Knowledge (XXG)

Antonio Prohías

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456:: Tovarishch is Russian for "comrade," and so Tovarich was meant to be both a representation of the Communist Soviet government and of Fidel Castro. He is a corrupt Soviet dictator meant to parody Fidel. However, since Castro had not yet announced he was a Communist, nobody could complain about the comic. Since the setting was Russia and not Cuba, it could not be explicitly found as criticism. When his Communist colleagues complained, he would reply, "What? What's wrong with it? It's not about Cuba, it's about Russia." Tovarich's appearance changed through the years; originally he wore a military cap with a star and had longer hair, but in the "funeral for Agapito" picture in the Complete Casebook, he wears a typical Russian 36: 919: 418:
says it best: "A dark and dastardly character, El Hombre Siniestro thought nothing of chopping the tails off of dogs, or even the legs off of little girls. . . was born out of the national psychosis of the Cuban people." At the time right after Castro rose to power, there was a pronounced feeling of
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made the trek from Mexico to New York in search of work. Because Aragonés's command of English was then shaky, he asked that Prohías be present to serve as an interpreter. According to Aragonés, this proved to be a mistake, since Prohías knew even less English than he did. When Prohías introduced
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is about the titular character causing misery for everyone else. However, unlike El Hombre Siniestro's mostly unrelated crimes, many of her strips involve either her attempt to find love (like, for example, cuckolding someone else's lover) or to ruin other
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Ten two-panel tales of star-crossed lovers; for example, two babies who love each other, being carried by storks, are dropped off separately in West and East Berlin. Two eggs are also lovers until they hatch, as one is a bird and the other a bird-eating
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In a never-before-published older strip, a man enters a showroom, sees demonstrations of various models of a product, and makes a purchase; but rather than buying the product, he buys one of product demonstrators, who is revealed to be a
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In place of the usual letters page, and in a parody of the typical art school advertisement, 12 MAD artists contribute their renditions of a horse, Prohías drawing it as a pair of chess knights portrayed by the spies glaring at each
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staff occasionally took group vacations, traveling en masse to other countries. Prohías took part in these vacations when possible, but as a Cuban exile, he had trouble gaining admission into some countries. At the airport before a
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A man visits a fortune teller, whose crystal ball sees him behind bars; but he is a police officer who puts her in jail for fraud. Later, she sees him on the other side of the bars in the same way it was shown in the crystal
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An artist sets up a picture frame around a beautiful landscape, runs a knife along the edge of the frame, and then walks away with a framed picture of the landscape, leaving a gaping hole in the spot where the land used to
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which showed himself being blocked by angry airport officials, letting his heart fly over their heads to the rest of the MAD gang. A note at the bottom translates to: "Mr. Gaines, my heart will always travel with you."
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A caveman kills another caveman with an arrow to the head. The dead body nourishes the living arrow, which grows into a tree. In the modern day, a motorist who resembles the first caveman crashes into the
482:; Uncle Sam is delighted and takes it, unaware that he is shaking the hand of a dummy while the real Tovarich is literally about to stab him in the back. Another such cartoon showed the materialism of the 1718: 689:
A witch gets a new broom for her birthday and throws away her old broom. The old broomstick is used to make toothpicks, and restaurant customers who use the toothpicks have their teeth fly away.
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reported that Prohías's conversational English was limited to "Hello" and "How are you, brother?" Said Aragonés, who speaks six languages, "Even I could not understand him that well."
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eating an ear of corn while leaving a single row of kernels unscathed due to the gap in his upper teeth. Most of the available information on Prohías's other work can be seen in the
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strip. He and La Mujer Siniestra can be easily compared to the Spies—although, instead of fighting against a set rival, they simply do horrible things to anyone they can find.
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A man fakes a photo of the Loch Ness Monster to enter in a contest, and then finds that the winning photo shows the real monster behind him as he is taking his fake photo.
