Knowledge (XXG)

Bacchanal of Putti

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con putti che tirano per le corna, e sferzano una capra, figuratovi il Giuoco che è un fanciullo, il quale si pone al volto una maschera, & il modello di creta fu imitato, e scolpito, sul porfido da Tomaso Fedele, Romano chiamato Tomaso del porfido, per la facilità sua nel lavorarlo, e condurlo
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con tenerezza in perfezione, come veramente riuscì questo mezzorilievo che dal Signor Cardinale Francesco Barberini fu donato a Filippo Quarto Re di Spagna, e si conserva oggi in Madrid nel palazzo del re
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is breaking another stick off a tree to the left. Bellori says that the model in chalk was imitated by a local sculptor noted for his work with
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The Dodge Collection of Eighteenth-century French and English Art in the Detroit Institute of Arts
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of the Flemish sculptor and the French painter. Duquesnoy would go on to improve his
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pulling a goat by the horns. One of them is lashing it with a stick, while the
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next to him is reaching his left hand to the hovering stick. One
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is hanging over the goat's back with both hands, while another
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Le vite de'pittori, scultori et architetti moderni, Volume 1
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Duquesnoy's Bacchanal of Putti is closely related to
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Marble relief by Flemish sculptor François Duquesnoy
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Rome: Mascardi. p. 271. 282:Lingo, Estelle Cecile (2007). 135:Bacchanal of Putti with a Goat 33:Duquesnoy's Bacchanal of Putti 1: 348:Bellori, Gian Pietro (1672). 213:Cardinal Francesco Barberini 191:The relief shows a group of 551:Epitaph of Adriaen Vryburch 406:. pp. 73, 74–78, 198. 371:. Editions Rodopi. p.  717: 691:Marble sculptures in Italy 437:. New Haven, Connecticut: 402:. New Haven, Connecticut: 288:. New Haven, Connecticut: 647: 368:Sociobiology and the Arts 316:Alan Phipps Darr (1996). 26: 211:. According to Bellori, 583:Bust of Nicolas Poussin 225:Galleria Doria Pamphili 158:Regarding this oeuvre, 77:Galleria Doria Pamphilj 221:Royal Palace of Madrid 215:donated the relief to 188: 175: 537:Cupid Carving His Bow 439:Yale University Press 404:Yale University Press 365:Cooke, Brett (1999). 290:Yale University Press 180: 164: 160:Gian Pietro Bellori 109:41.8939°N 12.4722°E 105: /  681:Sculptures in Rome 516:Bacchanal of Putti 487:François Duquesnoy 441:. pp. 46–53. 292:. pp. 46–53. 