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Assumption of Mary in art

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Normally accompanied or carried by angels (but not usually carried by Christ, as in Orthodox icons) the Virgin Mary rises passively heavenward, where she is to be crowned by Christ, while the Apostles below surround her empty tomb as they stare up in awe.
705: 1177:"Philadelphia Museum of Art – Collections Object : The Assumption of the Virgin, with the Nativity, the Resurrection, the Adoration of the Magi, the Ascension of Christ, Saint Mark and an Angel, and Saint Luke and an Ox" 721: 1342: 868: 835: 184:
or bending over it. Having apparently unwrapped the shroud, they are usually holding it and collecting the roses found within. This motif was often included by later Flemish artists.
500: 2277: 1007: 736: 299:, who caused a stir by depicting her as an untidy and realistic corpse, which some considered a breach of decorum, though compatible with the doctrine of the Church. 850: 351: 820: 546: 400: 85: 1152: 1889: 1758: 1627: 418: 1867: 490: 394: 512: 530: 518: 23: 1465: 1365:, 1985, Editors: Bradford D. Kelleher, John P. O'Neill, Metropolitan Museum of Art and Sammlungen des Regierenden Fürsten von Liechtenstein, 506: 2170: 2116: 1879: 904: 454: 357: 322: 306: 177: 1276: 1617: 478: 467: 369: 1314: 165:
episode) as she rises; this was to give him tangible proof of what he had seen, given his earlier scepticism. The "girdle" was a major
1434: 1370: 727: 434: 886: 2108: 2062: 808: 406: 118: 54: 1090: 1852: 296: 2143: 45:. It first became a popular subject in Western Christian art in the 12th century, along with other narrative scenes from the 2282: 2243: 2216: 1688: 1417: 1403: 1105:"The Assumption of the Virgin with St. Thomas and Two Donors (Ser Palamedes and his Son Matthew) (Primary Title) – (54.11.3)" 790: 540: 318: 170: 1776: 173:(1510s), an angel passes it down to Thomas. This also has the unusual scene of the funeral procession with the Apostles. 30: 608:, the Resurrection, the Adoration of the Magi, the Ascension of Christ, Saint Mark and an Angel, and Saint Luke and an Ox 2287: 1574: 1514: 651: 68:
Literary accounts with more detail, such as the presence of the Apostles, appeared in late medieval works such as the
1798: 113:. Her hands are usually clasped in prayer in medieval images, but later may be thrown wide, as she gazes up, as in 1884: 1845: 302: 263: 19: 2040: 1967: 1607: 1458: 892: 253:, with a few selected saints replacing the crowd of apostles, and often the Virgin hovering not much above them. 1922: 1793: 1766: 1705: 774: 551: 50: 78:
gave the artist the opportunity to show his virtuosity in composition, colouring and figure poses. After the
799: 2126: 1936: 1917: 1727: 1715: 1693: 37:, but appears in apocryphal literature of the 3rd and 4th centuries, and by 1000 was widely believed in the 2003: 1962: 1952: 1781: 1683: 1652: 1569: 597: 424: 334: 232: 42: 2074: 1657: 1632: 1600: 1554: 1529: 1474: 671: 524: 444: 239:, of c. 1522–23. By contrast the apostles are very often depicted as old men, with the youngest, Saint 243:, merely in his prime. From the later 16th century some images show a more intimate depiction in the 2178: 1647: 1564: 1451: 460: 326: 310: 224: 62: 1389: 1248: 2050: 2008: 1957: 384: 363: 258: 249: 207: 93: 2250: 2211: 2188: 2148: 1927: 1771: 1700: 712: 631: 448: 438: 330: 158: 46: 1176: 574:
The Assumption of the Virgin with St. Thomas and Two Donors (Ser Palamedes and his Son Matthew)
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agree that she did, and was placed in a tomb, from which she was raised up three days later.