542:, including the "funeral" picture. (It's worth noting that, in the aforementioned funeral picture, Oveja Negra is the only one who appears to be mourning.) He debuted in 286:
s offices unannounced. He spoke no English, but his daughter Marta acted as an interpreter for him. Before he'd left, he had an $ 800 check and had sold his first three
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hidden in the dug-out pages of an old book, travels to a hazardous jungle to find the treasure, and then finds that the treasure is simply the pages dug out of the book.
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to lure sailors to their deaths, or a skeleton having difficulty eating meals with the caption "Gentlemen, it is very difficult to eat with a hammer and sickle!"
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With his professional career in limbo, Prohías left Cuba for New York on May 1, 1960, working in a garment factory by day and building a cartoon portfolio for
524:: A character who appears in the "funeral" picture in the Complete Casebook, although nothing about him or his comic is explained. He debuted in the magazine 590:
Four comic strips, each three panels, are printed so that the middle panel, which explains the outcome, can be seen only by holding the page up to the light.
474:#68 of January 1962. Like the Sinister Man and Woman, he was usually up to nasty tricks and getting away with them: in one strip, drawn at the height of the 654:
A man is persuaded by a window display to sign up for a cruise, and then finds that the "cruise" is just a fake cardboard setup like the window display.
518:. He wears a waistcoat, black jacket with coattails, a medal and a top hat, and also sports a long, pointed nose somewhat similar to that of the Spies. 508:"Spy vs. Spy" short, "Defection". He also appeared in the Fall 1970 Special, in a group of strips that might be said to bear a slight resemblance to 342:
vacation to Italy, an airport official said, "You can leave if you want, but you can never come back." He later presented a drawing to MAD publisher
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strip before retiring due to illness. Prohías also wrote and drew six paperback collections featuring the Spies. During an interview with the
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while denouncing the materialism of everyone else and preventing native people from acquiring wealth: A man is envisioning himself driving a
256:, the most important newspaper in Cuba at the time. In January 1959, Prohías was the president of the Cuban Cartoonists Association; after 1014: 1713: 53: 1146: 627:"The Artist" (#138, October 1970, back cover; reprinted in Fall '85 Special and XL #2, in which Prohías was the artist of the issue) 119: 414:) wore a wide-brimmed hat and overcoat and had a long pointed nose, becoming the prototype for the Spies. His description from the 100: 608:
reading Shakespeare in class, hidden behind a copy of this issue of MAD (rather than vice versa). However, in Mad Cover to Cover,
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An oyster travels through the hands of several people, the last finally opening it and finding an advertisement for a pearl shop.
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Given the theme "Gluttony," Prohías contributes a quickly-drawn panel of the two spies dining on a pig with a bomb in its mouth.
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in 1983, Prohías gloated, "The sweetest revenge has been to turn Fidel's accusation of me as a spy into a moneymaking venture."
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were of subjects and gags other than his spy series. One of those was the iconic cover image for issue #154 in 1972, depicting
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An explorer in Africa captures a giraffe, his guides standing on each other's shoulders to transport it in a cage.
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award, recognizing him as the foremost cartoonist in Cuba. By the late 1940s, Prohías had begun working at
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A young boy wearing a propeller beanie, T-shirt and shorts. He appears in some of the artwork for the
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were published mostly or only in Cuba. Altogether, only about 20 of his roughly 270 contributions to
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He died of lung cancer, aged 77 and was buried in Woodlawn Park Cemetery and Mausoleum (now
367: 1595: 1590: 1402: 1287: 1121: 1047: 714:"MAD Artists' Response to an Article: Draw This Figure" (#178, October 1975, pp. 2–3) 514: 1438: 1392: 1357: 1352: 1270: 1244: 1195: 1189: 1006: 991: 885: 386: 236: 172: 1702: 1661: 1585: 1570: 1347: 909: 1641: 1636: 1626: 1560: 1555: 1540: 1510: 1397: 1372: 1330: 1306: 1300: 1165: 1069: 1059: 945: 865: 665: 638:"Split Personalities Dept.: The Irony of Fate" (Spring '71 Special, pp. 11–13) 601: 323: 272: 257: 735:"Don Martin Dept.: One Special Day in the Dungeon" (#277, March 1988, p. 45) 419:
fatality and sinisterness in Cuba, and Prohías depicted this through his twisted
1580: 1545: 1453: 1443: 1407: 1387: 1382: 1312: 1064: 1030: 1024: 694:"Scotched on the Rocks Dept.: The Photo Contest" (Winter '73 Special, p. 9) 509: 491: 401: 230: 226: 206: 35: 553:, shows arguably Prohías' most serious cartoons, such as depicting Castro as a 275:'s government. Consequently, he resigned from the newspaper in February 1959. 17: 1631: 1600: 1575: 1565: 1515: 1500: 1318: 1177: 941: 914: 558: 487: 219: 193: 154: 470:
in 1959, with a sampling of strips shown in the "Nyets to You Department" in
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editors thought they were meeting "Sergio Prohías." Twelve years later,
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Prohías came up with a prison birthday cake gag for the last strip
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in 1956, although in later years Prohías created new strips for
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seized power, he personally honored the cartoonist for his anti-
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Various human conditions and emotions personified by flowers.