217:Philip IV of Spain 189: 182:Oil on canvas copy 148:François Duquesnoy 129:Bacchanal of Putti 43:François Duquesnoy 22:Bacchanal of Putti 658: 657: 645: 644: 448:978-0-300-12483-5 413:978-0-300-12483-5 382:978-90-420-0584-6 329:978-1-55595-135-1 299:978-0-300-12483-5 124: 123: 708: 701:Reliefs in Italy 676:1630s sculptures 671:1620s sculptures 653: 604:Apollo and Cupid 530:Sleeping Silenus 498: 480: 473: 466: 457: 452: 418: 417: 393: 387: 386: 362: 356: 355: 345: 334: 333: 313: 304: 303: 279: 120: 119: 117: 116: 115: 114:41.8939; 12.4722 110: 106: 103: 102: 101: 98: 88: 31: 19: 716: 715: 711: 710: 709: 707: 706: 705: 661: 660: 659: 654: 641: 623: 570: 489: 484: 449: 430: 427: 425:Further reading 422: 421: 414: 395: 394: 390: 383: 364: 363: 359: 347: 346: 337: 330: 315: 314: 307: 300: 281: 280: 269: 264: 236:Nicolas Poussin 156: 113: 111: 107: 104: 99: 96: 94: 92: 91: 84: 34: 17: 12: 11: 5: 714: 712: 704: 703: 698: 696:Marble reliefs 693: 688: 683: 678: 673: 663: 662: 656: 655: 648: 646: 643: 642: 640: 639: 631: 629: 625: 624: 622: 621: 614: 607: 600: 593: 586: 578: 576: 572: 571: 569: 568: 561: 554: 547: 544:Rondanini Faun 540: 533: 526: 519: 512: 504: 502: 495: 491: 490: 485: 483: 482: 475: 468: 460: 454: 453: 447: 426: 423: 420: 419: 412: 388: 381: 357: 335: 328: 305: 298: 266: 265: 263: 260: 155: 152: 122: 121: 89: 81: 80: 74: 70: 69: 66: 62: 61: 58: 54: 53: 50: 46: 45: 40: 36: 35: 32: 24: 23: 15: 13: 10: 9: 6: 4: 3: 2: 713: 702: 699: 697: 694: 692: 689: 687: 684: 682: 679: 677: 674: 672: 669: 668: 666: 652: 638: 637: 633: 632: 630: 626: 620: 619: 615: 613: 612: 608: 606: 605: 601: 599: 598: 594: 592: 591: 587: 585: 584: 580: 579: 577: 573: 567: 566: 565:Saint Susanna 562: 560: 559: 555: 553: 552: 548: 546: 545: 541: 539: 538: 534: 532: 531: 527: 525: 524: 520: 518: 517: 513: 511: 510: 506: 505: 503: 499: 496: 492: 488: 481: 476: 474: 469: 467: 462: 461: 458: 450: 444: 440: 436: 435: 429: 428: 424: 415: 409: 405: 401: 400: 392: 389: 384: 378: 374: 370: 369: 361: 358: 353: 352: 344: 342: 340: 336: 331: 325: 321: 320: 312: 310: 306: 301: 295: 291: 287: 286: 278: 276: 274: 272: 268: 261: 259: 257: 253: 249: 245: 241: 237: 232: 230: 226: 222: 218: 214: 210: 206: 202: 198: 194: 187: 183: 179: 174: 173: 168: 163: 161: 153: 151: 149: 145: 141: 137: 136: 131: 130: 118: 90: 87: 82: 78: 75: 71: 67: 63: 59: 55: 51: 47: 44: 41: 37: 30: 25: 20: 634: 616: 609: 602: 595: 588: 581: 563: 558:Saint Andrew 556: 549: 542: 535: 528: 521: 515: 514: 509:Christ Bound 507: 433: 398: 391: 367: 360: 350: 318: 284: 251: 247: 243: 233: 204: 200: 196: 192: 190: 170: 166: 165: 157: 138:is a marble 134: 133: 128: 127: 125: 112: / 86:Coordinates 665:Categories 262:References 240:sarcophagi 100:12°28′20″E 97:41°53′38″N 494:Sculpture 250:with his 146:sculptor 209:porphyry 73:Location 597:Mercury 373:108-110 254:of the 184:at the 144:Flemish 590:Adonis 445:  410:  379:  326:  296:  162:said: 154:Relief 140:relief 79:, Rome 68:Marble 65:Medium 60:Relief 39:Artist 628:1640s 575:1630s 501:1620s 252:putti 248:putto 244:putti 205:putto 201:putto 197:putto 193:putti 52:1620s 443:ISBN 408:ISBN 377:ISBN 324:ISBN 294:ISBN 229:Rome 126:The 57:Type 49:Year 227:in 186:Met 142:by 132:or 667:: 375:. 338:^ 308:^ 270:^ 258:. 231:. 169:, 479:e 472:t 465:v 451:. 416:. 385:. 332:. 302:.

Index


François Duquesnoy
Galleria Doria Pamphilj
Coordinates
41°53′38″N 12°28′20″E / 41.8939°N 12.4722°E / 41.8939; 12.4722
relief
Flemish
François Duquesnoy
Gian Pietro Bellori

Oil on canvas copy
Met
porphyry
Cardinal Francesco Barberini
Philip IV of Spain
Royal Palace of Madrid
Galleria Doria Pamphili
Rome
Nicolas Poussin
sarcophagi
Tomb of Ferdinand van den Eynde




François Duquesnoy and the Greek Ideal
Yale University Press
ISBN
978-0-300-12483-5

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