340:: Designers need many aesthetic qualities to improve the marketability of manufactured products: smoothness, shininess/reflectivity, texture, pattern, curviness, color, simplicity, usability, velocity, symmetry, naturalness, and modernism. The staff of the Design Aesthetics section focuses on design, appearance and the way people perceive products. Design aesthetics is interested in the appearance of products; the explanation and meaning of this appearance is studied mainly in terms of social and cultural factors. The distinctive focus of the section is research and education in the field of sensory modalities in relation to product design. These fields of attention generate design baggage that enables engineers to design products, systems, and services, and match them to the correct field of use.
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In-line documentation, while not strictly code, can be considered something a programmer would need to be good at in order to write beautiful code. Correctly done, documentation can accentuate the effect of beautiful code, when it is clear, concise, explains the intent of the programmer, and expands the understanding that one can gain by simply looking at the code. Comments that are redundant (only explain what the code already explains), cryptic, and overly long or short can detract from beautiful code. Aesthetics in programming can also have a practical level: Under the right conditions, elegant code can run faster and more efficiently, and (most importantly) be less prone to errors.
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homes. Turfgrass is a nonnative species and requires high levels of maintenance. However, the drive for its widespread use primarily came from social pressures. At the local level, governments and organizations have begun to take monocultural practices into their own hands (think
Homeowner Associations). Various concerns for maintenance of private property have developed, from maintaining aesthetics to real estate value. In fact, many residents have begun to associate the condition of one’s lawn with one’s character. Disagreements in residential maintenance of weeds, lawns, etc, have resulted in civil cases or even direct aggression against neighbors.
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523:, when maps are created by the millions every day, to be used temporarily then discarded. However, it still serves an important, even practical purpose. Map readers are more likely to pick up a beautiful map than an ugly one, and are likely to spend more time using a map that is pleasing to look at. In turn, there is an aesthetic appeal for maps that look authoritative, clear, and well-crafted. Consequently, products such as
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different levels of aesthetic treatment, the content with a higher aesthetic treatment was judged as having higher credibility. We call this the amelioration effect of visual design and aesthetics on content credibility. Holmes suggests that this effect is operational within the first few seconds in which a user views a web page. Given the same content, a higher aesthetic treatment will increase perceived credibility.
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172:, a by-product of computer programming that raises new questions about what truly constitutes art. Although paralleling many of the aesthetics in traditional media, digital art can additionally draw upon the aesthetic qualities of cross-media tactile relationships; interactivity; autonomous generativity; complexity and interdependence of relationships; suspense; and playfulness.
751:) involves a good deal of historical luck, happenstance, and indirect gestalt. Nevertheless, aesthetically pleasing cities share certain traits: ethnic and cultural variety, numerous microclimates that promote a diversity of vegetation, sufficient public transportation, Public art and freedom of expression in the community in the forms of sculpture,
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Website design influences user's perception of site credibility. One of the factors that influences whether users stay or go on a web page is the page aesthetics. Another reason may involve a user's judgment about the site's credibility. Findings indicate that when the same content is presented using
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Dijkstra's beauty refused the notion of accessibility as do many "artistic" works ancient and modern: it was hard as is the Grosse Fuge, Beethoven's syncopated and neo-primitive late movement. In fact, no aesthetician makes "user friendliness" canonical and necessary in a work of art, strange to say
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Recent research suggests that the visual aesthetics of computer interface is a strong determinant of users’ satisfaction and pleasure. Exploratory and confirmatory factor analyses found that users’ perceptions consist of different main dimensions. Lavie and
Tractinsky found two main dimension which
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Some aesthetic effects available in visual arts include variation, juxtaposition, repetition, field effects, symmetry/asymmetry, perceived mass, subliminal structure, linear dynamics, tension and repose, pattern, contrast, perspective, 3 dimensionality, movement, rhythm, unity/Gestalt, matrixiality
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appeal to our aesthetics of storytelling, grace, balance, class, timing, strength, shock, humor, costume, irony, beauty, drama, suspense, and sensuality. Whereas live stage performance is usually constrained by the physical reality at hand, film performance can further add the aesthetic elements of
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Lawn monoculture in the United States was historically influenced by
English gardens and manor-house landscapes, but its inception into the American landscape is fairly recent. Aesthetics drove the evolution of the residential green areas, with turfgrass becoming a popular addition to many American
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corpus of papers and notes on computing: in
Dijkstra, the art is real, but Ying with respect to the Yang of applications; Dijkstra seemed to have refused any analysis of programming as other than applied mathematics and, strange to say, never pursued what Adorno (the midcentury theoretician of whom
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use a variety of techniques to allow people to express the truth about their unconscious minds by way of their clothing. To create wearable personality designers use fabric, cut, colour, scale, references to the past, texture, color harmony, distressing, transparency, insignia, accessories, beading
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Simplicity and diversity have repeatedly been treated as formal parameters of aesthetic objects throughout the history of empirical aesthetics. Colors are a very critical property of aesthetic objects. Craftsmanship addresses the skillful and coherent integration of the relevant design dimensions.
