Ananda Coomaraswamy - Knowledge (XXG)

2072: 345: 643:

which may be geometrical, vegetable, or theriomorphic, and are devoid of any sentimental appeal whatever. An anthropomorphic symbol follows, but this is still a form and not a figuration; not made as though to function biologically or as if to illustrate a text book of anatomy or dramatic expression. Still later, the form is sentimentalised; the features of the crucified are made to exhibit human suffering, the type is completely humanised, and where we began with the shape of humanity as an analogical representation of the idea of God, we end with the portrait of the artist's mistress posing as the Madonna and a representation of an all-too-human baby; the Christ is no longer a man-God, but the sort of man we can approve of.

519:. His books and essays on art and culture, symbolism and metaphysics, scripture, folklore and myth, and still other topics, offer a remarkable education to readers who accept the challenges of his resolutely cross-cultural perspective and insistence on tying every point he makes back to sources in multiple traditions. He once remarked, "I actually think in both Eastern and Christian terms—Greek, Latin, Sanskrit, Pali, and to some extent Persian and Chinese." Alongside the deep and not infrequently difficult writings of this period, he also delighted in polemical writings created for a larger audience—essays such as "Why exhibit works of art?" (1943). 3757: 749: 375: 507:. At the same time he amassed an unmatched collection of Rajput and Moghul paintings, which he took with him to the Museum of Fine Arts, Boston, when he joined its curatorial staff in 1917. Through 1932, from his base in Boston, he produced two kinds of publications: brilliant scholarship in his curatorial field but also graceful introductions to Indian and Asian art and culture, typified by 3745: 3733: 33: 3088: 719:

finally in the conception of Brahman (the Absolute) as world-ground. The Water Cosmology, it is true, persists side by side with, and linked with these deeper views, even in post-Vedic literature; but it is typically not a creation of the Vedas and seems to belong to an even older stratum of ideas than that which is developed in the Vedas.

647:

In keeping with his traditionalist stance, he saw this process as one of gradual decay in which the human life world began to encroach gradually on the divine with an attendant growth of sentimentality and loss of meaning. He was fond of quoting the curator, John Lodge: “From the Stone Age until now,

534:

Coomaraswamy was a firm believer in the comparative method. The analysis of both texts and symbols across a wide variety of cultures and time periods allowed him to see below the surface of local interpretations and religious exclusivism to locate the bedrock of tradition. By tradition, he meant that

332:

By 1906, Coomaraswamy had made it his mission to educate the West about Indian art, and was back in London with a large collection of photographs, actively seeking out artists to try to influence. He knew he could not rely on museum curators or other members of the cultural establishment – in 1908 he

608:

Unlike Rene Guenon and others who shared many of his understandings, he was not content to describe traditional ideas from the inside out, in metaphysical terms alone. His commitment to the Western intellectual tradition was deep. He didn't believe that science and metaphysics were in opposition but

544:

His extensive knowledge of ancient languages allowed him access to primary sources and his understanding of metaphysics helped him discern the deeper meanings that other scholars often missed. Given the specialization and compartmentation of knowledge that was part of the Western academic tradition,

763:

as "That noble scholar upon whose shoulders we are still standing." While serving as a curator to the Boston Museum of Fine Arts in the latter part of his life, he devoted his work to the explication of traditional metaphysics and symbolism. His writings of this period are filled with references to

713:

The designs we found in Neolithic times were derived from older images. Thus the continuity of tradition reveals itself best in art, which expresses ideas. Even when religious philosophies developed with writing, a continuity of meaning could be observed often because the change was gradual and the

709:

He found these symbols in many cultures and time periods, both in religious writings and in folklore. He saw little opposition between religion and folklore. Folklore was transmitted in the vernacular as compared to the sacred languages in which scripture was delivered and interpreted. Folklore was

642:

An adequate knowledge of theology and cosmology is then indispensable to an understanding of the history of art, insofar as the actual shapes and structures of works of art are determined by their real content. Christian art, for example, begins with the representation of deity by abstract symbols,

599:

It was possible for Aristotle, starting from the premise that a man, being actually cultured, may also become literate, to ask whether there is a necessary or merely an accidental connection of literacy with culture. Such a question can hardly arise for those to whom illiteracy implies, as a matter

559:

By “folklore” we mean the whole and consistent body of culture which has been handed down, not in books but by word of mouth and in practice, from time beyond the reach of historical research, in the form of legends, fairy tales, ballads, games, toys, crafts, medicine, agriculture, and other rites,

723:

The ideas expressed by images were made explicit by writing, which allowed for a greater degree of abstraction and elaboration but since the concrete preceded the abstract, all philosophy started with images. In the absence of writing, the tribal cultures of the world have preserved a good deal of

612:

Nor did his work suffer from the oversimplifications and distortions that can afflict comparative studies. He was critical of the writings of Carl Jung and of Theosophy which he believed distorted the meaning of traditional ideas. The details he provided in support of his arguments could daunt the

549:

What the secular mind does is to assert that we (symbolists) are reading meaning into things that originally had none: our assertion is that they are reading out the meaning. The proof of our contention lies in the perfection, consistency and universality of the pattern in which these meanings are

844:

Although he agrees with Guénon on the universal principles, Coomaraswamy's works are very different in form. By vocation, he was a scholar who dedicated the last decades of his life to "searching the Scriptures". He offers a perspective on the tradition that complements Guénon's. He was extremely

621:

One of Coomaraswamy's most important contributions was his profound understanding of how people communicated in early times and how their ideas were transmitted and preserved in the absence of writing. He felt that traditional symbolism could best be understood by means of images, which preceded

718:

In the Vedas, the belief {that all life began in the “Waters”} appears in the form of an old popular theory, for which are substituted the successively more philosophical concepts of Space Cosmology, of a belief in the origin of the world in Non-being, in an origin of the world from Being, and

710:

less moralistic but its themes shared a common source with those of religion; Jack's beanstalk was Jacob's ladder. Religion was not “contaminated” by folklore but used it to express the same ideas in a more rationalized and moralized setting, just as Plato used myths to explain his philosophy.

554:

His criticism of the academic world was centered around a number of related issues. First, the academic method, by itself, was ill-equipped to deal with the way in which ideas where transmitted in non-literate cultures, due to an over-reliance on written documentation. Too much was left out.

573:

As a traditionalist, Coomaraswamy emphasized the continuity of culture. He was well aware of historical change but he felt that the connecting elements had been lost by the extreme emphasis placed on change and “progress”. Conflict between a new religion and an older one often obscured the

333:

wrote "The main difficulty so far seems to have been that Indian art has been studied so far only by archaeologists. It is not archaeologists, but artists ... who are the best qualified to judge of the significance of works of art considered as art." By 1909, he was firmly acquainted with

1953:

T.Wignesan, "Ananda K. Coomaraswamy's Aesthetics" # Tamil studies Now published in the collection: T.Wignesan. Rama and Ravana at the Altar of Hanuman: On Tamils, Tamil Literature & Tamil Culture. Allahabad:Cyberwit.net, 2008, 750p. & at Chennai: Institute of Asian Studies, 2007,

539:

The folk has thus preserved, without understanding, the remains of old traditions that go back sometimes to the indeterminably distant past, to which we can only refer as “prehistoric”. Had the folk beliefs not indeed been once understood, we could not now speak of them as metaphysically

604:

Like Franz Boas and a handful of others, Coomaraswamy waged a constant war against racism with the press and academic world. He was a strong advocate for Indian independence and was pressured to leave England for publicly suggesting that Indians not fight in the First World War.

341:, the city's two most important early Modernists, and soon both of them had begun to incorporate Indian aesthetics into their work. The curiously hybrid sculptures that were produced as a result can be seen to form the very roots of what is now considered British Modernism. 873:

The more superficially one studies Buddhism, the more it seems to differ from the Brahmanism in which it originated; the more profound our study, the more difficult it becomes to distinguish Buddhism from Brahmanism, or to say in what respects, if any, Buddhism is really

600:

of course, ignorance, backwardness, unfitness for self-government: for you, unlettered people are uncivilized peoples and vice versa—as a recent publisher's blurb expresses it: “The greatest force in civilization is the collective wisdom of a literate people."

613:

ablest scholar; his footnotes sometimes took up more room on a page than the text. The comparative method has achieved a good deal of success in linguistics but its application to culture had rarely gone beyond mere documentation before Ananda Coomaraswamy.

460:, in 1947. During his long career, he was instrumental in bringing Eastern art to the West. In fact, while at the Museum of Fine Arts, he built the first substantial collection of Indian art in the United States. He also helped with the collections of 590:

it was only to further their own cause. Ideas like this did not go over well with other scholars and his correspondence has its share of angry or condescending responses to his work which he deflected with a combination of erudition, tact, and humor.

