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1305:“Artist’s book” as a term is problematic because it ghettoizes, enforces the separation from broader everyday practices and limits the subversive potential of books by putting an art tag on them. (…) While extended discussions have taken place around the term, including heated debate over whether and where to put the apostrophe in artist’s book, Lawrence Weiner once cut through the Gordian knot by concluding: “Don’t call it an artist’s book, just call it a book.”
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382:(1916) by Kruchenykh used hand-written text, integrated with expressive lithographs and collage elements, creating small editions with dramatic differences between individual copies. Other titles experimented with materials such as wallpaper, printing methods including carbon copying and hectographs, and binding methods including the random sequencing of pages, ensuring no two books would have the same contextual meaning.
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277:(1919), with its interspersing of a single carefully spaced text interspersed with abstract colour lithographs, is a landmark in the history of English language artists' books. With regards to the creation of Artists' books, the most influential offshoot of futurist principles, however, occurred in Russia. Marinetti visited in 1914, proselytizing on behalf of Futurist principles of speed, danger, and cacophony.
646:, 1964). Although originally produced in Iceland in extremely small editions, Roth's books would be produced in increasingly large runs, through numerous publishers in Europe and North America, and would ultimately be reprinted together by the German publisher Hansjörg Mayer in the 1970s, making them more widely available in the last half-century than the work of any other comparable artist.
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710:(1931–78), who was born in Lithuania. Maciunas set up the AG Gallery in New York, 1961, with the intention of putting on events and selling books and multiples by artists he liked. The gallery closed within a year, apparently having failed to sell a single item. The collective survived, and featured an ever-changing roster of like-minded artists including
938:, for instance, whilst still keeping artists' books central to his practice, has created a series of works that have more in common with Victorian sketchbooks. A return to the cheap mass-produced aesthetic has been evidenced since the early 90s, with artists such as Mark Pawson and Karen Reimer making cheap mass production central to their practice.
751:), were central to Fluxus' ethos disdaining galleries and institutions, replacing them with "art in the community", and the definition of what was and wasn't a book became increasingly elastic throughout the decade as the two forms collided. Many of the Fluxus editions share characteristics with both; George Brecht's
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artists across the continent started to focus on pamphlets, posters, manifestos and books. This was partially as a way to gain publicity within an increasing print-dominated world, but also as a strategy to bypass traditional gallery systems, disseminate ideas and to create affordable work that might
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Even if the buzz of interest in publication as an art practice around the turn of the twenty-first century resembles the hype around the “artist’s book” in the 1970s, the phenomenon of art book fairs in this quantity and intensity is something new. (...) Art book fairs today are not only a venue for
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Artists' books began to proliferate in the sixties and seventies in the prevailing climate of social and political activism. Inexpensive, disposable editions were one manifestation of the dematerialization of the art object and the new emphasis on process.... It was at this time too that a number of
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by Dieter Roth, one of many artists to be affiliated to fluxus at one or other point in its history; each one was made from a pulped book mixed with onions and spices and stuffed into sausage skin. Literally a book, but utterly unreadable. Litsa Spathi and Ruud Jansen of the Fluxus
Heidelberg Center
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Artists' books are made for a variety of reasons. An artist book is generally interactive, portable, movable and easily shared. Some artists books challenge the conventional book format and become sculptural objects. Artists' books may be created in order to make art accessible to people outside of
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created a sustained series of artists' books that challenged every assumption of orthodox book production. Whilst some of the books created by this group would be relatively straightforward typeset editions of poetry, many others played with form, structure, materials, and content that still seems
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The essence of a book is communication, but that is by no means the end of a book's possibilities. A book is sculpture. A book is a mixed-media assemblage. A book is a concept. A book may be a symbol. A book can become an icon. In "Art Ex Libris: The
National Book Art Exhibition now at Artspace,
896:(I.S.C.A.) helped to establish electrostatic art as a legitimate art form, and to offer a means of distribution and exhibition to Xerox book Artists. Volume 1, #1 of The I.S.C.A. Quarterly was issued in April 1982 in a folio of 50 eight by eleven inch unbound prints in black and white or color
1108:(Courtney contributed articles for 17 years, and this feature continues today with different contributors). The Library of Congress adopted the term artists books in 1980 in its list of established subjects, and maintains an active collection in its Rare Book and Special Collections Division.
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contributors." After the advent of home computers and printers made it easier for artists to do what the copy machine formerly did, Volume 21, #4 in June 2003 was the final issue. "The 21 years of The I.S.C.A. Quarterlies represented a visual record of artists’ responses to timely social and
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In the 1980s this consolidation of the field intensified, with an increasing number of practitioners, greater commercialization, and also the appearance of a number of critical publications devoted to the form. In 1983, for example, Cathy
Courtney began a regular column for the London-based
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artist-controlled alternatives began to develop to provide a forum and venue for many artists denied access to the traditional gallery and museum structure. Independent art publishing was one of these alternatives, and artists' books became part of the ferment of experimental forms.
