179:
77:
36:
493:. By the end of the 1960s, the group had released 27 singles and 2 albums for Peacock. In the 1970s and early 1980s, they recorded some material for Jewel, and they continued to tour into the 1990s. Of the three remaining members of the original group, Lloyd Woodard died in June 1973, Lawrence Abrams passed on in August, 1982, and Henry Johnson passed on December 10, 1999.
446:(1917-2003) (who replaced Henderson), the Blind Boys moved into their period of greatest fame. Perkins, who was not blind, became the group's manager, and they began to record, first for Excelsior in 1946, then for Coleman in 1948. Ford was replaced by another blind bass singer who later regained his sight and had to leave the group. He was replaced by
504:. There is some dispute as to which of the two groups was named first. Some sources say that the Five Blind Boys took their name when Percell Perkins joined them in the mid-1940s. According to Fountain, however, the two groups were actually christened simultaneously during a Newark, New Jersey quartet contest in 1948.
438:
style. Even though Harris' influence was persuasive—the Blind Boys at first covered Soul
Stirrers songs almost exclusively—Brownlee's high voice, which could move from a sweet croon to a devastating scream, was one of the most recognizable in gospel. Though blind from birth, he would also sometimes
457:
And over the course of 10 years the Blind Boys recorded such hits as "Old Ship Of Zion", "Coming Home", "Will Jesus Be
Waiting?", "Song Of Praise", "I Wonder, Do You?", "In The Wilderness", "I Never Heard A Man", "Let's Have Church", "Leave You In The Hands Of The Lord", and "Someone Watches".
544:
477:. Broadnax, in particular, had a high voice which was comparable, in some respects, to Brownlee's. Other singers who worked with the group for a time included Rev.
94:
49:
693:
703:
458:
Brownlee died of pneumonia while touring in New
Orleans on February 8, 1960, at the age of 34, and not long after Perkins left as well to go into the ministry.
688:
391:. On March 9, 1937, Brownlee and the others recorded sacred tunes (as the Blind Boys) and three secular numbers (as Abraham, Woodard, and Patterson) for
426:
In the mid-1940s, Brownlee and the others relocated to
Chicago, and changed their name to the Five Blind Boys of Mississippi. Under the influence of
643:
678:
668:
141:
673:
113:
200:
412:
55:
120:
590:
531:
240:
222:
160:
63:
683:
127:
360:
548:
698:
312:
98:
109:
193:
187:
482:
466:
462:
376:
87:
497:
486:
384:
368:
204:
663:
348:
404:
134:
522:
400:
638:
399:. After graduation in the early forties, they began performing professionally singing pop music as the
447:
416:
443:
372:
364:
266:
420:
474:
392:
478:
435:
333:, their single "Our Father" reached number ten on the Billboard R&B charts in early 1951.
586:
527:
501:
388:
470:
344:
647:
606:
451:
380:
330:
657:
431:
490:
434:, Brownlee moved away from the jubilee style of singing and towards a more popular
336:
326:
276:
427:
423:, joined the group making them—like many so-called quartets—actually a quintet.
379:— originally sang under the name "the Cotton Blossom Singers", performing
76:
634:
465:
and, after
Robinson left the group to go out on his own, by the very able lead
17:
396:
340:
339:'s goal for the line, "Rollin', rollin', rollin' on the river," in the song "
343:" was to evoke male gospel harmonies, as exemplified by groups such as the
387:, helped organize the blind singers at the behest of the school founder
383:
and secular material, to raise money for the school. Their teacher,
545:"Artist Profile for Archie Brownlee - WindowsMedia.com Media Guide"
644:'The Five Blind Boys of Mississippi' Vocal Group Hall of Fame Page
454:
where they recorded the hit "Our Father" at their first session.