2887: 860:

Coomaraswamy built a bridge between East and West that was designed to be two-way: among other things, his metaphysical writings aimed at demonstrating the unity of the Vedanta and Platonism. His works also sought to rehabilitate

409:, 28 years younger, who was working as a society photographer under the professional name Xlata Llamas. They had a son, Coomaraswamy's third child, Rama Ponnambalam (1929-2006), who became a physician and convert at age 22 to the 394:

and the artists who exhibited at Stieglitz's gallery. At the same time, he studied Sanskrit and Pali religious literature as well as Western religious works. He wrote catalogues for the Museum of Fine Arts and published his

594:

A third issue that raised his ire was the racism inherent in the Western world's criticism and misinterpretation of traditional and tribal cultures, attitudes tied closely to literacy and the attendant idea of progress.

564:

A second point of conflict was the obsessive tendency of Western scholarship to divide cultures, religions, and time periods into discrete categories in order to fit into academic organizational and mental structures.

1635:

His son, born in Massachusetts in 1932, plays the same role in the catholic resistance guerilla against so-called 'II Vatican Council' and so-called 'John Paul II'. He studied in England and later in India,

727:

Coomaraswamy also maintained that traditional technologies (like the needle or the fire drill) were applications of metaphysical ideas, just as modern technology is an expression of scientific principles.

1777:

Selected Letters of Ananda Coomaraswamy, p. 213. Graham Carey (1892-1984) was an architect, essayist, lecturer and the co-author, with A. K. Coomaraswamy, of Patron and Artist, Pre-Renaissance and Modern

560:

and forms of social organization, especially those that we call “tribal.” This is a cultural complex independent of national and even racial boundaries, and of remarkable similarity throughout the world.

3862: 363:

in Kashmir. Commaraswamy studied Rajput painting while his wife studied Indian music with Abdul Rahim of Kapurthala. When they returned to England, Alice performed Indian song under the stage name

578:

The opposition of religion to folklore is often a kind of rivalry set up as between a new dispensation and an older tradition, the gods of the older cult becoming the evil spirits of the newer.

421:

works. He was also ordained a Traditionalist Roman Catholic priest, despite the fact that he was married and had a living wife. Rama Coomaraswamy studied in England and then in India, learning

1735: 586:, which at root indicates something given, was synonymous with the Christian Holy Spirit, God's gift of life. If Christian propagandists chose to emphasize the demonic at the expense of the 1680:

In 2002, five years after her death, Pope John Paul II judged that the healing of a woman suffering from an abdominal tumour was the result of Mother Teresa's supernatural intervention.

367:. Alice was successful and both went to America when Ratan Devi did a concert tour. While they were there, Coomaraswamy was invited to serve as the first Keeper of Indian art in the 2937: 3807: 3882: 495:" movement, an early phase of the struggle for Indian independence. In the 1920s, he made discoveries in the history of Indian art, particularly some distinctions between 487:

to Ceylonese culture and, with his wife Ethel, produced a groundbreaking study of Ceylonese crafts and culture. While in India, he was part of the literary circle around

845:

perceptive regarding aesthetics and wrote dozens of articles on traditional arts and mythology. His works are also finely balanced intellectually. Although born in the

655:

Coomaraswamy spent a lot of his time documenting themes and images that appeared to be very old, given their widespread distribution. Major areas of study included:

1675: 626:

To have lost the art of thinking in images is precisely to have lost the proper linguistic of metaphysics and to have descended to the verbal logic of “philosophy.

3125: 888: 3887: 306:, an English photographer, who then traveled with him to Ceylon. Their marriage lasted until 1913. Coomaraswamy's field work between 1902 and 1906 earned him a 1850:

See "Vedanta and Western Tradition" in The Collected Works of Ananda Coomaraswamy, vol. 2, and The Selected Letters of Ananda Coomaraswamy, p. 150 and p. 157.

3797: 2867: 3932: 3872: 344: 257:

to the West. In particular, he is described as "the groundbreaking theorist who was largely responsible for introducing ancient Indian art to the West".

569:

It is equally surprising that so many scholars, meeting with some universal doctrine in a given context, so often think of it as a local peculiarity.

3822: 3687: 1732: 3877: 2101: 865:, as he believed that the distance (i.e. differences) between Buddhism and Hinduism was artificially created by Western Indologists. In his book, 609:

were two different ways of looking at the world. He was trained as a geologist and was well equipped to deal with science as well as metaphysics.

287:

and his English wife Elizabeth Beeby. His father died when Ananda was two years old, and Ananda spent much of his childhood and education abroad.

3842: 1535: 1066: 3852: 3259: 2149: 989:

A catalog of sculptures by John Mowbray-Clarke: shown at the Kevorkian Galleries, New York, from May the seventh to June the seventh, 1919.

832: 1630: 1405: 740:, who corresponded with Coomarawamy and learned much from him, would go on to identify some of the Paleolithic sources of this symbolism. 284: 266: 317:, and prompted the formation of the Geological Survey of Ceylon which he initially directed. While in Ceylon, the couple collaborated on 1595: 800:

and other mystics. When asked how he defined himself foremost, Coomaraswamy said he was a "metaphysician", referring to the concept of

3817: 3787: 3118: 1952: 1398: 1085: 291: 3922: 3897: 3209: 2026: 1975: 1904:

See Selected Letters of Ananda Coomaraswamy, pp. 220-221, for one example. The two men met in Cambridge, Massachusetts in the 1930s.

1330: 483:

Coomaraswamy made important contributions to the philosophy of art, literature, and religion. In Ceylon, he applied the lessons of

1525: 3927: 3902: 3892: 3832: 2768: 2461: 837: 2091: 2081: 325:

sentiments. After their divorce, Partridge returned to England, where she became a famous weaver and later married the writer

3912: 3792: 1934: 2106: 1467: 622:

writing and which contained ideas that had been handed down from the earliest times and preserved in a vast array of media.

3111: 2446: 2371: 178: 3723: 3867: 3837: 3827: 3405: 3070: 2997: 853:

tradition as well as a great expertise in, and love for, Greek metaphysics, especially that of Plotinus, the founder of

402:

After the couple divorced in 1930, they remained friends. Shortly thereafter, on 18 November 1930, Coomaraswamy married

3692: 368: 1913: 475:

After Coomaraswamy's death, his widow, Doña Luisa Runstein, acted as a guide and resource for students of his work.

2596: 2426: 1691: 732:

Primitive man knew nothing of a possible divorce of function and meaning: all his inventions were applied meaning.

1707: 1346: 2303: 1237: 299: 2581: 1565: 526:(Sage, 2003, p. 44), Armand Mattelart credits Coomaraswamy for coining the term 'post-industrial' in 1913. 321:; Coomaraswamy wrote the text and Ethel provided the photographs. His work in Ceylon fueled Coomaraswamy's anti- 3802: 3430: 3382: 3362: 2957: 2741: 2142: 1552: 1282: 2496: 3907: 3847: 3284: 3219: 3017: 2967: 2521: 2391: 1823:

Ananda Coomaraswamy, The Bugbear of Literacy, p. 23, quoting Aristotle, Metaphysics, VI 2, 4, and XI: 8, 12.

1183: 820: 295: 157: 1841:

See Ananda Coomaraswamy, What is Civilisation and Other Essays. “Gradation and Evolution” Chapters 7 and 8.

3304: 3294: 2947: 2897: 2654: 2356: 2222: 991:(1919, New York: Kevorkian Galleries, co-authored with Mowbray-Clarke, John, H. Kevorkian, and Amy Murray) 457: 78: 1548:

Video of a Lecture discussing Coomaraswamy's role in the introduction of Indian art to Western Modernists

3538: 3508: 3410: 3324: 3075: 2649: 2602: 2511: 2336: 2309: 2283: 2217: 824: 773: 545:

his efforts were not always appreciated. He expressed some of his feelings in a letter to Graham Carey:

516: 418: 410: 187: 2624: 1203:

Coomaraswamy: Selected Papers, 3 volumes: Traditional Art and Symbolism, Metaphysics, His Life and Work

386:, 20 years his junior, in November 1922. Through the 1920s, Coomaraswamy and his wife were part of the 3917: 3812: 3782: 3777: 3661: 3611: 3558: 3234: 3161: 3037: 2917: 2907: 2815: 2788: 2691: 2471: 2212: 1242: 801: 465: 303: 406: 382:

Coomaraswamy divorced his second wife after they arrived in America. He married the American artist

3563: 3553: 3483: 3372: 3347: 3299: 3289: 3254: 3181: 3080: 3047: 3022: 2857: 2810: 2805: 2619: 2576: 2566: 2536: 2516: 2253: 2207: 2202: 2197: 2192: 2135: 2107:

The Colonial Context and Aesthetic Identity Formation: Coomaraswamy, A Case Study by Binda Paranjpe

1257: 488: 90: 2491: 1492: 3651: 3533: 3415: 3357: 3309: 3274: 3229: 3224: 3042: 3032: 3002: 2977: 2763: 2701: 2561: 2361: 2268: 2187: 2172: 1641: 1046: 781: 438: 280: 171: 126: 2096: 1622: 1402: 3606: 3493: 3397: 3319: 3166: 3092: 3052: 2927: 2820: 2794: 2436: 2396: 2351: 2331: 2288: 2263: 2182: 2177: 2122: 2067: 2022: 1971: 1930: 1586:, Oxford Dictionary of National Biography, Oxford University Press, 2004, accessed 17 Oct 2015 1531: 1326: 1252: 1062: 862: 812: 512: 434: 307: 276: 203: 167: 153: 1547: 1372: 3641: 3528: 3518: 3463: 3453: 3171: 2556: 2506: 2451: 2366: 2298: 2076: 1277: 1232: 949: 469: 391: 235: 1832:

See Selected Letters of Ananda Coomaraswamy, passim, for his stance on Indian independence.