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the formal contexts of galleries or museums. Artists' books can be made from a variety of materials, including found objects. The
Mexican artist Ulises CarriĂłn understood artists' books as autonomous forms that are not reduced only to text, as in a traditional book.
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was numbered in the Table of
Contents and the corresponding number was stamped on the back of each artist's work. "The format changed over the years and eventually included an Annual Bookworks Edition, which contained a box of small handmade books from the
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In the early 1970s the artist's book began to be recognized as a distinct genre, and with this recognition came the beginnings of critical appreciation of and debate on the subject. Institutions devoted to the study and teaching of the form were founded
1200:. Beginning in 2007, the Codex Foundation began its Book Fair and Symposium, a biennial 4-day event in the San Francisco Bay Area attended by collectors and producers of artist books as well as laypeople and academics interested in the medium.
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or loose items contained in a box. Artists have been active in printing and book production for centuries, but the artist's book is primarily a late 20th-century form. Book forms were also created within earlier movements, such as
1065:, for example); library and art museum collections began to create new rubrics with which to classify and catalog artists' books and also actively began to expand their fledgling collections; new collections were founded (such as
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545:, many artists in Europe attempted to rebuild links beyond nationalist boundaries, and used the artist's book as a way of experimenting with form, disseminating ideas and forging links with like-minded groups in other countries.
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were centers where women artists could work and explore feminist themes. Bookstores specializing in artists' books were founded, usually by artists, including Ecart in 1968 (Geneva), Other Books and So in 1975 (Amsterdam),
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583:, (1960), a work that challenges the viewer to reassemble the contents of an envelope back into a semblance of narrative. Two other examples of poet-artists whose work provided models for artists' books include
667:(1965), but deals with a banal journey on route 66 between Ruscha's home in Los Angeles and his parents' in Oklahoma. Like Roth, Ruscha created a series of homogenous books throughout the sixties, including
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Although his visit didn't go particularly well, with key members of Cubo-Futurism feeling distinctly patronized by his pronouncements. See
Collaborating on the Paradigm of the Future by Margarita Tupitsyn
634:(1930–98) produced a series of works which systematically deconstructed the form of the book throughout the fifties and sixties. These disrupted the codex's authority by creating books with holes in (e.g.
870:, (1977), for instance, simply chronicled shadows as they passed across a brick wall, Maurizio Nannucci "M/40" with 92 typesetting pages (1967) and "Definizioni/Definitions" (1970), whilst Kozlowski's
2681:, is one of the oldest online periodicals covering artists’ books and other multiple editions. Available online for the years 1978–2005 through the Digital Collections of the IUPUI University Library.
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401:. Attempting to create a new proletarian art for a new communist epoch, constructivist books would also have a huge impact on other European avant-gardes, with design and text-based works such as
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that resulted in international notoriety. Marinetti used the ensuing fame to tour Europe, kickstarting movements across the continent that all veered towards book-making and pamphleteering.
194:, and the merging of handwritten texts and images created intensely vivid, hermetic works without any obvious precedents. These works would set the tone for later artists' books, connecting
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638:, 1957), allowing the viewer to see more than one page at the same time. Roth was also the first artist to re-use found books-comic books, printer's end papers and newspapers (such as
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Artists' books are books or book-like objects over the final appearance of which an artist has had a high degree of control; where the book is intended as a work of art in itself.
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The question of the relation between avant-garde poetry and artists' books is dealt with very well in the chapter entitled "Poètes ou artistes?" in Anne
Moeglin-Delcroix,
934:, with her series Encyclopaedia Arcadia, routinely make unique, hand crafted books in a deliberate reaction to the small mass-produced editions of previous generations;
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In the fifties artists in Europe developed an interest in the book, under the influence of modernist theory and in the attempt to rebuild positions destroyed by the war.
659:, in 1963 in an edition of 400, but had printed almost 4000 copies by the end of the decade. The book is directly related to American photographic travelogues, such as
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political issues," as well as to personal experiences. The complete I.S.C.A quarterly collection is housed and catalogued at the Jaffe Center for Book Arts at the
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Connor, Sibella (March 11, 1994). "By the Book: This art goes beyond words to touch the reverent reader". Richmond, Virginia: Richmond Times-Dispatch. p. C1.
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representing a separate, prior publishing scene, they are also a central forum for constituting and nurturing a community around publishing as artistic practice.
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Leszek
Brogowski, Éditer l’art. Le livre d’artiste et l’histoire du livre, nouvelle édition revue et augmentée, Rennes, Éditions Incertain Sens, coll. "Grise" (
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and self-distribution with the integration of text, image and form. All of these factors have remained key concepts in artists' books up to the present day.
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Definition of the artist's book: distinguishing between the terms "artist's book", "book art", "bookworks", "livre d'artiste", fine press books, etc.
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Many book artists working in traditional, as well as non-traditional, forms have taught and shared their art in workshops at centers such as the
1077:, is the first place the term "Artist's Book" was used). Artists' books became a popular form for feminist artists beginning in the 1970s. The
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As the form has expanded, many of the original distinctive elements of artists' books have been lost, blurred or transgressed. Artists such as
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that utilize the form of the book. They are often published in small editions, though they are sometimes produced as one-of-a-kind objects.