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A folk phenomenon among real programmers is in fact their frequent hatred of practice described in books as best practice and good design. A Marxist theory of industrial "art" would ascribe this to alienation, in which subaltern programmers never produce code they own in any meaningful sense, with
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The 3d art community frequently references that while the programs they utilize render and shade the objects, their efforts are more akin to the sculptor or architect, presenting an aesthetically arranged, lighted, and textured scene. The users of the other programs such as
Photoshop or Gimp point
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The criticisms of digital art are many. For example, graphics programs allow perfect shading to be achieved with little to no effort. In other types of programs, there is a sense that because of the variety of tools, filters, distortions, etc., that an artist has a veritable image factory at their
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relates to the visual experience of map reading and can take two forms: affective responses to the map itself as an aesthetic object (e.g., considering a map to be "beautiful," or "interesting," or "frustrating"), and affective responses to the geographic subject of the map (e.g., considering the
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draw upon design elements such as axis, line, landform, horizontal and vertical planes, texture, and scale to create aesthetic variation within the landscape. They may additionally make use of aesthetic elements such as pools or fountains of water, plants, seasonal variance, stonework, fragrance,
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is the application of the branch of philosophy of aesthetics to cultural constructs. In a variety of fields, artifacts (whether physical or abstract) are created that have both practical functionality and aesthetic affectation. In some cases, aesthetics is primary, and in others, functionality is
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Cartographers make aesthetic judgments when designing maps to ensure that the content forms a clear expression of the theme(s). Antique maps are perhaps especially revered due to their aesthetic value, which may seem to be derived from their styles of ornamentation. As such, aesthetics are often
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level. For example, a short, powerful expression that clearly expresses the intent of the code can be considered "beautiful" to the poor programmer charged with maintaining said code. This contrasts with code that is (as code all too often is) short, cryptic, unclear, and unnecessarily "clever".
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Critics of this would say that the need to justify "good design" by reference to "cost savings" means that "good design" isn't "art" insofar as art is autonomous, and many aestheticians would have to say that art emerges in applications only in excess of cost savings. In information technology,
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As opposed to
Industrial Design, which focuses on the aesthetic qualities of consumer products (see above), the use of aesthetics in marketing concerns itself with the "trade dress" of a product, such as its branding, its commercial representation, or the reputation of its producer. Marketing
156:, being less constrained by structural concerns, have a wider variety of applications to appeal to aesthetics. They may employ color, color harmony, wallpaper, ornamentation, furnishings, fabrics, textures, lighting, various floor treatments, as well as adhere to aesthetic concepts such as
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primary. At best, the two needs are synergistic, in which "beauty" makes an artifact work better, or in which more functional artifacts are appreciated as aesthetically pleasing. This achievement of form and function, of art and science, of beauty and usefulness, is the primary goal of
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in an era when supposedly the masses rule through the market; for most art theorists, it is nice if the canaille can enjoy some pretty rondo of Mozart and whistle it on the street, but would deny that this property must be shared by the
Masonic prelude and fugue or the Requiem mass.
