554:
516:
418:
413:
380:
549:
544:
539:
534:
511:
506:
501:
496:
408:
403:
398:
375:
370:
365:
360:
29:
606:
is not an album determined to grab you in one listen; it's a 'grower,' as they say, but once it grows, it's apparent there's no shortage of baroque delights to discover on this veteran band's ninth album."
616:
Zachary Houle was more critical, arguing that the music "lacks any kind of clarity in direction", and that fans might be alienated by "a band that is reinventing itself for the sake of reinvention."
1544:
970:
981:
1901:
1097:
1726:
1802:
1127:
1161:
1569:
1557:
1809:
1896:
1581:
1373:
1314:
1188:
866:
278:
78:
1719:
1594:
1538:
1298:
389:
270:
69:
1823:
1192:
596:
s light, almost minimalistic sound compared to previous Blonde
Redhead albums was received with mixed feelings.
1795:
1105:
580:
1692:
1712:
1598:
1437:
985:
274:
73:
1781:
830:
1482:
1816:
266:
142:
1406:
1891:
1862:
1788:
1662:
1644:
1626:
1217:
1033:
1015:
1658:
1640:
1618:
1844:
1411:
1166:
803:
799:, electric guitar, bass, Chamberlin and Mellotron keyboards, harpsichord, organ, piano, synthesizer
463:
1135:
1011:
587:
received a score of 64 out of 100 based on 18 reviews, indicating "generally favorable reviews".
1069:
884:
840:
1511:
1271:
1221:
563:
319:
258:
96:
1345:
1245:
1029:
858:
796:
289:
149:
1735:
1530:
1074:
862:
818:
262:
206:
159:
41:
1885:
1830:
1487:
1319:
997:
836:
824:
525:
427:
172:
1466:
907:
625:
All tracks are written by Blonde
Redhead (Kazu Makino, Amedeo Pace and Simone Pace)
487:
254:
137:
28:
1383:
269:. The album was produced, engineered and mixed by Drew Brown, and was recorded at
1764:
1698:
789:
88:
1868:
1442:
1249:
781:
609:
576:
475:
329:
1196:
913:
785:
106:
1350:
1275:
1131:
1101:
958:
946:
598:
439:
352:
111:
101:
1681:
1686:
1162:"Blonde Redhead Announce New Album Barragán, Share 'No More Honey'"
36:
1704:
817:
Drew Brown – Chamberlin keyboard, synthesizer, drum programming,
1708:
1378:
451:
1464:
Segal, Victoria (October 2014). "Blonde
Redhead: Barragán".
1315:"Blonde Redhead's quiet, listless reinvention on Barragán"
931:
583:
score out of 100 to reviews from mainstream critics,
1854:
1773:
1641:"Blonde Redhead Chart History (Independent Albums)"
1160:Beauchemin, Molly; Gordon, Jeremy (June 10, 2014).
638:
630:
205:
158:
148:
136:
120:
87:
63:
48:
35:
21:
1595:"Official Independent Album Breakers Chart Top 20"
1572:(in French). Hung Medien. Retrieved May 17, 2018.
771:Credits are adapted from the album's liner notes.
1560:(in Dutch). Hung Medien. Retrieved May 17, 2018.
1659:"Blonde Redhead Chart History (Top Rock Albums)"
1543:: CS1 maint: others in cite AV media (notes) (
1246:"Barragán by Blonde Redhead Reviews and Tracks"
531:
1720:
8:
1240:
1238:
1155:
1153:
1068:Podplesky, Azaria C. (November 5–11, 2014).
493:
395:
357:
1582:"Lescharts.com – Blonde Redhead – Barragán"
1063:
1061:
1059:
1057:
1727:
1713:
1705:
1339:
1337:
1193:"First Listen: Blonde Redhead, 'Barragán'"
299:
265:. It was released on September 2, 2014 by
27:
18:
1570:"Ultratop.be – Blonde Redhead – Barragán"
1558:"Ultratop.be – Blonde Redhead – Barragán"
1515:. No. 209. October 2014. p. 68.
1302:. No. 315. October 2014. p. 98.
1431:
1429:
627:
1584:. Hung Medien. Retrieved May 17, 2018.
