80:'s view that the architectural norms that had formerly been presented as divinely inspired, authoritative and derived from nature, were in fact arbitrary, with a social origin under constraints of individual situations, "employed empirical observation instead of the opinion of authorities. Essential to his proof were the measurements taken by Desgodetz in Rome, clearly indicating the disparity in the proportions of the great monuments themselves."
20:
38:(Paris 1682) provided detailed engravings of the monuments and antiquities of Rome to serve French artists and architects. Desgodetz had been sent to Rome in an official capacity, part of French architectural and artistic policy, and the engravings for his publication were supervised by
70:
toyed with the idea of producing a revised version of
Desgodetz before he hit on the idea of striking into fresh territory with measured engravings of the ruins of Diocletian's palace at Spalatro (
268:
114:, and the subsequent transfer of the Louvre design to Perrault, the publication of the Ordonnance, the attacks of Colbert on the guilds are too consistent to be considered accidental."
192:
263:
258:
54:, that were considered the best models, a practice that had the effect of standardizing the details of academic architecture in France. His
133:
Les édifices antiques de Rome dessinés et mesurés très exactement sur les lieux par feu M. Desgodez, architecte du roi. Nouvelle
Edition
166:
196:
253:
59:
228:
51:
39:
248:
243:
63:
162:
223:
46:
could determine the precise proportions of many Roman structures, such as the portico of the
103:
218:
77:
172:
Herrmann, Wolfgang (1958). "Antoine
Desgodetz and the Academie Royale d'Architecture,"
71:
47:
237:
67:
19:
219:
Les edifices antiques de Rome : dessinés et mesurés très exactement (1682)
107:
58:
was reissued in Paris, 1729 and again in 1779, when it proved as helpful to
42:, according to Desgodetz' introduction. The young architect with a copy of
182:
Tzonis; Alexander; Lefaivre, Liane (1976). Review of
Wolfgang Herrmann,
111:
186:(Studies in Architecture, Vol. XII), London: A. Zwemmer Ltd, 1973, in
86:
was reproduced in 1972 (Portland, Oregon : Collegium
Graphicum).
110:, the expedition of Desgodetz to Rome, the public humiliation of
36:
Les edifices antiques de Rome dessinés et mesurés très exactement
159:
Taste and the
Antique: The Lure of Classical Sculpture 1500-1900
102:
Tzonis & Lefaivre 1976: "The timing of the commissioning of
27:: engravings served designers who never travelled to Rome.
188:Journal of the Society of Architectural Historians
23:Antoine Desgodetz' elevation of the Pantheon in
269:Members of the Académie royale d'architecture
157:Haskell, Francis, and Nicholas Penny (1981).
8:
18:
95:
135:(Paris: Claude-Antoine Jombert) 1729.
7:
224:Les edifices antiques de Rome (1771)
14:
123:Haskell & Penny 1981, p. 37.
34:s (1653–1728) publication
62:as it had been to classicizing
264:18th-century French architects
259:17th-century French architects
1:
184:The Theory of Claude Perrault
44:Les edifices antiques de Rome
25:Les edifices antiques de Rome
144:Tzonis & Lefaivre 1976.
285:
161:(Yale University Press).
32:Antoine Babuty Desgodetz'
229:Desgodets' works on line
84:Les edifices antiques...
60:Neoclassical architects
52:Temple of Vesta, Tivoli
28:
254:Architects from Paris
40:Jean-Baptiste Colbert
22:
29:
56:Edifices antiques
276:
207:
205:
204:
195:. Archived from
174:The Art Bulletin
145:
142:
136:
130:
124:
121:
115:
100:
66:ones. The young
16:French architect
284:
283:
279:
278:
277:
275:
274:
273:
234:
233:
215:
202:
200:
191:
190:3 October 1976.
154:
149:
148:
143:
139:
131:
127:
122:
118:
101:
97:
92:
78:Claude Perrault
17:
12:
11:
5:
282:
280:
272:
271:
266:
261:
256:
251:
246:
236:
235:
232:
231:
226:
221:
214:
213:External links
211:
210:
209:
193:"On-line text"
180:
170:
153:
150:
147:
146:
137:
125:
116:
94:
93:
91:
88:
72:Split, Croatia
15:
13:
10:
9:
6:
4:
3:
2:
281:
270:
267:
265:
262:
260:
257:
255:
252:
250:
247:
245:
242:
241:
239:
230:
227:
225:
222:
220:
217:
216:
212:
199:on 2009-06-27
198:
194:
189:
185:
181:
178:
175:
171:
168:
167:9780300026412
164:
160:
156:
155:
151:
141:
138:
134:
129:
126:
120:
117:
113:
109:
106:to translate
105:
99:
96:
89:
87:
85:
81:
79:
75:
73:
69:
65:
61:
57:
53:
49:
45:
41:
37:
33:
26:
21:
201:. Retrieved
197:the original
187:
183:
176:
173:
158:
152:Bibliography
140:
132:
128:
119:
98:
83:
82:
76:
64:Late Baroque
55:
43:
35:
31:
30:
24:
249:1728 deaths
244:1653 births
68:Robert Adam
238:Categories
203:2006-12-31
179:pp 23–53.
108:Vitruvius
50:, or the
104:Perrault
48:Pantheon
112:Bernini
165:
90:Notes
163:ISBN
74:).
240::
177:40
208:.
206:.
169:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
