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424:. These paintings, especially those of the duchess, are known for their minute attention to the detail of her costume, which almost takes on a personality of its own in the image at right. Here the Duchess is pictured with her second son Giovanni, who died of malaria in 1562, along with his mother; however it is the sumptuous fabric of the dress that takes up more space on the canvas than either of the sitters. Indeed, the dress itself has been the object of some scholarly debate. The elaborate gown has been rumoured to be so beloved by the duchess that she was ultimately buried in it; when this myth was debunked, others suggested that perhaps the garment never existed at all and Bronzino invented the entire thing, perhaps working only from a fabric swatch. In any case, this picture was reproduced over and over again by Bronzino and his shop, becoming one of the most iconic images of the duchess. The version pictured here is in the
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394:. It was not long before he became, and remained for most of his career, the official court painter of the Duke and his court. His portrait figures – often read as static, elegant, and stylish exemplars of unemotional haughtiness and assurance – influenced the course of European court portraiture for a century. These well known paintings exist in many workshop versions and copies. In addition to images of the Florentine elite, Bronzino also painted idealized portraits of the
229:, the leading Florentine painter of the first generation of Mannerism, and his style was greatly influenced by him, but his elegant and somewhat elongated figures always appear calm and somewhat reserved, lacking the agitation and emotion of those by his teacher. They have often been found cold and artificial, and his reputation suffered from the general critical disfavour attached to Mannerism in the 19th and early 20th centuries. Recent decades have been more appreciative of his art.
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437:, are less typical but possibly even more fascinating owing to the peculiarity of placing a publicly recognized personality in the nude as a mythical figure. Finally, in addition to being a painter, Bronzino was also a poet, and his most personal portraits are perhaps those of other literary figures such as that of his friend the poet
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1344:
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222:, c. 1544–45, now in London. Many portraits of the Medicis exist in several versions with varying degrees of participation by Bronzino himself, as Cosimo was a pioneer of the copied portrait sent as a diplomatic gift.
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478:) in this fresco cycle, and his religious works are examples of the mid-16th-century aesthetics of the Florentine court – traditionally interpreted as highly stylized and non-personal or emotive.
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for the chapel. Before this commission, his style in the religious genre was less
Mannerist, and was based in balanced compositions of the High Renaissance. Yet he became elegant and classicizing (cf.
1275:
484:
is typical of
Bronzino's approach at this time, though it should not be claimed that Bronzino or the court was lacking in religious fervour on the basis of the preferred court fashion. Indeed, the
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48:
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441:. The eroticized nature of these virile nude male portraits, as well as homoerotic references in his poetry, have led scholars to believe that Bronzino was homosexual.
1329:
1359:
1806:, exh. cat. ed. by Carmen C. Bambach, contr. by Elizabeth Pilliod, Marzia Faietti, Janet Cox-Rearick, Philippe Costamagna, The Metropolitan Museum of Art, New York
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was his favourite pupil, and
Bronzino was living in the Allori family house at the time of his death in Florence in 1572 (Alessandro was also the father of
216:. He was mainly a portraitist but also painted many religious subjects, and a few allegorical subjects, which include what is probably his best-known work,
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323:, two were said by Vasari to have been painted by Bronzino. His style is so similar to his master's that scholars still debate the specific attributions.
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Bronzino first received Medici patronage in 1539, when he was one of the many artists chosen to execute the elaborate decorations for the wedding of
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1633:, Catalog of an exhibition held at Art Gallery of the Graduate Center, City University of New York, Mar. 10–Apr. 24, 2004, (King Studio, 2004)
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Bronzino's work tends to include sophisticated references to earlier painters, as in one of his last grand frescoes called
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Splendors of the
Renaissance: reconstructions of historic costumes from King Studio, Italy by Fausto Fornasori
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315:. Bronzino apparently was assigned the frescoes on the dome, which have not survived. Of the four empanelled
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499:(San Lorenzo, 1569), in which almost every one of the extraordinarily contorted poses can be traced back to
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Web
Gallery of Art, image collection, virtual museum, searchable database of European fine arts (1100–1850)
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In 1540/41, Bronzino began work on the fresco decoration of the Chapel of
Eleanora di Toledo in the
1174:
964:
1880:, a collection catalog containing information about the artist and his works (see pages: 200–204).
