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Eyebeam (organization)

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during their OpenLab fellowships in 2005, the GRL was envisioned as a nonprofit design studio for creating experimental technologies with street art applications. While at Eyebeam, Powderly and Roth developed a method for creating graffiti messages in individual LED lights and a system for projecting
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In addition to funding artistic research, Johnson hoped to develop Eyebeam as a space that would also function as a museum devoted to new media works. In 2000, Eyebeam announced an international architectural competition to construct a space devoted to the dialog between art and technology, with the
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Eyebeam, originally called Eyebeam Atelier, was first conceived as a collaboration between David S. Johnson, a digital artist, and John Seward Johnson III, a filmmaker and philanthropist. The two were introduced by Roderic R. Richardson, a mutual friend who recognized their shared interests and
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Eyebeam expanded its programmatic lineup of exhibitions and workshops with MIXER, a series dedicated to showcasing leading performance artists in the field of live video and audio, in late 2007. The inaugural event, "Brother Islands (Places to Lose People)", was focused around an immersive
435:, then-director of Research and Development at Eyebeam, and later adapted into a permanent feature on the Huffington Post. Peretti, together with Alexander Galloway, collaborated on ReBlog, one of the first blogging platform which allows users to filter and publish content from many 511:. MIXER events were organized around themes as disparate as the World's Fair, the 2010 Winter Olympics, and New York City's underground and featured interactive installations alongside performances by musicians and performance artists including 257:
In addition to offering resources for new media artists, Johnson saw a need to provide middle and high school students with educational and artistic opportunities. Digital Day Camp, the first youth program which catered to new
439:. Beginning in 2005, the Eyebeam ReBlog began to feature the Eyebeam Journal, a series of in-depth writings and interviews with resident artists, research fellows, and guest contributors. During their R&D Fellowships, 533:
in New York City. Eyebeam Fellow Ayah Bdeir's littleBits, a DIY kit of open source pre-assembled circuits, was among the projects displayed and was acquired by the MoMA as part of their permanent collection.
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as a growing genre, the co-founders were motivated to create a similar studio. They recognized a need to provide artists and digital film artists access to new technology and a shared workspace.
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among the participating artists, educators, new media and internet theorists, and technologists (cite). The discussions spurred by <eyebeam><blast> were compiled into a book titled
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collective, although David Johnson had also used the name Eyebeam Simulations for a start-up location-based VR entertainment concept before meeting Roderic or John Johnson. After observing
1656: 262:, was founded in 1998; in the pilot program, New York-based high school students learned web development and design. Future sessions included project-based learning around themes of 523:, and D-Fuse AV. That same year, fellows and resident artists began organizing mobile workshops and talks. In 2011, several Eyebeam residents, fellows, and alumni participated in 552:
Since November 2017 Eyebeam has been located at 199 Cook Street in Brooklyn. This coincides with their 20th anniversary as an organization which was celebrated in Spring 2018.
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library that allowed for the creative misuse of data surveillance created in tandem with other members of Radical Software Group. Carnivore takes its name and function from
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helped establish the new venture in its early stages. The inspiration to name the project Eyebeam Atelier came partly from the sculpture atelier of John Johnson's father,
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and other events with these residents as well as with partner organizations. Projects developed at Eyebeam have received awards and recognition including
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Haines, Elizabeth (2007). "Windows and Wallpapering: Questions about Art, Technology and Poetic Interference".
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and center for youth education, Eyebeam has become a center for the research, development, and curation of
595: 545:. That same year, Eyebeam hosted an exhibition entitled "New Romantics", which looked at the influence of 243: 226: 214: 1676: 1651: 1341: 1276: 731: 615: 467: 365: 342: 267: 1013: 576: 1578: 1371: 1129: 424: 413: 405: 373: 230: 1084: 1625: 1266: 508: 385: 306: 275: 818:
Rojas, Pete (2003). "Digital Details: Internet Surveillance Tools Make For Unlikely Inspiration".
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Eyebeam's first forum, "Interaction", took place online in the summer of 1998 and was curated by
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Golden Nica. Fundrace.org, a site which allows visitors to track campaign contributions through
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were among the inaugural exhibitors. Among the projects on display was Galloway's Carnivore, a
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Residents Yury Gitman and Carlos Gomez de Llarena's Noderunner, a scavenger hunt based on