649:, which seeks to explain the prominence of great art as an embodiment of biological principles of the brain, namely that great works of art capture the essence of things just as vision and the brain capture the essentials of the world from the ever-changing stream of sensory input.
498:, authors use a variety of techniques to appeal to our aesthetic values. Depending on the type of writing an author may employ rhythm, illustrations, structure, time shifting, juxtaposition, dualism, imagery, fantasy, suspense, analysis, humor/cynicism, and thinking aloud.
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out that while they may have many tools at their disposal, the art itself must be that much more detailed and imaginative to stand out. In both cases there is the challenge of overcoming the barriers of limited technology and the lack of direct contact with one's medium.
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structures. Common aesthetic design principles include ornamentation, edge delineation, texture, flow, solemnity, symmetry, color, granularity, the interaction of sunlight and shadows, transcendence, and harmony. These aesthetic considerations form one branch of the
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That is, they may discard the standard deviation of their data in order to sell a good design for the best price, and this has nothing to do with art insofar as art is a useful signifier (if you cost-justify everything you are a businessman and not an artist).
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In painting, the aesthetic convention that we see a three-dimensional representation rather than a two-dimensional canvas is so well understood that most people do not realize that they are making an aesthetic interpretation. This notion is the basis of
700:. A painting or sculpture, however, is also perceived spatially by recognized associations and context, and even to some extent by the senses of smell, hearing, and touch. The form of the work can be subject to an aesthetic as much as the content.
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wrongly considered to be a by-product of design. If it is taken that aesthetic judgments are produced within a certain social context, they are fundamental to the cartographer's symbolisation and as such are integral to the function of maps.
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Marketing consists of intriguing the human mind to think in a direction where it would not have done so previously – or not without outside input. Human curiosity, self gain or mental adjustment is what drives marketing development itself.
307:, projected on a wall or other surface, or incorporated into a larger sculptural installation. A video installation may also involve sound, with similar considerations to be made based on speaker design and placement, volume, and tone.
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Although structural integrity, cost, the nature of building materials, and the functional utility of the building contribute heavily to the design process, architects can still apply aesthetic considerations to buildings and related
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While both dimensions of perceived aesthetic are drawn from a pool of aesthetic judgments, they are clearly distinguishable from each other. In a recent study
Moshagen and Thielsch found four core dimensions of website aesthetics:
288:, or editing is probably the one discipline unique to film, video, and television. The timing, rhythm and progression of shots form the ultimate composition of the film. This procedure is one of the most critical element of
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Like other forms of design, almost all maps are created to serve a practical purpose: to inform, to explain, to discover, to guide, to convince. To some, aesthetics may seem of secondary concern, especially in the era of
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Artists working in this type of art are often forced to justify their use of a computer rather than a traditional medium, leading to, like the debate over Warhol's "Brillo Pad Boxes", a question of what constitutes art.
783:– pertains to aesthetic notions that presided from antiquity until the 18th century. These notions emphasize orderly and clear design and are closely related to many of the design rules advocated by usability experts.
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Align elements on a page so that they are all visually connected; size all elements on the page to create balance and unity; nothing should look out of place unless you have a specific reason for the effect.
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This makes strange any claim that a programmer making his work "user friendly" to all comers is some sort of artist by virtue of that. For
Dijsktra, truth was primary, and beauty the automatic result.
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While simplicity is highly correlated to classical aesthetics as mentioned by Lavie and
Tractinsky, the other three factors could be treated as deeper differentiation of expressive aesthetics.
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theorists of "user friendliness" have to justify their "user friendly" applications and often disregard basic statistics when most users like a system, but a significant minority hate it.
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beautiful." Math appeals to the "senses" of logic, order, novelty, elegance, and discovery. Some concepts in math with specific aesthetic application include sacred ratios in
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Dijkstra was apparently unaware) called a purely culinary elegance...despite the protests of others that his work was "hard to digest", in Adorno's words not very culinary.