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Bullard, CeCe (February 17, 1994). "Getting a good read on books as fine art". Richmond, Virginia: Richmond Times-Dispatch. p. D24.
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Roberts-Pullen, Paulette (March 1994). "Pagination
Imagination: Artspace explores the form and function of books". Style Weekly.
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A number of issues around the artist's book have been vigorously debated. Some of the major themes under examination have been:
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2007:
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After the war, a number of leading artists and poets started to explore the functions and forms of the book 'in a serious way'
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created a number of works that continued in the French tradition of the Livre d'Artiste, whilst simultaneously subverting it.
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in New York (1976). All of these also had publishing programmes over the years, and the latter two are still active today.
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1131:. The Journal of Artists' Books (JAB) was founded in 1994 to "raise the level of critical inquiry about artists' books."
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In the 1980s and 1990s, BA, MA and MFA programs in Book Art were founded, some notable examples of which are the MFA at
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created from found magazines of
Copenhagen and Paris respectively, collaged and then printed over in unrelated colours.
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528:. Drawing on medieval Russian literature, he creatively combined dreams, reality, and pure whimsy in his artist books.
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Contemporary and post-conceptual artists also have made artist's books an important aspect of their practice, notably
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in New York); and numerous group exhibitions of artist's books were organized in Europe and America (notably one at
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Whilst artists have been involved in the production of books in Europe since the early medieval period (such as the
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more than a hundred artists explore and extend the possibilities of a book as something more than words on paper.
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When is a magazine a book? Some examples of "artists' books" provided on this page (such as Theo van Doesburg's
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in Poland all used the artist's book as a central part of their art practice. An early example, the exhibition
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1607:"Songs of Innocence and of Experience, copy Z, object 1 (Bentley 1, Erdman 1, Keynes 1) "General Title Page""
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in the Netherlands all printed numerous books, periodicals, and theoretical tracts within the newly emerging
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The recent boom in artists' books production and dissemination is closely linked to art book fairs:
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1731:"Duchamp's Window Display for André Breton's Le Surréalisme et la Peinture (1945) by Thomas Girst"
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Yves Klein in France was similarly challenging Modernist integrity with a series of works such as
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at 1708 Gallery are now in the Sackner Archive of Concrete and Visual Poetry in Miami, Florida.
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ABC of bookbinding: a unique glossary with over 700 illustrations for collectors and librarians
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602:(1960) which turned on issues of identity and duplicity. Other examples from this era include
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Publishing as an implicitly political act and its challenge to imagine a new kind of reading.
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Practitioners have asserted that the term artist's book is problematic and sound outdated:
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Publishing as an explicitly political act and the desire to challenge an art establishment.
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Statewide Outreach Program, and the no longer extant Richmond Printmaking Workshop, all in
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after leaving Zurich in 1917, would publish a number of incendiary artists' books, such as
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Where the artist's book "should" be situated in relation to Craft and Fine Art traditions.
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were central to each of Dada's main incarnations. Berlin Dada in particular, started by
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Lawrence Weiner : books, 1968–1989 : catalogue raisonné, Dieter Schwarz. p120
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in the Netherlands have an online archive of fluxus publications and fluxus webslinks.
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2773:, Edition Figuière, Paris, 1912 (First English edition: Cubism, Unwin, London, 1913)
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collected in a box, whilst similar scores are collected together in a bound book in
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2466:(German), ed. by Klingspor Museum Offenbach, Lindlar 2013. Die Neue Sachlichkeit,
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Collecting Books: A selection of recent Art and Artists' Books produced in Austria
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all began to systematically deconstruct the book. A fine example of the latter is
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494:(1921), a series of politically motivated satirical lithographs about the German
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was a loose collective of artists from North America and Europe that centred on
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513:(1934), collaging found images from Victorian books, is a famous example, as is
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682:, who created artists' books contemporaneously with Dieter Roth and Ed Ruscha.
226:(theoretically) be seen by people who would not otherwise enter art galleries.
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Artists' books have employed a wide range of forms, including the traditional
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were written, illustrated, printed, coloured and bound by Blake and his wife
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in Philadelphia in 1973, the catalog of which, according to Stefan Klima's
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470:. Originally influenced by the sound poetry of Wassily Kandinsky, and the
409:(1922) having a direct impact on groups inspired by or directly linked to
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is an early example of a modernist periodical, while David Bomberg's book
177:), most writers on the subject cite the English visionary artist and poet
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1789:(Paris: Jean Michel Place; Biliothèque nationale de France, 1997), 60–95.
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521:(1947) featuring a tactile three-dimensional pink breast made of rubber.
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150:. This version of the frontispiece is from Copy Z currently held by the
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1543:"Books – Book Art – Research Guides at Virginia Commonwealth University"
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and other three-dimensional one-of-a-kind books include Bruce Schnabel,
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The Dialogue between Painting and Poetry: Livres d'Artistes 1874–1999,
1487:. New Castle (Del.) Nottingham (GB): Oak Knoll press The Plough press.