1596:"Rama P.Coomaraswamy (1929-2006)" by William Stoddart and Mateus Soares de Azevedo (3 pdfs) 3761: 3737: 3705: 3656: 3498: 3249: 3239: 3214: 2441: 2381: 2258: 1739: 1653: 1409: 1292: 1090: 816: 793: 760: 1148: 2111: 3671: 3646: 3548: 3543: 3488: 3425: 3342: 3334: 3027: 3007: 2877: 2634: 2586: 2546: 2481: 2431: 2411: 2346: 1958: 1227: 1036: 979:(with Duggirāla Gōpālakr̥ṣṇa) (1917, Harvard University Press; 1997, South Asia Books,) 484: 322: 254: 223: 60: 3103: 3857: 3771: 3666: 3631: 3616: 3503: 3458: 3387: 3352: 3199: 3189: 3057: 2847: 2706: 2629: 2571: 2486: 2466: 2326: 2278: 1667: 1297: 1287: 1267: 1097: 850: 737: 500: 334: 326: 1512:"Stella Bloch Papers Relating to Ananda K. Coomaraswamy, 1890-1985 (bulk 1917-1930)" 887:. Indira Gandhi, National Center for the Arts, Manohar, New Delhi, (2002). See also 3749: 3710: 3636: 3621: 3523: 3448: 3420: 3377: 3367: 3279: 3264: 2661: 2526: 2406: 2386: 2238: 1527:

Modernism and the Museum: Asian, African and Pacific Art and the London Avant Garde

1272: 1262: 854: 789: 748: 638:

and that a study of “styles” and “influences” would reveal little of significance.

630:

His study of traditional symbols had taught him that symbols were meant to express

430: 383: 183: 132: 120: 2086: 1421: 374: 302:(UCL), with a degree in geology and botany. On 19 June 1902, Coomaraswamy married 2888:

A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful

2123:

Ananda Coomaraswamy materials in the South Asian American Digital Archive (SAADA)

1511: 3588: 3568: 3513: 3478: 3244: 3194: 2830: 2783: 2639: 2591: 2551: 2501: 2293: 2063: 1796:

Ananda Coomaraswamy, The Greek Sphinx in Guardians of the Sun-Door pg. 120 ft. 5

1468:"Seeing the glory of localism that transcends the narrow boundaries of localism" 511:, a collection of essays that remain in print to this day. Deeply influenced by 461: 449: 387: 246: 199: 3756: 1031: 957: 3583: 3578: 3473: 3314: 3269: 2800: 2778: 2671: 2456: 2416: 2376: 2243: 2158: 1895:

Selected Letters of Ananda Coomaraswamy, p. 291, in a letter to George Sarton.

1695: 1582: 453: 414: 364: 356: 314: 250: 3626: 2711: 2681: 2476: 2421: 2341: 2273: 1323:

Anarchist Modernism : Art, Politics, and the First American Avant-Garde

1247: 965: 958:

Viśvakarmā; examples of Indian architecture, sculpture, painting, handicraft

403: 349: 338: 272: 371:

in 1917. The couple had two children, a son, Narada, and daughter, Rohini.

2116: 441:, whose first healing attribution was recognized by John Paul II in 2002. 32: 3598: 3573: 3468: 3156: 3135: 3012: 2746: 2696: 2676: 2541: 1180:

Spiritual Authority and Temporal Power in the Indian Theory of Government

828: 769: 492: 426: 360: 1606: 456:

Art. He served as curator in the Museum of Fine Arts until his death in

2825: 2773: 2731: 2716: 2686: 2248: 1814:

See Selected Letters of Ananda Coomaraswamy, passim, for many examples.

1711: 1350: 785: 445: 207: 56: 2039:

Coomaraswamy: Volume I: Selected Papers, Traditional Art and Symbolism

1868:

Ananda Coomaraswamy, Christian and Oriental Philosophy of Art, pl. 45.

2758: 2736: 2666: 2644: 907:

Figures of Speech or Figures of Thought?: The Traditional View of Art

496: 444:

In 1933 Coomaraswamy's title at the Museum of Fine Arts changed from

311: 271:

Ananda Kentish Coomaraswamy was born in Colombo, British Ceylon, now

2102:"Ananda K. Coomaraswamy's Life and Work" at World Wisdom publishers 3142: 2531: 846: 777: 765: 747: 422: 373: 343: 1805:

The Collected Works of Ananda Coomaraswamy, vol. 1, p. 286, ft.2.

1105:

A New Approach to the Vedas: An Essay in Translation and Exegesis

977:

The mirror of gesture: being the Abhinaya darpaṇa of Nandikeśvara

705:

The Symplegades (Clashing Rocks) and the Coincidence of Opposites

2752: 2726: 1995:

Ananda Coomaraswamy: remembering and remembering again and again

1970:

vol. 1, ed. Amaresh Dutta, Sahitya Akademi (1987), p. 768.

1859:

The Collected Works of Ananda Coomaraswamy, vol. 1, pp. 296-297.

797: 686:

The cosmic dome and the hole in the sky with its guardian figure

3107: 2131: 1708:"Anand Coomaraswamy A Pen Sketch By - Dr. Rama P. Coomaraswamy" 1347:"Anand Coomaraswamy A Pen Sketch By - Dr. Rama P. Coomaraswamy" 2721: 1607:"On the Validity of My Ordination" by Dr. Rama P. Coomaraswamy 680:

The symbolism of birds and other “psychopomps” (soul carriers)

2127: 540:

intelligible, or explain the accuracy of their formulations.

417:, Rama became a critic of the reforms and author of Catholic 2035:, Edited by Alvin Moore, Jr; and Rama P. Coomaraswamy (1988) 2003:, by P. S. Sastri. Arnold-Heinemann Publishers, India, 1974. 1568:, Making Britain, Open University, Retrieved 17 October 2015 752:

Portrait of Coomaraswamy printed in the April 1916 issue of

2047:, Edited by Roger Lipsey, Princeton University Press (1977) 1984:, Sage: London, Thousand Oaks, New Delhi, 2003, p. 44. 1787:

The Collected Works of Ananda Coomaraswamy, vol. 1, p. 286.

1385:

Murray Fowler, "In Memoriam: Ananda Kentish Coomaraswamy",

889:

Corrigenda to A Bibliography of Ananda Kentish Coomaraswamy

819:, Coomaraswamy is regarded as one of the three founders of 1081:, (Kessinger Publishing, 2007; Golden Elixir Press, 2011) 971:

Bangīya padābali; songs of the love of Rādhā and Krishna]

693:) doctrine that underlies the symbolism of the fiber arts 1997:, by S. Durai Raja Singam. Publisher: Raja Singam, 1974. 1506: 1504: 2021:, by Vishwanath S. Naravane. Twayne Publishers, 1977. 1422:"The Annual Ananda Coomaraswamy Memorial Oration 1999" 841:

alongside articles by Schuon and Guénon among others.

390:

art circles in New York City, Coomaraswamy befriended

348:

His second wife: Alice Coomaraswamy (Ratan Devi) with

3721: 2938:

The Work of Art in the Age of Mechanical Reproduction

2045:

Coomaraswamy: Volume II: Selected Papers, Metaphysics

1696:

The Door in the Sky: Coomaraswamy on Myth and Meaning

1325:. Chicago: University of Chicago Press. p. 129. 1197:

The Door in the Sky. Coomaraswamy on Myth and Meaning

827:. Several articles by Coomaraswamy on the subject of 245:; 22 August 1877 − 9 September 1947) was a Ceylonese 3863:

People educated at Wycliffe College, Gloucestershire

2053:, by Roger Lipsey, Princeton University Press (1977) 2015:, by Moni Bagchee. Publisher: Bharata Manisha, 1977. 1914:

Multiworld.org/m_versity/althinkers... - StumbleUpon

1514:. Princeton University Library Manuscripts Division. 1129:

Coomaraswamy: Selected Papers, Volume 2, Metaphysics

535:

which has been handed down from time beyond memory.