1683:"Bronzino (Agnolo di Cosimo di Mariano) | Portrait of a Young Man, Possibly Pierino da Vinci"
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387:
326:
Towards the end of his life, Bronzino took a prominent part in the activities of the
Florentine
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1486:
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He lived all his life in
Florence, and from his late 30s was kept busy as the court painter of
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Bronzino's best-known works comprise the aforementioned series of the duke and duchess,
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1820:, exh. cat. ed. by Antonio Natali e Carlo Falciani, Palazzo Strozzi, Florence 2010–11.
425:
296:
292:
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538:
Many of
Bronzino's works are still in Florence but other examples can be found in the
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in
Florence. Pontormo designed the interior and executed the altarpiece, the masterly
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Bronzino's so-called "allegorical portraits", such as that of a Genoese admiral,
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320:
269:, to whom he was apprenticed at 14. Pontormo is thought to have introduced a
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Mistaken attempts also have been made in the past to assert his name was
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420:, and figures of their court such as Bartolomeo Panciatichi and his wife
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169:; 17 November 1503 – 23 November 1572), usually known as
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of Bronzino as a child (seated on a step) into one of his series on
287:. Pontormo exercised a dominant influence on Bronzino's developing
1611:
The Sixteenth Century Italian Schools, National Gallery Catalogues
1082:
834:
Oil on panel, 76,5 x 59 cm, Museo Thyssen-Bornemisza, Madrid.
726:
Oil on wood, 96 x 75 cm, Metropolitan Museum of Art, New York
592:
549:
448:
398:
370:
343:
236:
1104:
Oil on wood, 350 x 235 cm, Galleria dell'Accademia, Florence
507:, whom Bronzino idolized (cf. Brock). Bronzino's skill with the
1598:
899:
881:
770:
Oil on panel, 268 x 173 cm, Musée des Beaux- Arts, Besançon
508:
395:
1887:
341:). Bronzino spent the greater part of his career in Florence.
1587:
Pontormo, Bronzino, and Allori: A Genealogy of Florentine Art
627:
Oil on panel, 76,7 x 65,4 cm, Royal Collection, Windsor
1883:
1659:(Cambridge and New York: Cambridge University Press, 2000).
1697:"Morgante: Depictions of a Renaissance Jester Turned Duke"
525:. His other major works include the design of a series of
1066:
Oil on canvas, 83 x 60 cm, Palazzo Vecchio, Florence
209:, may refer to his relatively dark skin or reddish hair.
1646:(Paris: Flammarion; London: Thames & Hudson, 2002).
1293:
Sacra famiglia Panciatichi or Madonna Panciatichi, 1545
672:
Oil on wood, 65,3 x 46,7 cm, Museum of Fine Arts,
511:
was even more enigmatically deployed in the celebrated
488:
Eleanora was a generous patron to the recently founded
1562:
Encyclopedia of Lesbian and Gay Histories and Cultures
1008:
Tempera on wood, 58.5 x 41.5 cm, Uffizi, Florence
454:
The Holy Family with the Infant Saint John the Baptist
257:, the son of a butcher. According to his contemporary
578:
Oil on Wood, Capponi Chapel, Santa Felicita, Florence
1751:
Portrait of Eleonora di Toledo with her son Giovanni
1670:
Bronzino's Chapel of Eleonora in the Palazzo Vecchio
1508:
Portrait of Eleonora di Toledo with her son Giovanni
1019:
Tempera on wood, 52.5 x 38 cm, Uffizi, Florence
794:
Fresco, 320 x 490 cm, Palazzo Vecchio, Florence
2148:
2113:
2046:
1930:
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1054:Tempera on wood, 117 x 99 cm, Pushkin Museum,
814:
Tempera on panel, 63 x 48 cm, Uffizi, Florence
704:
Tempera on wood, 104 x 84 cm, Uffizi, Florence
137:
123:
113:
105:
86:
64:
39:
1559:Haggerty, George; Zimmerman, Bonnie, eds. (2003).
