795:
767:
698:
733:
717:
880:
847:
97:
832:
748:
862:
31:
314:
1541:
916:
2250:
2262:
898:
199:
811:
794:
697:
291:. Some painters show both scenes, one above the other. Catholic doctrine, still emerging when most of these were painted, has declined to specify whether Mary had died before her bodily Assumption, although the slightly varying accounts given one after the other in late versions of the
766:
111:
Normally accompanied or carried by angels (but not usually carried by Christ, as in
Orthodox icons) the Virgin Mary rises passively heavenward, where she is to be crowned by Christ, while the Apostles below surround her empty tomb as they stare up in awe.
716:
1188:"Philadelphia Museum of Art – Collections Object : The Assumption of the Virgin, with the Nativity, the Resurrection, the Adoration of the Magi, the Ascension of Christ, Saint Mark and an Angel, and Saint Luke and an Ox"
732:
1353:
879:
846:
195:
or bending over it. Having apparently unwrapped the shroud, they are usually holding it and collecting the roses found within. This motif was often included by later
Flemish artists.
511:
2288:
1018:
747:
310:, who caused a stir by depicting her as an untidy and realistic corpse, which some considered a breach of decorum, though compatible with the doctrine of the Church.
861:
362:
831:
557:
411:
96:
1163:
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429:
1878:
501:
405:
523:
541:
529:
34:
1476:
1376:, 1985, Editors: Bradford D. Kelleher, John P. O'Neill, Metropolitan Museum of Art and Sammlungen des Regierenden Fürsten von Liechtenstein,
517:
2181:
2127:
1890:
915:
465:
368:
333:
317:
188:
1287:
1628:
489:
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380:
1325:
176:
episode) as she rises; this was to give him tangible proof of what he had seen, given his earlier scepticism. The "girdle" was a major
1445:
1381:
738:
445:
897:
2119:
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819:
417:
129:
65:
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1863:
307:
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56:. It first became a popular subject in Western Christian art in the 12th century, along with other narrative scenes from the
2293:
2254:
2227:
1699:
1428:
1414:
1116:"The Assumption of the Virgin with St. Thomas and Two Donors (Ser Palamedes and his Son Matthew) (Primary Title) – (54.11.3)"
801:
551:
329:
181:
1787:
184:(1510s), an angel passes it down to Thomas. This also has the unusual scene of the funeral procession with the Apostles.
41:
619:, the Resurrection, the Adoration of the Magi, the Ascension of Christ, Saint Mark and an Angel, and Saint Luke and an Ox
2298:
1585:
1525:
662:
79:
Literary accounts with more detail, such as the presence of the
Apostles, appeared in late medieval works such as the
1809:
124:. Her hands are usually clasped in prayer in medieval images, but later may be thrown wide, as she gazes up, as in
1895:
1856:
313:
274:
30:
2051:
1978:
1618:
1469:
903:
264:, with a few selected saints replacing the crowd of apostles, and often the Virgin hovering not much above them.
1933:
1804:
1777:
1716:
785:
562:
61:
89:
gave the artist the opportunity to show his virtuosity in composition, colouring and figure poses. After the
810:
2137:
1947:
1928:
1738:
1726:
1704:
48:, but appears in apocryphal literature of the 3rd and 4th centuries, and by 1000 was widely believed in the
2014:
1973:
1963:
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1663:
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608:
435:
345:
243:
53:
2085:
1668:
1643:
1611:
1565:
1540:
1485:
682:
535:
455:
250:, of c. 1522–23. By contrast the apostles are very often depicted as old men, with the youngest, Saint
254:, merely in his prime. From the later 16th century some images show a more intimate depiction in the
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1658:
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1711:
723:
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449:
341:
169:
57:
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585:
The
Assumption of the Virgin with St. Thomas and Two Donors (Ser Palamedes and his Son Matthew)
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agree that she did, and was placed in a tomb, from which she was raised up three days later.
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of the
Middles Ages, naturally existing in several versions. In a miniature by the
2029:
2024:
1918:
1606:
1501:
1115:
598:
267:
The alternative
Catholic scene from the end of the Virgin Mary's early life is the
238:
and the following events, she is normally depicted as a fairly old woman. But most
1211:
85:, and were followed by artists. By the end of the Middle Ages, large and crowded
1435:
1385:
120:) may be seen in the heavens above. She may be surrounded with an almond-shaped
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753:
198:
192:
90:
2206:
2080:
1519:
1140:"The Dormition and Assumption of the Virgin | Isabella Stewart Gardner Museum"
303:
281:
art and theology. Most treatments showed her lying in bed, surrounded by the
136:, which agitated the previously decorous apostles. Examples include works by
86:
2036:
1988:
1943:
1868:
1799:
1760:
1675:
2149:
2090:
652:
483:
399:
137:
121:
1454:
93:, it was used to assert the Catholic position, rejected by Protestants.
