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company, which was bought out by Arri in the mid-1990s. As such, the
Arricam is a fusion of the mechanical and intuitive design innovations of the Moviecam and the interchangeable accessories and complex electronic integration of the Arriflex. As of 2006, the Arricam is considered, along with the
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only rear-mounted, available in 400 ft (122 m) shoulder and 400 ft (120 m) Steadicam versions. 400 ft (120 m) and 1000 ft (300 m) Studio mags can be used with an adapter. All have torque motors and include LCD footage counters. Studio magazines have manual footage counters and
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24 V and 12 V ports, with combined 7 A maximum load; shutter timing shift box (TSB), zoom control (ZMU), wireless remote system (WRS), wireless remote control (WRC), remote control unit (RCU), universal motor controller (UMC), lens data archive (LDA), heated eyepiece (HE), lens data mount (LDM),
318:, rotates 360° and to left or right of camera with manual adjustment for maintaining upright image continuously. Can be used with either eye. Manual image adjustment standard on all. Studio Universal and Lite Universal have
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integrated video system (IVS), Varicon flashing unit, external sync unit (ESU), cine tape measure, accessory power box (APB), remote switch (RS), onboard video monitor, lens data display (LDD), work light
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Arricam
Integrated Video System (IVS) standard; colour, flicker-free, video iris, gain, frame lines, lens data (with LDS system), color temperature, freeze and compare
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application, with only the option to mount the magazine in the rear position. Both cameras use motorized displacement magazines, have electronic
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line. The design was developed by Fritz
Gabriel Bauer and Walter Trauninger, and is heavily derivative of the cameras Bauer created for his
304:; Can adjusted between 0° and 180° while in standby; rampable between 11.2° and 180° while running. Fully adjustable within 0.1° increments.
265:(user bit and sensitivity level), voltage, incorrect movement, asynchronous speed, low battery, film end, heater, film jam, loose magazine
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1–40 frames per second (forward) and 1–32 frames per second (reverse – ST mags needed). Both models crystal accurate to 0.001 frame/s.
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switch available. Standard 80/20 beamsplitter, but entire viewfinder and beamsplitter can be replaced with 100% video tap for
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Millennium line, the top sync-sound camera system currently in usage, and is extremely popular amongst bigger budget
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mounting configurations, whereas the
Arricam LT is optimized for smaller, lightweight usage in handheld and
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DC with quartz crystal control, separate electronically linked motors for shutter and movement
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Arrihead, bridge plate, handgrip, shoulder set, shoulder cushion, underslung bracket for
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Arri-style follow focus. Integrated Lens Data System (LDS) and Lens
Control System (LCS).
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cameras), and contain independently adjustable sprocket pulleys within the camera body.
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shift and tilt lens system, eyepiece leveller, pentafinder, wide angle eyepiece
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or remote rigging. Heated eyepiece and eyepiece extenders also available.
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1–60 frames per second (forward) and 1–32 frames per second (reverse)
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mounted beneath the film gate (as opposed to beside it, as in
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Studio, Lite, Studio
Universal, and Lite Universal. All cover
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It is Arri's flagship sync-sound camera line, replacing the
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active displacement mags; takes up emulsion in (9P design).
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4 kg/8.8 lbs (body), 5.25 kg/11.56 (body with finder)
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51:. Unsourced material may be challenged and removed.
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431:third party covers and housings, rain deflector
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386:Arriflex MB or LMB models, 15 or 19 mm rods
346:Interchangeable. Arriglow module available.
111:Learn how and when to remove this message
173:8.15 kg/17.95 lbs (body with finder);
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49:adding citations to reliable sources
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189:and pulldown claws, 3 or 4-perf
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257:speed, run, counter (ft or m),
36:needs additional citations for
226:removable, includes gel holder
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537:Cameras introduced in 2000
513:rotating mirror shutters
18:35 mm movie camera line
428:Environment protection
391:Electronic accessories
132:Studio (ST), Lite (LT)
458:line manufactured by
239:Operating noise level
249:<24 dB at 4-perf.
185:Five link with dual
45:improve this article
400:Optical accessories
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193:, pitch adjustment
542:German inventions
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408:Other accessories
187:registration pins
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218:.980" x .735"
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56:Find sources:
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472:Arriflex 535
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456:movie camera
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413:follow focus
411:lightweight
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342:Ground glass
332:Video assist
287:Lens control
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137:Manufacturer
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43:Please help
38:verification
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466:Description
382:Matte boxes
300:electronic
282:compatible)
101:August 2016
526:Categories
517:Panavision
373:Film cores
320:anamorphic
310:Viewfinder
271:Lens mount
254:Indicators
245:<20 dB
147:Introduced
71:newspapers
509:Steadicam
441:Steadicam
420:Batteries
352:Magazines
324:Steadicam
263:time code
60:"Arricam"
481:Panaflex
476:Moviecam
360:take-up.
316:Super 35
280:Super 35
191:pulldown
182:Movement
449:Arricam
296:Shutter
276:Arri PL
124:Arricam
85:scholar
495:) and
493:Studio
167:Weight
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453:35 mm
451:is a
231:Motor
199:Speed
161:35 mm
156:Gauge
92:JSTOR
78:books
501:Lite
460:Arri
357:Lite
141:Arri
64:news
462:.
423:24V
47:by
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497:LT
489:ST
261:,
247:LT
243:ST
208:LT
204:ST
175:LT
171:ST
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