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List of American Type Founders typefaces

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2125: 1637:
department store. Cast by Goudy with the proviso that the department store would have the exclusive use of the font for a time before it would be offered to the public. These were the first matrices cut by
30:
was the largest producer of foundry type in the world, not only of in-house designs, but also from designs that came from merged firms. Many of its designs were created or adapted by
2401:(1896, Goudy), Goudy designed only the capitals, lower-case letters were evidently added by Dickinson/ATF designer Phinney. A delicate display face with small wedge serifs. 2679:, p. 25. Other sources, noltably Jaspert, credit this face to BB&S, while McGrew speculates that some of the sizes might actually have been cast from the 2479: 2398: 2777: 2482:(1903, Goudy), commissioned by one Mr. Powell, then advertising manager for Mandel Brothers department store (earlier he had commissioned 2429:
Card Litho + Card Light Litho (1917, Benton), a modification of a 1907 ITF design that ATF had acquired when the companies merged in 1912.
1933:, cast up to 288 point, Stymie is believed to be the largest type ever to be cast in regular molds. The “W” alone weighed two pounds! 889:
Cloister Black (1904, Benton), usually credited to Phinney, but many authorities give full credit to Benton. It is an adaptation of
2739: 2724: 2704: 2676: 1071: 2118: 1084: 2013: 1227: 2295: 2782: 199:
Baron's Boston News Letter (1904, Goudy), a private face cut for Joseph Baron's financial newsletter, matrices cut by
2365: 2755: 498: 506: 2541: 2025: 536: 532: 2174: 467: 2520: 2391: 1612: 1205: 1190: 1018: 1008: 502: 2192: 910: 2561: 2512: 2496: 2409: 2405: 2235: 1667: 1223: 938: 27: 2332: 2164: 1906: 1822: 1695: 1676: 2553: 2469: 2361: 2138: 2009: 1801: 1770: 1650: 1630: 994: 687: 63: 1930: 1836: 1685: 1600: 1308: 1288: 881: 2357: 2307: 1743: 471: 2369: 2345: 2271: 2067: 2017: 1846: 1806: 1795: 1390: 1002: 951: 719:
Cheltenham Bold Italic + Cheltenham Bold Condensed Italic + Cheltenham Wide + Cheltenham Bold Outline
110: 31: 1112: 114: 2422: 2349: 2311: 2285: 2275: 2249: 2231: 2214: 2201: 2186: 2076: 1958: 1812: 1766: 1747: 1721: 1654: 1590: 1516: 1434: 1430: 1420: 1410: 1321: 1304: 1292: 1170: 822: 559: 477: 451: 326: 2093: 2062: 1924: 1780: 1596: 955: 2680: 2503: 2325: 2239: 2052: 1988: 1920: 1842: 1774: 1531: 986: 934: 925: 891: 442: 130: 2281: 2041: 1997: 2182: 2735: 2720: 2700: 2672: 1983: 1850: 1474: 1247: 1134: 665: 528: 72: 39: 2759: 2031: 1616: 1334: 1063: 784: 583: 573: 556:
Caxton Initials (1905, Goudy), font included twenty-six capitals and one leaf ornament only.
436: 124: 35: 1639: 1622: 1443: 1340: 1261: 1180: 1130: 918: 700: 696: 463: 281: 237: 231: 200: 98: 1413:(1933), originally cast in 1850s by Dickinson Type Foundry as Gothic Shade. And also as 2446:
Light Oldstyle (1916), probably an old font from ITF, but sometimes credited to Benton.
2440: 2300: 1981:(1897, Phinney), capitals only, lower-case based on Central Type Foundry of St. Louis' 1790: 1383: 1374: 896: 841: 831: 43: 2000:(1931, Benton), with three widths on the same basic design they prefigured the failed 2771: 2616: 2449: 1978: 754:
Cheltenham Bold Shaded + Cheltenham Bold Italic Shaded + Cheltenham Extra Bold Shaded
2745:
Rollins, Carl Purlington American Type Designers and Their Work. in Print, V. 4, #1.
17: 2642: 2289: 2222: 2129: 1231: 2573:
These foundry types were cast before the consolidation by unspecified foundries:
2515:, ATF immediately adopted it and made it the first in a hugely successful series. 2404:
Card Mercantile (1901, Benton), a redesign of the two smallest sizes of an 1890s
1314:
Goudytype (1928, Goudy), designed and cut in 1916, not cast and sold until later.
1816: 1629:(1902, Goudy), based on hand lettering done by Goudy for advertisements for the 1626: 1540: 770: 205: 156: 85: 2124: 1045: 914: 209: 2376:
De Vinne Roman](1898, Goudy), a book face based on Schroeder's display type.
816: 780: 80: 1783:(1917, Benton), designed 1909-11, patented in 1915, earliest showing 1917. 54:
These foundry types were designed and produced by American Type Founders:
1937:
Stymie Light + Light Italic + Medium + Medium Italic + Bold + Bold Italic
1786: 1176: 2523:(1938 + 1949) a revival of Marder, Luse, & Co.'s nineteenth century 2381:
Othello (1934, Benton), a revision of an 1884 Central Type Foundry face.
123:
Antique Shaded (1914, Benton), cut on a new shading machine invented by
2002: 1634: 774: 2432: 322: 2123: 1819:'s photo-type versions of this type would achieve huge popularity. 902:
of 1734. Lower-case letters are identical with Phinney's earlier
2459:
Pen Print Open (1921, Benton), based on the ITF design of 1911.
2262:, not designed by Oz Cooper, but was actually a knock-off of a 501:
and prepared by Benton for production from original designs by
1094:
and designed in association with "Cowan" or perhaps Phinney.
1599:(1928, Benton), completed from drawings by ATF matrix cuter 1333:
Headline Gothic (1936, Benton), not to be confused with the
984:
Cromwell (1913, Benton), uses capital letters from Benton’s
2256:
the designer described it as “condensed but not squeezed.”
725:
Cheltenham Bold Extra Condensed + Cheltenham Bold Extended
2699:
David R. Godine, Publisher, Boston, Massachusetts, 1990,
133:
series (1939, Max R. Kaufmann), originally as Speedball.