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Lavie, T., & Tractinsky, N. (2004). Assessing Dimensions of Perceived Visual Aesthetics of Websites. International Journal of Human Computer Studies , 269-298.
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Chapter 11, Understanding Curriculum as Aesthetic Text, by William F. Pinar, William M. Reynolds, Patrick Slattery and Peter Taubman (1995) for more information.
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Holmes, J., & Robins, D. (2008). Aesthetics and Credibility in Web Site Design. Information Processing and Management: an International Journal , 386-399.
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have undergone multiple major revisions to their design to make them not only more accurate and more useful, but more attractive, and thus more competitive.
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have approached education through aesthetics. More recently, Elliot Eisner and jan jagodzinski have reopened the debate. Other researchers with
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Educators are also interested in how aesthetic designs influence the ways that students think and learn. Some historical figures like
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expressed his views on the indescribable beauty of mathematics when he said "Why are numbers beautiful? It's like asking why is
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the problem that the same sort of alienation, soldiering, and bloody-mindedness appeared, it seems, in Soviet computing shops.
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and embroidery. It is also used to find the average size of things, to make a product suitable for a high number of customers.
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disposal. The various criticisms ultimately come down to the issue of "what effort is the artist putting into their work?"
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Create visual clues based on groupings; related items or links are grouped together while unrelated items are separated.
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combines many diverse disciplines, each of which may have their own rules of aesthetics. The aesthetics of
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Choose a font style that supports the site atmosphere and stick to it; limit styles to 2 at the most.
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of relating theorems across disciplines. There is a developed aesthetic and theory of humor in
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are sometimes seen as a performing art with an aesthetic structure of their own, called
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The most sophisticated writings on the topic of aesthetics are to be found in the late
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A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful
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959:(1st Quarter 2019 Edition), John P. Wilson (Ed.). DOI: 10.22224/gistbok/2019.4.14
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The Pleasure of the Playable Text: Towards an Aesthetic Theory of Computer Games
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Most Software Stinks: The Relationship Between Software Aesthetics and Quality
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professionals may tickle the consumer's aesthetic appreciation of sassyness,
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Moshagen, M. & Thielsch, M. T. (2010). Facets of visual aesthetics. In:
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In the United States during the postwar period, the "push-pull" theories of
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is a distinct aesthetic to judge the appeal of digital environments such as
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Over half of mankind lives in cities; although it represents a lofty goal,
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influences have done the same, these include Cleo H. Cherryholmes and
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The Geographic Information Science & Technology Body of Knowledge
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as well as other areas of curriculum development and implementation.
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Towns and cities have been planned with aesthetics in mind; here in
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are often compared with music and poetry. Hungarian mathematician
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Use images and photos for visual appeal and to communicate ideas.
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they termed “classical aesthetics” and “expressive aesthetics”.
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mapped landscape as "beautiful" or "someplace I want to visit").
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often consciously mixes the aesthetics of several forms.
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in the functionality and structuring of software at the
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The Work of Art in the Age of Mechanical Reproduction
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How Form Functions: On Esthetics and Gestalt Theory
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Use one set of design elements across your website.
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626:might sound terrible in the context of the early
396:has sometimes been linked to the concept of the
1038:Salingaros: Life and Complexity in Architecture
1003:International Journal of Human-Computer Studies
894:"The Lawn-Chemical Economy and Its Discontents"
878:http://www.literateprogramming.com/knuthweb.pdf
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892:Robbins, Paul; Sharp, Julie (November 2003).
208:. Aesthetics in education has been linked to
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1903:The Literary Mind and the Carving of Dragons
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1158:Try to investigate and define aesthetics
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977:Google Maps: Designing the Modern Atlas
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459:exterior lighting, statues, and lawns.
411:profess to experiencing a dimension of
876:Donald Knuth, "Literate Programming",
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1093:Aesthetics in User Interfaces Design
1043:Ciudades del anonimato; Architecture
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942:. University of Wisconsin Press.