3680: 3597: 3439: 3396: 3333: 3180: 2990: 2839: 2612: 2319: 2231: 2165: 298:, at the age of twelve. In 1900, he graduated from 290:Coomaraswamy moved to England in 1879 and attended 193: 177: 163: 149: 113: 96: 86: 67: 42: 23: 1455:Journal of Comparative Literature & Aesthetics 1019:Bronzes from Ceylon, chiefly in the Colombo Museum 925:Guardians of the Sundoor: Late Iconographic Essays 883:For a complete bibliography, see James S. Crouch, 355:Coomaraswamy then met and married a British woman 1616: 1614: 1101:(1916, G. P. Putnam's sons; 2006, Obscure Press,) 2097:Coomaraswamy bibliography at religioperennis.org 2009:, by S. Durai Raja Singam. Publisher s.n., 1979. 1742:, essay. He also published a book of that title. 1152:Turn Inc., New York; 2003, Kessinger Publishing, 1001:Early Indian Architecture: Cities and City-Gates 1877:"From the Stone Age until now, what a downfall. 985:(1917, G. Schirmer; 2006, Kessinger Publishing, 871: 378:Portrait of Ananda Coomaraswamy, published 1907 696:The concept of ether and the symbolism of fire 3119: 2143: 1125:, (Manohar Publishers and Distributors, 2000) 1093:) (1914, H. Holt; 2003, Kessinger Publishing) 8: 2868:The Literary Mind and the Carving of Dragons 885:A Bibliography of Ananda Kentish Coomarswamy 433:in the United States, he was an opponent of 3808:American people of Sri Lankan Tamil descent 2051:Coomaraswamy: Volume III: His Life and Work 1149:The Dance of Shiva – Fourteen Indian essays 1032:The arts & crafts of India & Ceylon 668:The “Water Cosmology” and the “Plant Style” 437:and remain a wider correspondent of mother 359:and together they stayed on a houseboat in 3126: 3112: 3104: 2150: 2136: 2128: 1627:The Destruction of the Christian Tradition 1061:, (Munshirm Manoharlal Pub Pvt Ltd, 1998) 849:tradition, he had a deep knowledge of the 674:Traditional cosmologies (the three worlds) 31: 20: 16:Sri Lankan Tamil metaphysician (1877–1947) 3883:Sri Lankan emigrants to the United States 2082:Books by Coomaraswamy - Fons Vitae Series 1530:. Oxford University Press, 2011, passim. 1316: 1314: 1312: 1156:The village community and modern progress 1009:, (Munshirm Manoharlal Pub Pvt Ltd, 2001) 3688:List of modern Eastern religions writers 2112:Coomaraswamy's Impetus to Eastern Spirit 2087:1999 Coomaraswamy lecture by Sandrasagra 1982:The Information Society: An Introduction 1886:"Ananda Coomaraswamy, Yaksas, pp. 98-99. 1766:Christian and Oriental Philosophy of Art 1753:Christian and Oriental Philosophy of Art 1583:Coomaraswamy, Ananda Kentish (1877–1947) 1111:The Living Thoughts of Gotama the Buddha 1043:Christian and Oriental Philosophy of Art 702:The inverted tree and arboreal symbolism 524:The Information Society: An Introduction 138:Luisa Runstein (m. 1930–1947, his death) 3728: 2033:Selected letters of Ananda Coomaraswamy 2007:Ananda Kentish Coomaraswamy: a handbook 1668:"Profile: 'Living Saint' Mother Teresa" 1576: 1574: 1308: 1174:What is Civilisation?: and Other Essays 1158:(12 pages) (Colombo Apothecaries, 1908) 515:, he became one of the founders of the 1961:One Hundred Tamils of the 20th Century 1678:from the original on 1 November 2005. 1649: 1639: 1633:from the original on 9 February 2010. 1493:Philip Rawson, "A Professional Sage", 973:, (1915, The Old Bourne press: London) 714:old and the new existed side by side. 2073:Works by or about Ananda Coomaraswamy 7: 3888:Sri Lankan people of English descent 3260:A. C. Bhaktivedanta Swami Prabhupada 1443:Sir John Woodroffe Tantra and Bengal 1209:The Essential Ananda K. Coomaraswamy 1205:, (Princeton University Press, 1977) 1199:, (Princeton University Press, 1997) 1131:, (Princeton University Press, 1977) 931:History of Indian and Indonesian Art 699:Divine bi-unity (male/female) as one 677:The symbolism of snakes and reptiles 397:History of Indian and Indonesian Art 3798:Alumni of University College London 2041:, Princeton University Press (1977) 1968:Encyclopaedia of Indian Literature, 1086:Myths of the Hindus & Buddhists 1055:, (Klinkhardt & Biermann, 1928) 1013:The Transformation of Nature in Art 582:He pointed out that the Greek word 3933:20th-century Sri Lankan historians 3873:People from Needham, Massachusetts 2092:Ananda K. Coomaraswamy at WorldCat 1389:Vol. 10, No. 3 (1947), pp. 241-244 1025:Early Indian Architecture: Palaces 1015:, (Sterling Pub Private Ltd, 1996) 831:and the perennial philosophy were 448:to Fellow for Research in Indian, 14: 1959:"Ananda Kentish Coomaraswamy" in 1621:Father Rama Coomaraswamy (1981). 1098:Buddha and the gospel of Buddhism 953:(1909, Essex House Press, London) 903:, Harvard University Press, 1935. 503:painting, and published his book 220:Ananda Kentish Muthu Coomaraswamy 3755: 3743: 3731: 3290:Dayananda Saraswati (Arya Samaj) 3086: 1497:v. 26, no. 2 (February 22, 1979) 901:Elements of Buddhist Iconography 574:commonalities that linked them. 253:who was an early interpreter of 232:Āṉanta Kentiś Muthū Kumāracuvāmi 3823:Sri Lankan scholars of Buddhism 2119:in Dictionary of Art Historians 997:, (B.R. Publishing Corp., 2003) 838:Studies in Comparative Religion 472:, and the Museum of Fine Arts. 285:Ponnambalam–Coomaraswamy family 279:legislator and philosopher Sir 267:Ponnambalam–Coomaraswamy family 3878:Smithsonian Institution people 1027:, (Munshiram Manoharlal, 1975) 1021:, (Dept. of Govt. Print, 1978) 1007:The Origin of the Buddha Image 933:, (Kessinger Publishing, 2003) 921:, (Kessinger Publishing, 2005) 915:, (Kessinger Publishing, 2007) 1: 3843:Indian independence activists 1925:Coomaraswamy, Ananda (1943). 1755:, p. 139; quoting René Guénon 1495:The New York Review of Books, 937:Teaching of Drawing in Ceylon 491:, and he contributed to the " 3406:Bankim Chandra Chattopadhyay 2998:Aestheticization of politics 2064:Works by Ananda Coomaraswamy 2013:Ananda Coomaraswamy: a study 1524:Arrowsmith, Rupert Richard. 