1098:"No More Honey (2014) | Blonde Redhead"
1053:
795:Amedeo Pace – vocals, acoustic guitar,
752:
16:2014 studio album by Blonde Redhead
1536:
1533:. Blonde Redhead LLC. 2014. BLDE001CD.
1481:Machado, Jessica (September 2, 2014).
874:Sean Gavigan – engineering (assistant)
802:Simone Pace – drums, percussion, drum
602:reviewer Cam Lindsay summarized that "
1803:In an Expression of the Inexpressible
871:Jason Chang – engineering (assistant)
753:
338:
305:
7:
1436:Houle, Zachary (September 2, 2014).
1218:"Barragán by Blonde Redhead reviews"
880:John Horne – engineering (assistant)
1902:Shoegaze albums by American artists
1405:Heller, Jason (September 3, 2014).
533:
1128:"Dripping (2014) | Blonde Redhead"
14:
1313:Terry, Josh (September 2, 2014).
495:
397:
359:
190:Freedom of Expression on Barragán
1810:Melody of Certain Damaged Lemons
1344:Lindsay, Cam (August 29, 2014).
724:"Defeatist Anthem (Harry and I)"
552:
547:
542:
537:
532:
514:
509:
504:
499:
494:
416:
411:
406:
401:
396:
378:
373:
368:
363:
358:
1619:"Blonde Redhead Chart History (
284:Prior to its official release,
1372:Horner, Al (August 31, 2014).
833:– bass, electric guitar, organ
631:
1:
1374:"Blonde Redhead – 'Barragán'"
982:UK Independent Album Breakers
892:Jessica Ruffins – engineering
1509:"Blonde Redhead: Barragán".
1470:. No. 339. p. 114.
1296:"Blonde Redhead: Barragán".
1040:
1022:
1004:
975:
963:
951:
1667:. Retrieved March 2, 2017.
1649:. Retrieved March 2, 2017.
1631:. Retrieved March 2, 2017.
1272:"Barragán – Blonde Redhead"
806:, organ, piano, synthesizer
792:, organ, piano, synthesizer
292:online on August 24, 2014.
52:September 2, 2014
1918:
1438:"Blonde Redhead: Barragán"
1407:"Blonde Redhead: Barragán"
1346:"Blonde Redhead: Barragán"
883:David Ives – engineering,
877:Kabir Hermon – engineering
1742:
1027:
1009:
995:
980:
968:
956:
944:
937:
934:
895:Bill Skibbe – engineering
845:J. Williams – synthesizer
742:
731:
720:
709:
698:
687:
676:
665:
654:
643:
635:
346:
343:
313:
310:
242:
216:
201:
166:
26:
1796:Fake Can Be Just as Good
1599:Official Charts Company
827:– bass, electric guitar
225:Released: June 10, 2014
74:Benton Harbor, Michigan
780:Kazu Makino – vocals,
288:was made available to
234:Released: July 8, 2014
1897:Blonde Redhead albums
1817:Misery Is a Butterfly
922:Kazu Makino – artwork
889:Lex – software design
267:Kobalt Label Services
1863:For the Damaged Coda
1789:La Mia Vita Violenta
811:Additional musicians
301:Professional ratings
1845:Sit Down for Dinner
1539:cite AV media notes
1191:(August 24, 2014).
1138:on October 28, 2018
1108:on October 28, 2018
919:Lucie Kim – artwork
910:– cover photography
302:
277:, Michigan and the
1701:(list of releases)
1689:(list of releases)
1386:on August 25, 2016
1130:. United Kingdom:
1100:. United Kingdom:
1012:Independent Albums
821:, field recordings
579:, which assigns a
300:
296:Critical reception
281:in New York City.
271:Key Club Recording
1879:
1878:
1299:Alternative Press
1270:Phares, Heather.