867:Oil on panel, 101 x 82.8 cm, Uffizi, Florence
2103:Holy Family with St. Anne and the Infant St. John
1672:(Berkeley: University of California Press, 1993).
1252:Holy Family with St. Anne and the Infant St. John
1038:, 1552, Florence, Museo dell'Opera di Santa Croce
1028:Oil on wood, 117 x 86 cm, Frick Collection,
1095:Oil on copper, 40 x 30 cm, Uffizi, Florence
856:Oil on panel, 115 x 96 cm, Uffizi, Florence
825:Oil on panel, 74 x 58 cm, Uffizi, Florence
803:Oil on wood, 58 x 46,5 cm, Uffizi, Florence
1848:Agnolo Bronzino's Biography, Style and Artworks
1818:Bronzino: pittore e poeta alla corte dei Medici
715:Oil on wood, 117 x 93 cm, Uffizi, Florence
428:, and is one of the finest surviving examples.
845:Oil on wood, 58 x 46 cm, Uffizi, Florence
1899:
1589:(New Haven, CT: Yale University Press, 2001).
566:Oil on Wood, Capponi Chapel, Santa Felicita,
330:, of which he was a founding member in 1563.
8:
1554:
1552:
1281:Portrait of a Man Holding a Statuette, 1545
2003:Portrait of Giovanni de' Medici as a Child
1939:Portrait of a Young Man as Saint Sebastian
1906:
1892:
1884:
1351:Portrait of Cosimo I de' Medici as Orpheus
840:Portrait of Giovanni de' Medici as a Child
214:Cosimo I de' Medici, Grand Duke of Tuscany
36:
1535:. Oxford University Press. p. 306.
1532:The Oxford Dictionary of Art and Artists
1156:, 1533, Museo Thyssen-Bornemisza, Madrid
1871:"Of Art and Onions: Homage to Bronzino"
1521:
1429:
1123:
1463:
1321:Portrait Cosimo I de' Medici in armour
1205:A portrait of an unknown woman and boy
378:, c. 1550–55, London, National Gallery
350:Eleonora di Toledo col figlio Giovanni
1853:The National Gallery: Agnolo Bronzino
1657:Bronzino: Renaissance Painter as Poet
779:Oil on panel, 34,90 x 26,20 cm,
181:
164:
27:Italian Mannerist painter (1503–1572)
7:
1877:Italian Paintings: Florentine School
1995:Portrait of the Dwarf Nano Morgante
1963:Portrait of a Young Man with a Book
1955:Portrait of Andrea Doria as Neptune
1043:Portrait of the Dwarf Nano Morgante
994:Oil on wood, 106,7 x 82,5 cm,
958:Portrait of Andrea Doria as Neptune
721:Portrait of a Young Man with a Book
654:Oil on wood, 124.5 x 99.5 cm,
517:, which conveys strong feelings of
434:Portrait of Andrea Doria as Neptune
1971:Portrait of Bartolomeo Panciatichi
1221:Portrait of Bartolomeo Panciatichi
1077:Oil on canvas, 291 x 195 cm,
1003:Portrait of Francesco I de' Medici
934:PortraIt of a Young Man (possibly
699:Portrait of Bartolomeo Panciatichi
521:under the pretext of a moralizing
445:Religious and allegorical subjects
319:or roundels depicting each of the
25:
1793:, Edition du Régard, Paris 2002.
