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Hamerik was an influential teacher in the US, as the director of
Peabody in Baltimore for over a quarter of a century; and his works were performed in both the United States and Europe. The most obvious influence in his music is Berlioz, particularly given Hamerik's choice of rooting his music in
214:. He left his position as director of Peabody in 1898. He returned to Denmark in 1900 with his American pianist and composer wife, born Margaret Williams, but had essentially retired. He would sit on competition boards and conduct, including his own works.
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and the more roving harmony and extended tonality, including movements in different keys and expanded use of vagrant chords. His
Seventh Symphony has been compared with
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269:. His music is often described as having a "Nordic" cast, and in letters he told friends that even though he was going to America he would always remain a Dane.
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187:. In 1864 he began using the more unmistakably Danish version of his last name, rather than Hammerich, in the swell of Danish national feeling after the
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works from the same period, involving hundreds of musicians in its first performance in
Baltimore, which was directed by fellow von Bülow student
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folk tunes. During his lifetime he was considered the best-known Danish composer after Gade, and one who was primarily influenced by
Berlioz. His
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210:. He composed most of his large-scale concert works for the Institute's orchestra. His students at Peabody included
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168:. He wrote his first pieces in his teens, including an unperformed symphony. His family were friends with
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1897 rev. 1901–1906 Symphony no. 7 "Korsymfoni", for mezzo-soprano, mixed choir, and orchestra, Op. 40
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1912 Variations on the Folk Song "Jeg gik mig ud en sommerdag", for string orchestra and harp, Op. 41
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He left Paris in 1869 for Italy, and then Vienna. In 1871 he was offered the post of director of the
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1897 Symphony no. 6 "Symphonie spirituelle" in G major, for string orchestra, Op. 38
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Nocturne "Da giovine regina la luna maestosa", for mezzo-soprano and orchestra
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French influences, the French subtitles to his symphonies, and the use of an
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1884–1889 Symphony no. 4 "Symphonie majestueuse" in C major, Op. 35
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was a conductor and celebrated composer himself, and his daughter
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was his most successful work, and the one he considered his best.
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1889–1891 Symphony no. 5 "Symphonie sérieuse" in G minor, Op. 36
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1882–1883 Symphony no. 2 "Symphonie tragique" in C minor, Op. 32
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1879–1880 Symphony no. 1 "Symphonie poétique" in F major, Op. 29
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1883–1884 Symphony no. 3 "Symphonie lyrique" in E major, Op. 33
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composer of the late romantic period. Aged 80 at time of death.
639:, for soloists, mixed choir, and orchestra, Op. 34 in C minor
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His later work incorporates influences from composers such as
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Danish
Composer Raised Standards at the Peabody Conservatory
684:, for women's choir (four voices) and orchestra, Op. 37
503:, for large band, mixed choir, two organs, and 12 harps
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798:
Christopher
Follett. "The Remarkable Asger Hamerik".
49:. Unsourced material may be challenged and removed.
477:Concert Romance in D Major for Cello and Orchestra
346:Adagio – Allegro passionato – Allegro molto vivace
244:an opera singer. His brother was the musicologist
175:Later, he left Denmark in 1862 to study music in
785:The New Grove Dictionary of Music and Musicians
783:John Bergsagel. "Hamerik: (1) Asger Hamerik ".
630:, for baritone, mixed choir and organ, Op. 31
217:He composed 41 opus numbers, including seven
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701:, for cello and piano (or orchestra), Op. 27
172:, with whom Hamerik corresponded regularly.
745:Classical Music: The Listener's Companion.
817:International Music Score Library Project
109:Learn how and when to remove this message
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136:) (April 8, 1843 – July 13, 1923) was a
888:Danish expatriates in the United States
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314:1860 Symphony in C minor, Op. 3 (lost)
183:, and Paris where he was a protégé of
795:. London: Macmillan Publishers, 2001.
663:, for mezzo-soprano and organ, Op. 14
337:Grave – Allegro non troppo e patetico
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858:19th-century American male musicians
694:1862 Piano Quintet in C minor, Op. 6
47:adding citations to reliable sources
878:20th-century German male musicians
765:Greenwood Publishing Group, 1999.
