Knowledge (XXG)

Antonio Cesti

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Pietro Antonio Cesti "Pasticcio", Festwochen der Alten Musik in Innsbruck 1980, excerpts from operas "Il pomo d'oro", "Argia", "Tito", "Orontea", "Dori", "Semirami". Performers:
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style of the 17th century, and his compositions were heavily influenced by his career as a professional singer. His musical writing owes much to the emerging
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was revived seventeen times in the next thirty years, making it one of the most frequently performed operas on the continent in the mid-17th century. Even
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in 1666, and first performed in 1668, in a famously lavish production. It was far more elaborate than contemporary Venetian operas, including a large
1186:"Cesti in Innsbruck – damals und heute: Teil 3 – Innsbrucker Festwochen der Alten Musik und „Internationaler Gesangswettbewerb Pietro Antonio Cesti"" 1339: 180: 1161: 1334: 895: 270:, and his operas are notable for the pure and delicate style of their airs, more suited to the chamber than to the stage. He wrote in the 1111: 1324: 1329: 333: 1002: 381: 227: 1293: 145:, and took the name Antonio. (He has also been referred to as 'Marc' Antonio', but this is incorrect.) While he was in 1319: 748: 296: 396: 315: 172:
and his success as a singer and composer for operas were coming into conflict, and he was officially reprimanded.
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Williams Brown, Jennifer (2000). "'Innsbruck, ich muss dich lassen': Cesti, Orontea, and the Gelone problem".
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owned a copy of the score. It includes a well-known soprano aria "Intorno all'idol mio" ("Around my idol").
234:, numerous choruses, and various mechanical devices used to stage things like gods descending from heaven ( 130: 1314: 1309: 780: 307:-speaking area with salaried staff and was later replaced by another theatre. In 1655, Cesti's opera 267: 1279: 295:
at Innsbruck which was commissioned by Archduke Ferdinand Charles based on plans of local architect
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he turned more toward secular music, perhaps due to the patronage and influence of the powerful
978:"Bayerisches Musiker-Lexikon Online: Cesti, Pietro (Marc Antonio, Marc'Antonio, Markus Anton)" 891: 887: 838: 142: 115: 1036: 944:
One or more of the preceding sentences incorporates text from a publication now in the
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Burrows, David L.; Schmidt, Carl B.; Brown, Jennifer Williams (2001). "Cesti, Antonio ".
183:. One of his Innsbruck residences was the still existing Cesti House in Pfarrgasse 5. 1136: 772: 740: 498: 138: 202:
Cesti is known principally as a composer of operas. The most celebrated of these were
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Frankfurter Opern und Museumsorchester, Ivor Bolton (director), OEHMS Classics (2017)
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for singers was named after him. It was established in 2010 by the conductor
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As singer, Cesti performed roles in tenor and later also bass voice.
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Internationaler Gesangwettbewerb für Barockoper Pietro Antonio Cesti
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Cesti composed several of his operas for the new court theatre
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Accademia Bizantina, Ottavio Dantone (director), CPO (2020)