963:Oil on canvas, 115 x 53 cm,
907:Portrait of Don Garcia de' Medici
876:Oil on panel, 145 x 115 cm,
741:Oil on panel, 146 x 116 cm,
605:Oil on panel, 105 x 100 cm,
2037:
2011:Portrait of Lucrezia Panciatichi
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948:Oil on wood, 192 x 142 cm,
896:Galleria Nazionale d'Arte Antica
894:Oil on panel, 125 x 95 cm,
862:Portrait of Lucrezia Panciatichi
686:Oil on panel, 102 x 85 cm,
328:Accademia delle Arti del Disegno
261:, Bronzino was a pupil first of
143:
47:
1987:Portrait of Cosimo I de' Medici
978:Oil on wood, 120 x 92 cm,
925:Oil on wood, 109 x 85 cm,
830:Portrait of Cosimo I de' Medici
820:Portrait of Cosimo I de' Medici
638:Oil on panel, 87 x 77 cm,
1190:Portrait of Eleonora of Toledo
1:
2209:16th-century Italian painters
2087:Adoration of the Bronze Snake
2019:Portrait of Eleanor of Toledo
1858:Biography Angolo Bronzino at
851:Portrait of Eleanor of Toledo
750:Adoration of the Bronze Snake
497:The Martyrdom of St. Lawrence
54:
2239:16th century in LGBT history
2130:Venus, Cupid, Folly and Time
1947:Portrait of Ugolino Martelli
1237:Portrait of Laura Battiferri
1062:Portrait of Laura Battiferri
1024:Portrait of Ludovico Capponi
1014:Portrait of Maria de' Medici
732:Venus, Cupid, Folly and Time
681:Portrait of Ugolino Martelli
514:Venus, Cupid, Folly and Time
243:Venus, Cupid, Folly and Time
219:Venus, Cupid, Folly and Time
2027:Portrait of Stefano Colonna
1306:Portrait of Stefano Colonna
889:Portrait of Stefano Colonna
755:Fresco, 320 x 385 cm,
623:Portrait of a Lady in Green
535:, for the Palazzo Vecchio.
166:[ˈaɲɲolodiˈkɔːzimo]
2255:
2224:Italian Mannerist painters
2063:Adoration of the Shepherds
1979:Portrait of Bia de' Medici
1865:Palazzo Strozzi, Florence/
1267:Portrait of Bia de' Medici
996:National Gallery of Canada
809:Portrait of Bia de' Medici
667:Adoration of the Shepherds
29:
2229:Italian portrait painters
2035:
1921:
1499:
1480:
1471:
1110:Martyrdom of St. Lawrence
944:Venus, Cupid and Jealousy
583:Portrait of Lorenzo Lenzi
306:Deposition from the Cross
151:
142:
133:
46:
1860:Encyclopaedia Britannica
1804:The Drawings of Bronzino
1565:. Garland. p. 225.
799:Portrait of a Young Girl
743:National Gallery, London
656:Kunsthistorisches Museum
640:Museo Thyssen-Bornemisza
540:National Gallery, London
353:, 1544–45, oil on wood,
309:and the sidewall fresco
30:Not to be confused with
2079:Crossing of the Red Sea
2071:Panciatichi Holy Family
1410:Alessandro de' Medici,
1170:Andrea Doria as Neptune
789:Crossing of the Red Sea
376:Portrait of a Young Man
183:[ilbronˈdziːno]
2219:Painters from Florence
1713:The Mannerist Portrait
1529:Chilvers, Ian (2017).