910:10.1111/j.1467-8330.2003.00366.x
747:and achieving urban aesthetics (
688:Two-dimensional and plastic arts
136:Architecture and interior design
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1060:Leslie English: To Eat is Human
37:needs additional citations for
517:Geographic information systems
352:has focused upon the study of
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246:are closely related to still
188:Education and social sciences
3690:Ordinary language philosophy
2033:Aestheticization of politics
1055:Susheela Uhl: Ethnic Entrees
975:. 2018. Willem Van Lancker,
866:Preface to the First Edition
3740:Contemporary utilitarianism
3655:Internalism and externalism
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3004:Svatantrika and Prasangika
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1136:Poddubiuk: Costume Design
1112:Norton: Musical Materials
217:Understanding Curriculum,
132:, in all of its domains.
3695:Postanalytic philosophy
3636:Experimental philosophy
2053:Evolutionary aesthetics
2003:The Aesthetic Dimension
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2840:Hellenistic philosophy
2256:Theoretical philosophy
2231:Philosophy of religion
2221:Philosophy of language
1983:Avant-Garde and Kitsch
1933:Lectures on Aesthetics
1066:Information technology
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502:Cartography/Map Design
437:Edsger Wybe Dijkstra's
350:information technology
344:Information technology
254:are highly important.
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3730:Scientific skepticism
3710:Reformed epistemology
2236:Philosophy of science
2128:Philosophy portal
1117:Malloy: Music Outline
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938:Robinson, A. (1952).
787:Expressive Aesthetics
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362:software applications
315:Further information:
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3631:Critical rationalism
3338:Edo neo-Confucianism
3182:Acintya bheda abheda
3161:Renaissance humanism
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2241:Political philosophy
2073:Philosophy of design
1953:In Praise of Shadows
1943:The Critic as Artist
1082:Hackers and Painters
781:Classical Aesthetics
61:"Applied aesthetics"
46:improve this article
3202:Nimbarka Sampradaya
3113:Korean Confucianism
2860:Academic Skepticism
2083:Philosophy of music
2058:Mathematical beauty
1077:Aesthetic Computing
1072:Software Aesthetics
1049:Culinary aesthetics
1005:, 68 (10), 689–709.
969:Google Maps History
951:Nestel, C. (2019).
620:musical development
606:Aesthetics of music
558:Mathematical beauty
456:Landscape designers
370:software aesthetics
4255:Applied aesthetics
4250:Applied philosophy
3823:Post-structuralism
3725:Scientific realism
3680:Quinean naturalism
3660:Logical positivism
3616:Analytical Marxism
2835:Peripatetic school
2747:Chinese naturalism
2274:Aesthetic response
2201:Applied philosophy
2078:Philosophy of film
2068:Patterns in nature
2038:Applied aesthetics
2013:Why Beauty Matters
1799:Life imitating art
1660:Art for art's sake
1122:2007-12-29 at the
1097:Charles Connell, "
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678:Role-playing games
654:Vogelkop bowerbird
614:include lyricism,
594:mathematical humor
568:The aesthetics of
564:mathematical humor
325:Mathematical humor
301:video installation
154:Interior designers
125:Applied aesthetics
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3847:Miscellaneous
3845:
3839:
3836:
3834:
3833:Structuralism
3831:
3829:
3826:
3824:
3821:
3819:
3818:Postmodernism
3816:
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3811:
3809:
3808:Phenomenology
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3799:
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3745:Vienna Circle
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3675:Moral realism
3673:
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3477:Phenomenology
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3417:Individualism
3415:
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3319:
3316:
3314:
3311:
3309:
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3302:
3299:
3297:
3293:
3283:
3282:Judeo-Islamic
3280:
3279:
3277:
3275:
3271:
3265:
3262:
3260:
3259:
3258:ʿIlm al-Kalām
3255:
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3248:
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3238:
3235:
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3207:Shuddhadvaita
3205:
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3200:
3198:
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3168:
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3141:Scholasticism
3139:
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3134:
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3129:
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3126:
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3109:
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2592:Conceptualism
2590:
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2522:
2521:Particularism
2519:
2517:
2514:
2513:
2511:
2509:
2505:
2499:
2496:
2494:
2491:
2489:
2488:Functionalism
2486:
2484:
2481:
2479:
2476:
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2473:Eliminativism
2471:
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2378:Compatibilism
2376:
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2317:Particularism
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2129:
2119:
2117:
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2112:
2109:
2107:
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2100:
2094:
2093:Theory of art
2091:
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2028:
2024:
2015:
2014:
2010:
2005:
2004:
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1995:
1994:
1990:
1984:
1980:
1974:
1970:
1965:
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1920:
1915:
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1883:Hippias Major
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1742:Entertainment
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1665:Art manifesto
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1655:Appropriation
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1547:Merleau-Ponty
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1362:Abhinavagupta
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1314:Postmodernism
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807:Craftsmanship
806:
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493:
489:
488:short stories
485:
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433:
429:
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401:
399:
395:
391:
387:
383:
380:simulations.
