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In 1790 he was appointed musical director of the
Theatre of the Street of the Counts, which was presenting Italian operas. Three years later at the palace, the drama "
91:" (1794). In 1799 he left the direction of the São Carlos to Marcos Portugal and Francesco Federici. The following year he contributed to the production "pasticcio"
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73:. Most of his sacred music was composed for the Royal Chapel and from 1782 he began to write serenades, which were played in the palaces of Queluz and Ajuda .
58:. In 1775 he became assistant to his teacher and organist. In 1787 he was appointed chapel master. On 19 May 1777, he performed his first sacred work, the
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In 1793, Moreira became the first musical director of the new São Carlos
Theatre, where his work was represented with a Portuguese text of the "
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30:, most of which were premiered in Lisbon; much of the rest of his output is sacred, though he composed a handful of
123:, he was the first to compose opera using text written in Portuguese, although most of his works are in Italian.
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in
Portugal, on 30 June 1766 Moreira entered the Seminary of the Patriarchal of Lisbon, where he was student of
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38:(Symphony for the Royal Basilica of Mafra), is an organ symphony composed specifically for the 6 organs of
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On 8 August 1777, he was admitted as a member of the union of musicians of Lisbon, the
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His theatrical and sacred works were strongly influenced by the style of
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162:(drama for sung music, libretto by Claudio Nicola Stampa, 1785, Lisbon)
156:(allegorical lyric drama, libretto by Gaetano Martinelli, 1785, Lisbon)
180:(drama for sung music, libretto by Gaetano Martinelli, 1789, Lisbon)
168:(drama for sung music, libretto by Gaetano Martinelli, 1787, Lisbon)
150:(drama for sung music, libretto by Gaetano Martinelli, 1783, Lisbon)
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204:(joco-serious drama, libretto by D. Caldas Barbosa, 1793, Lisbon)
210:(drama for music, libretto by Gaetano Martinelli, 1795, Lisbon)
192:(drama for music, libretto by Gaetano Martinelli, 1793, Lisbon)
186:(drama for music, libretto by Gaetano Martinelli, 1791, Lisbon)
174:(drama for music, libretto by Gaetano Martinelli, 1787, Lisbon)
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composer and organist. He composed a large number of
198:(farce, libreto of D. Caldas Barbosa, 1793, Lisbon)
62:, which was sung during the acclamation of Queen
196:The saloia enamorada, or The remedy is to marry
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259:Symphony in D major per 2 Orchestras (1793)
19:(30 June 1758 – 26 November 1819) was a
36:Sinfonia para a Real Basílica de Mafra
302:Portuguese Classical-period composers
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178:Gli affetti of the Lusitanian genius
332:Portuguese male classical composers
99:Carignano Theatre in Turin and the
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327:19th-century Portuguese musicians
322:18th-century Portuguese musicians
220:Arie ne Il serraglio d'Osmano by
214:Musiche ne Il disertore francese
307:Portuguese classical organists
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234:Ester (oratory, libretto by
216:( opera buffa , 1800, Turin)
71:Brotherhood of Santa Cecilia
337:19th-century male musicians
34:as well. One of his works,
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317:Portuguese opera composers
265:Symphony in D Major (1805)
262:Symphony in G major (1803)
166:Artemisia, regina de Caria
312:Male classical organists
256:Other minor sacred works
202:The revenge of the gypsy
140:(serenade, libretto by
60:Mass of the Holy Spirit
95:, which was staged at
56:João de Sousa Carvalho
268:Symphony for 6 organs
107:Artist considerations
93:Il disertore francese
40:Mafra National Palace
297:People from Abrantes
148:Siface and Sofonisba
89:Revenge of the Gypsy
17:António Leal Moreira
103:Theatre in Milan .
64:Maria I of Portugal
236:Gaetano Martinelli
223:Giuseppe Gazzaniga
154:L'imenei of Delphi
142:Gaetano Martinelli
113:Giovanni Paisiello
208:L'eroina lusitana
190:Il natale augusto
172:Gli eroi spartani
138:Bireno ed Olimpia
117:Domenico Cimarosa
78:Il Natale Augusto
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121:António Teixeira
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250:11 responsories
238:, 1786, Lisbon)
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184:Il puro omaggio
160:Ascanio in Alba
144:, 1782, Lisbon)
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127:Compositions
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292:1819 deaths
287:1758 births
229:Other works
281:Categories
273:References
82:Luísa Todi
32:symphonies
21:Portuguese
241:5 votives
119:. After
46:Biography
24:Classical
244:4 masses
101:La Scala
52:Abrantes
50:Born in
28:operas
132:Opera
115:and
97:the
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