Knowledge (XXG)

Artistic language

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perhaps as an attempt to create a language with an extreme phonemic inventory or system of verbs. Personal languages tend to have short lifespans, and are often displayed on the Internet and discussed on message boards much like Internet-based fictional languages. They are often invented in large numbers by the people who design these languages. However, a few personal languages are used extensively and long-term by their creators (e.g., for writing
330:(sometimes also referred to as "professional artlangs"). Fictional languages are intended to be the languages of a fictional world, and are often designed with the intent of giving more depth and an appearance of plausibility to the fictional worlds with which they are associated, and to have their characters communicate in a fashion which is both alien and dislocated. By analogy with the word "conlang", the term 77: 179: 36: 822:, spoken on an archipelago in the mid-Atlantic, somewhat south of the Azores and northwest of Madeira. The liturgical language has a number of _very_ exotic sounds, partly to indicate that it is not the normal language of the street (these sounds include several velaric egressive sounds, ie reverse clicks; one or two apicovelars; nareal fricatives; and a few others). 508:. Having the citizens learn the language is as much a part of participating in the micronation as minting coins and stamps or participating in government. The members of these micronations meet up and speak the language they have learned when they are participating in these meets. They coin new words and grammatical constructions when needed. 527:
are ultimately created for one's own edification. The creator does not expect anyone to speak it; the language exists as a work of art. A personal language may be invented for the purpose of having a beautiful language, for self-expression, as an exercise in understanding linguistic principles, or
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The idea was for "functionlang" to be a useful term to describe a certain group of conlangs that weren't fitting into the pattern. Those being the (relatively rare) conlangs that were not artlangs, logiclangs, or auxlangs, but instead designed around some *other* specified
415:, speculate on an alternate history and try to reconstruct how a family of natural languages would have evolved if things had been different, e.g.: What if Greek civilization had gone on to thrive without a Roman Empire, leaving 1710: 773: 802: 308:
Several different genres of constructed languages are classified as 'artistic'. An artistic language may fall into any one of the following groups, depending on the aim of its use. Similarly to
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evolved is then traced step by step in its evolution, to reach its modern form. An altlang will typically base itself on the core vocabulary of one language and the phonology of another.
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are those languages created for use in books, movies, television shows, video games, comics, toys, and songs. Prominent examples of works featuring fictional languages include the
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designed for aesthetic and phonetic pleasure. Constructed languages can be artistic to the extent that artists use it as a source of creativity in art, poetry, calligraphy or as a
540:) thus: "a private pact negotiated between the world at large and the world within me; public words simply could not guarantee me the private expression I sought." The author 876:, kunstenaar (the '(un)power' of language. About artist Patrick Keulemans), text for the art exhibition 'unwritten & written', Kunst, Beeldende kunst, 20 August 2014. 269:
to address themes such as cultural diversity and the vulnerability of the individual in a globalizing world. They can also be used to test linguistical theories, such as
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are hosted along with their "conworlds" on the Internet, and based at these sites, becoming known to the world through the sites' visitors. An example is
300:. Others can represent fictional languages in a world not patently different from the real world, or have no particular fictional background attached. 1824: 1014: 2104: 2063: 1102: 2109: 2124: 2094: 1239: 1177: 94: 49: 2114: 2070: 970: 887: 240: 222: 160: 63: 189: 1336: 1286: 742: 281: 141: 1844: 606:– constructed from international words inflected to sound like Swedish jargon, in order to improve malplacedness and ambiguity 113: 1232: 1129: 98: 2142: 732: 704: 120: 2137: 987: 463: 2168: 1516: 687: 582:
is sometimes applied to conlangs created as jokes. These may be languages intended primarily to sound funny, such as
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describes the origins of his personal language K: "I wanted words that described reality. So I made them up."
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is an Australian publication that explores artistic writing systems, at least some of which are
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Gulevache – a fictional joke romance language created by the Argentinian comedy-musical group
533: 509: 1042:"Still Hoping: The Relation of International Auxiliary Languages to Worldview and Perception" 1950: 1909: 1899: 1789: 1769: 1690: 1678: 1564: 1481: 1308: 1045: 682:; however, languages have been constructed to explore other aspects of language as well. In 435: 397: 293: 2056: 1804: 1784: 1683: 1461: 1078: 1019: 974: 951: 752: 683: 289: 1182: 962: 859:
with the many vowel sounds of English, or the consonant clusters of Russian and English.