469:, who, like Brownlee, made devastating screams. Quartet veteran
408:
496:
The Five Blind Boys of
Mississippi should not be confused with
359:
The group originated in 1936 as a quartet of students from the
172:
70:
29:
411:
band which originated from the same country school known as "
473:
took the position of second lead. He was later replaced by
570:
Miracle in
Mississippi: Laurence C. Jones of Piney Woods
304:
300:
282:
272:
262:
255:
101:. Unsourced material may be challenged and removed.
616:Lee Hildebrand and Opal Nations, Liner Notes to
450:, in that year, and in 1950 the group moved to
442:With the addition of hard gospel shouter Rev.
8:
439:leap from a stage into the audience below .
64:Learn how and when to remove these messages
351:, and the Five Blind Boys of Mississippi.
252:
585:. University Press of Mississippi, p.83.
241:Learn how and when to remove this message
223:Learn how and when to remove this message
161:Learn how and when to remove this message
186:This article includes a list of general
618:The Original Five Blind Boys of Alabama
513:
413:The International Sweethearts of Rhythm
329:quartet. They started with lead singer
313:Archie Brownlee & Big Henry Johnson
403:and religious material under the name
694:Musical groups disestablished in 1994
623:Dorothy Moore, original source, 2008
461:Brownlee was, at first, replaced by
407:. They were often backed by a female
7:
704:American musicians with disabilities
99:adding citations to reliable sources
583:Piney Woods School: An Oral History
27:American gospel quartet (1936–1994)
689:Musical groups established in 1936
635:The Five Blind Boys of Mississippi
367:. The students — Brownlee,
323:The Five Blind Boys of Mississippi
192:it lacks sufficient corresponding
25:
45:This article has multiple issues.
523:Fortunate Son: My Life, My Music
177:
110:"Five Blind Boys of Mississippi"
75:
34:
679:Piney Woods Country Life School
581:Harrison, Alferdteen B. (1983)
86:needs additional citations for
53:or discuss these issues on the
669:American gospel musical groups
568:Purcell, Leslie Harper (1956)
257:Five Blind Boys of Mississippi
1:
650: (archived 30 April 2008)
572:, p.120. Comet Press Books. .
674:Musical groups from Chicago
611:Kings of the Gospel Highway
720:
498:The Blind Boys of Alabama
385:Martha Louise Morrow Foxx
325:was an American post-war
349:Sensational Nightingales
684:Checker Records artists
415:." In the early 1940s,
207:more precise citations.
613:CD, Shanachie, c. 2000
520:Fogerty, John (2015).
405:The Jackson Harmoneers
401:Cotton Blossom Singers
699:American blind people
365:Jackson, Mississippi
267:Jackson, Mississippi
95:improve this article
620:CD, Specialty, 1993
526:, . Little, Brown.
393:Library of Congress
361:Piney Woods School
609:, Liner Notes to
502:Clarence Fountain
500:, a group led by
389:Laurence C. Jones
320:
319:
251:
250:
243:
233:
232:
225:
171:
170:
163:
145:
68:
16:(Redirected from
711:
594:
579:
573:
566:
560:
559:
557:
556:
547:. Archived from
541:
535:
518:
471:Willmer Broadnax
448:J.T. Clinkscales
419:, also known as
417:Melvin Henderson
345:Swan Silvertones
307:
295:
293:
285:
253:
246:
239:
228:
221:
217:
214:
208:
203:this article by
194:inline citations
181:
180:
173:
166:
159:
155:
152:
146:
144:
103:
79:
71:
60:
38:
37:
30:
21:
719:
718:
714:
713:
712:
710:
709:
708:
664:Blind musicians
654:
653:
648:Wayback Machine
633:Wynn, Ron.