1189:Thompson, Stephen
1045:
1044:
763:
762:
680:"Cat on Tin Roof"
573:
572:
390:Alternative Press
246:
245:
197:
196:
1909:
1729:
1722:
1715:
1706:
1668:
1656:
1650:
1638:
1632:
1616:
1610:
1609:
1607:
1605:
1591:
1585:
1579:
1573:
1567:
1561:
1555:
1549:
1548:
1542:
1534:
1523:
1517:
1516:
1506:
1500:
1499:
1497:
1495:
1478:
1472:
1471:
1461:
1455:
1454:
1452:
1450:
1433:
1424:
1423:
1421:
1419:
1402:
1396:
1395:
1393:
1391:
1382:. Archived from
1369:
1363:
1362:
1360:
1358:
1341:
1332:
1331:
1329:
1327:
1310:
1304:
1303:
1293:
1287:
1286:
1284:
1282:
1267:
1261:
1260:
1258:
1256:
1242:
1233:
1232:
1230:
1228:
1214:
1208:
1207:
1205:
1203:
1185:
1179:
1178:
1176:
1174:
1157:
1148:
1147:
1145:
1143:
1134:. Archived from
1124:
1118:
1117:
1115:
1113:
1104:. Archived from
1094:
1088:
1087:
1085:
1083:
1070:"The Week Ahead"
1065:
957:Belgian Albums (
945:Belgian Albums (
932:
756:
713:"Mind to Be Had"
691:"The One I Love"
633:
628:
615:
595:
581:weighted average
557:
556:
555:
551:
550:
546:
545:
541:
540:
536:
535:
519:
518:
517:
513:
512:
508:
507:
503:
502:
498:
497:
421:
420:
419:
415:
414:
410:
409:
405:
404:
400:
399:
383:
382:
381:
377:
376:
372:
371:
367:
366:
362:
361:
306:Aggregate scores
303:
259:alternative rock
235:
232:
226:
223:
168:
167:
132:
131:
127:
97:Alternative rock
59:
57:
31:
19:
1917:
1916:
1912:
1911:
1910:
1908:
1907:
1906:
1882:
1881:
1880:
1875:
1850:
1769:
1738:
1733:
1677:
1672:
1671:
1657:
1653:
1639:
1635:
1617:
1613:
1603:
1601:
1593:
1592:
1588:
1580:
1576:
1568:
1564:
1556:
1552:
1535:
1529:(liner notes).
1525:
1524:
1520:
1508:
1507:
1503:
1493:
1491:
1480:
1479:
1475:
1463:
1462:
1458:
1448:
1446:
1435:
1434:
1427:
1417:
1415:
1404:
1403:
1399:
1389:
1387:
1371:
1370:
1366:
1356:
1354:
1343:
1342:
1335:
1325:
1323:
1312:
1311:
1307:
1295:
1294:
1290:
1280:
1278:
1269:
1268:
1264:
1254:
1252:
1244:
1243:
1236:
1226:
1224:
1222:AnyDecentMusic?
1216:
1215:
1211:
1201:
1199:
1187:
1186:
1182:
1172:
1170:
1159:
1158:
1151:
1141:
1139:
1126:
1125:
1121:
1111:
1109:
1096:
1095:
1091:
1081:
1079:
1067:
1066:
1055:
1050:
1030:Top Rock Albums
969:French Albums (
939:
930:
925:
898:
848:
797:baritone guitar
769:
764:
754:
702:"No More Honey"
622:
613:
593:
553:
548:
543:
538:
515:
510:
505:
500:
417:
412:
407:
402:
379:
374:
369:
364:
320:AnyDecentMusic?