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of the Middles Ages, naturally existing in several versions. In a miniature by the
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The alternative Catholic scene from the end of the Virgin Mary's early life is the
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and the following events, she is normally depicted as a fairly old woman. But most
1200: 74:, and were followed by artists. By the end of the Middle Ages, large and crowded 1424: 1374: 109:) may be seen in the heavens above. She may be surrounded with an almond-shaped 2183: 1482: 742: 187: 181: 79: 2195: 2069: 1508: 1129:"The Dormition and Assumption of the Virgin | Isabella Stewart Gardner Museum" 292: 270:
art and theology. Most treatments showed her lying in bed, surrounded by the
125:, which agitated the previously decorous apostles. Examples include works by 75: 2025: 1977: 1932: 1857: 1788: 1749: 1664: 2138: 2079: 641: 472: 388: 126: 110: 1443: 82:, it was used to assert the Catholic position, rejected by Protestants. 1993: 1947: 1942: 1502: 765: 2084: 874: 805: 412: 130: 122: 114: 287:
Though once common in Catholic art, the last major treatment of the
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gives her age at death as sixty or seventy-two. In paintings of the
219:, from the Gospel evidence she was at least in her forties, and the 231:
give her a youthful or mature appearance, with exceptions like the
1587: 1496: 301: 186: 166: 142: 84: 18: 1447: 1201:"Exchange: Assumption of the Virgin [L'Assomption]" 1388:, in English translation, probably by an unknown cleric, 1315:"Blanton Museum of Art – The Assumption of the Virgin" 1426:
Historical Dictionary of Baroque Art and Architecture
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Some versions show the Virgin dropping her belt, the
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Assumption of the Virgin (Reni, Castelfranco Emilia)
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The first Baroque ceiling was by 24:Rubens, 1626, the Cathedral of Our Lady, Antwerp 584:The Dormition and the Assumption of the Virgin 352:Assumption of the Virgin (Andrea del Castagno) 1459: 672:Martin Johann Schmidt, called Kremser-Schmidt 8: 1410:A History of Ideas and Images in Italian Art 547:Assumption of the Virgin Mary (Rubens, 1637) 401:Assumption of the Virgin (Rosso Fiorentino) 2104: 1833: 1754: 1541: 1466: 1452: 1444: 317:The Assumption was a suitable subject for 2278:Paintings of the Assumption of the Virgin 1890:Veneration of Mary in the Catholic Church 419:Assumption of the Virgin (Fra Bartolomeo) 395:Assumption of the Virgin (Palma Vecchio) 41:, though not made formal Catholic dogma 1363:Liechtenstein: The Princely Collections 1027: 1025: 928: 682: 618:Assumption of the Virgin (L'Assomption) 513:Assumption of the Virgin (Reni, Munich) 141:, the last replacing the Apostles with 519:Assumption of the Virgin (Gentileschi) 507:Assumption of the Virgin (Reni, Lyon) 262:, which was more compatible with the 7: 1291:"Exchange: Virgin of the Apocalypse" 1225:"Exchange: Assumption of the Virgin" 944:Hall (1983), 180–181; Baumstark, 356 711:Thomas catches the belt. Detail, by 971:Hall (1996), 34–35; Baumstark, 360 604:The Assumption of the Virgin, with 370:Assumption of the Virgin (Perugino) 307:Parma Cathedral, illusionistic dome 728:Master of the Legend of Saint Lucy 699:hangs down from the Virgin's hand. 435:Assumption of the Virgin (Moretto) 14: 2249: 2238: 2237: 1528: 1398:, 1996 (2nd edn.), John Murray, 1279:from the original on 2015-08-03. 1093:from the original on 2016-03-05. 903: 885: 867: 849: 834: 819: 798: 782: 754: 735: 720: 704: 685: 598:Michaelangelo di Pietro Membrini 323:first so used at Parma Cathedral 145:throwing flowers into the tomb. 57:were especially promoted by the 1019:Baumstark, 359; Hall (1996), 35 935:Baumstark, 356; Hall (1996), 34 789:Miniature by the Netherlandish 319:illusionistic ceiling paintings 119:altarpiece for the Frari Church 2217:Saint Luke painting the Virgin 1638:Miracle at the Wedding at Cana 1633:Finding of Jesus in the Temple 1273:"The Assumption of the Virgin" 1109:Virginia Museum of Fine Arts | 1087:"The Assumption of the Virgin" 791:Master of James IV of Scotland 541:Cathedral of Our Lady, Antwerp 171:Master of James IV of Scotland 105:or Christ (as in the Orthodox 16:Topic in Christian art history 1: 1412:, 1983, John Murray, London, 31:Assumption of the Virgin Mary 1429:. Rowman & Littlefield. 