181:. In the poem, which was written in Berlin in 1912, Brooke contrasts his beloved English countryside with the German city around him. The disciplined German tulips, he says, "bloom in rows", unlike the "unkempt" wild roses in England. Along with its obvious relevance to the rose nursery setting of the book, the title refers to the formlessness of Ann Peronett's character. The lack of self-assertiveness that Randall criticizes as making her "as messy and flabby and open as a bloody
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his request. Felix
Meecham, an army officer and family friend, has been in love with Ann for years. After Randall leaves and asks Ann for a divorce, Felix declares his love and urges her to give up hoping for Randall's return. Ann falls in love with Felix, but her daughter Miranda, who is devoted to her father and is herself secretly in love with Felix, convinces her that she should not marry him. Discouraged by Ann's rejection, Felix decides to take a position in India.
197:, in which each of the main characters is in love with at least one of the others. In this novel most of the emotional attachments, whether or not they are reciprocated or acknowledged, have existed in some form for some time. This contrasts with some of Murdoch's other novels, in which "people implausibly fall suddenly and often disastrously in love", and lends an air of naturalism to the plot.
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attempting to achieve their own ends, are influencing the course of other people's lives. Thus, for example, Randall finds out later that his flight with
Lindsay was to some extent facilitated by Emma. In some cases, several people share responsibility for an action, without realizing it. For example, Hugh thinks the act of freeing Randall by selling his
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Ann and
Randall Peronett's relationship represents the tension between a virtuous or religious person and an artist, two ways of being that Murdoch often explores in her novels. In this case Ann's formlessness and passivity contrast with Randall's quest for form and his desire for decisive action. In
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Randall is determined to leave Ann for
Lindsay, and asks his father for financial help. Hugh complies by selling a valuable painting and giving the proceeds to Randall. Randall takes Lindsay off to Italy, and asks his wife for a divorce. For emotional and religious reasons she is reluctant to grant
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within the context of
Murdoch's work as a whole. Hilda Spear describes it as belonging to Murdoch's "romantic phase", in which her books were concerned with "the responsibilities, impositions and ties of marriage". It has also been analyzed in the context of Murdoch's four novels dealing with male
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Freedom is another important theme. Randall is determined to free himself from his marriage to Ann, and apparently succeeds in doing so, unlike his father Hugh, who gave up Emma and stayed with Fanny. However, the question of individual freedom is complicated by the fact that the characters, while
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Years before, Hugh had broken off his affair with Emma and returned to his wife, but Fanny's death opens up the possibility of his renewing the relationship. He visits Emma in her London flat, where she is always accompanied by
Lindsay. After Lindsay's departure Hugh declares his love to Emma, but
151:. Randall and his wife Ann have a fourteen-year-old daughter, Miranda. Randall is having an affair in London with Lindsay Rimmer, a young woman who is the secretary and companion of Emma Sands, a detective novelist with whom Hugh had had an affair twenty five years earlier.
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she refuses him, saying she has already hired another secretary and companion. At the end of the novel, Hugh is on his way to India for a holiday, accompanying Felix and Felix's older sister
Mildred, who is in love with Hugh.
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Miss
Murdoch is clearly a very intelligent and thoughtful person, but on the evidence of this book appears to have little natural talent for the writing of fiction, using the novel primarily as a vehicle for her
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as primarily a comic novel, describing it variously as a "tragi-comedy about the follies, miseries and ambiguities of love" or a "comedy of manners". The book's reception was generally favourable, and
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The novel begins with the funeral of Fanny
Peronett, the wife of Hugh Peronett. Hugh is a retired civil servant whose son Randall owns a successful rose nursery near
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Frank Kermode (Contributor), Iris Murdoch (Contributor), Rodney Bennett (Producer) (24 May 1965).
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Iris Murdoch: a descriptive primary and annotated secondary bibliography
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644:(2 ed.). Houndmills, Basingstoke, Hampshire: Palgrave Macmillan.
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Pondrom, Cyrena Norman (1968). "Iris Murdoch: An existentialist?".
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The book is entirely about love and its cousins or second cousins.
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Dooley, Gillian (2009). "Iris Murdoch's novels of male adultery:
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included it on its list of recommended books for summer reading.
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The Saint and the Artist: a Study of the Fiction of Iris Murdoch
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Reynolds, Stanley (30 December 1974). "An Unofficial Rose".
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Unkempt about those hedges blows An English unofficial rose.
604:"A Selection of 100 Outstanding Books for Summer Reading".
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Ryan, Marjorie (1962). "Iris Murdoch: An Unofficial Rose".
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Culligan, Glendy (20 May 1965). "Pin a Rose on Iris".
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312:. New York: Garland Publishing. p. 144.
308:Fletcher, John; Cheryl Browning Bove (1994).
139:. Published in 1962, it was her sixth novel.
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625:. London, England. 7 June 1962. p. 16.
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543:(21 May 1965). "Books of The Times".
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217:Literary significance and reception
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593:. Washington, D.C. p. E7.
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518:Modern Novelists: Iris Murdoch
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401:. London: Chatto & Windus.
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1013:(with J. B. Priestley, 1964)
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342:Representative Poetry Online
209:a televised discussion with
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221:Contemporary reviewers saw
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253:. The author found that
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933:The Philosopher's Pupil
640:Spear, Hilda D (2007).
549:. New York. p. 31.
344:. University of Toronto
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270:miniseries
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994:" (1957)
797:The Bell
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372:(2001).
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175:'s poem
169:epigraph
59:Language
278:BBC Two
183:dogrose
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