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is typical of the turn-of-the-century's
Chicago School of Hand Lettering: a decorative serif design intended for advertisement text more than book body setting. Other types based upon advertising and hand-lettering were developed around the same time, such as
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Wiebking, whose reputation was based upon his collaboration as a matrix cutter for other designers, occasionally ventured a design of his own. Though he is usually credited with creating
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type historian
Alexander Lawson believes that the type was probably created by Edmund C. Fischer.
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287:, National Composition Association, Arlington, Virginia, 1983. pp. 18–19.
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189:(1913). The face retained a wide popularity for more than two decades.
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Stephenson Blake: The Last of the Old
English Typefounders
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264:American Metal Typefaces of the Twentieth Century,
161:) the face was sold by both BB&S and ATF.
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309:Oak Knoll Press, New Castle Delaware, 2002,
266:Oak Knoll Books, New Castle Delaware, 1993,
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283:Provan, Archie, and Alexander S. Lawson,
234:and digital versions are now offered by
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207:was copied for machine composition by
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230:The face was later made available in
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215:. The Ludlow matrices were cut by
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219:. There is also a face known as
379:American Type Founders typefaces
155:Barnhart Brothers & Spindler
123:Wiebking, Hardinge & Company
91:Barnhart Brothers & Spindler
227:which might be the same thing.
141:After Advance was sold to the
1:
285:100 Type Histories (volume 1)
117:typeface engraved in 1912 by
129:. It was originally called
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369:Photocomposition typefaces
153:After Western was sold to
211:and for hand casting by
145:in 1914, Wiebking added
137:before finally becoming
159:American Type Founders
95:American Type Founders
364:Letterpress typefaces
244:Ascender Corporation
143:Western Type Foundry
127:Advance Type Foundry
87:Western Type Foundry
82:Re-issuing foundries
67:Advance Type Foundry
217:R. Hunter Middleton
21:
384:Display typefaces
374:Digital typefaces
305:Millingoton, Roy
157:(a subsidiary of
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236:the Font Company
225:Stephenson Blake
170:Frederic Goudy's
151:Artcraft Italic.
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359:Serif typefaces
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296:MacGrew, p. 17.
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119:Robert Wiebking
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55:Robert Wiebking
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328:"Artcraft Pro"
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262:MacGrew, Mac,
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200:Other versions
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125:which ran the
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38:Classification
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16:Serif typeface
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315:1-58456-086-X
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272:0-938768-34-4
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221:Art and Craft
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147:Artcraft Bold
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73:Date released
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336:. Retrieved
334:. 1999-02-22
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184:Oz Cooper's
176:(1902) and
50:Designer(s)
353:Categories
338:2011-10-20
332:Identifont
250:References
135:Art-Craft,
131:Craftsman,
317:, p. 226.
232:cold type
194:Artcraft,
139:Artcraft.
115:Old Style
43:Old Style
274:, p. 17.
223:cast by
209:Monotype
205:Artcraft
165:Artcraft
111:Artcraft
103:Monotype
26:Category
20:Artcraft
187:Packard
62:Foundry
313:
270:
242:, and
213:Ludlow
180:(1903)
178:Powell
113:is an
99:Ludlow
240:URW++
174:Pabst
133:then
31:Serif
311:ISBN
268:ISBN
149:and
121:for
76:1912
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330:.
246:.
238:,
341:.
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