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258:, and then a large phrase is introduced with a very polyphonic texture and a prominent tune. A section then starts with chords played in the manuals and the quavers played in the pedals. This continues for another long period of time until the left hand takes the tune and the right hand plays the quavers.
93:, in 1709 as an organist and member of the court orchestra; he was particularly encouraged to make use of his unique talents with the organ by the duke. Indeed, his fame on the instrument grew and he was visited by many students of the organ to hear him play and to try to learn from his technique. The
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pattern between the hands. Another run from the pedals is then followed by a continuation of the quaver pattern from the right-hand. The quaver pattern then repeats one octave lower. The pedals then play arpeggiated patterns which begin a repeated theme and slow down throughout. This lasts for four
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The subjects of both the BWV 532a and 532 fugues are identical, as well are the counter-subject introduction in the alto voice, and then also in the tenor voice. The fugue in BWV 532a is identical to the one of BWV 532 until the 28th measure (7 measures after the introduction of the
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The subject of this fugue is eight measures long and consists of tight figurations encompassing the interval of a ninth. Bach takes this subject firstly through the relative minor and then the mediant minor, and then to the minor harmony of the leading tone and the major harmony on the supertonic.
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was probably composed in 1710, although this is not certain. What we do know is that BWV 532 features a lengthy, complex, self-contained fugue preceded by a multisectional prelude. Thus it must have been written before Bach codified the clear two-section prelude and fugue form used in
80:
The Fugue in D major, BWV 532a, was composed around 1708. It is an earlier version of fugue of BWV 532. Not much is known about this fugue, other than that it was composed around 2 years before the
Prelude and Fugue in D Major, and was written and premiered in
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After this progression we enter an episode with a flurry of figures on the dominant and then a full entry of the subject on the tonic that works to resolve the preceding tension so well that the eventual coda almost has the nature of an afterthought.
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begins. A new theme then arrives with slow quavers on the lower manual and pedal and ascending scales in the upper manual. The prelude then concludes with a slow theme, on broken arpeggios and some slow, elongated final chords.
85:. Also BWV 532 was written during Bach's tenure in Weimar: it was composed between 1709 and 1717. Many of his greatest and most well known organ works were written during this period, including, for example, the
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bars. A sustained pedal then accompanies the manuals, which have a dotted quaver, semi-quaver rhythm. This then turns into a repeated
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A new phrase then begins with an ascending scale in the manuals leading up to a large D major chord. A new tempo is then introduced:
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The piece is in two sections: a prelude and a fugue. Both the sections are in D major but, to begin with, there is no
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major ("St. Anne"), BWV 552, Chorale preludes, BWV 669–689, Duets, BWV 802–805
89:. The composer was residing in Weimar after being hired by the ruling duke of Weimar,
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The Fugue's subject, showing a turn-like motif followed by a falling sequence
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demi-semi-quaver rhythm. This then slows to a series of repeated cadences.
72:. BWV 532.1 (previously 532/2a) is an earlier version of the Fugue.
17:
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Canonic
Variations on "Vom Himmel hoch da komm' ich her", BWV 769
665:
Video of "Fugue in D major" from BWV 532, performed by
Timothy Coriddi
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scale from the pedals, and then the manuals begin with an intricate
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Martin
Hruschka plays on the de Graaf organ at the Emmauskirche
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marking given on either section. Both sections are in 4/4.
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790:Eight Short Preludes and Fugues, BWV 553–560
414:This work has been transcribed for solo piano by
1348:Concerto transcriptions, BWV 592–596 and 972–987
765:Fantasia and Fugue in G minor ("Great"), BWV 542
755:Toccata and Fugue in D minor ("Dorian"), BWV 538
498:"Fugue, D (early version) BWV 532/2a; BWV 532.1"
1248:Capriccio on the departure of a beloved brother
818:Prelude (Toccata) and Fugue in E major, BWV 566
785:Prelude and Fugue in E minor ("Wedge"), BWV 548
823:Fantasia ("Pièce d'Orgue") in G major, BWV 572
1385:List of compositions by Johann Sebastian Bach
804:Toccata, Adagio and Fugue in C major, BWV 564
685:
8:
1390:List of fugal works by Johann Sebastian Bach
329:. Unsourced material may be challenged and
261:When this section finishes, a new tempo of
194:. Unsourced material may be challenged and
1395:List of concertos by Johann Sebastian Bach
692:
678:
670:
833:Passacaglia and Fugue in C minor, BWV 582
726:Fugue in G minor, BWV 131a
638:International Music Score Library Project
444:"Prelude and fugue, D BWV 532; BWV 532.2"
349:Learn how and when to remove this message
214:Learn how and when to remove this message
28:
1412:
435:
1187:Fantasia and Fugue in C minor, BWV 906
799:Fantasia and Fugue in C minor, BWV 562
750:Fantasia and Fugue in C minor, BWV 537
404:
150:
953:Overture in the French style, BWV 831
914:English Suites, BWV 806–811
909:Inventions and Sinfonias, BWV 772–801
809:Toccata and Fugue in D minor, BWV 565
780:Prelude and Fugue in C minor, BWV 546
775:Prelude and Fugue in B minor, BWV 544
770:Prelude and Fugue in A minor, BWV 543
760:Toccata and Fugue in F major, BWV 540
745:Prelude and Fugue in D major, BWV 532
740:Prelude and Fugue in C major, BWV 531
634:Prelude and Fugue in D major, BWV 532
375:Prelude and Fugue in D major, BWV 532
124:Prelude and Fugue in D major, BWV 532
87:Prelude and Fugue in E major, BWV 566
7:
919:French Suites, BWV 812–817
828:Fugue in G minor ("Little"), BWV 578
327:adding citations to reliable sources
192:adding citations to reliable sources
891:Wo Gott der Herr nicht bei uns hält
54: 532.2 (previously 532), is a
1241:Aria variata alla maniera italiana
962:Well-Tempered Clavier, BWV 846–893
25:
1438:Preludes by Johann Sebastian Bach
1415:
405:Problems playing this file? See
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299:
164:
151:Problems playing this file? See
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1443:Fugues by Johann Sebastian Bach
1292:Prelude, Fugue and Allegro in E
1192:Toccatas, BWV 910–916
924:Partitas, BWV 825–830
860:Great Eighteen Chorale Preludes
102:, which was composed in 1722.