1319:collection.blantonmuseum.org 668:The Assumption of the Virgin 648:The Assumption of the Virgin 564:The Assumption of the Virgin 1423:Zirpolo, Lilian H. (2018). 953:Hall (1996), 34; see Caxton 2304: 1249:"Assumption of the Virgin" 1153:"Assumption of the Virgin" 1058:Hall (1996), 94–95; Caxton 264:Dormition of the Theotokos 2233: 1836: 1684:Bilocation to Saint James 1526: 1382:, English edition of the 695:, 1337–1339, Berlin. The 1736:Protoevangelium of James 896:Assumption of the Virgin 878:Assumption of the Virgin 775:Coronation of the Virgin 658:Virgin of the Apocalypse 638:Assumption of the Virgin 628:Assumption of the Virgin 594:Assumption of the Virgin 552:Liechtenstein Collection 532:Assumption of the Virgin 480:Assumption of the Virgin 468:Assumption of the Virgin 456:Assumption of the Virgin 408:Assumption of the Virgin 359:Assumption of the Virgin 133:(several compositions), 96:below, Assumption above. 51:Coronation of the Virgin 2127:Golden Madonna of Essen 1716:Woman of the Apocalypse 1390:Story of the Assumption 1295:exchange.umma.umich.edu 1229:exchange.umma.umich.edu 1205:exchange.umma.umich.edu 274:, again reflecting the 196:Assumption with Saints 55:These "Marian" subjects 33:does not appear in the 2004:Alma Redemptoris Mater 1953:Our Lady of Navigators 893:Juan Martín Cabezalero 425:Panciatichi Assumption 335:San Andrea della Valle 314: 297:painting in the Louvre 233:Panciatichi Assumption 212: 117:'s highly influential 97: 26: 2283:Entering heaven alive 2189:Theotokos of Vladimir 1618:Presentation of Jesus 1555:Immaculate Conception 1475:Mary, mother of Jesus 1361:Baumstark, Reinhold, 1133:www.gardnermuseum.org 652:Giambattista Piazetta 525:Assumption (Guercino) 445:Assumption Altarpiece 305: 190: 88: 22: 1408:Hall, James (1983), 1394:Hall, James (1996), 1157:emuseum.ringling.org 1076:Hall (1983), 330–332 1049:Hall (1983), 327–328 998:Hall (1996), 35, 301 917:Church, 19th century 461:Antonio da Correggio 327:Antonio da Correggio 225:Crucifixion of Jesus 161:(best known for his 149:Iconographic details 63:Bernard of Clairvaux 2171:Madonna del Rosario 2075:Maria mater gratiae 2051:Sub tuum praesidium 2009:Ave Regina caelorum 1963:Our Lady of Victory 1958:Our Lady of Sorrows 1601:Virginal motherhood 1575:Perpetual virginity 1181:www.philamuseum.org 521:(Orazio), 1605–1608 385:Corciano Altarpiece 364:Francesco Botticini 289:Death of the Virgin 259:Death of the Virgin 250:sacra conversatione 208:sacra conversatione 94:Death of the Virgin 2288:Virgin Mary in art 2212:Life of the Virgin 1928:Life-giving Spring 1918:Help of Christians 1628:Return to Nazareth 1570:Marriage to Joseph 713:Matteo di Giovanni 632:Giovanni Lanfranco 449:Moretto da Brescia 439:Moretto da Brescia 331:Giovanni Lanfranco 315: 213: 180:, kneeling by the 159:Thomas the Apostle 98: 47:Life of the Virgin 27: 2265: 2264: 2229: 2228: 2225: 2224: 2133:The Golden Virgin 1853:Catholic churches 1825: 1824: 1744: 1743: 1623:Flight into Egypt 1613:Nativity of Jesus 1520:Brothers of Jesus 1010:; Hall (1996), 95 911:Wilhelm Hauschild 857:Annibale Carracci 842:Annibale Carracci 768:, 1510, combined 578:Andrea di Bartolo 537:Peter Paul Rubens 495:Annibale Carracci 491:Cerasi Assumption 485:Annibale Carracci 376:Heller Altarpiece 202:Louis of Toulouse 2295: 2253: 2241: 2240: 2105: 2090:Three Hail Marys 2046:Ave maris stella 1923:Immaculate Heart 1834: 1755: 1643:Passion of Jesus 1542: 1532: 1468: 1461: 1454: 1445: 1440: 1349: 1347:National Gallery 1340: 1334: 1333: 1331: 1330: 1321:. 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Index


Rubens, 1626, the Cathedral of Our Lady, Antwerp
Assumption of the Virgin Mary
New Testament
Western Church
until 1950
Life of the Virgin
Coronation of the Virgin
These "Marian" subjects
Cistercian Order
Bernard of Clairvaux
Golden Legend
altarpieces
Reformation

Nicola Filotesio
Death of the Virgin
God the Father
mandorla
Titian
altarpiece for the Frari Church
Venice
El Greco
Rubens
Annibale Caracci
Nicolas Poussin
putti
Girdle of Thomas
Thomas the Apostle
Doubting Thomas

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