2016:), this was also made available for phototypesetting by 1246:(1907, Benton), credited to Benton, though Goudy claims 1133:, the patriarch of American sans-serif faces, named for 760:
Cheltenham Medium Condensed + Cheltenham Medium Expanded
1724:(1934, Benton), essentially larger sizes (24 pt. +) of 1179:, based upon the designs of 16th-century type founder, 2715:
Jaspert, W. Pincus, W. Turner Berry and A.F. Johnson.
497:
Bulfinch Oldstyle (1903, Benton), commissioned by the
731:
Cheltenham Inline + Cheltenham Inline Extra Condensed
1633:, though commissioned by Schlesinger & Mayer, a 909:
Collier Old Style (1919, Goudy), a private type for
664:(1918, Benton), commissioned by textbook publishers 2606:, Mac McGrew, Oak Knoll, 2nd edition, 1993, pag. 3 1238:
Globe Gothic Condensed + Extra Condensed + Extended
830:(1913, Benton), based on the 1470 Venetian face of 2732:American Metal Typefaces of the Twentieth Century, 2669:American Metal Typefaces of the Twentieth Century, 2298:(c. 1897, Berne Nadall), later released by ATF as 2604:American Metal Typefaces of the Twentieth Century 1090:Engravers Old English (1906, Benton), based upon 840:(1913, Benton), based on the 1501 italic face of 742:Cheltenham Oldstyle Condensed + Cheltenham Medium 78:Agency Gothic (1933, Benton), later digitized as 2344:These foundry types were originally cast by the 2324:These foundry types were originally cast by the 1769:(c. 1898, Benton), inspired by lettering in the 1218:Globe Gothic (c. 1900, Benton), a refinement of 748:Cheltenham Medium Italic + Cheltenham Extra Bold 2412:had acquired when the companies merged in 1896. 937:A continuation of a series originally cast by 1506:Miehle Extra Condensed + Title (1905, Benton) 462:Bradley Text (1895, Phinney), developed from 8: 2734:Oak Knoll Books, New Castle Delaware, 1993, 2671:Oak Knoll Books, New Castle Delaware, 1993, 2540:These foundry types were originally cast by 2495:These foundry types were originally cast by 2468:These foundry types were originally cast by 2421:These foundry types were originally cast by 2390:These foundry types were originally cast by 2117:These foundry types were originally cast by 1534:(1916, Goudy), quite similar to his Nabisco. 993:Cushing (1897, Benton), design suggested by 509:from 1903, offered for general use in 1905. 2107:Whedons Gothic Outline (1965, Whedon Davis) 1147:Franklin Gothic Condensed + Extra Condensed 1734:Raleigh Cursive (1930, Willard T. Sniffin) 120:Announcement Roman + Italic (1918, Benton) 117:), this was the last face ever cut by ATF. 1737:Raleigh Gothic (Condensed) (1932, Benton) 1528:Murray Hill + Bold (1956, Emil J. Klumpp) 1440:Liberty Script (1927, Willard T. Sniffin) 1173:), some sources attribute this to Benton. 325:, first American revival of the faces of 2486:for another store), and named after him. 2439:, a version of a face originally cut by 783:, designed with the help of his father, 411:Ultra Bodoni Condensed + extra condensed 2596: 2511:(1905, Goudy), originally designed for 2435:(1919, Benton), based on the foundry's 2073:Vanity Initials (1927, Will H. Bradley) 1987:. Later re-worked by either Benton or 1589:Norwood Roman (1906, Benton), made for 1509:Missal Initials (1904, Will H. Bradley) 773:(1922, Benton), a modern adaptation of 531:(1926, Benton), based on a face cut by 466:'s lettering on the Christmas cover of 307:Bernhard Tango (1934, Lucian Bernhard) 2055:+ extended (1902, Benton), originally 1653:(1913, Benton), based on lettering by 1287:(1922, Benton), sometimes credited to 480:(1928, Benton), capital letters only. 2090:Wayside Roman (1900, Will H. Bradley) 1423:Script + Bold (1936, Max R. Kaufmann) 1360:Huxley Vertical (Walter Huxley, 1935) 1080:Empire (1937, Benton), no lower-case. 486:(1929, Benton), capitals + lower-case 313:(1939, Bernhard), known in Europe as 7: 2548:Buffalo, originally cast in 1904 as 1354:Hollywood (1932, Willard T. Sniffin) 1035:Dom series (1950, Peter Dombrezian) 917:advertising agency, matrices cut by 1673:Park Avenue (1933, Robert E. Smith) 1226:vice-president Phinney in 1897 for 1083:Engravers Bold (1902, also cast by 1074:, used on their Blue Eagle posters. 