2004:
1958:
1953:
1513:
776:
2095:
885:
816:
423:
141:
133:
125:
298:
Though once common in
Catholic art, the last major treatment of the
234:
gives her age at death as sixty or seventy-two. In paintings of the
230:, from the Gospel evidence she was at least in her forties, and the
242:
give her a youthful or mature appearance, with exceptions like the
1598:
1507:
312:
197:
177:
153:
95:
29:
1458:
1212:"Exchange: Assumption of the Virgin [L'Assomption]"
1399:, in English translation, probably by an unknown cleric,
1326:"Blanton Museum of Art – The Assumption of the Virgin"
1437:
Historical
Dictionary of Baroque Art and Architecture
164:
Some versions show the Virgin dropping her belt, the
512:
Assumption of the Virgin (Reni, Castelfranco Emilia)
2215:
2168:
2118:
2109:
1997:
1909:
1840:
1820:
1768:
1759:
1737:
1684:
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1492:
226:Although the final age of Mary is not given in the
973:Hall (1983), 338–340; Baumstark, 356; Zirpolo, 83
187:Rubens introduced two women, perhaps meant to be
1407:Hall's Dictionary of Subjects and Symbols in Art
340:in 1526–1530. The first Baroque ceiling was by
35:Rubens, 1626, the Cathedral of Our Lady, Antwerp
595:The Dormition and the Assumption of the Virgin
363:Assumption of the Virgin (Andrea del Castagno)
1470:
683:Martin Johann Schmidt, called Kremser-Schmidt
8:
1421:A History of Ideas and Images in Italian Art
558:Assumption of the Virgin Mary (Rubens, 1637)
412:Assumption of the Virgin (Rosso Fiorentino)
2115:
1844:
1765:
1552:
1477:
1463:
1455:
328:The Assumption was a suitable subject for
2289:Paintings of the Assumption of the Virgin
1901:Veneration of Mary in the Catholic Church
430:Assumption of the Virgin (Fra Bartolomeo)
406:Assumption of the Virgin (Palma Vecchio)
52:, though not made formal Catholic dogma
1374:Liechtenstein: The Princely Collections
1038:
1036:
939:
693:
629:Assumption of the Virgin (L'Assomption)
524:Assumption of the Virgin (Reni, Munich)
152:, the last replacing the Apostles with
530:Assumption of the Virgin (Gentileschi)
518:Assumption of the Virgin (Reni, Lyon)
273:, which was more compatible with the
7:
1302:"Exchange: Virgin of the Apocalypse"
1236:"Exchange: Assumption of the Virgin"
955:Hall (1983), 180–181; Baumstark, 356
722:Thomas catches the belt. Detail, by
18:Assumption of the Virgin Mary in art
982:Hall (1996), 34–35; Baumstark, 360
615:The Assumption of the Virgin, with
381:Assumption of the Virgin (Perugino)
318:Parma Cathedral, illusionistic dome
739:Master of the Legend of Saint Lucy
710:hangs down from the Virgin's hand.
446:Assumption of the Virgin (Moretto)
25:
2260:
2249:
2248:
1539:
1409:, 1996 (2nd edn.), John Murray,
1290:from the original on 2015-08-03.
1104:from the original on 2016-03-05.
914:
896:
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793:
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746:
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696:
609:Michaelangelo di Pietro Membrini
334:first so used at Parma Cathedral
156:throwing flowers into the tomb.
68:were especially promoted by the
1030:Baumstark, 359; Hall (1996), 35
946:Baumstark, 356; Hall (1996), 34
800:Miniature by the Netherlandish
330:illusionistic ceiling paintings
130:altarpiece for the Frari Church
2228:Saint Luke painting the Virgin
1649:Miracle at the Wedding at Cana
1644:Finding of Jesus in the Temple
1284:"The Assumption of the Virgin"
1120:Virginia Museum of Fine Arts |
1098:"The Assumption of the Virgin"
802:Master of James IV of Scotland
552:Cathedral of Our Lady, Antwerp
182:Master of James IV of Scotland
116:or Christ (as in the Orthodox
27:Topic in Christian art history
1:
1423:, 1983, John Murray, London,
42:Assumption of the Virgin Mary
1440:. Rowman & Littlefield.