630:
607:Anthony Heilbut
603:
601:Further reading
598:
597:
580:
576:
567:
563:
554:
552:
543:
542:
538:
519:
515:
510:
463:Roscoe Robinson
452:Peacock Records
444:Percell Perkins
381:jubilee quartet
373:Lawrence Abrams
357:
331:Archie Brownlee
305:
291:
289:
283:
258:
247:
236:
235:
234:
229:
218:
212:
209:
199:Please help to
198:
182:
178:
167:
156:
150:
147:
104:
102:
92:
80:
39:
35:
28:
23:
22:
18:Archie Brownlee
15:
12:
11:
5:
717:
715:
707:
706:
701:
696:
691:
686:
681:
676:
671:
666:
656:
655:
652:
651:
641:
629:
628:External links
626:
625:
624:
621:
614:
602:
599:
596:
595:
574:
561:
536:
512:
511:
509:
506:
421:Melvin Hendrix
356:
353:
318:
317:
316:
315:
308:
302:
301:
298:
297:
286:
280:
279:
274:
270:
269:
264:
260:
259:
256:
249:
248:
231:
230:
185:
183:
176:
169:
168:
83:
81:
74:
69:
43:
42:
40:
33:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
716:
705:
702:
700:
697:
695:
692:
690:
687:
685:
682:
680:
677:
675:
672:
670:
667:
665:
662:
661:
659:
649:
645:
642:
640:
636:
632:
631:
627:
622:
619:
615:
612:
608:
605:
604:
600:
592:
591:9781617034541
588:
584:
578:
575:
571:
565:
562:
551:on 2008-02-19
550:
546:
540:
537:
533:
532:9780316244565
529:
525:
524:
517:
514:
507:
505:
503:
499:
494:
492:
488:
484:
483:George Warren
480:
476:
475:Willie Mincey
472:
468:
467:Henry Johnson
464:
459:
455:
453:
449:
445:
440:
437:
433:
432:Soul Stirrers
429:
424:
422:
418:
414:
410:
406:
402:
398:
394:
390:
386:
382:
378:
377:Lloyd Woodard
374:
370:
366:
362:
354:
352:
350:
346:
342:
338:
334:
332:
328:
324:
314:
311:
310:
309:
303:
299:
287:
281:
278:
275:
271:
268:
265:
261:
254:
245:
242:
227:
224:
216:
206:
202:
196:
195:
189:
184:
175:
174:
165:
162:
154:
143:
140:
136:
133:
129:
126:
122:
119:
115:
112: –
111:
107:
106:Find sources:
100:
96:
90:
89:
84:This article
82:
78:
73:
72:
67:
65:
58:
57:
52:
51:
46:
41:
32:
31:
19:
617:
610:
582:
577:
569:
564:
553:. Retrieved
549:the original
539:
521:
516:
495:
491:Vance Powell
460:
456:
441:
425:
358:
337:John Fogerty
335:
322:
321:
306:Past members
284:Years active
237:
219:
210:
191:
157:
148:
138:
131:
124:
117:
105:
93:Please help
88:verification
85:
61:
54:
48:
47:Please help
44:
487:James Watts
479:Sammy Lewis
436:hard gospel
428:R.H. Harris
395:researcher
369:Joseph Ford
205:introducing
658:Categories
555:2008-02-15
508:References
397:Alan Lomax
341:Proud Mary
213:April 2009
188:references
151:April 2009
121:newspapers
50:improve it
56:talk page
639:AllMusic
646:at the
481:, Rev.
430:of the
355:History
290: (
201:improve
135:scholar
589:
530:
489:, and
375:, and
347:, the
327:gospel
277:Gospel
273:Genres
263:Origin
190:, but
137:
130:
123:
116:
108:
363:near
296:-1994
142:JSTOR
128:books
587:ISBN
528:ISBN
409:jazz
292:1936
288:1936
114:news
637:at
97:by
660::
485:,
371:,
59:.
593:.
558:.
534:.
294:)
244:)
238:(
226:)
220:(
215:)
211:(
197:.
164:)
158:(
153:)
149:(
139:·
132:·
125:·
118:·
91:.
66:)
62:(
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.