215:Benton (1934, Benton), designed as 2719:Blandford Press Lts.: 1953, 1983, 2288:), from original drawings made by 1763:Rosetti (1931, Willard T. Sniffin) 1688:(1935, Benton), originally called 1537:Newport (1932, Willard T. Sniffin) 1426:Keynote (1932, Willard T. Sniffin) 1307:), alternately credited to either 525:Bulletin Typewriter (1933, Benton) 25: 1849:and Gerry Powell), a knockoff of 1740:Repro Script (1953, Jerry Mullen) 1606:Nubian (1928, Willard T. Sniffin) 1570:News Gothic Extra Condensed Title 1417:following the ATF merger in 1894. 1403:Jenson Condensed + Bold Condensed 1363:Invitation Shaded (1916, Benton) 1279:Goudy Bold Italic + Goudy Catalog 419:(1933, Benton), designed in 1926. 104:American Backslant (1934, Benton) 2778:American Type Founders typefaces 2238:second-best-selling type, after 2119:Barnhart Brothers & Spindler 2113:Barnhart Brothers & Spindler 1899:Spartan Black Condensed + Italic 1645:Pabst Roman Italic (1903, Goudy) 1357:Heritage (1952, Walter H. McKay) 1330:Greeting Monotone (1927, Benton) 1159:Franklin Gothic Condensed Shaded 1105:Engravers Shaded (1906, Benton) 1085:Barnhart Brothers & Spindler 1072:National Recovery Administration 931:Commercial Script (1908, Benton) 624:Century Oldstyle + italic + bold 274:Bernhard Gothic Medium Condensed 2717:The Encyclopedia of Type Faces. 1746:(1931, Benton), an updating of 1477:series (1938, Warren Chappell) 636:Century Oldstyle Bold Condensed 284:series (1937, Lucian Bernhard) 240:series (1929, Lucian Bernhard) 59:Abbott Oldstyle (1901, Phinney) 2425:and sometimes later modified: 2228:Cooper Black + Italic + Hilite 1682:Pericles (1934, Robert Foster) 1522:Monotone Gothic (1907, Benton) 1446:(1908, Benton), essentially a 1137:, America’s greatest printer. 491:Brody (1953, Harold Broderson) 288:Bernhard Modern Roman + Italic 1: 1753:, later revised yet again as 1327:Grayda (1939, Frank H. Riley) 1230:for the exclusive use of the 1127:Flemish Black (1902, Phinney) 1124:Engravers Text (1930, Benton) 1066:(1934, Benton), a variant of 1060:Dynamic Medium (1930, Benton) 1032:Devens Script (1898, Phinney) 657:Century Schoolbook sub-series 599:Century Italic + Century Bold 494:Brush (1942, Robert E. Smith) 435:Bologna (1946), also cast by 311:Bernhard Tango Swash Capitals 294:Bernhard Modern Bold + Italic 2217:) included swash characters. 1726:Bank Gothic Condensed Medium 1115:), a half-shaded version of 630:Century Oldstyle Bold Italic 424:Bold Antique (1904, Benton) 256:Bernhard Gothic Light Italic 186:Bank Gothic Medium Condensed 107:American Text (1932, Benton) 2065:(1905, Benton), originally 2034:(1934, Benton), similar to 1973:(1932, Wadsworth A. Parker) 1698:(1930, Willard T. Sniffin) 1564:News Gothic Extra Condensed 878:Cloister Cursive Handtooled 619:Century Oldstyle sub-series 268:Bernhard Gothic Extra Heavy 180:Bank Gothic Light Condensed 101:, Nos. 1,2,3 (1903, Benton) 2799: 2151:, Hansen (8-48pt) ATF 1501 1829:Schoolbook Oldstyle Italic 1789:(1896, Phinney), based on 1760:Romani (1934, A. R. Bosco) 1582:News Gothic Condensed Bold 1457:Louvaine (medium) + Italic 1382:(1893, Phinney), based on 1250:commissioned him to do it. 1098:Engravers Old English Bold 736:Cheltenham Inline Extended 644:Century Catalog sub-series 223:, reintroduced in 1953 as 208:(1915, Benton), after the 206:Baskerville Roman + Italic 192:Bank Gothic Bold Condensed 2504:Copperplate Gothic Series 2366:Schelter & Giesecke's 2047:Typo Roman (1926, Benton) 1809:from drawings by Phinney. 1615:(1933), loosely based on 1609:Onyx (1937, Gerry Powell) 1512:Modernique (1928, Benton) 1499:Lydian Condensed + Italic 1393:from drawings by Phinney. 1301:Goudy Handtooled + italic 944:Copperplate Gothic Shaded 872:Cloister Lightface Italic 713:Cheltenham Bold Condensed 672:Century Schoolbook Italic 553:Card Roman (1925, Benton) 550:Canterbury (1926, Benton) 499:Curtis Publishing Company 300:Bernhard Modern Condensed 2569:Nineteenth Century Faces 2542:H.C. Hansen Type Foundry 2536:H.C. Hansen Type Foundry 2509:Copperplate Gothic Heavy 2252:) 20% lighter than the 2175:Plymouth Bold (typeface) 2079:+ Italic (1911, Benton) 2026:Touraine Oldstyle Italic 1893:Spartan Medium Condensed 1380:Jenson Oldstyle + italic 1267:Goudy Old Style + Italic 1254:Globe Gothic Bold Italic 803:Clearface Heavy + Italic 703:, Benton and/or Phinney) 565:Century Roman sub-series 230:Bernhard Fashion (1929, 2513:Marder, Luse, & Co. 2497:Marder, Luse, & Co. 2491:Marder, Luse, & Co. 2036:Stymie Medium Condensed 1863:Spartan Medium + Italic 1463:Louvaine Light + Italic 1295:by varying authorities. 