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Block drew from life every week of her working career; and these drawings, originally intended to be studies and practice works, eventually became finished works in themselves. As her color sense and courage expanded she began laying broad swaths of color on her drawings. The results are definitive
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paintings were the cornerstone of her success in the late sixties and seventies. These large paintings sold very well at the time and adorned the walls of a large number of buildings and institutions of the day. Traditionally abstract expressionist and very much in the mainstream of painting at the
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Block believed that drawing was the most important of the artist's tools. As a drawing instructor at John Herron she always remained true to traditional principles and classic approaches to realizing the subject. Her subject, the one with which she most surely resonated, was the female form, and
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Block's editions are small, seldom more than a dozen prints per edition. Often however, each print required a dozen or more printings to layer the colors one upon the other, finally realizing the image Amanda required. Her washes are finely controlled and the juxtaposition between wash and line
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images, at which point she retired from active production. She had many shows, purchases by museums and private collectors. Additionally during this time, she taught drawing and lithography at John Herron, where she was thought to be a gifted and talented instructor.
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Amanda's color sense and strong design also contribute to their effectiveness. Evoking the sensibilities associated with geography writ large, mountains and seas, lakes, rivers, forests, and always the desert were the subjects of her broadly realized art.
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Eschewing the often blocky and repetitive style of her contemporaries, not interested in the facile or geometrical designs running through the art of the day, Block's prints fall vaguely into two categories. Figural art and
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Child-rearing and divorce occupied her until she was able to return to art school during the middle and late fifties. Her real work began in 1960 upon graduation from John Herron Art School in
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from the middle and late 1970s; ultimately, she is most well known for her figure work. Her primary subjects of her figure work are women.
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A lithographer of some renown – Block taught stone lithography at John Herron for a number of years—the artist felt very comfortable in
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in 1960, at age 48, marked a return to creative work. Her superb color sense has always been Amanda's trademark.
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time, these large canvasses today have the effect of anchoring the viewer firmly in the times.
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The figural work of Block, her most accessible, falls between the traditional and the
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and unique, colorful and unabashedly sensual, in some cases verging toward erotic.
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From 1960 until 1984 she produced hundreds of prints, paintings, drawings, and
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563:. Indianapolis, Indiana: Indiana University Press. p. 261.
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builds a tension that adds a third dimension to the effect.
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She was born into a prominent Jewish family, Block attended
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481:"Brennan Auction, "Love's in the Sea" sells for $ 10,000"
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247:(February 20, 1912 – November 8, 2011) was an
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510:"LibGuides at university of Louisville"
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