1373:"René Guénon: Life and Work" 1164:(Colombo Apothecaries, 1910) 1003:, (South Asia Books, 2002) I 939:(1906, Colombo Apothecaries) 736:The American art historian, 3853:Museum of Fine Arts, Boston 3693:List of writers on Hinduism 1966:"Coomaraswamy, Ananda K.", 1162:Essays in national idealism 950:Voluspa; The Sibyl's Saying 3949: 3190:Mirra Alfassa (The Mother) 1692:Princeton University Press 1107:, (South Asia Books, 1994) 1053:Archaic Indian Terracottas 945:(1909, Probsthain: London) 913:Introduction To Indian Art 671:Soma and the Water of Life 479:Contributions to the world 369:Boston Museum of Fine Arts 294:, a preparatory school in 264: 91:British Ceylonese American 3818:Sri Lankan art historians 3788:20th-century philosophers 3701: 3152: 3066: 1733:Why Exhibit Works of Art? 1457:, Volume 16 (1993), p. 61 1445:, Routledge (2012), p. 63 1238:Calico Museum of Textiles 1215:Guardians of the Sun-Door 1176:. Golgonooza Press, (UK), 1170:, (Sophia Perennis, 1979) 835:in the quarterly journal 300:University College London 251:philosopher of Indian art 239: 227: 213: 145: 30: 3923:Historians of Indian art 3898:Sri Lankan Tamil writers 3431:Vinayak Damodar Savarkar 3383:Vinayak Damodar Savarkar 3363:Sarvepalli Radhakrishnan 1553:School of Advanced Study 1283:Mateus Soares de Azevedo 754:The Hindusthanee Student 3928:Historians of Sri Lanka 3903:Sri Lankan Tamil people 3893:Sri Lankan philosophers 3285:Chinmayananda Saraswati 3220:Satsvarupa dasa Goswami 3018:Evolutionary aesthetics 2968:The Aesthetic Dimension 1321:Antliff, Allan (2001). 1184:Oxford University Press 1142:Am I My Brothers Keeper 1123:Perception of the Vedas 1119:, (Artibus Asiae, 1947) 319:Mediaeval Sinhalese Art 296:Stroud, Gloucestershire 158:20th-century philosophy 3833:Hindu studies scholars 3305:Swami Satprakashananda 3295:Krishnananda Saraswati 2948:Avant-Garde and Kitsch 2898:Lectures on Aesthetics 2019:Ananda K. Coomaraswamy 2001:Ananda K. Coomaraswamy 1738:28 August 2010 at the 1211:, (2003, World Wisdom) 1191:Posthumous collections 876: 833:published posthumously 756: 734: 724:this older symbolism. 721: 662:Symbolism of the wheel 645: 628: 602: 580: 571: 562: 552: 542: 458:Needham, Massachusetts 379: 357:Alice Ethel Richardson 352: 79:Needham, Massachusetts 3913:Traditionalist School 3793:Advaitin philosophers 3509:Christopher Isherwood 3440:Westerners influenced 3411:Ramdhari Singh Dinkar 3325:Paramahansa Yogananda 3093:Philosophy portal 1927:Hinduism and Buddhism 1764:Ananda Coomaraswamy, 1751:Ananda Coomaraswamy, 1079:Hinduism and Buddhism 909:, (World Wisdom 2007) 867:Hinduism and Buddhism 825:Traditionalist School 751: 730: 716: 640: 624: 617:Traditional symbolism 597: 576: 567: 557: 547: 537: 517:Traditionalist School 411:Roman Catholic Church 377: 347: 188:Traditionalist School 107:Hinduism and Buddhism 3662:Anantanand Rambachan 3612:S. N. Balagangadhara 3235:Nisargadatta Maharaj 3162:Hinduism in the West 3038:Philosophy of design 2918:In Praise of Shadows 2908:The Critic as Artist 1674:. 18 December 2015. 1408:15 June 2010 at the 1399:MFA: South Asian Art 1243:Comparative Religion 1217:, (Fons Vitae, 2004) 1113:, (Fons Vitae, 2001) 943:The Indian craftsman 927:, (Fons Vitae, 2004) 802:perennial philosophy 759:He was described by 744:Perennial philosophy 466:Freer Gallery of Art 304:Ethel Mary Partridge 37:Coomaraswamy in 1916 3868:People from Colombo 3838:Indian art curators 3828:Coomaraswamy family 3554:Arthur Schopenhauer 3373:Bal Gangadhar Tilak 3300:Sivananda Saraswati 3255:Swami Prabhavananda 3205:Ananda Coomaraswamy 3048:Philosophy of music 3023:Mathematical beauty 1980:Mattelart, Armand. 1929:. Open Road Media. 1258:Seyyed Hossein Nasr 1168:Bugbear of Literacy 689:The Thread-spirit ( 683:The heavenly ladder 650:quelle dégringolade 489:Rabindranath Tagore 25:Ananda Coomaraswamy 3652:Klaus Klostermaier 3416:C. Rajagopalachari 3310:Swami Shraddhanand 3275:Srivatsa Ramaswami 3230:Jiddu Krishnamurti 3225:Mahendranath Gupta 3043:Philosophy of film 3033:Patterns in nature 3003:Applied aesthetics 2978:Why Beauty Matters 2764:Life imitating art 2625:Art for art's sake 1047:Dover Publications 823:, also called the 757: 509:The Dance of Shiva 439:Teresa of Calcutta 380: 353: 281:Muthu Coomaraswamy 249:, historian and a 243:Ānanda Kumārasvāmī 172:Western philosophy 103:The Dance of Shiva 3719: 3718: 3559:Erwin Schrödinger 3335:Political writers 3320:Swami Vivekananda 3182:Religious writers 3167:Indian philosophy 3147: 3101: 3100: 3053:Psychology of art 2928:Art as Experience 2068:Project Gutenberg 1536:978-0-19-959369-9 1474:. 4 December 2020 1441:Kathleen Taylor, 1144:, (Ayer Co, 1947) 1117:Time and eternity 1067:978-81-215-0230-6 863:original Buddhism 435:Pope John Paul II 310:for his study of 308:doctor of science 240:ආනන්ද කුමාරස්වාමි 228:ஆனந்த குமாரசுவாமி 217: 216: 204:philosophy of art 168:Indian philosophy 154:Modern philosophy 3940: 3760: 3759: 3748: 3747: 3746: 3736: 3735: 3734: 3727: 3642:Georg Feuerstein 3529:Maria Montessori 3464:Aleister Crowley 3454:Helena Blavatsky 3398:Literary writers 3348:François Gautier 3172:Indian religions 3146: 3139: 3128: 3121: 3114: 3105: 3091: 3090: 3089: 2983: 2973: 2963: 2953: 2943: 2933: 2923: 2913: 2903: 2893: 2883: 2873: 2863: 2853: 2152: 2145: 2138: 2129: 2077:Internet Archive 1941: 1940: 1922: 1916: 1911: 1905: 1902: 1896: 1893: 1887: 1884: 1878: 1875: 1869: 1866: 1860: 1857: 1851: 1848: 1842: 1839: 1833: 1830: 1824: 1821: 1815: 1812: 1806: 1803: 1797: 1794: 1788: 1785: 1779: 1775: 1769: 1762: 1756: 1749: 1743: 1730: 1724: 1723: 1721: 1719: 1714:on 20 April 2008 1710:. Archived from 1704: 1698: 1689: 1683: 1682: 1664: 1658: 1657: 1651: 1647: 1645: 1637: 1629:(2nd ed.). 1618: 1609: 1604: 1598: 1593: 1587: 1578: 1569: 1566:Alice Richardson 1563: 1557: 1545: 1539: 1522: 1516: 1515: 1508: 1499: 1490: 1484: 1483: 1481: 1479: 1464: 1458: 1452: 1446: 1439: 1433: 1432: 1430: 1428: 1418: 1412: 1401:. Archived from 1396: 1390: 1383: 1377: 1376: 1369: 1363: 1362: 1360: 1358: 1353:on 20 April 2008 1349:. Archived from 1343: 1337: 1336: 1318: 1278:William Stoddart 1233:Titus Burckhardt 1136:Social criticism 470:Washington, D.C. 392:Alfred Stieglitz 292:Wycliffe College 241: 229: 99: 74: 71:9 September 1947 52: 50: 35: 21: 3948: 3947: 3943: 3942: 3941: 3939: 3938: 3937: 3803:American Hindus 3768: 3767: 3766: 3754: 3744: 3742: 3732: 3730: 3722: 3720: 3715: 3706:Hinduism Portal 3697: 3676: 3657:Hajime Nakamura 3593: 3499:George Harrison 3441: 3435: 3392: 3329: 3250:Sister Nivedita 3240:Ramana Maharshi 3215:Eknath Easwaran 3176: 3148: 3140: 3132: 3102: 3097: 3087: 3085: 3062: 2986: 2981: 2971: 2961: 2958:Critical Essays 2951: 2941: 2931: 2921: 2911: 2901: 2891: 2881: 2871: 2861: 2851: 2835: 2608: 2522:Ortega y Gasset 2315: 2227: 2161: 