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Amanda McDonald Crowley

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in Omaha, Nebraska. In addition to long-term positions such as the one with Eyebeam, she has done shorter curatorial residencies around the world, including at the Banff Center for the Arts (Canada), Bogliasco Foundation (Italy), Helsinki International Artists Program (Finland), Santa Fe Art
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Since the early 2000s, Crowley has become known for curating and organizing international new media and contemporary art events. Key themes in her curatorial work have been food and sustainability. In 2002, she was associate director of the
134:, for which she also co-chaired the working group that curated an affiliated exhibition and symposium entitled "conVerge: where art and science meet." In 2004, she went on to serve as the executive producer for 126:(ANAT), where she developed residencies for artists in settings ranging from contemporary art spaces to science organizations. She also organized virtual residencies and master classes for artists and curators. 146:
in New York City, a position she held until 2011. Crowley is credited with returning Eyebeam to its roots as an experimental workspace for artists and fostering its growing community of artists.
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Crowley is a board member of NAMAC (National Alliance for Media Art + Culture). She has also been a board advisor of the Seattle art space AKTIONSART since its inception in 2014.
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Crowley has a B.A. from Australian National University, where she did a double major in Fine Arts and German.
869: 203:"GastroLabs" (2014), a program series developed with New Media Scotland for the Edinburgh Science Festival 35: 821: 135: 206:"CONSUME" (2013), a group show at Gallery@CalIT2, a joint project of UC San Diego and UC Irvine 118:
Crowley began her career working with a range of arts organizations in Australia including the
546: 536: 60: 194:"Invisible in Plain Sight" (2016), a permanent exhibit at the Senior Planet Exhibition Center 403: 94:, contemporary art, and transdisciplinary work. She has served as the executive director of 345: 138:, which was held in Tallinn, Estonia, and Helsinki, Finland, as well as on a ferry in the 789: 307: 614: 175: 858: 504: 370: 229:"Wildstyle: a story of 1980s New York graffiti through the lens of hip-hop culture." 91: 844: 286: 169: 46: 329: 851:, pp. 90–100. Kitchen Budapest & Baltan Labs joint publication, 2012. 666: 139: 222:"System X: Interview with Founding Sysop Scott McPhee." In Judy Malloy, ed., 197:"Swale" (2016), a floating art barge and food forest by artist Mary Mattingly 550: 346:"Adelaide Festival of Arts | festival, Adelaide, South Australia, Australia" 742: 530: 90:
and arts administrator who has created exhibitions and events focused on
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A Brief History of Working with New Media Art: Interviews with Artists
837: 427:"Eyebeam Announces Amanda McDonald Crowley as Executive Director" 590:"Introducing the Only Art & Technology Nonprofit in Seattle" 640: 468:
Performa: New Visual Art Performance', 2007, p. 145. - Page 145
845:"Out of the Lab: An interview with Amanda McDonald Crowley." 816:
New Collecting: Exhibiting and Audiences After New Media Art
200:"Food Nostalgia" (2016), at Radiator Arts, Long Island City 250:"Electronic art in Australia: do we have critical mass?." 191:"Agrikultura" (2017), a public art event in Malmö, Sweden 236:"Creative Encounters: The Art/Science of Collaboration." 154:
Institute (U.S.), and Sarai New Media Institute (India).
330:"The Organizational Game (with Amanda McDonald Crowley." 16:
New York-based Australian curator and arts administrator
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in New York City and as the artistic director at the
70: 52: 42: 30: 23: 452:"New media Powerhouse, Eyebeam, now a decade old." 157:Crowley occasionally writes for journals such as 142:. In 2005, she became the executive director of 149:In 2014-2015, she was Artistic Director at the 371:"[ISEA2004] | ISEA Symposium Archives" 8: 243:"Cacophony + cramp for the sensory bundle." 212:"FEEDBACK" (2008), a group show at Eyebeam 20: 124:Australian Network for Art and Technology 790:"Sarai Reader 03: Shaping Technologies" 466:Goldberg, RoseLee, and Jennifer Liese. 396:"Amanda McDonald Crowley | eyebeam.org" 264: 209:"X-LAB" (2011), a group show at Eyebeam 300:"Amanda Crowley - NAMAC Alliance 2016" 289:," Amanda McDonald Crowley's website. 281: 279: 7: 840:, Amanda McDonald Crowley's website 224:Social Media Archeology and Poetics 186:Curatorial projects and exhibitions 843:Angela Plohman and Melinda Sipos. 151:Bemis Center for Contemporary Arts 100:Bemis Center for Contemporary Arts 14: 667:"Food Nostalgia | Radiator Arts" 529:Amerika, Mark (1 January 2007). 