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The Art Book Tradition in Twentieth-Century Europe: Picturing Language
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1810:"The Collaboration between Guy Debord & Asger Jorn from 1957–1959"
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In recent decades the artist's book has been developed, by way of the
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awarded a technical assistance grant for videotaping the exhibition.
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Six years: The Dematerialization of the Art Object from 1966 to 1972
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2250:. Richmond, Virginia: Style Weekly. December 17, 1996. p. 35.
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2073:"The International Society of Copier Artists (I.S.C.A) Quarterly"
1901:"Edward Ruscha: Twentysix Gasoline Stations, 1962 – photographer"
842:, featured nothing except a stack of artists' books, also called
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One important Russian writer/artist who created artist books was
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In London, for instance, Marinetti's visit directly precipitated
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Figuring the Word: Essays on Books, Writing, and Visual Poetics
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Beyond Symbolism and Surrealism: Alexei Remizov's Synthetic Art
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Beyond Symbolism and Surrealism: Alexei Remizov's Synthetic Art
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The Russian Avant-Garde Book, Rowell & Wye, MOMA, 2002, p11
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The Book Made Art: A Selection of Contemporary Artists' Books
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Art ex Libris: The National Book Art Invitational at Artspace
2624:. Paris: Jean-Michel Place; Biliothèque nationale de France.
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The Art of the Book in California: Five Contemporary Presses
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Talking the Boundless Book: Art, Language, and the Book Arts
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La prose du Transsibérien et de la Petite Jehanne de France
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30:"Art book" redirects here. For the French livre d'art, see
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Dieter Roth, Books + Multiples, Dobke, Hansjorg Mayer 2004
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The Century of Artists' Books, Drucker, Granary Books, p12
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The Russian Avant-Garde Book, Rowell & Wye, MOMA, 2002
241:", 1909, on the front cover of the French daily newspaper
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Put About: A Critical Anthology on Independent Publishing
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La Peinture et ses lois, ce qui devait sortir du Cubisme
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Booktrek: Selected Essays on Artists' Books (1972–2010)
2047:"Archive Artist Publications – KatalogSuche-Ergebnisse"
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Morris Eaves; Robert N. Essick; Joseph Viscomi (eds.).
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The artist's book proved central to the development of
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Often credited with defining the modern artist's book,
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Mezzotint and the Artist's Book: a forty year journey
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forms including the artist's CD-ROM and the artist's
1012:. Other institutions devoted to the art form include
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Artists' Books: The Book As a Work of Art, 1963–1995
1545:. Guides.library.vcu.edu. 2010-05-28. Archived from
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Artists' Books: The Book As a Work of Art, 1963–1995
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Artists' Books: A Critical Anthology and Sourcebook
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Cover to Cover – The Artist's Book in Perspective -
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Proliferation and reintegration into the mainstream
892:, the founder and Director of the non-profit group
818:in the United Kingdom, Maurizio Nannucci in Italy,
237:(1876–1944) in particular. The publication of the "
229:This move toward radicalism was exemplified by the
2654:. Switzerland: JRP/Ringier, ISBN 978-3-03764-207-8
2630:, "Artists' Books", Palazzo Strozzi, Florence 1978
2593:Artists Books: A Critical Survey of the Literature
2353:No Longer Innocent: Book Art in America, 1960–1980
2008:"Fluxus Heidelberg Center – Overview Publications"
1921:Mr Fluxus, Williams, Noel, Thames and Hudson, 1997
1852:"Collection of Museum of Modern Art, New York, NY"
1075:Artists Books: A Critical Survey of the Literature
2347:The Book. Cambridge, Massachusetts: The MIT Press
1173:in New York City. Many of the books exhibited in
2635:Cover to Cover: The Artist's Book in Perspective
2476:Hubert, Rennée Riese, and Judd D. Hubert (1999)
1153:at the 4th Biannual Book Arts Fair sponsored by
501:Whilst concerned mainly with poetry and theory,
1590:Carrion, Ulises. "The New Art of Making Book".
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846:and featuring predominantly text-based work by
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649:Almost contemporaneously in the United States,
571:artists in the Netherlands and Denmark and the
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478:, artists' books, periodicals, manifestoes and
181:(1757–1827) as the earliest direct antecedent.
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2333:, a YouTube Video that is part of the project.