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The aim of such languages is to express deep meaning with very few parts. For instance,
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language whose writing system is made up entirely of punctuation marks and whose
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Unwinese – the nonsensical but structured alternative English, also known as
284:, artistic languages often have irregular grammar systems, much like natural 1884: 1871: 1754: 1720: 1569: 1366: 1049: 597: 553: 431: 393: 355: 1799: 1152: 1041: 913: 1945: 1861: 1839: 1819: 1779: 1774: 1673: 1618: 1584: 1554: 1511: 1506: 1491: 1371: 1213: 872: 490: 365: 332: 285: 266: 1224: 2025: 1970: 1889: 1866: 1814: 1668: 1601: 1559: 988:"What happened when I tried to learn Toki Pona in 48 hours using memes" 614: 557: 513: 360: 2020: 1856: 1834: 1809: 1759: 1705: 1695: 1496: 1456: 944: 587: 486: 637:
but named by its creator Basic Engly Twentyfimode, used by comedian
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is generally said to have around 120, 123, or 125 root words and 14
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Wikis on or about constructed languages and artistic languages
678:. Most such languages are concerned with the relation between 371: 172: 70: 29: 1221:– a database of language- and linguistic-related information 1210:– a wiki devoted to the topics of ConLangs and ConCultures. 590:, often as satire on some aspect of constructed languages. 564:
for the purpose of simplifying thoughts and communication.
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to develop several modern descendants? The language that
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is used to describe these worlds, inhabited by fictional
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Although technically a professional fictional language,
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There are two major categories of fictional languages.
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La Ricerca della Lingua Perfetta nella Cultura Europea
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Originally 118 roots, with several roots added later.
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designed for the purpose of exploring some theory of
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is an attempt an reconstructing an earlier stage of
2087: 2036: 1988: 1928: 1729: 1644: 1545: 1335: 1324: 1262: 855:with tones, in much the same way I'm opposed to an 481:, before the appearance of characteristics such as 101:. Unsourced material may be challenged and removed. 1130:"How to Say Everything in a Hundred-Word Language" 647:, incrementing numbers embedded in words, e.g., 600:– an unstructured mixture of European languages 1240: 873:De (on)macht van taal. Over Patrick Keulemans 643:Inflationary Language – invented by comedian 8: 430:The best-known language of this category is 288:. Many are designed within the context of 64:Learn how and when to remove these messages 1332: 1247: 1233: 1225: 27:Language constructed for aesthetic reasons 326:By far the largest group of artlangs are 241:Learn how and when to remove this message 223:Learn how and when to remove this message 161:Learn how and when to remove this message 774:"Proposal: new language-type name (fwd)" 2064:Conlanging: The Art of Crafting Tongues 764: 617:inventory is made up entirely of vowels 1074: 1063: 803:"Help with phonological transcription" 690:. Artlangs of this type overlap with 504:are the languages created for use in 442:, and bases its phonology on that of 7: 1197:, not representing specific meaning. 986:Bramley, Ellie Violet (2015-01-08). 532:). Javant Biarujia, the creator of 400:'s Verduria on the planet of Almea. 99:adding citations to reliable sources 609:Oou – a deliberately ambiguous and 390:Internet-based fictional languages 25: 2071:In the Land of Invented Languages 45:This article has multiple issues. 743:International auxiliary language 347:Professional fictional languages 177: 75: 34: 1178:A Constructed Languages Library 1101:Roberts, Siobhan (2007-07-09). 548:Languages with small vocabulary 458:spoken by the Winkies of Oz in 382:, and songs of the French band 86:needs additional citations for 53:or discuss these issues on the 1183:Audience, Uglossia and CONLANG 886:Zorine Te (January 26, 2016). 