2156: 2060: 1991: 1989:Further reading 1949: 1944: 1937: 1924: 1923: 1919: 1912: 1908: 1903: 1899: 1894: 1890: 1885: 1881: 1876: 1872: 1867: 1863: 1858: 1854: 1849: 1845: 1840: 1836: 1831: 1827: 1822: 1818: 1813: 1809: 1804: 1800: 1795: 1791: 1786: 1782: 1776: 1772: 1763: 1759: 1750: 1746: 1740:Wayback Machine 1731: 1727: 1717: 1715: 1706: 1705: 1701: 1690: 1686: 1666: 1665: 1661: 1648: 1638: 1620: 1619: 1612: 1605: 1601: 1594: 1590: 1579: 1572: 1564: 1560: 1546: 1542: 1523: 1519: 1510: 1509: 1502: 1491: 1487: 1477: 1475: 1466: 1465: 1461: 1453: 1449: 1440: 1436: 1426: 1424: 1420: 1419: 1415: 1410:Wayback Machine 1397: 1393: 1384: 1380: 1371: 1370: 1366: 1356: 1354: 1345: 1344: 1340: 1333: 1320: 1319: 1310: 1306: 1293:Advaita Vedanta 1224: 1091:Sister Nivedita 995:Rajput Painting 895:Traditional art 881: 817:Frithjof Schuon 806:sophia perennis 761:Heinrich Zimmer 746: 665:The Flood story 659:Solar symbolism 619: 532: 505:Rajput Painting 481: 269: 263: 196: 186: 170: 156: 141: 97: 82: 76: 72: 63: 54: 48: 46: 38: 26: 17: 12: 11: 5: 3946: 3944: 3936: 3935: 3930: 3925: 3920: 3915: 3910: 3908:Tamil scholars 3905: 3900: 3895: 3890: 3885: 3880: 3875: 3870: 3865: 3860: 3855: 3850: 3848:Metaphysicians 3845: 3840: 3835: 3830: 3825: 3820: 3815: 3810: 3805: 3800: 3795: 3790: 3785: 3780: 3770: 3769: 3765: 3764: 3752: 3740: 3717: 3716: 3714: 3713: 3708: 3702: 3699: 3698: 3696: 3695: 3690: 3684: 3682: 3678: 3677: 3675: 3674: 3672:Graham Schweig 3669: 3664: 3659: 3654: 3649: 3647:Meenakshi Jain 3644: 3639: 3634: 3629: 3624: 3619: 3614: 3609: 3607:Alain Daniélou 3603: 3601: 3595: 3594: 3592: 3591: 3586: 3581: 3576: 3571: 3566: 3561: 3556: 3551: 3549:Romain Rolland 3546: 3544:Helena Roerich 3541: 3536: 3531: 3526: 3521: 3516: 3511: 3506: 3501: 3496: 3491: 3489:Allen Ginsberg 3486: 3481: 3476: 3471: 3466: 3461: 3456: 3451: 3445: 3443: 3437: 3436: 3434: 3433: 3428: 3426:Amish Tripathi 3423: 3418: 3413: 3408: 3402: 3400: 3394: 3393: 3391: 3390: 3385: 3380: 3375: 3370: 3365: 3360: 3355: 3350: 3345: 3343:Mahatma Gandhi 3339: 3337: 3331: 3330: 3328: 3327: 3322: 3317: 3312: 3307: 3302: 3297: 3292: 3287: 3282: 3277: 3272: 3267: 3262: 3257: 3252: 3247: 3242: 3237: 3232: 3227: 3222: 3217: 3212: 3207: 3202: 3197: 3192: 3186: 3184: 3178: 3177: 3175: 3174: 3169: 3164: 3159: 3153: 3150: 3149: 3133: 3131: 3130: 3123: 3116: 3108: 3099: 3098: 3096: 3095: 3083: 3078: 3073: 3067: 3064: 3063: 3061: 3060: 3055: 3050: 3045: 3040: 3035: 3030: 3028:Neuroesthetics 3025: 3020: 3015: 3010: 3008:Arts criticism 3005: 3000: 2994: 2992: 2988: 2987: 2985: 2984: 2974: 2964: 2954: 2944: 2934: 2924: 2914: 2904: 2894: 2884: 2878:On the Sublime 2874: 2864: 2854: 2843: 2841: 2837: 2836: 2834: 2833: 2828: 2823: 2818: 2813: 2808: 2803: 2798: 2791: 2786: 2781: 2776: 2771: 2766: 2761: 2756: 2749: 2744: 2742:Interpretation 2739: 2734: 2729: 2724: 2719: 2714: 2709: 2704: 2699: 2694: 2689: 2684: 2679: 2674: 2669: 2664: 2659: 2658: 2657: 2652: 2642: 2637: 2635:Artistic merit 2632: 2627: 2622: 2616: 2614: 2610: 2609: 2607: 2606: 2599: 2594: 2589: 2584: 2579: 2574: 2569: 2564: 2559: 2554: 2549: 2544: 2539: 2534: 2529: 2524: 2519: 2514: 2509: 2504: 2499: 2494: 2489: 2484: 2479: 2474: 2469: 2464: 2459: 2454: 2449: 2444: 2439: 2434: 2429: 2424: 2419: 2414: 2409: 2404: 2399: 2394: 2389: 2384: 2379: 2374: 2369: 2364: 2359: 2354: 2349: 2344: 2339: 2334: 2329: 2323: 2321: 2317: 2316: 2314: 2313: 2306: 2301: 2296: 2291: 2286: 2284:Psychoanalysis 2281: 2276: 2271: 2266: 2261: 2256: 2251: 2246: 2241: 2235: 2233: 2229: 2228: 2226: 2225: 2220: 2215: 2210: 2205: 2200: 2195: 2190: 2185: 2180: 2175: 2169: 2167: 2163: 2162: 2157: 2155: 2154: 2147: 2140: 2132: 2126: 2125: 2120: 2114: 2109: 2104: 2099: 2094: 2089: 2084: 2079: 2070: 2059: 2058:External links 2056: 2055: 2054: 2048: 2042: 2036: 2030: 2016: 2010: 2004: 1998: 1990: 1987: 1986: 1985: 1978: 1964: 1956: 1948: 1945: 1943: 1942: 1935: 1917: 1906: 1897: 1888: 1879: 1870: 1861: 1852: 1843: 1834: 1825: 1816: 1807: 1798: 1789: 1780: 1770: 1757: 1744: 1725: 1699: 1684: 1659: 1650:|website= 1610: 1599: 1588: 1580:G. R. Seaman, 1570: 1558: 1540: 1517: 1500: 1485: 1459: 1447: 1434: 1413: 1391: 1387:Artibus Asiae, 1378: 1364: 1338: 1331: 1307: 1305: 1302: 1301: 1300: 1295: 1290: 1285: 1280: 1275: 1270: 1265: 1260: 1255: 1250: 1245: 1240: 1235: 1230: 1223: 1220: 1219: 1218: 1212: 1206: 1200: 1193: 1192: 1188: 1187: 1177: 1171: 1165: 1159: 1153: 1145: 1138: 1137: 1133: 1132: 1126: 1120: 1114: 1108: 1102: 1094: 1082: 1075: 1074: 1070: 1069: 1056: 1050: 1040: 1037:Farrar, Straus 1028: 1022: 1016: 1010: 1004: 998: 992: 986: 980: 974: 962: 961:(1914, London) 954: 946: 940: 934: 928: 922: 916: 910: 904: 897: 896: 880: 877: 745: 742: 707: 706: 703: 700: 697: 694: 687: 684: 681: 678: 675: 672: 669: 666: 663: 660: 618: 615: 531: 528: 485:William Morris 480: 477: 419:Traditionalist 407:Luisa Runstein 323:Westernization 262: 259: 255:Indian culture 215: 214: 211: 210: 197: 195:Main interests 194: 191: 190: 181: 175: 174: 165: 161: 160: 151: 147: 146: 143: 142: 140: 139: 136: 135:(m. 1922–1930) 130: 129:(m. 1913–1922) 124: 123:(m. 1902–1913) 117: 115: 111: 110: 100: 94: 93: 88: 84: 83: 77: 75:(aged 70) 69: 65: 64: 61:British Ceylon 55: 53:22 August 1877 44: 40: 39: 36: 28: 27: 24: 15: 13: 10: 9: 6: 4: 3: 2: 3945: 3934: 3931: 3929: 3926: 3924: 3921: 3919: 3916: 3914: 3911: 3909: 3906: 3904: 3901: 3899: 3896: 3894: 3891: 3889: 3886: 3884: 3881: 3879: 3876: 3874: 3871: 3869: 3866: 3864: 3861: 3859: 3856: 3854: 3851: 3849: 3846: 3844: 3841: 3839: 3836: 3834: 3831: 3829: 3826: 3824: 3821: 3819: 3816: 3814: 3811: 3809: 3806: 3804: 3801: 3799: 3796: 3794: 3791: 3789: 3786: 3784: 3781: 3779: 3776: 3775: 3773: 3763: 3758: 3753: 3751: 3741: 3739: 3729: 3725: 3712: 3709: 3707: 3704: 3703: 3700: 3694: 3691: 3689: 3686: 3685: 3683: 3679: 3673: 3670: 3668: 3667:Arvind Sharma 3665: 3663: 3660: 3658: 3655: 3653: 3650: 3648: 3645: 3643: 3640: 3638: 3635: 3633: 3632:Mircea Eliade 3630: 3628: 3625: 3623: 3620: 3618: 3617:Michel Danino 3615: 3613: 3610: 3608: 3605: 3604: 3602: 3600: 3596: 3590: 3587: 3585: 3582: 3580: 3577: 3575: 3572: 3570: 3567: 3565: 3562: 3560: 3557: 3555: 3552: 3550: 3547: 3545: 3542: 3540: 3537: 3535: 3532: 3530: 3527: 3525: 3522: 3520: 3519:André Malraux 3517: 3515: 3512: 3510: 3507: 3505: 3504:Aldous Huxley 3502: 3500: 3497: 3495: 3492: 