1798:Yves Klein, Sidra Stich, Hayward Gallery, 1994
996:in New York City, and the Visual Arts Studio (
532:After World War II; post-modernism and pop art
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2572:and Stanford: Stanford University Libraries,
37:For the general concept of art in books, see
8:
2795:, Paris, 1924 (published in English in 2000)
429:style. Artists' books from this era include
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2478:The Cutting Edge of Reading: Artists' Books
2462:Hildebrand-Schat, Viola and Stefan Soltek:
1242:. Unsourced material may be challenged and
1081:(NY) and the Women's Graphic Center at the
757:(1963), for instance, involves a series of
3056:Art-Language The Journal of conceptual art
2977:Zone de Sensibilité Picturale Immatérielle
2778:The Cubist Painters, Aesthetic Meditations
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2484:Artist/Author: Contemporary Artists' Books
1165:documentary was included in an auction at
462:, by a group of exiled artists in neutral
3093:Un Coup de DĂ©s Jamais N'Abolira Le Hasard
2482:Lauf, Cornelia and Clive Phillpot (1998)
2368:Stanford: Stanford University Libraries,
1989:The term Multiple had first been used by
1262:Learn how and when to remove this message
1134:In 1994, a National Book Art Exhibition,
2622:Esthétique du livre d’artiste, 1960-1980
2445:, Northwestern University Press, 2010.
2284:"artist's book as a term is problematic"
1787:Esthétique du livre d’artiste, 1960–1980
385:Russian futurism gradually evolved into
372:(1915) by Aliagrov and Kruchenykh &
1567:Martinez, Alejandro (24 January 2021).
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1129:University of California, Santa Barbara
894:International Society of Copier Artists
653:(1937–present) printed his first book,
91:form as well as less common forms like
2010:. Fluxusheidelberg.org. Archived from
1758:, Northwestern University Press, 2010.
2409:Celant, Germano and Tim Guest (1981)
2282:Pichler, Michalis (9 December 2019).
2185:"Artist's books open feminist themes"
1672:from the original on 26 November 2010
1291:) are magazines and not books at all.
900:. Each contributing artist's work of
7:
2738:Songs of Innocence and of Experience
1956:Humphrey, Jr., Thomas MacGillivray.
1506:
1504:
1240:adding citations to reliable sources
1151:Frances and Armand Hammer Auditorium
1149:video documentary were shown in the
1063:The Center for Book Arts in New York
834:organised in rented office space in
187:Songs of Innocence and of Experience
148:Songs of Innocence and of Experience
3011:25 Cats Name Sam and One Blue Pussy
2157:Pichler, Michalis (25 March 2019).
1085:(LA), founded by graphic designer,
678:A Swiss artist worth mentioning is
217:As Europe plunged headlong towards
2731:Très Riches Heures du Duc de Berry
2418:"Beyond words – Artists' Books in
2159:"Art Book Fairs as Public Spheres"
771:(1964). Another famous example is
669:Every Building on the Sunset Strip
173:Très Riches Heures du Duc de Berry
159:Origins of the form: William Blake
25:
2611:"Ten Theses on the Artist's Book"
2456:Fusco, Maria and Ian Hunt (2006)
2126:N.A.I. Publishers, Rotterdam 2002
2101:. Library.fau.edu. Archived from
1653:Cached copy retrieved April 2014.
1569:"Ten Theses on the Artist's Book"
1014:San Francisco Center for the Book
744:An Anthology of Chance Operations
698:classes from 1957 to 1959 at the
393:, centered on the key figures of
27:Work of art in the form of a book
3125:City as an Artist's Subjectivity
3118:Die-Cut Plug Wiring Diagram Book
2049:. Artistbooks.de. Archived from
1997:mass-produced sculptures in 1959
1579:from the original on 2021-01-24.
1365:
1353:
1338:
1329:Exhibition of Artist's books at
1322:
1212:
1140:Virginia Commission for the Arts
874:(1972) took a section of Kant's
202:Avant-garde production 1909–1937
3064:Topographie Anécdotée du Hasard
2620:Moeglin-Delcroix, Anne. (1997)
2316:Alexander, Charles, ed. (1995)
1934:. Artnotart.com. Archived from
1071:Moore College of Art and Design
474:that Kandinsky had edited with
2870:Jedermann sein eigner Fussball
2183:Allen, Mike (5 January 2018).
2071:Ashley Miller; Seth Thompson.
1728:Marcel Duchamp Studies Online,
1345:Contemporary artist's book by
700:New School for Social Research
563:in Brazil such as Augusto and
492:The Face Of The Dominant Class
146:hand painted frontispiece for
1:
2505:The Century of Artists' Books
2035:, Drucker, Granary Books, p72
2033:The Century of Artists' Books
1899:Hickey, Dave (January 1997).
1832:, Drucker, Granary Books, p73
1830:The Century of Artists' Books
1513:The Century of Artists' Books
1123:in London, and the BA at the
882:, 1971 (book in concrete) by
458:was initially started at the
2668:Structure of the Visual Book
2609:Martinez, Alejandro (2021).
2378:Brown, Kathryn, ed. (2013),
2099:"Jaffe Center for Book Arts"
1284:Where to put the apostrophe.
1006:Virginia Museum of Fine Arts
1002:Virginia Museum of Fine Arts
747:) and multiples (as well as
3018:Twentysix Gasoline Stations
1662:For an English translation
1532:, Bury, Scolar Press, 1995.