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Two years after Prohías's debut in the magazine, cartoonist
218:(January 17, 1921 – February 24, 1998) was a Cuban-American 574:"One-Shot Dept.: Vengeance" (#66, October 1961, p. 13) 383:
Caballero Rivero Woodlawn North Park Cemetery and Mausoleum
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Prohías came up with the gag for the cover painting by
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MAD's Big Book of Spy vs Spy Capers and Other Surprises
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by Maria Reidelbach, Little, Brown and Company, 1991.
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Anti-Communist and Anti-Castro cartoons: Featured in
649:"The Tourist" (#150, April 1972, inside front cover) 1719:
Exiles of the Cuban Revolution in the United States
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Ten weeks later, he walked into 133: 504:(Warner Books, 1982) and appeared in the 120:Learn how and when to remove this message 356:El Hombre Siniestro, La Mujer Siniestra, 775: 478:, he offers the hand of friendship to 7: 1744:Cuban emigrants to the United States 899:CD-ROM collection, Broderbund, 1999. 595:Issue #101 (March 1966, front cover) 58:adding citations to reliable sources 822:Spy vs. Spy: The Complete Casebook" 824:, Prohías, A. Watson-Guptill, 2001 25: 551:The Complete Spy vs. Spy Casebook 330:joked, "Antonio is non-lingual!" 917: 34: 933:Cartoons by Antonio Prohías in 374:(Watson-Guptill, 2001) and the 350:Although he is most famous for 248:In 1946, Prohías was given the 45:needs additional citations for 886:Comic creator: Antonio Prohías 1: 1754:20th-century American artists 416:Spy Vs Spy Complete Casebook 372:Spy Vs Spy Complete Casebook 240:magazine from 1961 to 1987. 222:. He was the creator of the 234:, which he illustrated for 1770: 1714:Mad (magazine) cartoonists 1256:"The Usual Gang of Idiots" 399: 1487:(Art Director, 1954–1980) 1252: 834:Aragonés, Sergio (2007). 612:is credited with the gag. 566:Other items published in 664:A collector discovers a 445:) Like her counterpart, 435:after he moved to Miami. 310:the young artist to the 1620:Infrequent contributors 1749:People from Cienfuegos 393:Characters other than 1734:Cuban anti-communists 1709:Cuban comics artists 250:Juan Gualberto Gómez 54:improve this article 807:. October 28, 2015. 425:El Hombre Siniestro 421:El Hombre Siniestro 408:El Hombre Siniestro 378:(DC Comics, 2011). 376:Spy vs. Spy Omnibus 1667:Bernard Shir-Cliff 1015:Recurring features 466:first appeared in 447:La Mujer Siniestra 443:The Sinister Woman 439:La Mujer Siniestra 265:political cartoons 1696: 1695: 1606:George Woodbridge 1521:Frank Kelly Freas 1464:Paul Peter Porges 1363:Michael Gallagher 1271:William M. Gaines 1209: 1208: 942:"Antonio Prohías" 935:El Avance Criollo 842:on March 30, 2007 787:Grimes, William. 