3490: 3487: 3485: 3482: 3480: 3477: 3475: 3472: 3470: 3467: 3465: 3462: 3460: 3459:Deepak Chopra 3457: 3455: 3452: 3450: 3447: 3446: 3444: 3438: 3432: 3429: 3427: 3424: 3422: 3419: 3417: 3414: 3412: 3409: 3407: 3404: 3403: 3401: 3399: 3395: 3389: 3388:Jaswant Singh 3386: 3384: 3381: 3379: 3376: 3374: 3371: 3369: 3366: 3364: 3361: 3359: 3356: 3354: 3353:Sita Ram Goel 3351: 3349: 3346: 3344: 3341: 3340: 3338: 3336: 3332: 3326: 3323: 3321: 3318: 3316: 3313: 3311: 3308: 3306: 3303: 3301: 3298: 3296: 3293: 3291: 3288: 3286: 3283: 3281: 3278: 3276: 3273: 3271: 3268: 3266: 3263: 3261: 3258: 3256: 3253: 3251: 3248: 3246: 3243: 3241: 3238: 3236: 3233: 3231: 3228: 3226: 3223: 3221: 3218: 3216: 3213: 3211: 3208: 3206: 3203: 3201: 3200:Sri Aurobindo 3198: 3196: 3193: 3191: 3188: 3187: 3185: 3183: 3179: 3173: 3170: 3168: 3165: 3163: 3160: 3158: 3155: 3154: 3151: 3144: 3137: 3129: 3124: 3122: 3117: 3115: 3110: 3109: 3106: 3094: 3084: 3082: 3079: 3077: 3074: 3072: 3069: 3068: 3065: 3059: 3058:Theory of art 3056: 3054: 3051: 3049: 3046: 3044: 3041: 3039: 3036: 3034: 3031: 3029: 3026: 3024: 3021: 3019: 3016: 3014: 3011: 3009: 3006: 3004: 3001: 2999: 2996: 2995: 2993: 2989: 2980: 2979: 2975: 2970: 2969: 2965: 2960: 2959: 2955: 2949: 2945: 2939: 2935: 2930: 2929: 2925: 2920: 2919: 2915: 2909: 2905: 2900: 2899: 2895: 2890: 2889: 2885: 2880: 2879: 2875: 2870: 2869: 2865: 2860: 2859: 2855: 2850: 2849: 2848:Hippias Major 2845: 2844: 2842: 2838: 2832: 2829: 2827: 2824: 2822: 2819: 2817: 2814: 2812: 2809: 2807: 2804: 2802: 2799: 2797: 2796: 2792: 2790: 2787: 2785: 2782: 2780: 2777: 2775: 2772: 2770: 2767: 2765: 2762: 2760: 2757: 2755: 2754: 2750: 2748: 2745: 2743: 2740: 2738: 2735: 2733: 2730: 2728: 2725: 2723: 2720: 2718: 2715: 2713: 2710: 2708: 2707:Entertainment 2705: 2703: 2700: 2698: 2695: 2693: 2690: 2688: 2685: 2683: 2680: 2678: 2675: 2673: 2670: 2668: 2665: 2663: 2660: 2656: 2653: 2651: 2648: 2647: 2646: 2643: 2641: 2638: 2636: 2633: 2631: 2630:Art manifesto 2628: 2626: 2623: 2621: 2620:Appropriation 2618: 2617: 2615: 2611: 2605: 2604: 2600: 2598: 2595: 2593: 2590: 2588: 2585: 2583: 2580: 2578: 2575: 2573: 2570: 2568: 2565: 2563: 2560: 2558: 2555: 2553: 2550: 2548: 2545: 2543: 2540: 2538: 2535: 2533: 2530: 2528: 2525: 2523: 2520: 2518: 2515: 2513: 2512:Merleau-Ponty 2510: 2508: 2505: 2503: 2500: 2498: 2495: 2493: 2490: 2488: 2485: 2483: 2480: 2478: 2475: 2473: 2470: 2468: 2465: 2463: 2460: 2458: 2455: 2453: 2450: 2448: 2445: 2443: 2440: 2438: 2435: 2433: 2430: 2428: 2425: 2423: 2420: 2418: 2415: 2413: 2410: 2408: 2405: 2403: 2400: 2398: 2395: 2393: 2390: 2388: 2385: 2383: 2380: 2378: 2375: 2373: 2370: 2368: 2365: 2363: 2360: 2358: 2355: 2353: 2350: 2348: 2345: 2343: 2340: 2338: 2335: 2333: 2330: 2328: 2327:Abhinavagupta 2325: 2324: 2322: 2318: 2312: 2311: 2307: 2305: 2302: 2300: 2297: 2295: 2292: 2290: 2287: 2285: 2282: 2280: 2279:Postmodernism 2277: 2275: 2272: 2270: 2267: 2265: 2262: 2260: 2257: 2255: 2252: 2250: 2247: 2245: 2242: 2240: 2237: 2236: 2234: 2230: 2224: 2221: 2219: 2216: 2214: 2211: 2209: 2206: 2204: 2201: 2199: 2196: 2194: 2191: 2189: 2186: 2184: 2181: 2179: 2176: 2174: 2171: 2170: 2168: 2164: 2160: 2153: 2148: 2146: 2141: 2139: 2134: 2133: 2130: 2124: 2121: 2118: 2115: 2113: 2110: 2108: 2105: 2103: 2100: 2098: 2095: 2093: 2090: 2088: 2085: 2083: 2080: 2078: 2074: 2071: 2069: 2065: 2062: 2061: 2057: 2052: 2049: 2046: 2043: 2040: 2037: 2034: 2031: 2028: 2027:0-8057-7722-9 2024: 2020: 2017: 2014: 2011: 2008: 2005: 2002: 1999: 1996: 1993: 1992: 1988: 1983: 1979: 1977: 1976:81-260-1803-8 1973: 1969: 1965: 1963: 1962: 1957: 1955: 1951: 1950: 1946: 1938: 1932: 1928: 1921: 1918: 1915: 1910: 1907: 1901: 1898: 1892: 1889: 1883: 1880: 1874: 1871: 1865: 1862: 1856: 1853: 1847: 1844: 1838: 1835: 1829: 1826: 1820: 1817: 1811: 1808: 1802: 1799: 1793: 1790: 1784: 1781: 1774: 1771: 1767: 1761: 1758: 1754: 1748: 1745: 1741: 1737: 1734: 1729: 1726: 1713: 1709: 1703: 1700: 1697: 1693: 1688: 1685: 1681: 1677: 1673: 1669: 1663: 1660: 1655: 1643: 1636: 1632: 1628: 1624: 1617: 1615: 1611: 1608: 1603: 1600: 1597: 1592: 1589: 1585: 1584: 1577: 1575: 1571: 1567: 1562: 1559: 1556:, March 2012. 1555: 1554: 1549: 1544: 1541: 1537: 1533: 1529: 1528: 1521: 1518: 1513: 1507: 1505: 1501: 1498: 1496: 1489: 1486: 1473: 1469: 1463: 1460: 1456: 1451: 1448: 1444: 1438: 1435: 1423: 1417: 1414: 1411: 1407: 1404: 1400: 1395: 1392: 1388: 1382: 1379: 1374: 1368: 1365: 1352: 1348: 1342: 1339: 1334: 1332:9780226021041 1328: 1324: 1317: 1315: 1313: 1309: 1303: 1299: 1298:Carl Schuster 1296: 1294: 1291: 1289: 1288:Michel Valsan 1286: 1284: 1281: 1279: 1276: 1274: 1271: 1269: 1268:Whitall Perry 1266: 1264: 1261: 1259: 1256: 1254: 1251: 1249: 1246: 1244: 1241: 1239: 1236: 1234: 1231: 1229: 1226: 1225: 1221: 1216: 1213: 1210: 1207: 1204: 1201: 1198: 1195: 1194: 1190: 1189: 1185: 1181: 1178: 1175: 1172: 1169: 1166: 1163: 1160: 1157: 1154: 1151: 1150: 1146: 1143: 1140: 1139: 1135: 1134: 1130: 1127: 1124: 1121: 1118: 1115: 1112: 1109: 1106: 1103: 1100: 1099: 1095: 1092: 1088: 1087: 1083: 1080: 1077: 1076: 1072: 1071: 1068: 1064: 1060: 1057: 1054: 1051: 1048: 1044: 1041: 1038: 1034: 1033: 1029: 1026: 1023: 1020: 1017: 1014: 1011: 1008: 1005: 1002: 999: 996: 993: 990: 987: 984: 981: 978: 975: 972: 968: 967: 963: 960: 959: 955: 952: 951: 947: 944: 941: 938: 935: 932: 929: 926: 923: 920: 917: 914: 911: 908: 905: 902: 899: 898: 894: 893: 892: 890: 886: 878: 875: 870: 868: 864: 858: 856: 852: 848: 842: 840: 839: 834: 830: 826: 822: 818: 814: 809: 807: 803: 799: 795: 791: 787: 783: 779: 775: 771: 767: 762: 755: 750: 743: 741: 739: 738:Carl Schuster 733: 729: 725: 720: 715: 711: 704: 701: 698: 695: 692: 688: 685: 682: 679: 676: 673: 670: 667: 664: 661: 658: 657: 656: 653: 651: 644: 639: 637: 633: 627: 623: 616: 614: 610: 606: 601: 596: 592: 589: 585: 579: 575: 570: 566: 561: 556: 551: 546: 541: 536: 529: 527: 525: 520: 518: 514: 510: 506: 502: 498: 494: 490: 486: 478: 476: 473: 471: 467: 463: 459: 455: 451: 447: 442: 440: 436: 432: 428: 424: 420: 416: 412: 408: 405: 400: 398: 393: 389: 385: 376: 372: 370: 366: 362: 358: 351: 346: 342: 340: 336: 335:Jacob Epstein 330: 328: 327:Philip Mairet 324: 320: 316: 313: 309: 305: 301: 297: 293: 288: 286: 282: 278: 274: 268: 260: 258: 256: 252: 248: 247:metaphysician 244: 237: 233: 225: 221: 212: 209: 205: 201: 198: 