1166:Freehand (1917, Benton) 1019:Thomas Maitland Cleland 939:Marder, Luse, & Co. 848:Cloister Bold Condensed 797:Clearface Bold + Italic 678:Century Schoolbook Bold 668:for maximum legibility. 518:Whittin Black Condensed 505:. The “house face” of 468:Inland Printer Magazine 430:(1908/9 ?, Benton) 69:Adscript (1914, Benton) 2697:Anatomy of a Typeface, 2695:Lawson, Alexander S., 2684:Italian Condensed #341 2562:Amsterdam Type foundry 2406:Dickinson Type Foundry 2392:Dickenson Type Foundry 2386:Dickenson Type Foundry 2364:, probably based upon 2246:Cooper Black Condensed 2133: 1887:Spartan Book Condensed 1875:Spartan Black + Italic 1869:Spartan Heavy + Italic 1815:(1914, Benton), later 1773:and often credited to 1731:Railroad Gothic (1906) 1468:Louvaine Bold + Italic 1337:font of the same name. 1317:Gravure (1927, Benton) 1262:Goudy Old Style series 1153:Franklin Gothic Italic 1131:Franklin Gothic series 895:, an 1870s version of 605:Century Bold Condensed 503:William Martin Johnson 428:Bold Antique Condensed 369:Bodoni Shaded Initials 250:Bernhard Gothic Medium 28:American Type Founders 2554:Woellmer Type Foundry 2470:Keystone Type Foundry 2464:Keystone Type Foundry 2362:Theodore Low De Vinne 2360:), named in honor of 2206:Cooper Oldstyle Roman 2127: 2010:Thompson Quill Script 2006:by some twenty years. 1943:Stymie Bold Condensed 1857:Spartan Book + Italic 1771:Saturday Evening Post 1748:Inland Type Foundry’s 1631:Pabst Brewing Company 1558:News Gothic Condensed 1204:(1923, Benton), with 1189:(1919, Benton), with 911:Proctor & Collier 880:(1926, Benton), with 611:Century Bold Extended 470:by either Phinney or 448:Bookman swash letters 405:Bodoni Bold Condensed 399:Ultra Bodoni + italic 262:Bernhard Gothic Heavy 244:Bernhard Gothic Light 2443:in the 18th century. 2346:Central Type Foundry 2340:Central Type Foundry 2266:by a German foundry. 2260:Cooper Tooled Italic 2018:Photo Lettering Inc. 1945:(1937, Gerry Powell) 1708:Piranesi Bold Italic 1525:Motto (1915, Benton) 1487:Lydian Bold + Italic 1285:Goudy Catalog Italic 507:Ladies’ Home Journal 393:Bodoni Book Expanded 357:Bodoni Bold + Italic 75:(1961, Freeman Craw) 32:Morris Fuller Benton 18:Americana (typeface) 2476:John Hancock (1905) 2452:, later updated as 2423:Inland Type Foundry 2417:Inland Type Foundry 2223:Cooper Black series 2165:Plymouth (typeface) 2100:Wedding Text Shaded 1971:Stymie Inline Title 1959:Wadsworth A. Parker 1881:Spartan Extra Black 1823:Schoolbook Oldstyle 1517:Wadsworth A. Parker 1515:Modernistic (1928, 1435:Clarence P. Hornung 1431:Wadsworth A. Parker 1322:Wadsworth A. Parker 1305:Wadsworth A. Parker 1293:Wadsworth A. Parker 1171:Wadsworth A. Parker 1109:Lithographic Shaded 1070:, designed for the 961:Craw Modern series 767:Chic (1928, Benton) 543:Bulmer Roman Italic 452:Wadsworth A. Parker 327:Giambattista Bodoni 2783:Lists of typefaces 2326:Bruce Type Foundry 2320:Bruce Type Foundry 2240:Copperplate Gothic 2177:, 6-72pt, ATF 1500 2157:, 6-72pt, ATF 1502 2139:Adcraft (typeface) 2134: 2022:Thunderbird (1920) 1805:, matrices cut by 1552:News Gothic Italic 1541:News Gothic series 1532:National Old Style 1389:, matrices cut by 1055:(1953, Dombrezian) 1049:(1951, Dombrezian) 1041:(1950, Dombrezian) 1025:Della Robbia Light 995:J. Stearns Cushing 987:Cloister Old Style 971:Craw Modern Italic 935:Copperplate series 866:Cloister Lightface 828:Cloister Old Style 666:Ginn & Company 662:Century Schoolbook 580:Century Broad Face 484:Broadway Condensed 459:Bond Script (1905) 363:Bodoni Bold Shaded 351:Bodoni Book Italic 168:Bank Gothic Medium 157:Bank Gothic series 91:Agency Gothic Open 64:Willard T. Sniffin 2756:List of ATF types 2529:Italian Condensed 2525:French Clarendon, 2437:Inland New Caslon 2296:Fifteenth Century 2145:Adcraft lightface 2042:Typo Roman Shaded 1965:Stymie Extra Bold 1955:Stymie Compressed 1939:(1931–35, Benton) 1601:Charles H. Becker 1429:Lexington (1926, 1309:Charles H. Becker 1289:Charles H. Becker 1244:Globe Gothic Bold 1240:(c. 1900, Benton) 1228:Charles H. Taylor 1135:Benjamin Franklin 882:Charles H. Becker 854:Cloister Initials 777:face cut in 1557. 