth, the maid
358:, as Jacob ten Brinken
142:Werner Richard Heymann
1552:The Immortal Vagabond
1265:What Am I Without You
1252:Arthur Maria Rabenalt
812:Young, R. G. (2000).
251:Arthur Maria Rabenalt
48:Arthur Maria Rabenalt
16:1952 West German film
1786:Erotic fantasy films
1751:German fantasy films
566:The Bloody Red Baron
1712:Big Request Concert
1502:The White Adventure
844:Sudendorf, Werner.
631:Alraune (1930 film)
626:Alraune (1928 film)
621:Alraune (1918 film)
546:Alraune (1928 film)
406:, as Olga Wolkonska
267:by German novelist
85:Günther Stapenhorst
1801:1950s German films
1492:Wedding in the Hay
1452:Nights on the Nile
1412:Chemistry and Love
1352:Riding for Germany
1305:Escape in the Dark
1250:Films directed by
963:– via ICPSR.
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952:The New York Times
555:The New York Times
477:Herbrert Ploberger
356:Erich von Stroheim
285:Erich von Stroheim
259:Erich von Stroheim
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1058:978-0-8240-6263-7
1037:978-0-582-89310-8
905:978-0-226-31765-6
880:978-1-911239-42-0
825:978-1-55783-269-6
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656:Cinema of Germany
563:'s vampire novel
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269:Hanns Heinz Ewers
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204:Running time
180:Release date
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1382:Circus Renz
1338: [
898:. Chicago.
848:(in German)
793:Willis 1985
707:18 February
590:H. H. Ewers
522:Adaptations
433:Development
368:Harry Meyen
81:Produced by
67:The novel,
58:Kurt Heuser
44:Directed by
1736:1952 films
1730:Categories
1402:Life Calls
667:References
561:Kim Newman
469:mandragora
428:Production
416:Arno Ebert
386:Hans Cossy
380:Harry Halm
316:Harry Halm
208:92 minutes
191:1952-10-23
149:Production
922:cite book
914:920017457
769:cite book
761:858861234
698:"Alraune"
578:Reception
324:pneumonia
151:companies
128:Edited by
1562:Lavender
1005:30 April
976:Stroheim
615:See also
528:Alraune.
465:Mandrake
273:morality
221:Language
138:Music by
92:Starring
64:Based on
1532:Alraune
1442:Martina
1207:Alraune
1199:Alraune
1191:Alraune
1175:Alraune
1156:Alraune
1141:Alraune
1096:Alraune
1085:Alraune
1074:Alraune
595:Alraune
585:Variety
572:Alraune
512:Alraune
508:Alraune
503:Release
446:Casting
264:Alraune
232:Alraune
213:Country
189: (
70:Alraune
37:Alraune
24:Alraune
1715:(1960)
1705:(1959)
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337:hanged
224:German
1342:]
1275:Pappi
1167:Films
1148:Novel
852:1 May
483:Music
73:, by
1079:IMDb
1053:ISBN
1032:ISBN
1007:2020
980:ISBN
936:link
932:link
928:link
910:OCLC
900:ISBN
875:ISBN
854:2020
820:ISBN
775:link
757:OCLC
747:ISBN
709:2017
537:1918
343:Cast
279:Plot
257:and
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1088:at
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957:doi
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193:)
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