379:
375:
371:
367:
363:
359:
358:user-friendly
356:and creating
355:
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343:
341:
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318:
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268:art direction
265:
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260:musical score
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143:architectural
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84:
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73:
70:
66:
63: –
62:
58:
57:Find sources:
51:
47:
41:
40:
35:This article
33:
29:
24:
23:
19:
4216:
4202:
3873:
3864:Postcritique
3854:Kyoto School
3813:Posthumanism
3793:Hermeneutics
3648: /
3589:Contemporary
3565:Newtonianism
3528:Cartesianism
3487:Reductionism
3323:Conservatism
3318:Collectivism
3256:
2984:Sarvāstivadā
2962:Anekantavada
2887:Neoplatonism
2855:Epicureanism
2788:Pythagoreans
2727:Confucianism
2693:Contemporary
2683:Early modern
2587:Anti-realism
2541:Universalism
2498:Subjectivism
2294:Epistemology
2037:
2011:
2001:
1991:
1961:
1951:
1931:
1921:
1911:
1901:
1891:
1881:
1828:
1804:Magnificence
1786:
1636:
1602:Schopenhauer
1437:Coomaraswamy
1355:Philosophers
1343:
1274:Aestheticism
1027:Architecture
1010:
1002:
997:
988:
980:
972:
964:
956:
947:
939:
934:
901:
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861:
847:
843:
842:
815:
814:
810:
792:
786:
780:
774:
742:
721:
713:Hans Hofmann
710:
702:
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538:
529:
513:
505:
481:
466:
454:
446:
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430:
426:
422:
402:
386:Web browsers
360:devices and
347:
336:
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298:
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238:
226:
216:
214:
191:
182:
178:
174:
167:
152:
139:
124:
123:
108:
99:
89:
82:
75:
68:
56:
44:Please help
39:verification
36:
3859:Objectivism
3798:Neo-Marxism
3760:Continental
3670:Meta-ethics
3650:Coherentism
3555:Hegelianism
3492:Rationalism
3452:Natural law
3432:Materialism
3358:Historicism
3328:Determinism
3219:Navya-Nyāya
2994:Sautrāntika
2989:Pudgalavada
2925:Vaisheshika
2778:Presocratic
2678:Renaissance
2617:Physicalism
2602:Materialism
2508:Normativity
2493:Objectivism
2478:Emergentism
2468:Behaviorism
2417:Metaphysics
2383:Determinism
2322:Rationalism
1897:(c. 335 BC)
1887:(c. 390 BC)
1866:Work of art
1819:Picturesque
1675:Avant-garde
1632:Winckelmann
1507:Kierkegaard
1432:Collingwood
1402:Baudrillard
1329:Romanticism
1299:Historicism
1233:Mathematics
1147:Visual arts
694:visual arts
590:serendipity
570:mathematics
552:Mathematics
525:Google Maps
521:web mapping
508:cartography
496:non-fiction
417:source code
409:programmers
374:video games
248:photography