540:Complete Casebook 492:hammer and sickle 344:William M. Gaines 213: 212: 165:February 24, 1998 130: 129: 122: 104: 69:"Antonio Prohías" 16:(Redirected from 1761: 1688:Maria Reidelbach 1683:Alfred E. Neuman 1242:Contributors to 1236: 1229: 1222: 1213: 1172:Maria Reidelbach 1100:Television shows 1020:Alfred E. Neuman 984: 977: 970: 961: 956: 954: 952: 927: 925:Biography portal 922: 921: 920: 878: 877: 875: 873: 864:. Archived from 858: 852: 851: 849: 847: 838:. Archived from 831: 825: 818: 809: 808: 801: 795: 794:(March 2, 1998). 785: 606:Alfred E. Neuman 534:: Also known as 412:The Sinister Man 368:Alfred E. Neuman 190: 175: 168: 152:January 17, 1921 151: 149: 134: 125: 118: 114: 111: 105: 103: 62: 38: 30: 27:Cuban cartoonist 21: 1769: 1768: 1764: 1763: 1762: 1760: 1759: 1758: 1739:Cuban satirists 1699: 1698: 1697: 1692: 1671: 1615: 1596:Monte Wolverton 1591:Basil Wolverton 1473: 1469:Antonio Prohías 1424:Sergio Aragonés 1412: 1403:Lou Silverstone 1336: 1288:Harvey Kurtzman 1276: 1259: 1248: 1240: 1210: 1205: 1134: 1095: 1074: 1048:Harvey Kurtzman 1036: 995: 988: 950: 948: 940: 923: 918: 916: 906: 882: 881: 871: 869: 860: 859: 855: 845: 843: 833: 832: 828: 819: 812: 803: 802: 798: 786: 777: 772: 610:Sergio Aragonés 571: 515:The Little King 512:'s more benign 404: 398: 307:Sergio Aragonés 246: 216:Antonio Prohías 202: 188: 183:Cuban American 171: 170: 166: 153: 147: 145: 137:Antonio Prohías 126: 115: 109: 106: 63: 61: 51: 39: 28: 23: 22: 18:Antonio Prohias 15: 12: 11: 5: 1767: 1765: 1757: 1756: 1751: 1746: 1741: 1736: 1731: 1726: 1721: 1716: 1711: 1701: 1700: 1694: 1693: 1691: 1690: 1685: 1679: 1677: 1673: 1672: 1670: 1669: 1664: 1659: 1654: 1649: 1644: 1639: 1634: 1629: 1623: 1621: 1617: 1616: 1614: 1613: 1608: 1603: 1598: 1593: 1588: 1583: 1578: 1573: 1568: 1563: 1558: 1553: 1548: 1543: 1538: 1533: 1528: 1523: 1518: 1513: 1508: 1503: 1498: 1493: 1488: 1481: 1479: 1475: 1474: 1472: 1471: 1466: 1461: 1456: 1451: 1446: 1441: 1439:Jerry DeFuccio 1436: 1431: 1426: 1420: 1418: 1417:Writer-Artists 1414: 1413: 1411: 1410: 1405: 1400: 1395: 1393:Barry Liebmann 1390: 1385: 1380: 1375: 1370: 1365: 1360: 1358:Desmond Devlin 1355: 1353:Dick DeBartolo 1350: 1344: 1342: 1338: 1337: 1335: 1334: 1328: 1322: 1316: 1310: 1304: 1298: 1297: 1296: 1284: 1282: 1278: 1277: 1275: 1274: 1267: 1265: 1261: 1260: 1258: 1257: 1253: 1250: 1249: 1241: 1239: 1238: 1231: 1224: 1216: 1207: 1206: 1204: 1203: 1198: 1196:William Gaines 1193: 1190:Up the Academy 1186: 1181: 1174: 1169: 1162: 1155: 1150: 1147:Berlin v. 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Index

Antonio Prohias

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Cienfuegos
Miami, Florida
Cartoonist
Spy vs. Spy
cartoonist
satirical
comic strip
Spy vs. Spy
Mad
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Fidel Castro
Batista
political cartoons
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Sergio Aragonés
Frank Jacobs
Al Jaffee

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