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It may require cleanup to comply with Knowledge (XXG)'s content policies, particularly
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shapes drawn with a handheld laser in real time. Powderly and Roth later founded the
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Flagan, Are (2001). "Interaction – Artistic Practice in the Network – Review".
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is a not-for-profit art and technology center in New York City, founded by
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Jana, Reena (2002). "Johnson and Johnson Heir Founds Digital Art Museum".
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Talk to Me: Design and the Communication between People and Objects
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Pratt, Kevin (October 1, 2001). "Building the Better Mousetrap".
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with co-founders David S. Johnson and Roderic R. Richardson.
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A major contributor to this article appears to have a
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Originally conceived as a digital effects and coding
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Platform for Artists to Engage Technology and Society
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The Eyebeam OpenLab served as the birthplace of the
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The forum, an 75:Learn how and when to remove this message 1535:(Solvenia, defunct, revival in progress) 714:Lopez, Allan (1998). "Eyebeam Atelier". 451:, a C/C++ library originally created at 641: 1667:Arts organizations established in 1997 1287:Boston Open Source Science Laboratory 686:Herbert Muschamp (October 21, 2001). 7: 1672:1997 establishments in New York City 481:F.A.T. (Free Art and Technology) Lab 1282:Baltimore Underground Science Space 631:V2 Institute for the Unstable Media 1012:Melena Ryzik (November 16, 2007). 913:Julia Kaganskiy (August 3, 2010). 746:Julie V. Iovine (March 21, 2002). 25: 985:Greg Finch (September 14, 2011). 649:Eyebeam Art + Technology Center. 248:Experiments in Art and Technology 18:Eyebeam Art and Technology Center 940:Joshua Yaffa (August 12, 2007). 537:In February 2014 the first ever 55:. Please discuss further on the 34: 849:"Street Maps in Political Hues" 410:Federal Bureau of Investigation 1: 974:(13). Rebel Media Limited: 3. 847:Tom McNichol (May 20, 2004). 1332:Liberating Ourselves Locally 499:experimental documentary of 495:, Chris Sugrue, and others. 412:. Carnivore was awarded the 27:U.S. non-profit organization 1587:Musical Electronics Library 1422:Fürstenberg (Havel) station 874:"reBlog by Eyebeam R&D" 423:sharing, received the 2003 416:Golden Nica the same year. 335:Bracha Lichtenberg Ettinger 1693: 778:. pp. Issue No. 315. 567:Steven Tremble: 2004–2005 124: 105:40.7471056°N 74.0071222°W 1043:The Museum of Modern Art 601:Center for Art and Media 1621:Hackerspace Global Grid 571:Amanda McDonald Crowley 562:John Seward Johnson III 360:Eyebeam held its first 349:and published in 2001. 200:John Seward Johnson III 110:40.7471056; -74.0071222 596:Ars Electronica Center 244:John Seward Johnson II 227:Guggenheim Fellowships 215:open-source technology 1342:Mothership HackerMoms 1277:Baltimore Hackerspace 616:Graffiti Research Lab 468:Graffiti Research Lab 447:continued to develop 366:Alexander R. Galloway 343:Critical Art Ensemble 268:urban interventionism 53:neutral point of view 1579:Gold Coast Techspace 1372:Port City Makerspace 991:The Creators Project 919:The Creators Project 902:on February 7, 2005. 531:Museum of Modern Art 501:North Brother Island 425:Prix Ars Electronica 414:Prix Ars Electronica 231:Prix Ars Electronica 1626:Power Racing Series 509:Benton C Bainbridge 431:, was developed by 307:N. Katherine Hayles 276:wearable technology 121: 101: /  1616:Library makerspace 1297:Eli Whitney Museum 1091:. November 1, 2017 1018:The New York Times 946:The New York Times 853:The New York Times 752:The New York Times 693:The New York Times 398:Michael Bell-Smith 331:Hans-Ulrich Obrist 327:Knowbotic Research 167:Executive director 1639: 1638: 1567: 1566: 1393: 1392: 1232: 1231: 892:"Eyebeam Journal" 775:Time Out New York 673:Carrindex Gabrius 577:Patricia C. Jones 549:in digital art. 445:Zachary Lieberman 355:Diller + Scofidio 213:works of art and 193: 192: 85: 84: 77: 48:with its subject. 16:(Redirected from 1684: 1591: 1583: 1560: 1552: 1544: 1540:Kitchen Budapest 1536: 1528: 1520: 1501: 1487:London Hackspace 1452: 1402: 1386: 1267:Artisan's Asylum 1241: 1225: 1164: 1146: 1139: 1132: 1123: 1118: 1117: 1115:Official website 1101: 1100: 1098: 1096: 1081: 1075: 1074: 1072: 1070: 1060: 1054: 1053: 1051: 1049: 1035: 1029: 1028: 1026: 1024: 1009: 1003: 1002: 1000: 998: 982: 976: 975: 963: 957: 956: 954: 952: 937: 931: 930: 928: 926: 910: 904: 903: 898:. Archived from 888: 882: 881: 870: 864: 863: 861: 859: 844: 838: 837: 834:"Noderunner.net" 830: 824: 823: 815: 809: 804: 798: 797: 786: 780: 779: 769: 763: 762: 760: 758: 743: 737: 736: 726: 720: 719: 711: 705: 704: 702: 700: 683: 677: 676: 668: 662: 661: 659: 657: 646: 621:Kitchen Budapest 507:by media artist 455:. Together with 370:G. H. 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Index

Eyebeam Art and Technology Center
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40°44′49.58″N 74°0′25.64″W / 40.7471056°N 74.0071222°W / 40.7471056; -74.0071222

Roddy Schrock
www.eyebeam.org
John Seward Johnson III
atelier
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open-source technology
hackathons
Webby Awards
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John Seward Johnson II
Experiments in Art and Technology
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