170:digital art
164:Digital art
4245:Aesthetics
4239:Categories
4158:Amerindian
4065:Australian
4004:Vietnamese
3984:Indonesian
3533:Kantianism
3482:Positivism
3472:Pragmatism
3447:Naturalism
3427:Liberalism
3405:Subjective
3343:Empiricism
3247:Avicennism
3192:Bhedabheda
3076:East Asian
2999:Madhyamaka
2979:Abhidharma
2845:Pyrrhonism
2612:Nominalism
2607:Naturalism
2536:Skepticism
2526:Relativism
2516:Absolutism
2445:Naturalism
2355:Deontology
2327:Skepticism
2312:Naturalism
2302:Empiricism
2266:Aesthetics
2170:Philosophy
1836:Recreation
1814:Perception
1707:Creativity
1407:Baumgarten
1397:Baudelaire
1279:Classicism
1194:Aesthetics
853:References
798:Simplicity
757:street art
727:Urban life
682:RPG theory
647:Semir Zeki
624:rock music
588:, and the
574:Paul Erdős
472:Literature
394:cyberspace
210:pragmatism
198:postmodern
194:John Dewey
72:newspapers
18:Aesthetics
4037:Pakistani
3999:Taiwanese
3946:Ethiopian
3919:By region
3905:By region
3720:Scientism
3715:Systemics
3575:Spinozism
3502:Socialism
3437:Modernism
3400:Objective
3308:Anarchism
3242:Averroism
3131:Christian
3083:Neotaoism
3054:Zurvanism
3044:Mithraism
3039:Mazdakism
2810:Cyrenaics
2737:Logicians
2370:Free will
2332:Solipsism
2279:Formalism
1841:Reverence
1747:Eroticism
1717:Depiction
1690:Masculine
1592:Santayana
1552:Nietzsche
1497:Hutcheson
1487:Heidegger
1472:Greenberg
1427:Coleridge
1392:Balthasar
1377:Aristotle
1339:Theosophy
1334:Symbolism
1309:Modernism
1294:Formalism
926:154002130
918:0066-4812
801:Diversity
586:polyhedra
535:Marketing
158:feng shui
102:June 2008
4223:Category
4178:Yugoslav
4168:Romanian
4075:Scottish
4060:American
3989:Japanese
3969:Buddhist
3951:Africana
3941:Egyptian
3783:Feminist
3705:Rawlsian
3700:Quietism
3598:Analytic
3550:Krausism
3457:Nihilism
3422:Kokugaku
3385:Absolute
3380:Idealism
3368:Humanism
3156:Occamism
3123:European
3068:Medieval
3014:Yogacara
2974:Buddhist
2967:Syādvāda
2850:Stoicism
2815:Cynicism
2803:Sophists
2798:Atomists
2793:Eleatics
2732:Legalism
2673:Medieval
2597:Idealism
2551:Ontology
2531:Nihilism
2435:Idealism
2193:Branches
2182:Branches
2116:Category
2048:Axiology
1917:(c. 500)
1907:(c. 100)
1782:Judgment
1737:Emotions
1732:Elegance
1712:Cuteness
1685:Feminine
1648:Concepts
1617:Tanizaki
1597:Schiller
1582:Richards
1572:Rancière
1542:Maritain
1477:Hanslick
1417:Benjamin
1289:Feminism
1258:Theology
1238:Medieval
1228:Japanese
1223:Internet
1120:Archived
898:Antipode
753:graffiti
745:planning
651:See also
582:geometry
413:elegance
405:software
390:websites
366:Software
280:director
262:. As in
252:lighting
4173:Russian
4142:Spanish
4137:Slovene
4127:Maltese
4122:Italian
4102:Finland
4070:British
4052:Western
4042:Turkish
4027:Islamic
4022:Iranian
3974:Chinese
3961:Eastern
3928:African
3875:more...