272:Amanda McDonald Crowley CV, 2019 792:. Sarai Reader. 10 October 2003 535:. Cambridge, Mass.: MIT Press. 505:"ArtAsiaPacific: New Frontiers" 96:Eyebeam Art + Technology Center 86:is a New York-based Australian 480:"Press Release - Bemis Center" 144:Eyebeam Art +Technology Center 120:Australia Council for the Arts 57:Australian National University 1: 65:University of New South Wales 532:Meta/data: a digital poetics 333:META/DATA: A Digital Poetics 335:. MIT Press, Cambridge MA. 901: 615:"Invisible In Plain Sight" 885:Australian women curators 457:, New York, 29 June 2009. 880:New Zealand art curators 484:Constant Contact Archive 865:Australian art curators 619:Amanda McDonald Crowley 350:Encyclopedia Britannica 84:Amanda McDonald Crowley 63:; College of Fine Art, 25:Amanda McDonald Crowley 77:and arts administrator 375:www.isea-archives.org 36:Matamata, New Zealand 875:People from Matamata 743:"FEEDBACK - Eyebeam" 671:www.radiatorarts.com 102:in Omaha, Nebraska. 400:archive.eyebeam.org 304:NAMAC Alliance 2016 697:gallery.calit2.net 621:. 16 November 2016 509:artasiapacific.com 254:16:2-3 (1996): 90. 226:. MIT Press, 2016. 838:Public Art Action 718:"X-Lab - Eyebeam" 425:Cornell, Lauren. 132:Adelaide Festival 81: 80: 61:Sydney University 892: 802: 801: 799: 797: 786: 780: 779: 777: 775: 764: 758: 757: 755: 753: 739: 733: 732: 730: 728: 714: 708: 707: 705: 703: 688: 682: 681: 679: 677: 663: 657: 656: 654: 652: 637: 631: 630: 628: 626: 611: 605: 604: 602: 600: 586: 580: 579: 577: 575: 561: 555: 554: 526: 520: 519: 517: 515: 501: 495: 494: 492: 490: 476: 470: 464: 458: 450:Kingman, Kelly. 448: 442: 441: 439: 437: 422: 416: 415: 413: 411: 406:on 13 March 2017 402:. Archived from 392: 386: 385: 383: 381: 367: 361: 360: 358: 356: 342: 336: 326: 320: 319: 317: 315: 310:on 13 March 2017 306:. Archived from 296: 290: 283: 274: 269: 247:22:4 (2002): 41. 176:Art Asia Pacific 21: 900: 899: 895: 894: 893: 891: 890: 889: 855: 854: 834: 811: 809:Further reading 806: 805: 795: 793: 788: 787: 783: 773: 771: 766: 765: 761: 751: 749: 747:www.eyebeam.org 741: 740: 736: 726: 724: 722:www.eyebeam.org 716: 715: 711: 701: 699: 693:"About CURRENT" 691:Administrator. 690: 689: 685: 675: 673: 665: 664: 660: 650: 648: 639: 638: 634: 624: 622: 613: 612: 608: 598: 596: 588: 587: 583: 573: 571: 563: 562: 558: 543: 528: 527: 523: 513: 511: 503: 502: 498: 488: 486: 478: 477: 473: 465: 461: 449: 445: 435: 433: 424: 423: 419: 409: 407: 394: 393: 389: 379: 377: 369: 368: 364: 354: 352: 344: 343: 339: 328:Amerika, Mark. 327: 323: 313: 311: 298: 297: 293: 284: 277: 270: 266: 261: 219: 188: 116: 108: 38: 26: 17: 12: 11: 5: 898: 896: 888: 887: 882: 877: 872: 867: 857: 856: 853: 852: 841: 833: 832:External links 830: 829: 828: 819: 814:Beryl Graham, 810: 807: 804: 803: 781: 759: 734: 709: 683: 658: 632: 606: 581: 556: 542:978-0262012331 541: 521: 496: 471: 459: 443: 417: 387: 362: 337: 321: 291: 275: 263: 262: 260: 257: 256: 255: 248: 241: 234: 227: 218: 215: 214: 213: 210: 207: 204: 201: 198: 195: 192: 187: 184: 115: 112: 107: 104: 79: 78: 72: 71:Known for 68: 67: 54: 50: 49: 44: 40: 39: 34: 32: 28: 27: 24: 15: 13: 10: 9: 6: 4: 3: 2: 897: 886: 883: 881: 878: 876: 873: 871: 870:Living people 868: 866: 863: 862: 860: 850: 846: 842: 839: 836: 835: 831: 827: 823: 820: 817: 813: 812: 808: 791: 785: 782: 769: 768:""Wildstyle"" 763: 760: 748: 744: 738: 735: 723: 719: 713: 710: 698: 694: 687: 684: 672: 668: 662: 659: 646: 642: 636: 633: 620: 616: 610: 607: 595: 591: 585: 582: 570: 566: 560: 557: 552: 548: 544: 538: 534: 533: 525: 522: 510: 506: 500: 497: 485: 481: 475: 472: 469: 463: 460: 456: 453: 447: 444: 432: 428: 421: 418: 405: 401: 397: 391: 388: 376: 372: 366: 363: 351: 347: 341: 338: 334: 331: 325: 322: 309: 305: 301: 295: 292: 288: 282: 280: 276: 273: 268: 265: 258: 253: 249: 246: 242: 239: 235: 232: 228: 225: 221: 220: 216: 211: 208: 205: 202: 199: 196: 193: 190: 189: 185: 183: 180: 178: 177: 172: 171: 166: 162: 161: 155: 152: 147: 145: 141: 137: 133: 127: 125: 121: 113: 111: 105: 103: 101: 97: 93: 92:new media art 89: 85: 76: 73: 69: 66: 62: 58: 55: 51: 48: 45: 41: 37: 33: 29: 22: 19: 848: 825: 815: 794:. 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Index

Matamata, New Zealand
Australian
Australian National University
Sydney University
University of New South Wales
Curator
curator
new media art
Eyebeam Art + Technology Center
Bemis Center for Contemporary Arts
Australia Council for the Arts
Australian Network for Art and Technology
Adelaide Festival
ISEA2004
Baltic Sea
Eyebeam Art +Technology Center
Bemis Center for Contemporary Arts
Artlink
Sarai Reader
Art Asia Pacific
Amanda McDonald Crowley CV, 2019


Biography
"Amanda Crowley - NAMAC Alliance 2016"
the original
"The Organizational Game (with Amanda McDonald Crowley."
"Adelaide Festival of Arts | festival, Adelaide, South Australia, Australia"
"[ISEA2004] | ISEA Symposium Archives"
"Amanda McDonald Crowley | eyebeam.org"

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