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Archival materials of the AMA belong to the fonds 21081 Breitkopf & Härtel, Leipzig, in the Sächsisches
Staatsarchiv, Staatsarchiv Leipzig, first of all engraver's models and proof prints, partly correspondence with editors.
75:(thematic catalog) of Mozart's works. From behind the scenes, Köchel worked to have the edition completed, lending valuable scores to the publisher and editors for their work. Among those involved in the actual editing were
139:, rediscovered in 1981), as well as a number of works once incorrectly attributed to Mozart which are now known to be doubtful or spurious (for instance, the piece published in AMA as Mozart's
124:
was particularly severe on what he called the "astonishing frivolity and often complete irresponsibility" of the editors of this edition (specifically with regard to the handling of Mozart's
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There are also certain authentic works of Mozart that were never published in this edition, some because they were not discovered until well after its completion (for instance, the
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and other firms that specialize in republishing older editions. Parts of this edition are also sometimes encountered in electronic format from various websites that offer online
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Therefore, the AMA is no longer regarded as the definitive edition of Mozart's works, and it has been supplanted in this regard by the
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50:(abbreviated "AMA") is actually a modern invention to distinguish the edition from the second Mozart complete works edition, the
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for serious study of the composer's output. However, reprints of portions of the AMA remain widely available from
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remarks that it "varies greatly in dependability, with some volumes remarkably trustworthy, others far less so".
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of Mozart's works and the practical editions based on it offer no more than the skeleton of his compositions."
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Friedrich Blume, "The
Concertos: (1) Their Sources," in H.C. Robbins Landon and Donald Mitchell, eds.,
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While a notable achievement for its time, the AMA suffered from serious limitations.
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from
January 1877 to December 1883, with supplements published until 1910. The name
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Trans. Arthur Mendel and Nathan Broder. (London: Oxford
University Press, 1945.)
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58:
Wolfgang
Amadeus Mozarts Werke. Kritisch durchgesehene Gesammtausgabe.
16:
296:
Dynamic scores of the Alte Mozart-Ausgabe piano sonatas, volume 20
56:; the publication title of Breitkopf & Härtel's edition was
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is the name by which the first complete edition of the music of
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expressed dissatisfaction with its presentation of Mozart's
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The Mozart
Compendium: A Guide to Mozart's Life and Music.
184:, "Collected Editions," in H.C. Robbins Landon, ed.,
214:(Princeton, NJ: Princeton University Press, 1986.)
292:scanned from volume 20 of the Alte Mozart-Ausgabe.
60:(It is therefore sometimes referred to as the "
298:(interactive score) on Verovio Humdrum Viewer
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212:Ornamentation and Improvisation in Mozart.
312:Collected editions of classical composers
67:One of the guiding lights of the AMA was
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279:. Pp. 193, 197 (Mozart work list).
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71:, compiler of the still-standard
42:, is known. It was published by
231:Mozart: His Character, His Work.
141:Symphony No. 2 in B flat, K. 17
1:
188:(NY: Schirmer Books, 1990.)
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143:, now considered to be by
95:(the noted biographer of
24:showing a portion of the
69:Ludwig Ritter von Köchel
26:Clarinet Quintet, K. 581
128:), asserting that "the
40:Wolfgang Amadeus Mozart
44:Breitkopf & Härtel
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250:The Mozart Companion.
137:Symphony in F, K. 19a
112:"Coronation" Concerto
97:Johann Sebastian Bach
62:Mozart Gesammtausgabe
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271:(NY: Norton, 1983).
269:The New Grove Mozart
252:(NY: Norton, 1956.)
22:Alte Mozart-Ausgabe,
210:Frederick Neumann,
153:Neue Mozart-Ausgabe
53:Neue Mozart-Ausgabe
48:Alte Mozart-Ausgabe
35:Alte Mozart-Ausgabe
158:Dover Publications
117:Marriage of Figaro
73:Köchel-Verzeichnis
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229:Alfred Einstein,
130:Collected Edition
104:Frederick Neumann
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108:Alfred Einstein
77:Johannes Brahms
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162:sheet music
172:References
260:. P. 231.
241:. P. 314.
196:. P. 427.
306:Category
222:. P. ix.
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190:ISBN
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114:and
64:".)
32:The
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