1155:Pyramid Atlantic Art Center
1125:College of Creative Studies
1119:in Philadelphia, the MA at
912:Florida Atlantic University
656:Twentysix Gasoline Stations
281:Russian Futurism, 1910–1917
54:Twentysix Gasoline Stations
3173:
2639:Pichler, Michalis (2019),
2396:A Century of Artists Books
1634:Discovering Artists' Books
1204:Critical issues and debate
1121:Camberwell College of Arts
1117:The University of the Arts
1115:in California, the MFA at
537:Regrouping the avant-garde
417:in Zurich and Berlin, the
349:(1912), by Khlebnikov and
43:Distributed Art Publishers
36:
29:
3103:Artists' books since 1980
2791:(Painting and its Laws),
2643:MIT Press, Cambridge, MA
2345:Borsuk, Amaranth (2018).
1664:Marinetti, F. T. (1909).
1511:Drucker, Johanna (2004).
1483:Greenfield, Jane (2002).
1404:List of book arts centers
626:Dieter Roth and Ed Ruscha
433:and Kate Steinitz's book
2677:, founded and edited by
2657:Phillpot, Clive (1982).
2650:Phillpot, Clive (2013).
2603:Lyons, Joan, ed. (1985)
2405:Book as Artwork, 1960–72
2262:"The Foundation – About"
1875:Artists Books and Beyond
1666:"The Futurist Manifesto"
1177:at Artspace Gallery and
741:Artists' books (such as
696:Experimental Composition
2552:Jones, Shirley (2019).
2416:Firshing Brown, Ellen.
1631:Miller, Gwendolyn Jan.
1159:Corcoran Gallery of Art
1145:In 1995, excerpts from
1079:Women's Studio Workshop
1026:Women's Studio Workshop
1018:Visual Studies Workshop
876:Critique of Pure Reason
686:Fluxus and the Multiple
610:'s two collaborations,
427:International Modernist
41:. For the company, see
2139:. Center for Book Arts
1429:Illuminated manuscript
1360:Sculptural artist book
1313:
1094:in 1974 (Toronto) and
1053:
959:Freddy Flores Knistoff
890:Louise Odes Neaderland
791:
680:Warja Honegger-Lavater
557:
296:
214:
171:
155:
128:
61:
2783:Guillaume Apollinaire
2641:Publishing Manifestos
2597:Lippard, Lucy (1973)
2591:Klima, Stefan (1998)
2424:. publishing.yudu.com
2385:Bury, Stephen (1995)
2351:Bright, Betty (2005)
1611:William Blake Archive
1188:concept pioneered by
1186:artists' record album
1087:Sheila de Bretteville
618:(1959), two works of
288:
209:
142:
51:
2913:Une semaine de bonté
2666:Smith, Keith (1989)
2582:Khalfa, Jean (2001)
2562:Koch, Peter Rutledge
2362:Koch, Peter Rutledge
2310:Abt, Jeffrey (1986)
1454:Something Else Press
1434:Letterpress printing
1372:Title page spread /
1236:improve this section
1171:Center for Book Arts
994:Center for Book Arts
511:Une Semaine de Bonté
472:Blaue Reiter Almanac
221:, various groups of
213:, 1914, by Marinetti
2633:Perrée, Rob (2002)
2556:(The Red Hen Press)
2045:Hubert Kretschmer.
1333:'s Art museum 2024.
1030:Rosendale, New York
1022:Rochester, New York
1004:Studio School, the
951:Martin Kippenberger
880:Einbetoniertes Buch
589:Ian Hamilton Finlay
484:Richard Huelsenbeck
451:Dada and Surrealism
152:Library of Congress
2586:Black Apollo Press
2420:Modernism Magazine
2358:Bringhurst, Robert
2264:. Codex Foundation
2248:"Davi Det Hompson"
1808:Nolle, Christian.
1668:. cscs.umich.edu.
1594:. 6-7 (Amsterdam).
1056:Critical reception
1010:Richmond, Virginia
965:. Book artists in
844:January 5–31, 1969
832:January 5–31, 1969
828:Jaroslaw Kozlowski
816:Art & Language
814:in North America,
774:Literature Sausage
585:Marcel Broodthaers
391:Russian Revolution
370:Transrational Boog
355:Natalia Goncharova
345:Key works such as
335:Velimir Khlebnikov
297:
290:Transrational Boog
258:' founding of the
239:Futurist Manifesto
215:
156:
62:
3134:
3133:
2962:Fin de Copenhague
2628:Maurizio Nannucci
2578:978-0-911221-50-3
2566:Book Art Object 2
2547:978-0-9817914-0-1
2507:. Granary Books.