1489:The Mannerist Portrait
557:
457:
379:
358:
250:
246:, c. 1544–45, London,
178:
53:Portrait of Bronzino,
2214:Italian male painters
2138:Allegory of Happiness
1366:Venus, Cupid and Envy
1090:Allegory of Happiness
946:(or Envy) (c. 1550) –
553:
452:
374:
347:
263:Raffaellino del Garbo
253:Bronzino was born in
240:
2161:Cappella di Eleonora
2095:Deposition of Christ
1100:Deposition of Christ
973:St. John the Baptist
950:Szépművészeti Múzeum
878:Musée des Beaux-Arts
775:Alessandro de Médici
765:Deposition of Christ
481:Crossing the Red Sea
467:Deposition of Christ
464:and an oil on panel
456:(Madonna Stroganoff)
80:Republic of Florence
2171:Cosimo I de' Medici
1814:, 978-0-300-15512-9
1767:on October 22, 2014
1668:Janet Cox-Rearick,
1629:Janet Cox-Rearick,
1585:Elizabeth Pilliod,
1395:Garcia de' Medici,
1175:Pinacoteca di Brera
989:Pierantonio Bandini
965:Pinacoteca di Brera
872:Christ on the Cross
618:Oil on panel, Milan
532:The Story of Joseph
384:Cosimo I de' Medici
2122:Flaying of Marsyas
1729:on October 7, 2014
921:Portrait of a Lady
589:castello Sforzesco
558:
458:
390:, daughter of the
388:Eleonora di Toledo
380:
359:
251:
2186:
2185:
1826:978-88-7461-153-9
1812:978-1-58839-354-8
1655:Deborah, Parker,
1613:, (London 1975),
1542:978-0-19-102417-7
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614:Portrait of Dante
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401:(c. 1530, now in
392:Viceroy of Naples
339:Cristofano Allori
335:Alessandro Allori
295:in the church of
155:
154:
99:Duchy of Florence
90:November 23, 1572
16:(Redirected from
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1958:(c. 1530s–1540s)
1908:
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1894:
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1381:John the Baptist
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1336:Ugolino Martelli
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1007:
993:
992:(c. 1550–1555) –
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936:Pierino da Vinci
927:Galleria Sabauda
924:
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685:
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626:
617:
604:
586:
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565:
555:Lodovico Capponi
439:Laura Battiferri
403:Washington, D.C.
281:National Gallery
248:National Gallery
225:He trained with
185:
168:
163:
158:Agnolo di Cosimo
147:
93:
72:17 November 1503
69:Agnolo di Cosimo
59:
56:
51:
37:
21:
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2144:
2109:
2042:
2033:
1926:
1917:
1912:
1841:artist and poet
1835:
1789:Maurice Brock,
1786:
1784:Further reading
1781:
1780:
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1642:Maurice Brock,
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1467:External videos
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1412:Cerralbo Museum
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1234:
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1217:
1208:
1202:
1193:
1187:
1178:
1166:
1157:
1153:Saint Sebastian
1149:
1140:
1134:
1079:Musée du Louvre
1072:Noli me tangere
1036:Christ in Limbo
914:Museo del Prado
781:Cerralbo Museum
757:Palazzo Vecchio
684:(before 1537) –
548:
462:Palazzo Vecchio
447:
369:
364:
276:Joseph in Egypt
235:
188:Agnolo Bronzino
161:
101:
95:
91:
82:
73:
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42:
35:
28:
23:
22:
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2234:Court painters
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297:Santa Felicita
293:Capponi Chapel
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18:Angelo Allori
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1937:
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1843:. InToscana.