1330:collection.blantonmuseum.org
679:The Assumption of the Virgin
659:The Assumption of the Virgin
575:The Assumption of the Virgin
1434:Zirpolo, Lilian H. (2018).
964:Hall (1996), 34; see Caxton
2315:
1260:"Assumption of the Virgin"
1164:"Assumption of the Virgin"
1069:Hall (1996), 94–95; Caxton
275:Dormition of the Theotokos
2244:
1847:
1695:Bilocation to Saint James
1537:
1393:, English edition of the
706:, 1337–1339, Berlin. The
1747:Protoevangelium of James
907:Assumption of the Virgin
889:Assumption of the Virgin
786:Coronation of the Virgin
669:Virgin of the Apocalypse
649:Assumption of the Virgin
639:Assumption of the Virgin
605:Assumption of the Virgin
563:Liechtenstein Collection
543:Assumption of the Virgin
491:Assumption of the Virgin
479:Assumption of the Virgin
467:Assumption of the Virgin
419:Assumption of the Virgin
370:Assumption of the Virgin
144:(several compositions),
107:below, Assumption above.
62:Coronation of the Virgin
2138:Golden Madonna of Essen
1727:Woman of the Apocalypse
1401:Story of the Assumption
1306:exchange.umma.umich.edu
1240:exchange.umma.umich.edu
1216:exchange.umma.umich.edu
285:, again reflecting the
207:Assumption with Saints
66:These "Marian" subjects
44:does not appear in the
2015:Alma Redemptoris Mater
1964:Our Lady of Navigators
904:Juan Martín Cabezalero
436:Panciatichi Assumption
346:San Andrea della Valle
325:
308:painting in the Louvre
244:Panciatichi Assumption
223:
128:'s highly influential
108:
37:
2294:Entering heaven alive
2200:Theotokos of Vladimir
1629:Presentation of Jesus
1566:Immaculate Conception
1486:Mary, mother of Jesus
1372:Baumstark, Reinhold,
1144:www.gardnermuseum.org
663:Giambattista Piazetta
536:Assumption (Guercino)
456:Assumption Altarpiece
316:
201:
99:
33:
1419:Hall, James (1983),
1405:Hall, James (1996),
1168:emuseum.ringling.org
1087:Hall (1983), 330–332
1060:Hall (1983), 327–328
1009:Hall (1996), 35, 301
928:Church, 19th century
472:Antonio da Correggio
338:Antonio da Correggio
236:Crucifixion of Jesus
172:(best known for his
160:Iconographic details
74:Bernard of Clairvaux
2182:Madonna del Rosario
2086:Maria mater gratiae
2062:Sub tuum praesidium
2020:Ave Regina caelorum
1974:Our Lady of Victory
1969:Our Lady of Sorrows
1612:Virginal motherhood
1586:Perpetual virginity
1192:www.philamuseum.org
532:(Orazio), 1605–1608
396:Corciano Altarpiece
375:Francesco Botticini
300:Death of the Virgin
270:Death of the Virgin
261:sacra conversatione
219:sacra conversatione
105:Death of the Virgin
2299:Virgin Mary in art
2223:Life of the Virgin
1939:Life-giving Spring
1929:Help of Christians
1639:Return to Nazareth
1581:Marriage to Joseph
724:Matteo di Giovanni
643:Giovanni Lanfranco
460:Moretto da Brescia
450:Moretto da Brescia
342:Giovanni Lanfranco
326:
224:
191:, kneeling by the
170:Thomas the Apostle
109:
58:Life of the Virgin
38:
2276:
2275:
2240:
2239:
2236:
2235:
2144:The Golden Virgin
1864:Catholic churches
1836:
1835:
1755:
1754:
1634:Flight into Egypt
1624:Nativity of Jesus
1531:Brothers of Jesus
1021:; Hall (1996), 95
922:Wilhelm Hauschild
868:Annibale Carracci
853:Annibale Carracci
779:, 1510, combined
589:Andrea di Bartolo
548:Peter Paul Rubens
506:Annibale Carracci
502:Cerasi Assumption
496:Annibale Carracci
387:Heller Altarpiece
213:Louis of Toulouse
16:(Redirected from
2306:
2264:
2252:
2251:
2116:
2101:Three Hail Marys
2057:Ave maris stella
1934:Immaculate Heart
1845:
1766:
1654:Passion of Jesus
1553:
1543:
1479:
1472:
1465:
1456:
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1360:
1358:National Gallery
1351:
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1344:
1342:
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1332:. Archived from