688:Cheltenham series 586:), also known as 162:Bank Gothic Light 149:Balloon Extrabold 40:Joseph W. Phinney 16:(Redirected from 2790: 2764: 2760:Klingspor Museum 2708: 2693: 2687: 2665: 2659: 2658: 2656: 2654: 2639: 2633: 2632: 2630: 2628: 2613: 2607: 2601: 2454:Rockwell Antique 2358:Gustav Schroeder 2356:De Vinne (1898, 2308:Pompeian Cursive 2274:+ Italic (1929, 1967:(1934, Sol Hess) 1951:(1937, Sol Hess) 1949:Stymie Condensed 1913:Sterling Cursive 1744:Rockwell Antique 1617:French Clarendon 1576:News Gothic Bold 1501:(1946, Chappell) 1495:(1940, Chappell) 1489:(1938, Chappell) 1483:(1938, Chappell) 1453:Louvaine series 1444:Lightline Gothic 1397:Jenson Heavyface 1384:William Morris's 1117:Engravers Shaded 1111:(1914, Benton + 977:Craw Modern Bold 897:William Caslon’s 860:Cloister Cursive 817:Clearface Gothic 809:Clearface Italic 785:Linn Boyd Benton 781:Clearface series 775:Robert Granjon’s 593:Century Expanded 584:Linn Boyd Benton 574:Linn Boyd Benton 535:for the printer 472:Herman Ihlenberg 437:Stephenson Blake 417:Engravers Bodoni 381:Card Bodoni Bold 302:(1938, Bernhard) 296:(1938, Bernhard) 290:(1937, Bernhard) 276:(1938, Bernhard) 270:(1930, Bernhard) 264:(1930, Bernhard) 258:(1930, Bernhard) 252:(1929, Bernhard) 246:(1929, Bernhard) 174:Bank Gothic Bold 125:Linn Boyd Benton 99:Alternate Gothic 21: 2798: 2797: 2793: 2792: 2791: 2789: 2788: 2787: 2768: 2767: 2762: 2752: 2712: 2711: 2694: 2690: 2681:Bruce Foundry's 2666: 2662: 2652: 2650: 2641: 2640: 2636: 2626: 2624: 2615: 2614: 2610: 2602: 2598: 2593: 2571: 2556:, also cast as 2538: 2493: 2484:Pabst Old Style 2466: 2433:American Caslon 2419: 2388: 2342: 2322: 2317: 2272:Cooper Fullface 2234:), this became 2115: 2110: 2096:(1901, Benton) 2068:Tiffany Upright 2044:(1924, Benton) 2028:(1898, Phinney) 1909:(1917, Benton) 1877:(1940, Renshaw) 1847:John L. Renshaw 1825:(1924, Benton) 1807:John F. Cumming 1702:Piranesi Italic 1696:Piranesi series 1640:Robert Wiebking 1623:Pabst Old Style 1591:J. S. Cushing’s 1481:Lydian + Italic 1405:(1901, Phinney) 1399:(1899, Phinney) 1391:John F. Cumming 1343:(1910, Benton) 1320:Graybar (1930, 1202:Garamond Italic 1181:Claude Garamond 1177:Garamond series 1141:Franklin Gothic 999:Cushing Antique 924:Contact (1944, 838:Cloister Italic 823:Cloister series 707:Cheltenham Bold 701:Ingalls Kimball 697:Bertram Goodhue 649:Century Catalog 464:Will H. Bradley 282:Bernhard Modern 238:Bernhard Gothic 232:Lucian Bernhard 52: 23: 22: 15: 12: 11: 5: 2796: 2794: 2786: 2785: 2780: 2770: 2769: 2766: 2765: 2751: 2750:External links 2748: 2747: 2746: 2743: 2730:MacGrew, Mac, 2728: 2710: 2709: 2688: 2660: 2634: 2608: 2595: 2594: 2592: 2589: 2588: 2587: 2584: 2581: 2578: 2570: 2567: 2566: 2565: 2537: 2534: 2533: 2532: 2527:also known as 2518: 2517: 2516: 2492: 2489: 2488: 2487: 2477: 2465: 2462: 2461: 2460: 2457: 2447: 2444: 2441:William Caslon 2430: 2418: 2415: 2414: 2413: 2402: 2387: 2384: 2383: 2382: 2379: 2378: 2377: 2341: 2338: 2337: 2336: 2321: 2318: 2316: 2315: 2305: 2301:Caslon Antique 2293: 2279: 2269: 2268: 2267: 2257: 2243: 2220: 2219: 2218: 2208: 2190: 2180: 2179: 2178: 2168: 2158: 2155:Adcraft Medium 2152: 2135: 2114: 2111: 2109: 2108: 2105: 2104: 2103: 2102:(1913, Benton) 2091: 2088: 2087: 2086: 2085:(1913, Benton) 2074: 2071: 2060: 2057:Tiffany Script 2050: 2049: 2048: 2039: 2029: 2023: 2020: 2014:Tommy Thompson 2007: 1995: 1976: 1975: 1974: 1968: 1962: 1952: 1946: 1940: 1928: 1918: 1917: 1916: 1915:(1919, Benton) 1904: 1903: 1902: 1896: 1890: 1884: 1878: 1872: 1866: 1860: 1845:series (1939, 1840: 1839:(1934, Benton) 1834: 1833: 1832: 1831:(1928, Benton) 1820: 1810: 1791:William Morris 1784: 1778: 1764: 1761: 1758: 1741: 1738: 1735: 1732: 1729: 1719: 1718: 1717: 1716:(1933, Benton) 1711: 1710:(1931, Benton) 1705: 1704:(1930, Benton) 1693: 1683: 1680: 1679:(1928, Benton) 1674: 1671: 1670:(1929, Benton) 1665: 1664: 1663: 1662:(1916, Benton) 1648: 1647: 1646: 1620: 1610: 1607: 1604: 1594: 1593:Norwood Press. 