1840:
1817:
1803:
1790:
1769:. Retrieved
1765:the original
1761:Khan Academy
1757:Smarthistory
1750:
1749:"Bronzino's
1743:
1731:. Retrieved
1727:the original
1723:Khan Academy
1719:Smarthistory
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1423:
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1397:Prado Museum
1380:
1368:, c. 1548–50
1365:
1353:, c. 1537–39
1350:
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812:(c. 1542) –
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753:(1540–45) –
748:
739:; 1540–45) –
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312:Annunciation
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170:
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92:(1572-11-23)
2204:1572 deaths
2199:1503 births
2090:(1540–1545)
2066:(1539–1540)
1950:(1536–1537)
1506:Bronzino's
1438:Agnolo Tori
1173:, 1550–55,
1117:San Lorenzo
1050:Holy Family
923:(c. 1550) –
874:(c. 1545) –
865:(c. 1545) –
854:(c. 1545) –
843:(c. 1545) –
832:(c. 1545) –
801:(1541–45) –
792:(1541–42) –
768:(1540–45) –
724:(c. 1540) –
713:(c. 1540) –
710:Holy Family
702:(c. 1540) –
652:(1534–40) –
650:Holy Family
636:(c. 1533) –
625:(1530–32) –
603:(c. 1530) –
585:(1527–28) –
576:(c. 1525) –
574:St. Matthew
564:(c. 1525) –
321:evangelists
279:now in the
179:Il Bronzino
106:Nationality
2193:Categories
1839:Bronzino:
1771:January 6,
1733:January 6,
1419:References
1119:, Florence
952:, Budapest
759:, Florence
609:, Florence
527:tapestries
472:altarpiece
357:, Florence
97:Florence,
2179:(teacher)
2166:Mannerism
2133:(c. 1545)
2125:(c. 1531)
2047:Religious
2030:(c. 1546)
2022:(c. 1545)
2014:(c. 1545)
2006:(c. 1545)
1982:(c. 1542)
1974:(c. 1540)
1966:(c. 1540)
1942:(c. 1533)
1931:Portraits
1460:Citations
1440:and even
1424:Footnotes
1338:, c. 1537
1323:, c. 1545
1239:, 1555–60
1224:, c. 1540
1207:, c. 1540
1192:, c. 1539
1026:(1551) –
940:(c. 1550)
783:, Madrid.
519:eroticism
470:to be an
367:Portraits
203:sobriquet
195:Mannerist
190:, was an
138:Signature
128:Mannerism
2177:Pontormo
2173:(patron)
1915:Bronzino
1791:Bronzino
1644:Bronzino
1115:Fresco,
1113:(1569) –
1102:(1565) –
1093:(1564) –
1075:(1561) –
1030:New York
1017:(1551) –
1006:(1551) –
916:, Madrid
910:(1550) –
892:(1546) –
823:(1545) –
737:Allegory
674:Budapest
616:(1530) –
568:Florence
562:St. Mark
523:allegory
422:Lucrezia
418:Eleonora
407:Petrarch
271:portrait
267:Pontormo
255:Florence
227:Pontormo
207:Bronzino
199:Florence
171:Bronzino
162:Italian:
124:Movement
118:Painting
76:Florence
41:Bronzino
32:Branzino
2149:Related
2114:Secular
1177:, Milan
967:, Milan
929:, Turin
501:Raphael
492:order.
486:duchess
299:by the
192:Italian
175:Italian
109:Italian
2141:(1567)
2098:(1545)
2082:(1542)
2074:(1541)
2058:(1529)
1998:(1552)
1990:(1545)
1824:
1810:
1797:
1617:
1569:
1539:
1450:Allori
1446:Agnolo
1442:Angelo
1383:, 1553
1308:, 1546
1269:, 1545
1254:, 1545
1139:, 1530
1056:Moscow
1046:(1552)
982:, Rome
692:Berlin
660:Vienna
644:Madrid
607:Uffizi
503:or to
490:Jesuit
414:Cosimo
405:) and
285:London
259:Vasari
201:. His
2055:Pietà
1137:Pietà
1125:Works
1083:Paris
600:Pietà
593:Milan
476:Smyth
399:Dante
396:poets
317:tondi
289:style
186:) or
1822:ISBN
1808:ISBN
1795:ISBN
1773:2013
1735:2013
1615:ISBN
1567:ISBN
1537:ISBN
900:Rome
882:Nice
509:nude
416:and
362:Work
233:Life
87:Died
65:Born
1869:'s
1759:at
1721:at
529:on
386:to
2195::
1755:.
1717:.
1551:^
1511:,
1492:,
1448:)
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591:,
409:.
283:,
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177::
78:,
55:c.
1907:e
1900:t
1893:v
1828:.
1775:.
1753:"
1737:.
1715:"
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1685:.
1575:.
1545:.
1452:.
1444:(
938:)
735:(
173:(
160:(
34:.
20:)
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