2494:978-2-914291-77-4
2472:978-3-942139-32-8
2374:978-0-911221-46-6
2189:Arts & Extras
2079:on 22 August 2014
1958:"The Fluxus File"
1573:Artishock Revista
1494:978-1-884718-41-0
1272:
1271:
1264:
612:Fin de Copenhague
581:Le Grand DĂ©sordre
565:Haroldo de Campos
480:absurdist theatre
439:Theo van Doesburg
339:Russian futurists
264:literary magazine
247:was an audacious
235:Filippo Marinetti
231:Italian Futurists
39:Book illustration
16:(Redirected from
3164:
2940:Nouveau réalisme
2723:Early precursors
2709:
2702:
2695:
2686:
2570:Codex Foundation
2539:Codex Foundation
2518:
2433:
2431:
2429:
2411:Books by Artists
2299:
2298:
2296:
2294:
2279:
2273:
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2173:
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2169:
2163:mitpress.mit.edu
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2133:
2127:
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2110:
2095:
2089:
2088:
2086:
2084:
2075:. Archived from
2068:
2062:
2061:
2059:
2058:
2042:
2036:
2029:
2023:
2022:
2020:
2019:
2004:
1998:
1993:to describe his
1987:
1981:
1980:
1978:
1976:
1962:
1953:
1947:
1946:
1944:
1943:
1932:"Fluxus Archive"
1928:
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1696:. Archived from
1688:
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1660:
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1649:
1643:
1637:. Archived from
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1310:Michalis Pichler
1267:
1260:
1256:
1253:
1247:
1216:
1208:
1083:Woman's Building
1067:Franklin Furnace
1051:
1050:Michalis Pichler
955:Raymond Pettibon
789:
720:Davi Det Hompson
573:French Lettrists
555:
460:Cabaret Voltaire
262:movement, whose
176:
126:
21:
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2889:
2842:Tango With Cows
2812:
2743:
2718:
2713:
2679:Judith Hoffberg
2535:Book Art Object
2522:Johanna Drucker
2515:
2501:Johanna Drucker
2499:
2464:Art by the Book
2437:Friedman, Julia
2427:
2425:
2415:
2401:Celant, Germano
2392:Castleman, Riva
2307:
2305:Further reading
2302:
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2191:. Roanoke Times
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1190:Laurie Anderson
1169:to benefit the
1167:Swann Galleries
1161:. In 1996, the
1058:
1052:
1049:
1038:
987:Susan Joy Share
932:PINK de Thierry
920:
852:Douglas Huebler
848:Lawrence Weiner
804:Lawrence Weiner
796:
790:
787:
732:Emmett Williams
708:George Maciunas
690:Growing out of
688:
673:Royal Road Test
628:
620:Psychogeography
596:Yves: Peintures
556:
553:
539:
534:
519:Le Surréalisme'
453:
431:Kurt Schwitters
421:in Weimar, and
331:Vasili Kamenski
323:Nikolai Burliuk
283:
249:coup de théâtre
204:
196:self-publishing
161:
137:
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85:
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3147:Artists' books
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3111:Colored Sounds
3106:
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3059:
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3049:Literaturwurst
3044:
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3040:conceptual art
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2954:Yves Peintures
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2908:
2906:
2895:Constructivism
2891:
2890:
2888:
2887:
2884:Russian Ballet
2880:
2873:
2866:
2859:
2852:
2845:
2838:
2835:Zang Tumb Tumb
2830:
2828:
2814:
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2796:
2793:Albert Gleizes
2786:
2774:
2771:Jean Metzinger
2767:Albert Gleizes
2757:
2755:
2745:
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2734:
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2716:Artists' books
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2564:, eds. (2013)
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1999:
1991:Daniel Spoerri
1982:
1948:
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1914:
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1752:Julia Friedman
1744:
1733:. toutfait.com
1721:
1712:
1703:
1700:on 2004-10-26.
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1399:Asemic writing
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1179:Art ex Machina
1096:Printed Matter
1057:
1054:
1047:
1037:
1036:Art book fairs
1034:
943:William Wegman
919:
916:
840:Seth Siegelaub
826:in France and
800:conceptual art
795:
794:Conceptual art
792:
785:
724:Daniel Spoerri
687:
684:
665:The Americans'
627:
624:
561:Concrete poets
554:Dieter Schwarz
551:
538:
535:
533:
530:
526:Alexei Remizov
515:Marcel Duchamp
452:
449:
441:'s periodical
387:Constructivism
347:Worldbackwards
342:contemporary.
282:
279:
274:Russian Ballet
211:Zang Tumb Tumb
203:
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184:Books such as
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106:Constructivism
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65:Artists' books
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2560:Jury, David,
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2540:
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2533:, ed. (2007)
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2514:9781887123693
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2453:(Trade Cloth)
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2014:on 2012-08-03
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1517:Granary Books
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1175:Art ex Libris
1172:
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1163:Art ex Libris
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1109:
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933:
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928:Anselm Kiefer
925:
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853:
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407:For The Voice
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379:Universal War
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302:
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179:William Blake
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166:Book of Kells
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135:Early history
134:
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2659:"Real Lush".
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2441:
2426:. Retrieved
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2341:Art is Books
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2131:
2123:
2122:Perrée, Rob
2118:
2107:. Retrieved
2103:the original
2093:
2081:. Retrieved
2077:the original
2066:
2055:. Retrieved
2051:the original
2040:
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2012:the original
2002:
1994:
1985:
1973:. Retrieved
1968:
1965:BroadStrokes
1964:
1951:
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1936:the original
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1600:
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1537:
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1519:. p. 8.