298:
238:
233:
230:
229:
224:
222:"No More Honey"
221:
220:
192:
185:
176:
129:
125:
124:
116:
81:, New York City
55:
53:
44:
17:
12:
11:
5:
1915:
1913:
1905:
1904:
1899:
1894:
1884:
1883:
1877:
1876:
1874:
1873:
1872:
1871:
1858:
1856:
1852:
1851:
1849:
1848:
1841:
1834:
1827:
1820:
1813:
1806:
1799:
1792:
1785:
1782:Blonde Redhead
1777:
1775:
1771:
1770:
1768:
1767:
1762:
1761:Maki Takahashi
1759:
1754:
1749:
1743:
1740:
1739:
1736:Blonde Redhead
1734:
1732:
1731:
1724:
1717:
1709:
1703:
1702:
1690:
1676:
1675:External links
1673:
1670:
1669:
1651:
1633:
1611:
1586:
1574:
1562:
1550:
1531:Blonde Redhead
1518:
1501:
1473:
1456:
1425:
1397:
1364:
1333:
1305:
1288:
1262:
1234:
1209:
1180:
1149:
1119:
1089:
1075:Seattle Weekly
1052:
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854:
847:
846:
843:
839:– percussion,
834:
828:
822:
814:
808:
807:
800:
793:
775:Blonde Redhead
768:
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761:
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747:
744:
740:
739:
736:
733:
729:
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308:
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263:Blonde Redhead
244:
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217:
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160:Blonde Redhead
156:
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140:
134:
133:
122:
118:
117:
115:
114:
109:
104:
99:
93:
91:
85:
84:
83:
82:
76:
65:
61:
60:
50:
46:
45:
42:Blonde Redhead
40:
33:
32:
24:
23:
15:
13:
10:
9:
6:
4:
3:
2:
1914:
1903:
1900:
1898:
1895:
1893:
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1870:
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1864:
1860:
1859:
1857:
1853:
1847:
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1842:
1840:
1839:
1835:
1833:
1832:
1831:Penny Sparkle
1828:
1826:
1825:
1821:
1819:
1818:
1814:
1812:
1811:
1807:
1805:
1804:
1800:
1798:
1797:
1793:
1791:
1790:
1786:
1784:
1783:
1779:
1778:
1776:
1774:Studio albums
1772:
1766:
1763:
1760:
1758:
1755:
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1750:
1748:
1745:
1744:
1741:
1737:
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1725:
1723:
1718:
1716:
1711:
1710:
1707:
1700:
1696:
1695:
1691:
1688:
1684:
1683:
1679:
1678:
1674:
1666:
1665:
1660:
1655:
1652:
1648:
1647:
1642:
1637:
1634:
1630:
1629:
1624:
1622:
1615:
1612:
1600:
1596:
1590:
1587:
1583:
1578:
1575:
1571:
1566:
1563:
1559:
1554:
1551:
1546:
1540:
1532:
1528:
1522:
1519:
1514:
1513:
1505:
1502:
1490:
1489:
1488:Rolling Stone
1484:
1477:
1474:
1469:
1468:
1460:
1457:
1445:
1444:
1439:
1432:
1430:
1426:
1414:
1413:
1408:
1401:
1398:
1385:
1381:
1380:
1375:
1368:
1365:
1353:
1352:
1347:
1340:
1338:
1334:
1322:
1321:
1320:The A.V. Club
1316:
1309:
1306:
1301:
1300:
1292:
1289:
1277:
1273:
1266:
1263:
1251:
1247:
1241:
1239:
1235:
1223:
1219:
1213:
1210:
1198:
1194:
1190:
1184:
1181:
1169:
1168:
1163:
1156:
1154:
1150:
1137:
1133:
1129:
1123:
1120:
1107:
1103:
1099:
1093:
1090:
1077:
1076:
1071:
1064:
1062:
1060:
1058:
1054:
1047:
1037:
1036:
1031:
1026:
1019:
1018:
1013:
1008:
1002:
1000:
994:
990:
987:
983:
979:
972:
967:
960:
955:
948:
943:
935:Chart (2014)
933:
927:
921:
918:
916:– photography
915:
912:
909:
906:
905:
903:
902:
894:
891:
888:
886:
882:
879:
876:
873:
870:
868:
864:
860:
857:Drew Brown –
856:
855:
853:
852:
844:
842:
838:
837:Mauro Refosco
835:
832:
829:
826:
825:Jason Falkner
823:
820:
816:
815:
813:
812:
805:
801:
798:
794:
791:
787:
783:
779:
778:
777:
776:
772:
766:
758:
755:Total length:
748:
745:
741:
737:
734:
730:
726:
723:
719:
715:
712:
708:
704:
701:
697:
693:
690:
686:
682:
679:
675:
671:
668:
664:
660:
657:
653:
649:
646:
642:
629:
626:
620:Track listing
619:
617:
612:
611:
605:
601:
600:
592:
588:
586:
582:
578:
568:
566:
565:
561:
560:
530:
528:
527:
526:Rolling Stone
523:
522:
492:
490:
489:
485:
484:
480:
478:
477:
473:
472:
468:
466:
465:
461:
460:
456:
454:
453:
449:
448:
444:
442:
441:
437:
436:
432:
430:
429:
428:The A.V. Club
425:
424:
394:
392:
391:
387:
386:
356:
354:
351:
350:
342:
339:Review scores
337:
333:
331:
328:
327:
323:
321:
318:
317:
309:
304:
295:
293:
291:
287:
282:
280:
276:
275:Benton Harbor
272:
268:
264:
260:
256:
253:is the ninth
252:
251:
241:
228:
219:
218:
215:
212:
208:
204:
200:
191:
188:
184:
183:
179:
175:
174:
173:Penny Sparkle
170:
169:
165:
161:
157:
153:
151:
147:
144:
141:
139:
135:
123:
119:
113:
110:
108:
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1384:the original
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1227:December 28,
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1078:. p. 35
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908:Claude Cahun
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257:by American
255:studio album
249:
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37:Studio album
1892:2014 albums
1765:Toko Yasuda
1757:Simone Pace
1752:Amedeo Pace
1747:Kazu Makino
1699:MusicBrainz
1604:October 28,
1142:October 28,
1112:October 28,
863:engineering
831:David Garza
804:programming
790:harpsichord
788:keyboards,
746:"Seven Two"
735:"Penultimo"
1886:Categories
1869:Evil Morty
1483:"Barragán"
1443:PopMatters
1250:Metacritic
1048:References
961:Wallonia)
949:Flanders)
859:production
851:Production
782:Chamberlin
669:"Dripping"
647:"Barragán"
610:PopMatters
577:Metacritic
476:PopMatters
330:Metacritic
279:Magic Shop
231:"Dripping"
162:chronology
154:Drew Brown
79:Magic Shop
56:2014-09-02
1664:Billboard
1646:Billboard
1628:Billboard
1621:Billboard
1412:Pitchfork
1197:NPR Music
1167:Pitchfork
1035:Billboard
1017:Billboard
999:Billboard
940:position
914:Tim Flach
885:mastering
786:Mellotron
767:Personnel
464:Pitchfork
211:Barragán
107:dream pop
1838:Barragán
1694:Barragán
1682:Barragán
1527:Barragán
1494:March 2,
1449:March 2,
1418:March 2,
1390:March 2,
1357:March 2,
1351:Exclaim!
1281:March 2,
1276:AllMusic
1255:March 9,
1202:March 9,
1173:March 2,
1132:7digital
1102:7digital
1082:March 9,
959:Ultratop
947:Ultratop
658:"Lady M"
604:Barragán
599:Exclaim!
591:Barragán
585:Barragán
440:Exclaim!
353:AllMusic
286:Barragán
250:Barragán
182:Barragán
150:Producer
112:shoegaze
102:art rock
70:Key Club
49:Released
39: by
22:Barragán
1687:Discogs
1326:May 17,
841:mallets
819:Max/MSP
207:Singles
193:(2016)
186:(2014)
177:(2010)
54: (
928:Charts
901:Design
867:mixing
639:Length
469:4.3/10
347:Rating
344:Source
334:64/100
324:6.5/10
314:Rating
311:Source
290:stream
143:Kobalt
121:Length
64:Studio
1855:Songs
1623:200)"
1512:Uncut
759:41:45
636:Title
614:'
594:'
564:Uncut
261:band
209:from
138:Label
89:Genre
1606:2018
1545:link
1496:2017
1451:2017
1420:2017
1392:2017
1359:2017
1328:2018
1283:2017
1257:2021
1229:2019
1204:2021
1175:2017
1144:2018
1114:2018
1084:2021
1005:180
976:104
971:SNEP
938:Peak
784:and
749:3:25
738:3:18
727:6:14
716:8:46
705:3:42
694:3:51
683:3:37
672:3:40
661:2:59
650:2:13
569:7/10
481:4/10
457:8/10
445:8/10
1697:at
1685:at
1379:NME
1041:48
1028:US
1023:29
1010:US
1001:200
996:US
991:17
986:OCC
964:86
952:68
743:10.
632:No.
575:At
452:NME
273:in
1888::
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1824:23
1661:.
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