1587: 1586: 1585: 1579: 1573: 1567: 1561: 1555: 1549: 1548:(1908, Benton) 1538: 1535: 1529: 1526: 1523: 1520: 1513: 1510: 1507: 1504: 1503: 1502: 1496: 1493:Lydian Cursive 1490: 1484: 1472: 1471: 1470: 1465: 1460: 1459:(1929, Benton) 1451: 1441: 1438: 1427: 1424: 1418: 1408: 1407: 1406: 1400: 1394: 1372: 1371: 1370: 1369:(1917, Benton) 1361: 1358: 1355: 1352: 1351: 1350: 1349:(1915, Benton) 1338: 1331: 1328: 1325: 1318: 1315: 1312: 1298: 1297: 1296: 1282: 1281:(1919, Benton) 1276: 1275:(1918, Benton) 1270: 1259: 1258: 1257: 1256:(1908, Benton) 1251: 1241: 1222:, designed by 1216: 1215: 1214: 1213:(1931, Benton) 1208: 1199: 1198:(1920, Benton) 1193: 1174: 1169:Gallia (1927, 1167: 1164: 1163: 1162: 1161:(1912, Benton) 1156: 1155:(1910, Benton) 1150: 1149:(1906, Benton) 1144: 1143:(1903, Benton) 1128: 1125: 1122: 1121: 1120: 1113:W. F. Capitian 1103: 1102: 1101: 1100:(1910, Benton) 1088: 1081: 1078: 1075: 1061: 1058: 1057: 1056: 1050: 1042: 1033: 1030: 1029: 1028: 1027:(1913, Benton) 1022: 1006: 991: 982: 981: 980: 974: 968: 959: 952:Craw Clarendon 949: 948: 947: 946:(1912, Benton) 932: 929: 922: 907: 887: 886: 885: 875: 874:(1925, Benton) 869: 868:(1924, Benton) 863: 862:(1922, Benton) 857: 851: 850:(1917, Benton) 845: 842:Aldus Manutius 835: 832:Nicolas Jenson 820: 819:(1910, Benton) 814: 813: 812: 806: 800: 794: 793:(1907, Benton) 778: 768: 765: 764: 763: 762:(1913, Benton) 757: 756:(1912, Benton) 751: 750:(1910, Benton) 745: 744:(1909, Benton) 739: 738:(1907, Benton) 733: 728: 727:(1906, Benton) 722: 721:(1905, Benton) 716: 715:(1904, Benton) 710: 709:(1903, Benton) 704: 685: 684: 683: 682: 681: 680:(1923, Benton) 675: 674:(1921, Benton) 669: 654: 653: 652: 651:(1917, Benton) 641: 640: 639: 638:(1915, Benton) 633: 632:(1910, Benton) 627: 626:(1909, Benton) 616: 615: 614: 613:(1910, Benton) 608: 607:(1909, Benton) 602: 601:(1905, Benton) 596: 595:(1900, Benton) 590: 588:Century No. 2. 577: 560:Century series 557: 554: 551: 548: 547: 546: 545:(1927, Benton) 537:William Bulmer 533:William Martin 526: 523: 522: 521: 520:(1960, Benton) 495: 492: 489: 488: 487: 475: 460: 457: 456: 455: 443:Bookman Series 440: 433: 432: 431: 422: 421: 420: 414: 413:(1933, Benton) 408: 407:(1933, Benton) 402: 401:(1928, Benton) 396: 395:(1924, Benton) 390: 389:(1918, Benton) 384: 383:(1917, Benton) 378: 377:(1915, Benton) 372: 371:(1914, Benton) 366: 365:(1912, Benton) 360: 359:(1911, Benton) 354: 353:(1911, Benton) 348: 347:(1910, Benton) 342: 341:(1910, Benton) 336: 335:(1909, Benton) 320: 319: 318: 305: 304: 303: 297: 291: 279: 278: 277: 271: 265: 259: 253: 247: 235: 228: 219:, released as 213: 203: 197: 196: 195: 194:(1933, Benton) 189: 188:(1933, Benton) 183: 182:(1933, Benton) 177: 176:(1932, Benton) 171: 170:(1932, Benton) 165: 164:(1930, Benton) 154: 153: 152: 146: 140: 128: 121: 118: 115:Richard Isbell 113:series (1965, 108: 105: 102: 96: 95: 94: 93:(1934, Benton) 76: 70: 67: 62:Adonic (1930, 60: 56: 51: 48: 44:Frederic Goudy 24: 14: 13: 10: 9: 6: 4: 3: 2: 2795: 2784: 2781: 2779: 2776: 2775: 2773: 2761: 2757: 2754: 2753: 2749: 2744: 2741: 2740:0-938768-34-4 2737: 2733: 2729: 2726: 2725:0-7137-1347-X 2722: 2718: 2714: 2713: 2706: 2705:0-87923-333-8 2702: 2698: 2692: 2689: 2685: 2682: 2678: 2677:0-938768-34-4 2674: 2670: 2667:McGrew, Mac, 2664: 2661: 2648: 2644: 2638: 2635: 2622: 2618: 2617:"LTC Camelot" 2612: 2609: 2605: 2600: 2597: 2590: 2585: 2582: 2579: 2576: 2575: 2574: 2568: 2563: 2559: 2555: 2551: 2547: 2546: 2545: 2543: 2535: 2530: 2526: 2522: 2519: 2514: 2510: 2507: 2506: 2505: 2502: 2501: 2500: 2498: 2490: 2485: 2481: 2478: 2475: 2474: 2473: 2471: 2463: 2458: 2455: 2451: 2450:Litho Antique 2448: 2445: 2442: 2438: 2434: 2431: 2428: 2427: 2426: 2424: 2416: 2411: 2408:design that 2407: 2403: 2400: 2397: 2396: 2395: 2393: 2385: 2380: 2375: 2374: 2372: 2371: 2367: 2363: 2359: 2355: 2354: 2353: 2351: 2347: 2339: 2334: 2331: 2330: 2329: 2327: 2319: 2313: 2309: 2306: 2303: 2302: 2297: 2294: 2291: 2287: 2283: 2280: 2277: 2273: 2270: 2265: 2264:Cooper Italic 2261: 2258: 2255: 2254:Cooper Black, 2251: 2247: 2244: 2241: 2237: 2233: 2229: 2226: 2225: 2224: 2221: 2216: 2212: 2211:Cooper Italic 2209: 2207: 2204:) originally 2203: 2199: 2196: 2195: 2194: 2193:Cooper series 2191: 2188: 2184: 2181: 2176: 2172: 2171:Adcraft Black 2169: 2166: 2162: 2159: 2156: 2153: 2150: 2147:, 8-48pt, or 2146: 2143: 2142: 2140: 2137: 2136: 2131: 2126: 2122: 2120: 2112: 2106: 2101: 2098: 2097: 2095: 2092: 2089: 2084: 2083:Venetian Bold 2081: 2080: 2078: 2075: 2072: 2070: 2069: 2064: 2061: 2058: 2054: 2051: 2046: 2045: 2043: 2040: 2037: 2033: 2030: 2027: 2024: 2021: 2019: 2015: 2011: 2008: 2005: 2004: 1999: 1996: 1994: 1993:Globe Gothic. 