1:
238:The prelude commences with a
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1181:Chromatic Fantasia and Fugue
563:. jsbach.org. Archived from
95:Prelude and Fugue in D major
48:Prelude and Fugue in D major
38:Prelude and Fugue in D major
1305:Prelude in C minor, BWV 999
838:Concertos, BWV 592–597
1469:
1355:KlavierbĂĽchlein W. F. Bach
1312:Fugue in G minor, BWV 1000
1212:Harpsichord solo concertos
1380:
1285:Suite in C minor, BWV 997
1270:Suite in E minor, BWV 996
1265:Suite in G minor, BWV 995
389:Transcribed for piano by
100:The Well-Tempered Clavier
1335:: Prelude and Fugue in E
869:Sei gegrĂĽĂźet, Jesu gĂĽtig
643:Free download of BWV 532
522:"BWV 532a Fugue D-Major"
287:subject in the pedals).
1453:Compositions in D major
1200:, BWV 933–938
1448:Compositions for organ
1370:Twelve Little Preludes
368:
283:
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711:Johann Sebastian Bach
659:Katholische Hofkirche
655:Zacharias Hildebrandt
456:; et al. 14 May 2019.
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44:Johann Sebastian Bach
34:Johann Sebastian Bach
32:
884:, BWV 1090–1120
735:Sonatas, BWV 525–530
651:Gottfried Silbermann
536:"Classical Archives"
510:; et al. 9 May 2019.
473:"Classical Archives"
323:improve this section
188:improve this section
1362:Notebook A. M. Bach
1218:Goldberg Variations
1198:Six Little Preludes
882:Neumeister chorales
589:. Baroque music.org
587:"Baroque music.org"
862:, BWV 651–668
854:, BWV 645–650
846:, BWV 599–644
700:Compositions for
661:, Dresden, Germany
540:Classical Archives
477:Classical Archives
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36:, the composer of
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852:SchĂĽbler Chorales
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649:on the 1755
647:James Kibbie
645:recorded by
613:. Retrieved
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591:. Retrieved
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569:. Retrieved
565:the original
561:"JSBach.org"
555:
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508:Bach Archive
503:Bach Digital
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480:. Retrieved
454:Bach Archive
449:Bach Digital
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1324:collections
1225:discography
1157:No. 22 in B
1144:No. 18 in G
1131:No. 13 in F
1052:No. 22 in B
1039:No. 21 in B
615:12 February
611:. qub.ac.uk
609:"qub.ac.uk"
593:12 February
571:12 February
545:12 February
506:. Leipzig:
482:12 February
452:. Leipzig:
240:semi-quaver
70: 1710
1432:Categories
1097:No. 4 in C
1084:No. 3 in C
1012:No. 7 in E
999:No. 4 in C
986:No. 3 in C
893:, BWV 1128
813:(doubtful)
794:(doubtful)
730:(doubtful)
430:References
407:media help
339:April 2021
256:Alla breve
204:April 2021
153:media help
871:, BWV 768
426:in 1893.
310:does not
175:does not
106:Structure
1338:♭
1295:♭
1160:♭
1147:♯
1134:♯
1100:♯
1087:♯
1055:♭
1042:♭
1015:♭
1002:♯
989:♯
902:Keyboard
18:BWV 532a
1276:Bourrée
1065:Book 2
967:Book 1
331:removed
316:sources
234:Prelude
196:removed
181:sources
76:History
56:prelude
1408:Portal
811:
792:
728:
263:Adagio
244:quaver
83:Weimar
1322:Mixed
1163:minor
1150:minor
1137:major
1103:minor
1090:major
1058:minor
1045:major
1018:major
1005:minor
992:major
944:No. 6
937:No. 4
930:No. 2
719:Organ
702:organ
270:Fugue
249:G♯, B
228:tempo
64:organ
60:fugue
1258:Lute
617:2010
595:2010
573:2010
547:2010
484:2010
314:any
312:cite
179:any
177:cite
58:and
708:by
418:as
325:by
190:by
52:BWV
46:'s
1434::
704:,
538:.
500:.
475:.
462:^
446:.
67:c.
50:,
1410::
693:e
686:t
679:v
653:/
619:.
597:.
575:.
549:.
524:.
486:.
409:.
397:.
352:)
346:(
341:)
337:(
333:.
319:.
217:)
211:(
206:)
202:(
198:.
184:.
155:.
20:)
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