698:Examples of artistic languages 670:An experimental language is a 1: 2143:List of constructed languages 1040:Zorrilla, Natalia C. (2018). 1013:Griffin, Sarah (2018-08-18). 733:Esoteric programming language 705:list of constructed languages 620:DiLingo – a rhyming language 593:Some typical jokelangs are: 778:alt.language.artificial.ngl 203:the claims made and adding 2185: 1153:DiLingo - official website 834:May, Rex F. (2000-03-15). 801:Roser, Paul (1998-01-08). 772:Durst, Jack (1997-11-18). 663: 571: 319: 2148:List of language creators 2133: 1128:Morin, Roc (2015-07-15). 807:list.sci.lang.constructed 473:, used in the video game 446:. An earlier instance is 1168:The CONLANG Mailing List 512:, from R. Ben Madison's 2120:Interlingue/Interlingua 1287:International auxiliary 502:Micronational languages 497:Micronational languages 310:philosophical languages 1825:Middle-earth languages 1214:Conlang wiki at Fandom 1073:Cite journal requires 950:July 31, 2005, at the 914:"It's Good to Be King" 688:Sapir–Whorf hypothesis 666:Experimental languages 660:Experimental languages 586:, or for some type of 386:, singing in Kobaïan. 2100:Esperanto/Interlingua 2001:Esperanto orthography 1580:Pan-Germanic language 1362:Communicationssprache 1256:Constructed languages 1060:– via SocArXiv. 1050:10.31235/osf.io/sj24a 973:May 27, 2006, at the 840:soc.culture.esperanto 629:Cardoso en Gulevandia 462:. Another example is 409:Alternative languages 404:Alternative languages 271:Linguistic relativity 1592:Pan-Romance language 1467:Latino sine flexione 969:, 19 December 1998 836:"Question about LSD" 723:Constructed language 692:engineered languages 680:language and thought 672:constructed language 454:, a relative of the 338:constructed cultures 278:engineered languages 263:constructed language 95:improve this article 18:Alternative language 1609:Pan-Slavic language 963:"The Language of K" 945:Taneraic on the Web 728:Engineered language 479:Proto-Indo-European 460:A Barnstormer in Oz 328:fictional languages 316:Fictional languages 282:auxiliary languages 110:"Artistic language" 2169:Artistic languages 1996:Constructed script 1472:Lingua Franca Nova 1452:International Sign 1185:by Sarah L. Higley 1108:The Globe and Mail 870:(nl) Lies Daenen, 851:I'm opposed to an 525:Personal languages 520:Personal languages 514:Kingdom of Talossa 456:Germanic languages 448:Philip José Farmer 396:, the language of 322:Fictional language 188:possibly contains 2156: 2155: 2011:Tolkien's scripts 1984: 1983: 1701:Logopandecteision 1664:Dutton Speedwords 1597:Neolatino Romance 1477:Lingwa de planeta 753:Mystical language 538:hermetic language 493:, to name a few. 255:artistic language 251: 250: 243: 233: 232: 225: 190:original research 171: 170: 163: 145: 68: 16:(Redirected from 2176: 2105:Esperanto/Novial 1929:Ritual and other 1770:Elvish languages 1691:Lingua generalis 1679:Astrolinguistics 1333: 1249: 1242: 1235: 1226: 1155: 1150: 1144: 1143: 1141: 1140: 1125: 1119: 1118: 1116: 1115: 1098: 1092: 1089: 1083: 1082: 1076: 1071: 1069: 1061: 1037: 1031: 1030: 1028: 1027: 1010: 1004: 1003: 1001: 1000: 983: 977: 960: 954: 942: 936: 935: 933: 932: 909: 903: 902: 900: 898: 883: 877: 868: 862: 861: 848: 847: 831: 825: 824: 815: 814: 798: 792: 791: 785: 784: 769: 398:Mark Rosenfelder 294:J. 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Tolkien 290:fictional worlds 246: 239: 228: 221: 217: 214: 208: 205:inline citations 181: 180: 173: 166: 159: 155: 152: 146: 144: 103: 79: 71: 60: 38: 37: 30: 21: 2184: 2183: 2179: 2178: 2177: 2175: 2174: 2173: 2159: 2158: 2157: 2152: 2129: 2110:Ido/Interlingua 2083: 2057:Bridge of Words 2032: 1980: 1924: 1734: 1725: 1640: 1541: 1462:Langue nouvelle 1338: 1328: 1326: 1320: 1258: 1253: 1204: 1190:Asemic Magazine 1164: 1159: 1158: 1151: 1147: 1138: 1136: 1127: 1126: 1122: 1113: 1111: 1100: 1099: 1095: 1090: 1086: 1072: 1062: 1039: 1038: 1034: 1025: 1023: 1020:The Irish Times 1012: 1011: 1007: 998: 996: 985: 984: 980: 975:Wayback Machine 961: 957: 952:Wayback Machine 943: 939: 930: 928: 911: 910: 906: 896: 894: 885: 884: 880: 869: 865: 845: 843: 833: 832: 828: 812: 810: 800: 799: 795: 782: 780: 771: 770: 766: 761: 714: 700: 684:science fiction 668: 662: 651:("create") and 576: 570: 550: 522: 499: 452:Winkie language 406: 324: 318: 306: 247: 236: 235: 234: 229: 218: 212: 209: 194: 182: 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