1990: 1986: 1985: 1980: 1979:Taylor Gothic 1977: 1972: 1969: 1966: 1963: 1960: 1956: 1953: 1950: 1947: 1944: 1941: 1938: 1935: 1934: 1932: 1931:Stymie series 1929: 1926: 1922: 1919: 1914: 1911: 1910: 1908: 1905: 1900: 1897: 1894: 1891: 1888: 1885: 1882: 1879: 1876: 1873: 1870: 1867: 1864: 1861: 1858: 1855: 1854: 1852: 1848: 1844: 1841: 1838: 1835: 1830: 1827: 1826: 1824: 1821: 1818: 1814: 1811: 1808: 1804: 1803: 1798: 1797: 1792: 1788: 1785: 1782: 1779: 1776: 1772: 1768: 1765: 1762: 1759: 1756: 1752: 1751:Litho Antique 1749: 1745: 1742: 1739: 1736: 1733: 1730: 1727: 1723: 1722:Poster Gothic 1720: 1715: 1714:Piranesi Bold 1712: 1709: 1706: 1703: 1700: 1699: 1697: 1694: 1691: 1687: 1684: 1681: 1678: 1675: 1672: 1669: 1666: 1661: 1658: 1657: 1656: 1652: 1649: 1644: 1643: 1641: 1636: 1632: 1628: 1624: 1621: 1618: 1614: 1611: 1608: 1605: 1602: 1598: 1595: 1592: 1588: 1583: 1580: 1577: 1574: 1571: 1568: 1565: 1562: 1559: 1556: 1553: 1550: 1547: 1544: 1543: 1542: 1539: 1536: 1533: 1530: 1527: 1524: 1521: 1518: 1514: 1511: 1508: 1505: 1500: 1497: 1494: 1491: 1488: 1485: 1482: 1479: 1478: 1476: 1473: 1469: 1466: 1464: 1461: 1458: 1455: 1454: 1452: 1449: 1445: 1442: 1439: 1436: 1432: 1428: 1425: 1422: 1419: 1416: 1412: 1409: 1404: 1401: 1398: 1395: 1392: 1388: 1385: 1381: 1378: 1377: 1376: 1375:Jenson series 1373: 1368: 1365: 1364: 1362: 1359: 1356: 1353: 1348: 1345: 1344: 1342: 1339: 1336: 1332: 1329: 1326: 1323: 1319: 1316: 1313: 1310: 1306: 1302: 1299: 1294: 1290: 1286: 1283: 1280: 1277: 1274: 1271: 1269:(1915, Goudy) 1268: 1265: 1264: 1263: 1260: 1255: 1252: 1249: 1245: 1242: 1239: 1236: 1235: 1233: 1229: 1225: 1221: 1220:Taylor Gothic 1217: 1212: 1211:Garamond Open 1209: 1207: 1203: 1200: 1197: 1196:Garamond Bold 1194: 1192: 1188: 1185: 1184: 1182: 1178: 1175: 1172: 1168: 1165: 1160: 1157: 1154: 1151: 1148: 1145: 1142: 1139: 1138: 1136: 1132: 1129: 1126: 1123: 1118: 1114: 1110: 1107: 1106: 1104: 1099: 1096: 1095: 1093: 1089: 1086: 1082: 1079: 1077:Elmora (1968) 1076: 1073: 1069: 1065: 1062: 1059: 1054: 1051: 1048: 1047: 1043: 1040: 1037: 1036: 1034: 1031: 1026: 1023: 1020: 1016: 1013: 1012: 1010: 1007: 1004: 1000: 996: 992: 989: 988: 983: 978: 975: 972: 969: 966: 963: 962: 960: 957: 953: 950: 945: 942: 941: 940: 936: 933: 930: 927: 923: 920: 916: 912: 908: 905: 904:Flemish Black 901: 898: 894: 893: 888: 883: 879: 876: 873: 870: 867: 864: 861: 858: 856:(1918, Goudy) 855: 852: 849: 846: 843: 839: 836: 833: 829: 826: 825: 824: 821: 818: 815: 810: 807: 804: 801: 798: 795: 792: 789: 788: 786: 782: 779: 776: 772: 769: 766: 761: 758: 755: 752: 749: 746: 743: 740: 737: 734: 732: 729: 726: 723: 720: 717: 714: 711: 708: 705: 702: 698: 694: 691: 690: 689: 686: 679: 676: 673: 670: 667: 663: 660: 659: 658: 655: 650: 647: 646: 645: 642: 637: 634: 631: 628: 625: 622: 621: 620: 617: 612: 609: 606: 603: 600: 597: 594: 591: 589: 585: 581: 578: 575: 571: 570:Century Roman 568: 567: 566: 563: 562: 561: 558: 555: 552: 549: 544: 541: 540: 538: 534: 530: 527: 524: 519: 515: 514:Whittin Black 512:Re-issued as 511: 510: 508: 504: 500: 496: 493: 490: 485: 482: 481: 479: 476: 473: 469: 465: 461: 458: 453: 449: 446: 445: 444: 441: 438: 434: 429: 426: 425: 423: 418: 415: 412: 409: 406: 403: 400: 397: 394: 391: 388: 385: 382: 379: 376: 373: 370: 367: 364: 361: 358: 355: 352: 349: 346: 343: 340: 339:Bodoni Italic 337: 334: 331: 330: 328: 324: 323:Bodoni series 321: 316: 312: 309: 308: 306: 301: 298: 295: 292: 289: 286: 285: 283: 280: 275: 272: 269: 266: 263: 260: 257: 254: 251: 248: 245: 242: 241: 239: 236: 233: 229: 226: 222: 218: 214: 211: 207: 204: 202: 198: 193: 190: 187: 184: 181: 178: 175: 172: 169: 166: 163: 160: 159: 158: 155: 150: 147: 144: 141: 138: 137:Balloon Light 135: 134: 132: 129: 126: 122: 119: 116: 112: 109: 106: 103: 100: 97: 92: 89: 88: 87: 83: 82: 77: 74: 71: 68: 65: 61: 58: 57: 55: 49: 47: 45: 41: 37: 34:, his father 33: 29: 19: 2731: 2716: 2696: 2691: 2683: 2668: 2663: 2651:. Retrieved 2646: 2643:"LTC Powell" 2637: 2625:. Retrieved 2620: 2611: 2603: 2599: 2572: 2557: 2549: 2539: 2528: 2524: 2521:P. T. Barnum 2508: 2494: 2483: 2467: 2453: 2436: 2420: 2389: 2368: 2343: 2323: 2299: 2290:August Dietz 2263: 2259: 2253: 2245: 2227: 2210: 2205: 2197: 2170: 2161:Adcraft Bold 2160: 2154: 2148: 2144: 2130:Cooper Black 2128:A sample of 2116: 2099: 2094:Wedding Text 2082: 2066: 2063:Typo Upright 2056: 2035: 2001: 1992: 1982: 1970: 1964: 1954: 1948: 1942: 1936: 1925:Gerry Powell 1912: 1898: 1892: 1886: 1880: 1874: 1868: 1862: 1856: 1828: 1800: 1794: 1781:Rugged Roman 1754: 1750: 1725: 1713: 1707: 1701: 1689: 1660:Packard Bold 1659: 1613:P. T. Barnum 1597:Novel Gothic 1581: 1575: 1569: 1563: 1557: 1551: 1545: 1498: 1492: 1486: 1480: 1467: 1462: 1456: 1450:ultra light. 