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1078:Zirpolo, 213–214
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838:Andrea del Sarto
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769:
758:Amiens Cathedral
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735:
719:
708:girdle of Thomas
700:
673:Gaetano Gandolfi
440:Andrea del Sarto
344:in 1625–1627 at
279:Eastern Orthodox
248:Andrea del Sarto
166:Girdle of Thomas
146:Annibale Caracci
101:Nicola Filotesio
70:Cistercian Order
21:
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2155:Queen of Heaven
2105:
1993:
1979:Star of the Sea
1905:
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1816:
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1391:Caxton, William
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623:Joachim Patinir
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283:Twelve Apostles
189:Martha and Mary
174:Doubting Thomas
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150:Nicolas Poussin
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1984:Seat of Wisdom
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1447:978-1538111291
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1382:978-0870993855
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1051:Baumstark, 360
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991:Baumstark, 356
984:
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948:
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891:, 17th century
884:
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873:, 16th century
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773:Albrecht Dürer
771:
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688:
687:
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666:
656:
646:
636:
635:, c. 1592–1635
633:Jacques Callot
626:
625:, c. 1510–1518
612:
602:
592:
582:
581:, c. 1337–1339
579:Bernardo Daddi
570:
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463:
453:
443:
433:
427:
415:
409:
403:
393:
391:Albrecht Dürer
384:
378:
366:
358:
355:
353:
352:Selected works
350:
302:by itself was
161:
158:
114:God the Father
50:Western Church
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
2311:
2300:
2297:
2295:
2292:
2290:
2287:
2286:
2284:
2269:
2268:
2267:Saints Portal
2263:
2259:
2257:
2256:
2247:
2246:
2243:
2229:
2226:
2224:
2221:
2220:
2218:
2214:
2208:
2205:
2201:
2198:
2197:
2196:
2193:
2191:
2188:
2184:
2183:
2179:
2178:
2177:
2176:Agiosoritissa
2174:
2173:
2171:
2167:
2161:
2158:
2156:
2153:
2151:
2148:
2146:
2145:
2141:
2139:
2136:
2134:
2133:Black Madonna
2131:
2129:
2126:
2125:
2123:
2121:
2117:
2114:
2112:
2108:
2102:
2099:
2097:
2094:
2092:
2089:
2087:
2084:
2082:
2079:
2075:
2072:
2071:
2070:
2067:
2063:
2060:
2058:
2055:
2053:
2050:
2049:
2048:
2045:
2043:
2040:
2038:
2035:
2031:
2028:
2026:
2023:
2021:
2018:
2016:
2013:
2012:
2011:
2008:
2006:
2003:
2002:
2000:
1996:
1990:
1987:
1985:
1982:
1980:
1977:
1975:
1972:
1970:
1967:
1965:
1962:
1960:
1957:
1955:
1952:
1949:
1948:of all graces
1945:
1942:
1940:
1937:
1935:
1932:
1930:
1927:
1925:
1922:
1920:
1917:
1916:
1914:
1912:
1908:
1902:
1899:
1897:
1894:
1892:
1889:
1887:
1884:
1880:
1877:
1876:
1875:
1872:
1870:
1867:
1865:
1862:
1858:
1855:
1854:
1853:
1850:
1849:
1846:
1843:
1839:
1829:
1826:
1825:
1823:
1819:
1811:
1808:
1807:
1806:
1803:
1801:
1798:
1794:
1791:
1789:
1786:
1785:
1784:
1781:
1779:
1776:
1775:
1773:
1771:
1767:
1764:
1762:
1758:
1748:
1745:
1744:
1742:
1740:
1736:
1728:
1725:
1724:
1723:
1720:
1718:
1715:
1713:
1710:
1706:
1703:
1702:
1701:
1698:
1696:
1693:
1692:
1690:
1687:
1683:
1677:
1674:
1670:
1667:
1665:
1662:
1660:
1657:
1656:
1655:
1652:
1650:
1647:
1645:
1642:
1640:
1637:
1635:
1632:
1630:
1627:
1625:
1622:
1620:
1617:
1613:
1610:
1609:
1608:
1605:
1604:
1602:
1600:
1595:
1587:
1584:
1583:
1582:
1579:
1577:
1574:
1572:
1569:
1567:
1564:
1563:
1561:
1558:
1554:
1551:
1547:
1542:
1532:
1529:
1527:
1524:
1521:
1518:
1515:
1512:
1509:
1506:
1503:
1500:
1499:
1497:
1495:
1491:
1487:
1480:
1475:
1473:
1468:
1466:
1461:
1460:
1457:
1449:
1443:
1439:
1438:
1432:
1430:
1426:
1422:
1418:
1416:
1412:
1408:
1404:
1402:
1398:
1397:
1396:Golden Legend
1392:
1389:
1387:
1383:
1379:
1375:
1371:
1370:
1366:
1359:
1355:
1350:
1347:
1336:on 2021-04-14
1335:
1331:
1327:
1321:
1318:
1307:
1303:
1297:
1294:
1289:
1285:
1279:
1276:
1265:
1261:
1255:
1252:
1241:
1237:
1231:
1228:
1217:
1213:
1207:
1204:
1193:
1189:
1183:
1180:
1169:
1165:
1159:
1156:
1145:
1141:
1135:
1132:
1121:
1117:
1111:
1108:
1103:
1099:
1093:
1090:
1084:
1081:
1075:
1072:
1066:
1063:
1057:
1054:
1048:
1045:
1039:
1037:
1033:
1027:
1024:
1020:
1015:
1012:
1006:
1003:
997:
994:
988:
985:
979:
976:
970:
967:
961:
958:
952:
949:
943:
940:
933:
927:
923:
917:
912:
908:
905:
899:
894:
890:
887:
881:
876:
872:
869:
863:
858:
854:
848:
843:
839:
833:
828:
825:
823:
818:
812:
807:
803:
796:
791:
788:
787:
782:
778:
774:
768:
763:
759:
755:
749:
744:
740:
734:
729:
725:
718:
713:
709:
705:
704:Maso di Banco
699:
694:
689:
684:
680:
677:
674:
670:
667:
664:
660:
657:
654:
650:
647:
645:, before 1647
644:
640:
637:
634:
630:
627:
624:
620:
618:
613:
610:
606:
603:
600:
596:
593:
590:
586:
583:
580:
576:
573:
572:
568:
564:
560:
559:
555:
553:
549:
545:
544:
540:
537:
534:
531:
528:
525:
522:
519:
516:
513:
510:
507:
503:
500:
497:
493:
492:
488:
485:
481:
480:
476:
473:
469:
468:
464:
461:
457:
454:
451:
447:
444:
441:
437:
434:
431:
428:
425:
421:
420:
416:
413:
410:
407:
404:
401:
397:
394:
392:
388:
385:
382:
379:
376:
372:
371:
367:
364:
361:
360:
357:With articles
356:
351:
349:
347:
343:
339:
335:
331:
323:
319:
315:
311:
309:
305:
301:
296:
294:
293:Golden Legend
290:
289:
288:Golden Legend
284:
280:
276:
272:
271:
265:
263:
262:
257:
253:
249:
245:
241:
237:
233:
232:Golden Legend
229:
228:New Testament
221:
220:
215:
214:
210:
209:Anthony Abbot
204:
203:Lorenzo Lotto
200:
196:
194:
190:
185:
183:
179:
175:
171:
167:
159:
157:
155:
151:
147:
143:
139:
135:
132:(1515–18) in
131:
127:
123:
119:
115:
106:
102:
98:
94:
92:
88:
84:
83:
82:Golden Legend
77:
75:
71:
67:
63:
59:
55:
51:
47:
46:New Testament
43:
36:
32:
19:
2265:
2253:
2180:
2160:Stabat Mater
2142:
2030:Regina caeli
2025:Salve Regina
1924:Coredemptrix
1919:Christotokos
1879:month of May
1688:: later life
1669:Resurrection
1607:Annunciation
1576:Presentation
1559:: early life
1436:
1420:
1406:
1394:
1386:Google books
1373:
1354:Full picture
1349:
1338:. Retrieved
1334:the original
1329:
1320:
1309:. Retrieved
1305:
1296:
1278:
1267:. Retrieved
1263:
1254:
1243:. Retrieved
1239:
1230:
1219:. Retrieved
1215:
1206:
1195:. Retrieved
1191:
1182:
1171:. Retrieved
1167:
1158:
1147:. Retrieved
1143:
1134:
1123:. Retrieved
1119:
1110:
1092:
1083:
1074:
1065:
1056:
1047:
1026:
1019:Getty Museum
1014:
1005:
996:
987:
978:
969:
960:
951:
942:
906:
888:
870:
821:
784:
780:
678:
668:
658:
648:
638:
628:
617:the Nativity
614:
604:
599:Fra Angelico
594:
584:
574:
556:
550:, 1626, the
542:
490:
486:, c. 1577–79
477:
466:
442:, c. 1522–23
418:
369:
327:
299:
297:
292:
286:
268:
266:
259:
255:
239:
231:
225:
217:
206:
186:
163:
117:
110:
80:
78:
39:
2190:Derzhavnaya
1852:Apparitions
1659:Crucifixion
1264:www.dia.org
1000:Zirpolo, 83
760:, 1508–1519
754:Choir stall
675:, 1770–1780
601:, 1424–1434
526:, 1638-1639
474:, 1526–1530
426:, 1515–1518
389:, 1507–09,
324:, 1526–1530
240:Assumptions
193:sarcophagus
103:, 1515–16,
91:Reformation
87:altarpieces
76:(d. 1153).