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868:20th-century classical composers
848:19th-century classical composers
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898:Danish male classical composers
863:20th-century American composers
843:19th-century American composers
759:E. Douglas Bomberger (editor).
748:Hal Leonard Corporation, 2002.
34:needs additional citations for
320:Allegro moderato ed espressivo
1:
873:20th-century Danish composers
853:19th-century Danish composers
802:no. 4 (November 2004): 13–17.
742:Alexander J. Morin (editor).
938:Musicians from Frederiksberg
813:Free scores by Asger Hamerik
787:, second edition, edited by
354:Largo – Allegro molto vivace
252:and founder of Copenhagen’s
711:1905 Four Preludes, Op. 39a
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883:Danish classical composers
248:(1848-1931), professor at
933:Composers from Copenhagen
928:Peabody Institute faculty
903:Danish Romantic composers
388:Largo – Allegro con fuoco
371:Largo – Allegro impetuoso
156:), he studied music with
913:Musicians from Baltimore
472:no. 5 in A major, Op. 26
465:no. 4 in D major, Op. 25
458:no. 3 in A minor, Op. 24
451:no. 2 in G minor, Op. 23
444:no. 1 in C major, Op. 22
254:Music Instruments Museum
170:Hans Christian Andersen
893:Danish music educators
435:Other orchestral works
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923:Composers from Vienna
908:Composers from Berlin
250:Copenhagen University
124:
918:Composers from Paris
735:(December 27, 2009).
408:Allegro molto vivace
43:improve this article
553:Hjalmar og Ingeborg
414:Allegro con spirito
363:Allegro con spirito
200:Baltimore, Maryland
189:Danish-Prussian war
773:; pp. 129–132
380:Maestoso e solenne
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771:978-0-313-30782-9
754:978-0-87930-638-0
733:The Baltimore Sun
628:Christian trilogy
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425:Andante sostenuto
411:Andante sostenuto
391:Adagio non troppo
374:Adagio espressivo
360:Andante sostenuto
340:Andante penitente
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609:by the composer
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405:Allegro moderato
377:Allegro moderato
357:Allegro grazioso
326:Andante con moto
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208:Arthur Sullivan
158:J.P.E. Hartmann
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144:Life and career
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32:This article
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793:John Tyrrell
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727:Tim Smith, "
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596:Den rejsende
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494:Harmony band
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293:Joseph Pache
285:César Franck
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238:Ebbe Hamerik
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227:Scandinavian
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99:October 2008
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41:Please help
36:verification
33:
838:1923 deaths
833:1843 births
648:Offertorium
616:Vocal works
573:La vendetta
274:La Vendetta
272:His opera,
212:Eliza Woods
204:Tchaikovsky
827:Categories
716:References
633:1886–1887
532:1863–1865
454:1873–1874
440:1871–1872
309:Symphonies
281:Paul Dukas
219:symphonies
162:Niels Gade
154:Copenhagen
69:newspapers
682:Erntetanz
661:Ave Maria
654:Agnus Dei
645:Dies irae
621:Spiritual
598:, Op. 21
578:5 scenes
575:, Op. 20
555:, Op. 18
538:, Op. 12
536:Tovelille
527:Libretto
524:Premiere
304:Orchestra
267:idée fixe
134:Hammerich
486:, Op. 19
479:, Op. 27
289:Mahler's
236:His son
148:Born in
819:(IMSLP)
815:at the
668:Profane
651:Sanctus
636:Requiem
231:Requiem
179:, with
83:scholar
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605:Vienna
603:1871,
581:1870,
518:Title
508:Operas
177:Berlin
152:(near
138:Danish
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706:Organ
697:1878
659:1900
626:1882
592:1871
583:Milan
569:1870
549:1868
521:Acts
499:1867
482:1879
475:1879
468:1876
461:1875
447:1872
428:Grave
422:Largo
299:Works
90:JSTOR
76:books
791:and
767:ISBN
750:ISBN
283:and
206:and
160:and
62:news
731:",
198:in
45:by
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