1447: 1414: 1402: 1396: 1386: 1379: 1366: 1346: 1300: 1284: 1278: 1272: 1266: 1253: 1243: 1237: 1232:Boston Globe 1219: 1210: 1206:T.M. Cleland 1201: 1195: 1191:T.M. Cleland 1186: 1158: 1152: 1146: 1140: 1116: 1108: 1097: 1091: 1068:Novel Gothic 1067: 1052: 1044: 1039:Dom Diagonal 1038: 1024: 1015:Della Robbia 1014: 1009:Della Robbia 998: 985: 979:(1963, Craw) 976: 973:(1960, Craw) 970: 967:(1958, Craw) 964: 956:Freeman Craw 943: 903: 899: 890: 877: 871: 865: 859: 853: 847: 837: 827: 808: 802: 796: 790: 759: 753: 747: 741: 735: 730: 724: 718: 712: 706: 692: 677: 671: 661: 656: 648: 643: 635: 629: 623: 618: 610: 604: 598: 592: 587: 579: 569: 564: 542: 529:Bulmer Roman 517: 513: 483: 447: 427: 416: 410: 404: 398: 392: 386: 380: 374: 368: 362: 356: 350: 344: 338: 332: 314: 310: 299: 293: 287: 273: 267: 261: 255: 249: 243: 224: 220: 216: 191: 185: 179: 173: 167: 161: 148: 143:Balloon Bold 142: 136: 90: 79: 53: 26: 2763:(in German) 2350:Saint Louis 2053:Typo Script 1883:(mid-1950s) 1817:Ed Benguiat 1775:Lewis Buddy 1755:Stymie Bold 1642:for Goudy. 1627:Pabst Roman 1546:News Gothic 1448:News Gothic 1387:Golden Type 1273:Goudy Title 1092:Caslon Text 965:Craw Modern 926:F. H. Riley 900:Caslon Text 892:Priory Text 387:Bodoni Open 375:Card Bodoni 345:Bodoni Book 210:Fry Foundry 86:Font Bureau 50:ATF Designs 2772:Categories 2591:References 2284:(c. 1927, 2282:Dietz Text 1998:Thermotype 1690:Acquitaine 1415:Tombstone, 1367:Invitation 1347:Light Hobo 1311:or Benton. 1064:Eagle Bold 1046:Dom Casual 954:(1955-60, 915:Cincinnati 693:Cheltenham 582:(c. 1897, 151:(Kaufmann) 145:(Kaufmann) 139:(Kaufmann) 2707:, p. 297. 2653:27 August 2627:26 August 2583:Telescope 2370:Romanisch 2335:(c. 1885) 2312:Oz Cooper 2286:Oz Cooper 2276:Oz Cooper 2250:Oz Cooper 2232:Oz Cooper 2215:Oz Cooper 2202:Oz Cooper 2187:Oz Cooper 2183:Boul Mich 2167:, 6-120pt 1901:(Renshaw) 1895:(Renshaw) 1889:(Renshaw) 1871:(Renshaw) 1865:(Renshaw) 1859:(Renshaw) 1668:Paramount 1655:Oz Cooper 1087:, Benton) 791:Clearface 539:in 1790. 225:Whitehall 217:Cambridge 111:Americana 81:Agency FB 2558:Columbia 2550:Kolonial 2333:Goldrush 2077:Venetian 1984:Quentell 1907:Sterling 1813:Souvenir 1787:Satanick 1767:Roycroft 1677:Parisian 1584:(Benton) 1578:(Benton) 1572:(Benton) 1566:(Benton) 1560:(Benton) 1554:(Benton) 1421:Kaufmann 1411:Jim Crow 1187:Garamond 1053:Dom Bold 919:Wiebking 811:(Benton) 805:(Benton) 799:(Benton) 771:CivilitĂ© 478:Broadway 315:Aigrette 212:version. 201:Wiebking 2647:MyFonts 2621:MyFonts 2560:by the 2552:by the 2399:Camelot 2310:(1927, 2248:(1926, 2230:(1922, 2213:(1924, 2200:(1918, 2185:(1927, 2149:Puritan 2012:(1953, 2003:Univers 1957:(1932, 1923:(1937, 1921:Stencil 1843:Spartan 1802:Chaucer 1651:Packard 1635:Chicago 1248:Phinney 1011:series 695:(1903, 572:(1894, 450:(1936, 131:Balloon 2738:  2723:  2703:  2675:  2586:Turius 2577:Altona 2480:Powell 2198:Cooper 1851:Futura 1837:Shadow 1686:Phenix 1475:Lydian 1335:Ludlow 1303:(1922 1005:face.) 1003:Ludlow 1001:was a 333:Bodoni 221:Benton 73:Ad Lib 2649:. LTC 2623:. LTC 2580:Octic 2236:ATF's 2032:Tower 1989:Goudy 1433:with 2736:ISBN 2721:ISBN 2701:ISBN 2673:ISBN 2655:2015 2629:2015 1799:and 1796:Troy 1341:Hobo 913:, a 516:and 36:Linn 2758:at 2410:ATF 2348:of 2173:or 2163:or 1991:as 1793:'s 1625:or 1291:or 1224:ATF 997:. ( 84:by 42:or 2774:: 2645:. 2619:. 2544:: 2499:: 2472:: 2394:: 2373:. 2352:: 2328:: 2141:, 2121:: 1853:. 1234:. 1183:. 787:. 699:, 329:. 46:. 38:, 2742:. 2727:. 2686:. 2657:. 2631:. 2564:. 2531:. 2456:. 2314:) 2304:. 2292:. 2278:) 2242:. 2189:) 2132:. 2059:. 2038:. 1961:) 1927:) 1777:. 1757:. 1728:. 1692:. 1619:. 1603:. 1519:) 1437:) 1324:) 1119:. 1021:) 1017:( 990:. 958:) 928:) 921:. 906:. 884:. 844:. 834:. 576:) 474:. 454:) 439:. 317:. 234:) 227:. 127:. 66:) 20:)

Index

Americana (typeface)
American Type Founders
Morris Fuller Benton
Linn
Joseph W. Phinney
Frederic Goudy
Willard T. Sniffin
Ad Lib
Agency FB
Font Bureau
Alternate Gothic
Americana
Richard Isbell
Linn Boyd Benton
Balloon
Bank Gothic series
Wiebking
Baskerville Roman + Italic
Fry Foundry
Lucian Bernhard
Bernhard Gothic
Bernhard Modern
Bodoni series
Giambattista Bodoni
Stephenson Blake
Bookman Series
Wadsworth A. Parker
Will H. Bradley
Inland Printer Magazine
Herman Ihlenberg

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