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146:("Nothing is impossible for God's word"), which are visible between his mouth and the Virgin's chest. The Virgin, looking upwards, replies:
138:) explains her how the conception could happen, and in which the conception itself occurs. The angel, in fact, is saying the
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The style is that of late
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Norman Muller, "Ambrogio
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127 cm × 120 cm (50 in × 47 in)
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Lorenzetti chose for his painting an unusual moment of the
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267:"Ambrogio Lorenzetti's Annunciation. A Re-Examination"
167:in the faces and the drapes shows the influence of
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134:: the moment in which the angel (according to the
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327:Paintings in the Pinacoteca Nazionale (Siena)
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157:in the pavement is similar to that in the
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27:1344 painting by Ambrogio Lorenzetti
160:Presentation of Jesus at the Temple
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18:Annunciation (Ambrogio Lorenzetti)
312:Paintings by Ambrogio Lorenzetti
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322:Paintings of the Annunciation
237:Pietro e Ambrogio Lorenzetti
219:Pietro e Ambrogio Lorenzetti
193:Pietro e Ambrogio Lorenzetti
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265:Muller, Norman E. (1977).
235:Fruogoni, Chiara (2010).
68:Tempera and gold on panel
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150:("Here Is God's Maid").
155:geometrical perspective
132:Annunciation of Mary
108:Pinacoteca Nazionale
85:Pinacoteca Nazionale
163:(1342). The use of
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104:Ambrogio Lorenzetti
51:Ambrogio Lorenzetti
250:978-88-7166-668-6
116:Ambruogio Lorenzi
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33:Annunciation
277:(1): 1–12.
165:chiaroscuro
140:Latin words
126:Description
301:Categories
241:Le Lettere
179:References
175:(before).
73:Dimensions
283:27652421
173:Florence
81:Location
229:Sources
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169:Giotto
47:Artist
279:JSTOR
112:Siena
89:Siena
290:2020
245:ISBN
96:The
65:Type
60:1344
57:Year
110:of
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