2283:Categories
2207:Hodegetria
2128:Assumption
2081:Magnificat
1886:Feast days
1841:Veneration
1805:Protestant
1739:Apocryphal
1717:Coronation
1712:Assumption
1664:Deposition
1619:Visitation
1429:0719539714
1415:0719541476
1367:References
1340:2021-01-06
1311:2021-01-06
1269:2021-01-06
1245:2021-01-06
1221:2021-01-06
1197:2021-01-06
1173:2021-01-06
1149:2021-01-06
1125:2021-01-06
871:Assumption
822:Assumption
781:Assumption
726:, c. 1474.
591:, c. 1390s
304:Caravaggio
222:treatment.
72:and Saint
60:, and the
54:until 1950
2037:Ave Maria
2010:Antiphons
1989:Theotokos
1944:Mediatrix
1891:Patronage
1874:Devotions
1869:Christmas
1770:Christian
1761:Mariology
1722:Queenship
1700:Dormition
1686:Tradition
1676:Pentecost
1557:Tradition
1526:Elizabeth
1504:(husband)
909:, c. 1665
855:, 1600–01
611:, c. 1498
508:, 1600–01
462:, 1529–30
452:, 1524–25
414:, 1513–14
408:, c. 1513
365:, 1449–50
348:in Rome.
322:Correggio
118:Dormition
2255:Category
2091:Memorare
2052:Akathist
1810:Lutheran
1800:Orthodox
1783:Catholic
1778:Anglican
1522:(mother)
1516:(father)
1288:Archived
1102:Archived
653:Guercino
538:, c.1623
484:El Greco
400:Perugino
258:type of
205:, 1505,
138:El Greco
122:mandorla
2216:Related
2005:Angelus
1998:Prayers
1959:Panagia
1954:New Eve
1896:Shrines
1828:Islamic
1788:history
1597:In the
1514:Joachim
804:, 1510s
777:woodcut
690:Gallery
432:c. 1516
377:1475–76
332:, and
256:in aria
2195:Eleusa
2096:Rosary
2074:Loreto
2069:Litany
1911:Titles
1502:Joseph
1494:Family
1444:
1427:
1413:
1380:
1042:Caxton
926:Lochen
886:Rubens
840:, 1526
824:, 1516
820:Frari
817:Titian
741:, 1485
685:, 1773
665:, 1735
655:, 1650
520:, 1637
514:, 1627
498:, 1590
424:Titian
402:, 1513
148:, and
142:Rubens
134:Venice
126:Titian
2150:Pietà
2047:Hymns
1821:Other
1793:papal
1599:Bible
1571:Birth
1510:(son)
1508:Jesus
934:Notes
681:, by
569:Other
482:, by
178:relic
168:, to
154:putti
2169:East
2120:West
1857:list
1705:Tomb
1549:Life
1520:Anne
1442:ISBN
1425:ISBN
1411:ISBN
1378:ISBN
783:and
383:1506
252:John
216:, a
211:and
40:The
2111:Art
756:in
671:by
661:by
651:by
641:by
631:by
621:by
607:by
597:by
587:by
577:by
546:by
504:by
494:by
470:by
458:by
422:by
373:by
336:by
320:,
306:'s
277:in
246:by
64:.
2285::
1384:,
1356:,
1328:.
1304:.
1286:.
1262:.
1238:.
1214:.
1190:.
1166:.
1142:.
1118:.
1100:.
1035:^
924:,
775:,
561:,
448:,
438:,
398:,
140:,
1950:)
1946:(
1478:e
1471:t
1464:v
1450:.
1343:.
1314:.
1272:.
1248:.
1224:.
1200:.
1176:.
1152:.
1128:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