1112:"The Dogana – from opera house to ruin and event location" 977: 501:) and recorded for HM; revived in Frankfurt in 2015 ( 64: 50: 28: 21: 765:, Carlo Ipata, director, Hyperion CDA67771 (2010) 16:Italian composer, singer and organist (1623–1669) 311:was premiered in Innsbruck on the visit of the 303:. It was the first detached opera house in the 186:After holding a post somewhere in Florence as 114:on 5 August 1623. Claims that he studied with 8: 226:) was written for the wedding in Vienna of 175:In 1652 he became a member of the court at 343: 153:family. Here he also came in contact with 18: 1284:International Music Score Library Project 867: 865: 863: 861: 859: 932: 930: 928: 926: 924: 888:10.1093/gmo/9781561592630.article.05335 855: 358: 972: 970: 488:, revised by Giovanni Filippo Apolloni 181:Ferdinand Charles, Archduke of Austria 81: 7: 1345:17th-century Italian male musicians 580:Florence, Accademia degli Infuocati 14: 912:"Cesti, Antonio, Taufname Pietro" 937: 846:, an older contemporary of Cesti 365:Alessandro vincitor di se stesso 194:, and died at Florence in 1669. 110:He was baptised Pietro Cesti at 1261:Grout, Donald; Claude Palisca. 318:to celebrate her conversion to 165:. By 1650 Cesti's calling as a 1340:17th-century Italian composers 497:revived in Innsbruck in 1982 ( 240:), naval battles, and storms. 1: 382:Teatro Santi Giovanni e Paolo 266:Cesti was also a composer of 1335:Italian male opera composers 1294:Choral Public Domain Library 1290:Free scores by Antonio Cesti 1280:Free scores by Antonio Cesti 608:Nettuno e Flora festeggianti 1137:"Cesti, Pietro Antonio OFM" 551:La magnanimità d’Alessandro 297:Christoph Gumpp the Younger 287:New Court Theater Innsbruck 141:religious group founded by 118:"appear to be groundless". 1361: 1267:W. W. Norton & Company 1263:A History of Western Music 125:Cesti's house in Innsbruck 83:[anˈtɔːnjoˈtʃesti] 68:Composer, singer, organist 1325:Italian Baroque composers 1087:"Innsbruck erinnert sich" 1041:10.1017/s0954586700001798 755:. ORF Edition Alte Musik. 517:Giovanni Filippo Apolloni 486:Giacinto Andrea Cicognini 464:Giovanni Filippo Apolloni 444:Giovanni Filippo Apolloni 910:Herbert Seifert (2016). 801:Non si parli più d'Amore 650:Giovanni Andrea Moniglia 161:for a number of Cesti's 94:era, was also a singer ( 1330:Italian opera composers 1029:Cambridge Opera Journal 960:Encyclopædia Britannica 880:Oxford University Press 783:: excerpts from operas 328:The yearly competition 599:Venice, Teatro Grimano 404:Venice, Teatro Grimano 288: 253: 129:In 1637 he joined the 126: 79:Italian pronunciation: 1190:innsbruck-erinnert.at 1091:innsbruck-erinnert.at 1007:innsbruck-erinnert.at 674:La Germania esultante 286: 246: 131:Order of Friars Minor 124: 955:Cesti, Marc' Antonio 799:, and two cantatas: 759:Le disgrazie d’amore 708:Acts III and V lost 667:La schiava fortunata 627:Le disgrazie d'Amore 334:Alessandro De Marchi 428:revised version of 212:(Vienna, 1668) and 206:(Innsbruck, 1657), 188:maestro di cappella 1320:People from Arezzo 1141:musiklexikon.ac.at 1067:musikland-tirol.at 875:Grove Music Online 844:Claudio Monteverdi 532:Venere cacciatrice 293:Neues Komödienhaus 289: 254: 127: 1269:. New York, 2001. 1135:Herbert Seifert. 897:978-1-56159-263-0 839:Francesco Cavalli 805:Ò quanto concorso 731: 730: 570:Le nozze in sogno 228:Emperor Leopold I 143:Francis of Assisi 116:Giacomo Carissimi 72: 71: 1352: 1250: 1249: 1247: 1246: 1232: 1226: 1225: 1223: 1222: 1207: 1201: 1200: 1198: 1197: 1182: 1176: 1175: 1173: 1172: 1158: 1152: 1151: 1149: 1148: 1132: 1126: 1125: 1123: 1122: 1108: 1102: 1101: 1099: 1098: 1083: 1077: 1076: 1074: 1073: 1059: 1053: 1052: 1024: 1018: 1017: 1015: 1014: 999: 993: 992: 990: 989: 974: 965: 964: 943: 941: 940: 934: 919: 908: 902: 901: 878:(8th ed.). 869: 753:Konrad Junghänel 749:William Christie 699:Francesco Sbarra 678:Francesco Sbarra 661:revised 1674 in 634:19 February 1667 631:Francesco Sbarra 612:Francesco Sbarra 596:13 February 1666 555:Francesco Sbarra 536:Francesco Sbarra 491:19 February 1656 430:Il Cesare amante 392:Il Cesare amante 370:Francesco Sbarra 344: 268:chamber cantatas 247:Scenography for 224:The Golden Apple 90:composer of the 85: 80: 19: 1360: 1359: 1355: 1354: 1353: 1351: 1350: 1349: 1300: 1299: 1276: 1265:, 6th edition. 