3560:Marxism
3390:British
3333:Dualism
3229:Islamic
3187:Advaita
3177:Vedanta
3151:Scotism
3146:Thomism
3088:Tiantai
3031:Persian
3019:Tibetan
3009:Śūnyatā
2950:Cārvāka
2940:Ājīvika
2935:Mīmāṃsā
2915:Samkhya
2830:Academy
2783:Ionians
2757:Yangism
2714:Chinese
2705:Ancient
2668:Western
2663:Ancient
2622:Realism
2579:Reality
2569:Process
2450:Realism
2430:Dualism
2425:Atomism
2307:Fideism
2111:Outline
2026:Related
1893:Poetics
1861:Tragedy
1851:Sublime
1824:Quality
1809:Mimesis
1767:Harmony
1752:Fashion
1727:Ecstasy
1722:Disgust
1638:more...
1607:Scruton
1532:Lyotard
1467:Goodman
1447:Deleuze
1382:Aquinas
1372:Alberti
1345:more...
1324:Realism
1304:Marxism
1284:Fascism
1267:Schools
1253:Science
1208:Ancient
1101:," 2002
765:parades
737:Bristol
628:baroque
616:harmony
398:sublime
305:monitor
286:Montage
264:Theatre
86:scholar
4132:Polish
4112:German
4107:French
4092:Danish
4082:Canada
4032:Jewish
3994:Korean
3979:Indian
3521:People
3442:Monism
3395:German
3363:Holism
3296:Modern
3274:Jewish
3197:Dvaita
3170:Indian
3093:Huayan
2945:Ajñana
2902:Indian
2767:Greco-
2752:Taoism
2742:Mohism
2688:Modern
2655:By era
2644:By era
2559:Action
2440:Monism
2360:Virtue
2342:Ethics
2017:(2009)
2007:(1977)
1997:(1946)
1987:(1939)
1977:(1935)
1967:(1934)
1957:(1933)
1947:(1891)
1937:(1835)
1927:(1757)
1794:Kitsch
1772:Humour
1702:Comedy
1680:Beauty
1622:Vasari
1612:Tagore
1587:Ruskin
1527:Lukács
1517:Langer
1462:Goethe
1387:Balázs
1367:Adorno
1248:Nature
1213:Africa
981:Core77
924:
916:
804:Colors
698:vision
492:novels
484:poetry
323:, and
276:makeup
130:design
88:
81:
74:
67:
59:
4163:Aztec
4117:Greek
4097:Dutch
4087:Czech
3936:Bantu
3373:Anti-
2920:Nyaya
2910:Hindu
2770:Roman
2564:Event
2206:Logic
2106:Index
1875:Works
1856:Taste
1846:Style
1627:Wilde
1567:Plato
1562:Pater
1522:Lipps
1482:Hegel
1452:Dewey
1442:Danto
1422:Burke
1243:Music
1218:India
1201:Areas
1106:Music
1089:(pdf)
922:S2CID
761:parks
670:score
630:age.
612:music
600:Music
321:Jokes
317:Humor
311:Humor
93:JSTOR
79:books
3264:Sufi
3098:Chan
2957:Jain
2930:Yoga
2460:Mind
2400:Hard
2388:Hard
1830:Rasa
1788:Kama
1762:Gaze
1697:Camp
1577:Rand
1512:Klee
1502:Kant
1492:Hume
1412:Bell
914:ISSN
763:and
755:and
519:and
494:and
376:and
274:and
240:Film
215:See
65:news
3538:Neo
3103:Zen
1757:Fun
1537:Man
1457:Fry
906:doi
482:In
200:or
48:by
4241::
1985:"
1975:"
1945:"
979:,
971:,
955:.
920:.
912:.
902:35
900:.
896:.
884:^
708:.
684:.
672:.
656:.
596:.
490:,
486:,
400:.
388:,
364:.
319:,
296:.
282:.
266:,
160:.
150:.
2162:e
2155:t
2148:v
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1971:"
1941:"
1186:e
1179:t
1172:v
983:.
928:.
908::
115:)
109:(
104:)
100:(
90:·
83:·
76:·
69:·
42:.
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