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Ampex ATR-100

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224:. Both machines were designed with the same transport and similar electronics. The Ampex ATR-124, though still widely regarded as the most accurate and best sounding multitrack ever produced, was a financial disaster for Ampex, resulting in only 62 being produced. Base price for these recorders in 1980 was $ 48,500 for the sixteen track machine and $ 62,500 for the 24 track machine. With additional components and customizations, either machine could easily reach over $ 100,000 in cost when it was originally released. Because of this, the Ampex ATR-124 is extremely rare, extremely expensive to service and maintain, and is referred to by many engineers as "The King of All Tape Machines." 122: 195: 25: 177:
Key features of the design are the machine's interchangeable headblock system, which allows the ATR-100 to be converted to run either quarter-inch or half-inch magnetic tape. Ampex was the first company to implement a servo-controlled, direct-drive-capstan tape transport, which allows the tape speed
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The ATR-100 was designed by a three-person design team consisting of Robert P. Harshberger Jr. (motors and control system), Alastair M. Heaslett (signal electronics) and Roger Sleger (mechanical systems).
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and tension to be continuously monitored by a servo relay. The transport consequently has excellent wow and flutter specifications. The ATR-100 also features dual
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in Los Angeles, and was geared towards the ultra high end studio market. The original versions were designed specifically as a
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Approximately two years after the release of the ATR-100, Ampex released the next generation
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Following the success of the ATR-102, Ampex went on to release the 16-track
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as the most accurate analogue tape recorder ever to be produced.
18: 145:, United States. It was introduced at the Spring 1976 49:. Unsourced material may be challenged and removed. 8: 320:"Chronology of Ampex Professional Products" 336:(Draft: 29 October 95; Rev. 4 November 99) 286:"The Making of the Ampex ATR-100, Part 2" 161:deck. It has gained a reputation in the 109:Learn how and when to remove this message 326:. Recordist.com by Josephson Engineering 233: 324:Ampex Virtual Museum and Mailing List 295:. Sagamore Publishing. pp. 36–38 261:. Sagamore Publishing. pp. 32–35 7: 47:adding citations to reliable sources 303:– via American Radio History. 293:db - The Sound Engineering Magazine 269:– via American Radio History. 259:db - The Sound Engineering Magazine 14: 252:"The Making of the Ampex ATR-100" 23: 34:needs additional citations for 1: 284:Zide, Larry (February 1977). 250:Zide, Larry (December 1976). 200:(bottom, Mike Spitz-modified) 157:(2 or 4 track) mixdown and 371: 350:Sound recording technology 143:Redwood City, California 135:multitrack tape recorder 16:Multitrack tape recorder 201: 126: 197: 124: 43:improve this article 186:is also available. 173:Features and design 202: 163:recording industry 127: 240:Alastair Heaslett 220:and the 24-track 139:Ampex Corporation 119: 118: 111: 93: 362: 335: 333: 331: 318:Sanner, Howard. 305: 304: 302: 300: 290: 281: 275: 273:via ATR Services 270: 268: 266: 256: 247: 241: 238: 114: 107: 103: 100: 94: 92: 51: 27: 19: 370: 369: 365: 364: 363: 361: 360: 359: 340: 339: 329: 327: 317: 314: 309: 308: 298: 296: 288: 283: 282: 278: 264: 262: 254: 249: 248: 244: 239: 235: 230: 214: 199: 192: 175: 115: 104: 98: 95: 58:"Ampex ATR-100" 52: 50: 40: 28: 17: 12: 11: 5: 368: 366: 358: 357: 355:Tape recording 352: 342: 341: 338: 337: 313: 312:External links 310: 307: 306: 276: 242: 232: 231: 229: 226: 213: 210: 198:Ampex ATR-102 191: 188: 184:remote control 174: 171: 147:AES Conference 137:, designed by 117: 116: 31: 29: 22: 15: 13: 10: 9: 6: 4: 3: 2: 367: 356: 353: 351: 348: 347: 345: 325: 321: 316: 315: 311: 294: 287: 280: 277: 274: 260: 253: 246: 243: 237: 234: 227: 225: 223: 222:Ampex ATR-124 219: 218:Ampex ATR-116 211: 209: 207: 206:Ampex ATR-102 196: 189: 187: 185: 181: 172: 170: 166: 164: 160: 156: 152: 148: 144: 140: 136: 132: 131:Ampex ATR-100 125:Ampex ATR-100 123: 113: 110: 102: 91: 88: 84: 81: 77: 74: 70: 67: 63: 60: –  59: 55: 54:Find sources: 48: 44: 38: 37: 32:This article 30: 26: 21: 20: 330:November 16, 328:. Retrieved 323: 299:November 16, 297:. Retrieved 292: 279: 265:November 16, 263:. Retrieved 258: 245: 236: 221: 217: 215: 205: 203: 176: 167: 155:quadraphonic 130: 128: 105: 96: 86: 79: 72: 65: 53: 41:Please help 36:verification 33: 344:Categories 228:References 69:newspapers 212:Evolution 180:VU meters 159:mastering 99:May 2009 190:Upgrade 83:scholar 151:stereo 85:  78:  71:  64:  56:  289:(PDF) 255:(PDF) 141:, of 133:is a 90:JSTOR 76:books 332:2018 301:2018 267:2018 129:The 62:news 271:or 153:or 45:by 346:: 322:. 291:. 257:. 334:. 112:) 106:( 101:) 97:( 87:· 80:· 73:· 66:· 39:.

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multitrack tape recorder
Ampex Corporation
Redwood City, California
AES Conference
stereo
quadraphonic
mastering
recording industry
VU meters
remote control

"The Making of the Ampex ATR-100"
via ATR Services
"The Making of the Ampex ATR-100, Part 2"
"Chronology of Ampex Professional Products"
Categories
Sound recording technology
Tape recording

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