192: 189: 185: 182: 180: 176: 173: 169: 166: 162: 159: 155: 152: 148: 144: 137: 134: 131: 128: 125: 122: 119: 118: 116: 112: 108: 104: 101: 95: 92: 89: 85: 80: 70: 66: 62: 58: 45: 41: 34: 29: 22: 19: 3711:India Portal 3637:Sister Gargi 3622:Paul Deussen 3524:Henry Miller 3484:R.W. Emerson 3449:Annie Besant 3421:K. D. Sethna 3378:Kartik Oraon 3368:Arun Shourie 3280:Swami Ramdas 3265:Krishna Prem 3204: 2976: 2966: 2956: 2926: 2916: 2896: 2886: 2876: 2866: 2856: 2846: 2793: 2769:Magnificence 2751: 2601: 2567:Schopenhauer 2402:Coomaraswamy 2401: 2320:Philosophers 2308: 2239:Aestheticism 2050: 2044: 2038: 2032: 2018: 2012: 2006: 2000: 1994: 1981: 1967: 1960: 1926: 1920: 1909: 1900: 1891: 1882: 1873: 1864: 1855: 1846: 1837: 1828: 1819: 1810: 1801: 1792: 1783: 1773: 1765: 1760: 1752: 1747: 1728: 1716:. Retrieved 1712:the original 1702: 1687: 1679: 1671: 1662: 1634: 1626: 1602: 1591: 1581: 1561: 1551: 1543: 1526: 1520: 1494: 1488: 1476:. Retrieved 1471: 1462: 1454: 1450: 1442: 1437: 1425:. Retrieved 1416: 1403:the original 1394: 1386: 1381: 1367: 1355:. Retrieved 1351:the original 1341: 1322: 1273:Huston Smith 1263:Martin Lings 1214: 1208: 1202: 1196: 1179: 1173: 1167: 1161: 1155: 1147: 1141: 1128: 1122: 1116: 1110: 1104: 1096: 1084: 1078: 1058: 1052: 1042: 1030: 1024: 1018: 1012: 1006: 1000: 994: 988: 983:Indian music 982: 976: 970: 964: 956: 948: 942: 936: 930: 924: 919:Buddhist Art 918: 912: 906: 900: 884: 882: 872: 869:, he wrote: 866: 859: 855:Neoplatonism 843: 836: 821:Perennialism 810: 805: 758: 753: 735: 731: 726: 722: 717: 712: 708: 690: 654: 649: 646: 641: 635: 631: 629: 625: 620: 611: 607: 603: 598: 593: 587: 583: 581: 577: 572: 568: 563: 558: 553: 548: 543: 538: 533: 523: 522:In his book 521: 508: 504: 482: 474: 443: 431:psychiatrist 413:. Following 401: 396: 384:Stella Bloch 381: 354: 331: 318: 289: 277:Ceylon Tamil 270: 242: 231: 219: 218: 184:Perennialism 133:Stella Bloch 121:Ethel Mairet 106: 102: 98:Notable work 73:(1947-09-09) 18: 3918:Neo-Vedanta 3813:Art critics 3783:1947 deaths 3778:1877 births 3589:W. B. Yeats 3569:Leo Tolstoy 3539:Oppenheimer 3534:H.S. Olcott 3514:David Lynch 3494:René Guénon 3479:T. S. Eliot 3442:by Hinduism 3245:A. G. Mohan 3195:Sri Anirvan 2862:(c. 335 BC) 2852:(c. 390 BC) 2831:Work of art 2784:Picturesque 2640:Avant-garde 2597:Winckelmann 2472:Kierkegaard 2397:Collingwood 2367:Baudrillard 2294:Romanticism 2264:Historicism 2198:Mathematics 2117:Coomarswamy 1718:21 November 1253:René Guénon 1228:Ivan Aguéli 1073:Metaphysics 874:unorthodox. 813:René Guénon 811:Along with 530:Methodology 513:René Guénon 462:Persian Art 429:. Became a 200:Metaphysics 87:Nationality 3772:Categories 3584:Ken Wilber 3579:Alan Watts 3474:Wayne Dyer 3315:Ram Swarup 3270:Swami Rama 2801:Recreation 2779:Perception 2672:Creativity 2372:Baumgarten 2362:Baudelaire 2244:Classicism 2159:Aesthetics 1936:1497675847 1357:8 November 1304:References 454:Mohammedan 415:Vatican II 365:Ratan Devi 315:mineralogy 265:See also: 127:Ratna Devi 49:1877-08-22 3627:Dharampal 3358:Ram Gopal 3210:Dayananda 2806:Reverence 2712:Eroticism 2682:Depiction 2655:Masculine 2557:Santayana 2517:Nietzsche 2462:Hutcheson 2452:Heidegger 2437:Greenberg 2392:Coleridge 2357:Balthasar 2342:Aristotle 2304:Theosophy 2299:Symbolism 2274:Modernism 2259:Formalism 1768:, p. 140. 1652:ignored ( 1642:cite book 1623:""About"" 1248:Esoterism 966:Vidyāpati 782:Augustine 691:sutratman 404:Argentine 399:in 1927. 350:Roshanara 339:Eric Gill 312:Ceylonese 275:, to the 273:Sri Lanka 3762:Religion 3738:Hinduism 3599:Scholars 3574:Voltaire 3469:Ram Dass 3157:Hinduism 3145:to date) 3138:writers 3081:Category 3013:Axiology 2882:(c. 500) 2872:(c. 100) 2747:Judgment 2702:Emotions 2697:Elegance 2677:Cuteness 2650:Feminine 2613:Concepts 2582:Tanizaki 2562:Schiller 2547:Richards 2537:Rancière 2507:Maritain 2442:Hanslick 2382:Benjamin 2254:Feminism 2223:Theology 2203:Medieval 2193:Japanese 2188:Internet 1736:Archived 1676:Archived 1631:Archived 1472:Silumina 1406:Archived 1222:See also 829:Hinduism 790:Shankara 770:Plotinus 636:emotions 634:and not 550:united. 493:Swadeshi 427:Sanskrit 388:bohemian 361:Srinagar 105:(1918), 3724:Portals 3564:Thoreau 3134:Modern 3076:Outline 2991:Related 2858:Poetics 2826:Tragedy 2816:Sublime 2789:Quality 2774:Mimesis 2732:Harmony 2717:Fashion 2692:Ecstasy 2687:Disgust 2603:more... 2572:Scruton 2497:Lyotard 2432:Goodman 2412:Deleuze 2347:Aquinas 2337:Alberti 2310:more... 2289:Realism 2269:Marxism 2249:Fascism 2232:Schools 2218:Science 2173:Ancient 2075:at the 1947:Sources 1778:(1936). 1672:BBC.com 1427:7 April 1186:, 1994) 1049:, 1956) 1039:, 1964) 851:Western 794:Eckhart 786:Aquinas 774:Clement 464:at the 450:Persian 446:curator 283:of the 236:Sinhala 208:history 114:Spouses 57:Colombo 2982:(2009) 2972:(1977) 2962:(1946) 2952:(1939) 2942:(1935) 2932:(1934) 2922:(1933) 2912:(1891) 2902:(1835) 2892:(1757) 2759:Kitsch 2737:Humour 2667:Comedy 2645:Beauty 2587:Vasari 2577:Tagore 2552:Ruskin 2492:Lukács 2482:Langer 2427:Goethe 2352:Balázs 2332:Adorno 2213:Nature 2178:Africa 2025: 1974: 1933: 1534: 1478:7 June 1329: 1089:(with 1065: 1059:Yaksas 588:daimon 584:daimon 501:Moghul 497:Rajput 452:, and 179:School 164:Region 109:(1943) 81:, U.S. 3750:India 3681:Lists 3136:Hindu 3071:Index 2840:Works 2821:Taste 2811:Style 2592:Wilde 2532:Plato 2527:Pater 2487:Lipps 2447:Hegel 2417:Dewey 2407:Danto 2387:Burke 2208:Music 2183:India 2166:Areas 1954:439p. 879:Works 847:Hindu 804:, or 778:Philo 766:Plato 632:ideas 423:Hindi 224:Tamil 3858:Pali 3143:1848 2795:Rasa 2753:Kama 2727:Gaze 2662:Camp 2542:Rand 2477:Klee 2467:Kant 2457:Hume 2377:Bell 2023:ISBN 1972:ISBN 1931:ISBN 1720:2007 1654:help 1532:ISBN 1480:2021 1429:2016 1359:2020 1327:ISBN 1063:ISBN 815:and 798:Rumi 499:and 425:and 337:and 261:Life 68:Died 43:Born 2722:Fun 2502:Man 2422:Fry 2066:at 1182:, ( 1045:, ( 1035:, ( 652:.” 468:in 150:Era 3774:: 2950:" 2940:" 2910:" 1694:, 1670:. 1646:: 1644:}} 1640:{{ 1625:. 1613:^ 1573:^ 1550:, 1503:^ 1470:. 1311:^ 969:: 891:. 857:. 808:. 796:, 792:, 788:, 784:, 780:, 776:, 772:, 768:, 329:. 238:: 234:; 230:, 226:: 206:, 202:, 59:, 3726:: 3141:( 3127:e 3120:t 3113:v 2946:" 2936:" 2906:" 2151:e 2144:t 2137:v 2029:. 1939:. 1722:. 1656:) 1538:. 1482:. 1431:. 1375:. 1361:. 1335:. 222:( 51:) 47:(

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.