1253: 1244: 1242: 1234: 1233: 1229: 1220: 1218: 1209: 1208: 1204: 1195: 1193: 1184: 1183: 1179: 1170: 1168: 1160: 1159: 1155: 1146: 1144: 1134: 1133: 1129: 1120: 1118: 1110: 1109: 1105: 1096: 1094: 1085: 1084: 1080: 1071: 1069: 1061: 1060: 1056: 1026: 1025: 1021: 1012: 1010: 1001: 1000: 996: 987: 985: 976: 975: 968: 953:, ed. (1911). " 949: 938: 936: 935: 922: 909: 905: 898: 871: 870: 857: 853: 830: 781:Fernández Baena 775:, soprano with 736: 702:12–14 July 1668 342: 316:Queen Christina 237:deus ex machina 200: 108: 78: 60: 55: 54:14 October 1669 46: 24: 17: 12: 11: 5: 1358: 1356: 1348: 1347: 1342: 1337: 1332: 1327: 1322: 1317: 1312: 1302: 1301: 1298: 1297: 1287: 1275: 1274:External links 1272: 1271: 1270: 1252: 1251: 1227: 1215:flore.unifi.it 1202: 1177: 1153: 1127: 1116:innsbruck.info 1103: 1078: 1054: 1035:(3): 179–217. 1019: 994: 966: 951:Chisholm, Hugh 920: 903: 896: 854: 852: 849: 848: 847: 841: 836: 829: 826: 825: 824: 818: 812: 773:Raquel Andueza 766: 756: 735: 732: 729: 728: 725: 722: 719: 718:Nicolò Beregan 716: 710: 709: 706: 703: 700: 697: 689: 688: 685: 682: 679: 676: 670: 669: 659: 654: 651: 648: 642: 641: 638: 635: 632: 629: 623: 622: 619: 616: 613: 610: 604: 603: 600: 597: 594: 593:Nicolò Beregan 591: 585: 584: 581: 578: 575: 572: 566: 565: 562: 559: 556: 553: 547: 546: 543: 540: 537: 534: 528: 527: 524: 521: 518: 515: 507: 506: 495: 492: 489: 483: 475: 474: 471: 468: 465: 462: 456: 455: 452: 449: 446: 441: 433: 432: 426: 421: 418: 417:Dario Varotari 415: 409: 408: 405: 402: 399: 397:Dario Varotari 394: 388: 387: 384: 375: 372: 367: 361: 360: 357: 356:Place, theatre 354: 351: 348: 341: 338: 199: 196: 139:Roman Catholic 107: 104: 70: 69: 66: 62: 61: 56: 52: 48: 47: 45: 44: 39: 36: 32: 30: 26: 25: 22: 15: 13: 10: 9: 6: 4: 3: 2: 1357: 1346: 1343: 1341: 1338: 1336: 1333: 1331: 1328: 1326: 1323: 1321: 1318: 1316: 1313: 1311: 1308: 1307: 1305: 1295: 1291: 1288: 1285: 1281: 1278: 1277: 1273: 1268: 1264: 1260: 1259: 1258: 1257: 1256:Other sources 1241: 1237: 1231: 1228: 1216: 1212: 1206: 1203: 1191: 1187: 1181: 1178: 1167: 1163: 1157: 1154: 1142: 1138: 1131: 1128: 1117: 1113: 1107: 1104: 1092: 1088: 1082: 1079: 1068: 1064: 1058: 1055: 1050: 1046: 1042: 1038: 1034: 1030: 1023: 1020: 1008: 1004: 998: 995: 983: 979: 973: 971: 967: 962: 961: 956: 952: 947: 946:public domain 933: 931: 929: 927: 925: 921: 917: 913: 907: 904: 899: 893: 889: 885: 881: 877: 876: 868: 866: 864: 862: 860: 856: 850: 845: 842: 840: 837: 835: 834:Baroque opera 832: 831: 827: 822: 819: 816: 813: 811:AeC003 (2014) 810: 809:Anima e Corpo 806: 802: 798: 794: 790: 786: 782: 778: 774: 770: 767: 764: 760: 757: 754: 750: 746: 745:Judith Nelson 742: 738: 737: 733: 726: 723: 720: 717: 715: 712: 711: 707: 704: 701: 698: 696: 695: 694:Il pomo d'oro 691: 690: 686: 683: 680: 677: 675: 672: 671: 668: 664: 660: 658: 655: 652: 649: 647: 644: 643: 639: 636: 633: 630: 628: 625: 624: 620: 617: 614: 611: 609: 606: 605: 601: 598: 595: 592: 590: 587: 586: 582: 579: 576: 574:Pietro Susini 573: 571: 568: 567: 563: 560: 557: 554: 552: 549: 548: 544: 541: 538: 535: 533: 530: 529: 525: 522: 519: 516: 514: 513: 509: 508: 504: 500: 496: 493: 490: 487: 484: 482: 481: 477: 476: 472: 469: 466: 463: 461: 460:Marte placata 458: 457: 453: 450: 447: 445: 442: 440: 439: 435: 434: 431: 427: 425: 422: 419: 416: 414: 411: 410: 406: 403: 400: 398: 395: 393: 390: 389: 385: 383: 379: 376: 373: 371: 368: 366: 363: 362: 355: 353:Première date 352: 349: 346: 345: 339: 337: 335: 331: 326: 323: 321: 317: 314: 310: 306: 302: 298: 294: 285: 281: 280:of the time. 279: 275: 274: 269: 264: 262: 258: 252: 251: 250:Il pomo d'oro 245: 241: 239: 238: 233: 229: 225: 221: 220:Il pomo d'oro 217: 216: 211: 210: 209:Il pomo d'oro 205: 197: 195: 193: 189: 184: 182: 178: 173: 171: 168: 164: 160: 156: 155:Salvator Rosa 152: 148: 144: 140: 136: 132: 123: 119: 117: 113: 105: 103: 101: 97: 93: 89: 84: 76: 75:Antonio Cesti 67: 65:Occupation(s) 63: 59: 53: 49: 43: 40: 38:5 August 1623 37: 34: 33: 31: 27: 23:Antonio Cesti 20: 1296:(ChoralWiki) 1262: 1255: 1254: 1243:. 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Index

Arezzo
Florence
[anˈtɔːnjoˈtʃesti]
Italian
Baroque
tenor
organist
Arezzo
Giacomo Carissimi

Order of Friars Minor
Franciscans
Roman Catholic
Francis of Assisi
Volterra
Medici
Salvator Rosa
libretti
cantatas
Franciscan
friar
Innsbruck
Ferdinand Charles, Archduke of Austria
Vienna
Il pomo d'oro
Orontea
Emperor Leopold I
orchestra
deus ex machina

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