1512:
1484:
1478:
1394:Altered book
1347:Cheri Gaulke
1304:
1300:
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1273:
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1249:
1234:Please help
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971:Carol Barton
967:pop-up books
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884:Wolf Vostell
879:
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860:Robert Barry
843:
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808:Bruce Nauman
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716:Joseph Beuys
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689:
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672:
671:, 1966, and
668:
664:
661:Robert Frank
654:
648:
643:
642:, 1961, and
640:Daily Mirror
639:
636:Picture Book
635:
629:
615:
611:
593:
580:
577:Isidore Isou
558:
548:
543:World War II
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488:George Grosz
454:
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437:(1925), and
434:
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299:Centered in
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125:Stephen Bury
119:
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77:works of art
73:book objects
72:
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64:
63:
52:
18:Artist books
2945:Arte Povera
2531:Jury, David
2428:24 November
1995:Edition MAT
1907:24 November
1812:. Virose.pt
1737:24 November
1676:23 November
1449:Pop-up book
1409:Bookbinding
1105:Art Monthly
983:Ed Hutchins
963:Suze Rotolo
947:Bob Cobbing
824:Jean Le Gac
820:Jochen Gerz
788:Joan Lyons.
632:Dieter Roth
614:(1957) and
598:(1954) and
496:bourgeoisie
468:World War I
464:Switzerland
292:, 1914, by
223:avant-garde
219:World War I
97:concertinas
32:Livre d'art
3141:Categories
3079:Grapefruit
3025:A Humument
2899:Surrealism
2568:Berkeley:
2537:Berkeley:
2337:Bleus, Guy
2268:2015-07-15
2143:2015-07-15
2109:2015-07-15
2057:2015-07-15
2031:quoted in
2018:2015-07-15
1942:2015-07-15
1903:. Artforum
1885:2015-07-15
1881:. Ifla.org
1858:2015-07-15
1854:. Moma.org
1816:2015-07-15
1648:2014-04-03
1553:2015-07-15
1471:References
1424:Fine press
1252:March 2019
979:Julie Chen
924:Cy Twombly
898:Xerography
868:Brick Wall
864:Sol LeWitt
812:Sol LeWitt
768:Grapefruit
749:happenings
608:Asger Jorn
604:Guy Debord
503:Surrealism
389:after the
351:Kruchenykh
327:Elena Guro
57:, 1963 by
3157:Xerox art
3072:Water Yam
2904:Modernism
2856:BÏF§ZF+18
2822:Vorticism
2662:ArtForum.
2615:Artishock
2524:, (1998)
2083:20 August
1975:21 August
1444:Minicomic
1389:Art diary
1376:"Eclipse"
1223:does not
1194:new media
975:Hedi Kyle
914:library.
902:Xerox art
754:Water Yam
692:John Cage
651:Ed Ruscha
616:MĂ©moires'
507:Max Ernst
411:communism
307:Group of
260:Vorticist
244:Le Figaro
233:, and by
192:Catherine
69:book arts
59:Ed Ruscha
3086:Fluxus 1
2991:Dimanche
2970:MĂ©moires
2931:Lettrism
2818:Futurism
2674:Umbrella
2503:(1994).
2364:. (2011)
2195:27 March
1670:Archived
1592:Kontexts
1577:Archived
1414:Chapbook
1382:See also
1308:—
1289:De Stijl
1048:—
907:I.S.C.A.
786:—
763:Yoko Ono
728:Yoko Ono
675:, 1967.
600:Dimanche
552:—
444:De Stijl
423:De Stijl
395:Malevich
359:Larionov
317:) poets
169:and the
123:—
110:Futurism
83:Overview
3002:Pop Art
2422:(2008)"
2394:(1994)
2339:(1990)
2325:(2012)
2137:"About"
1244:removed
1229:sources
1198:DVD-ROM
1157:at the
1127:at the
1000:), the
998:VisArts
872:Reality
466:during
419:Bauhaus
362:Rogovin
144:Blake's
93:scrolls
3036:Fluxus
2800:Klänge
2753:Cubism
2576:
2545:
2511:
2492:
2470:
2449:
2372:
2293:7 July
2168:7 July
1491:
1024:, and
858:, and
759:scores
704:Fluxus
541:After
399:Tatlin
366:Tatlin
337:, the
305:Gileia
301:Moscow
114:Fluxus
112:, and
75:) are
2984:Linee
2849:BLAST
1961:(PDF)
1879:(PDF)
1642:(PDF)
1419:Ezine
1331:Ystad
1192:into
569:Cobra
319:David
268:BLAST
89:Codex
3152:Dada
3038:and
2943:and
2920:Jazz
2902:and
2826:Dada
2824:and
2769:and
2751:and
2574:ISBN
2543:ISBN
2509:ISBN
2490:ISBN
2468:ISBN
2447:ISBN
2430:2010
2370:ISBN
2295:2021
2197:2018
2170:2021
2085:2014
1977:2014
1909:2010
1739:2010
1678:2010
1618:2013
1489:ISBN
1464:Zine
1227:any
1225:cite
985:and
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930:and
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